Showing posts with label National Library of Australia. Show all posts
Showing posts with label National Library of Australia. Show all posts

T. J. Nevin's 1870s mugshots the inspiration for 21st century artworks

POLICE MUGSHOTS Tasmania 1870s by T. J. Nevin
ARTWORK 21st century based on 1870s mugshots
LISA SHAROUN 2015
KENNETH POMLETT 2013

Ancestors by Lisa Sharoun 2015
Visual Artwork: Ancestors. [Artefact] (2015)
Source: https://eprints.qut.edu.au/129233/
Creator: Scharoun, Lisa
Source: https://eprints.qut.edu.au/view/person/Scharoun,_Lisa.html
Personal communication 26 January 2020:
Copies courtesy of the artist for permission to display the artworks online

Professor Lisa Sharoun created the seven artworks based on T. J. Nevin's 1870s mugshots titled Ancestors for inclusion in a group exhibition of University of Canberra academics from the faculty of Arts and Design. The exhibition took place at the Belconnen Arts Centre, Canberra in 2015 with the broad theme around cultural heritage. Accompanying each piece was a citation from our online research about Thomas J. Nevin's photographic work for police, plus acknowledgement of the public collections which hold copies of the photographs, e.g. Archives Office Tasmania. These art pieces were not for sale and remain in the artist's private collection.

The following description which accompanied each of the exhibition pieces (2015) is from the catalogue. These notes were sourced from QUT (2020) where Professor Sharoun is currently Head of School of Design in the Creative Industries Faculty.
Description
Research background
The images presented are inspired by photographic images of the prisoners of Port Arthur taken by the Tasmanian photographer Thomas Nevin in the 1870s. The photos were used as mug-shots, legal instruments taken for the police and not meant to be ethnographic artifacts. The images are, however, strikingly beautiful with the expressions and poses of the prisoners allowing us a window into the lives of these men. When Nevin’s photos were first exhibited together at the Queen Victoria Museum, Launceston in 1977 the curator, Mr. John McPhee, noted; ‘These photographs are among the most moving and powerful images of the human condition.’

Through the paintings presented, you can sense the emotions of these long-deceased spirits; their presence is represented as a ghostly imprint on the golden surface of this vast and beautiful land.

Research Statement
In the novel The Book of Laughter and Forgetting Milan Kundera wrote ‘The struggle of man against power is the struggle of memory against forgetting.’ In this exhibition, I am presenting a collection of images that explore the concepts of power, servitude, memory and the ability to forget. From 1787–1868 thousands of men and women were transported in chains to a vast island on the other side of the world. This forced mass migration of the lower social classes of British society deeply influenced the spirit of the nascent Nation. When transportation to Australia effectively ended an attempt was made to erase the convict ‘stain’ from collective memory. Even the name of ‘Van Diemen’s Land,’ home to some of the harshest of the Australian prisons, was removed in order to change public perception of the place.

In her book Australia’s Birthstain, Babette Smith explains: ‘The penal colony had been the most talked about experiment in the world in its first 100 years and subsequently became the object of distortion, cover-up and, finally, silence in the second.’ The names, places and memories of the convict settlements were relegated to a troubled past, one that should never taint the promising golden future of the colony. Although there was a conscious effort to collectively forget the stain of convict servitude, its memory is unmistakably woven into the fabric of the Australian psyche. It wasn’t until the late 1970’s, when the government fully allowed families exposure to convict records, that Australians took a favorable look at past familial connections to the convicts. For the many years that the government censored, or in some cases destroyed, convict records family stories and histories became distant or lost altogether.

Kundera, M. (1980) The Book of Laughter and Forgetting, New York: A.A. Knopf.
Smith, B. (2009) Australia’s Birthstain: the startling legacy of the convict era. Sydney: Allen and Unwin.
[Source: https://eprints.qut.edu.au/129233/. Accessed 12 May 2020]



[Above]:  Wall display of seven artworks by Lisa Sharoun based on photographs of Tasmanian prisoners (mugshots) taken for police by government contractor and commercial photographer Thomas J. Nevin, Hobart, 1870s.

From the exhibition, Ancestors. Belconnen Arts Centre, Canberra 2015
Creator: Lisa SHAROUN
Source: personal communication (copyright permission)

[Below:]  Thomas Nevin's 1870s photographs of five of the seven prisoners which provided inspiration for Lisa Sharoun's portraits. Originals, duplicates and copies of these particular photographs are held at the Queen Victoria Museum and Art Gallery, Launceston, Tasmania; the Archives Office of Tasmania, Hobart; and the National Library of Australia, Canberra.



[Above:] Left to right:
Painted portrait of Tasmanian prisoner Thomas JACKSON 1870s
Painted portrait of Tasmanian prisoner William or John WOODLEY 1870s
Artist:  © Lisa Sharoun 2015 Private Collection

[Below:] Left to right:
Photograph of Tasmanian prisoner Thomas JACKSON 1870s
Photograph of Tasmanian prisoner William or John WOODLEY 1870s

  

Left: Photograph of Tasmanian prisoner Thomas JACKSON 1870s
Right: Photograph of Tasmanian prisoner William or John WOODLEY 1870s
Photographer: Thomas J. Nevin (1842-1923)
Black and white copies of sepia prints printed in cdv mounts
From the QVMAG Collection, Launceston, Tasmania
These prints are held at the QVMAG, Launceston, Tasmania

Prisoner William or John WOODLEY 



Photograph of Tasmanian prisoner William or John WOODLEY 1870s
Photographer: Thomas J. Nevin (1842-1923)
Albumen print in buff mount
This cdv is held at the National Library of Australia, Canberra
Read more about William or John WOODLEY here


Photograph of Tasmanian prisoner William or John WOODLEY 1870s
Photographer: Thomas J. Nevin (1842-1923)
Caption: "William Woodley convict, transported per Moffatt. Photograph taken at Port Arthur by Thomas Nevin".
Paper copy of the cdv held at the QVMAG
Archives Office Tasmania Ref: PH30/1/3220



[Above:] Left to right:
Painted portrait of prisoner William WALKER 1870s
Painted portrait of prisoner Michael HARRIGAN 1870s
Painted portrait of prisoner Philip AYLWARD 1870s
Artist: © Lisa Sharoun 2015 Private Collection

[Below:] Left to right:
Photograph of prisoner William WALKER 1870s
Photograph of prisoner Michael HARRIGAN 1870s
Photograph of prisoner Philip AYLWARD 1870s
Photographer: Thomas J. Nevin (1842-1923)




[Below:]
Photograph of prisoner William WALKER 1870s
Photographer: Thomas J. Nevin (1842-1923)
Black and white copy of sepia print printed in cdv mount
From the QVMAG Collection, Launceston, Tasmania



Photograph of prisoner William WALKER 1870s
Photographer: Thomas J. Nevin (1842-1923)
Black and white copy of sepia print printed in cdv mount
From the QVMAG Collection, Launceston, Tasmania
Read more about William WALKER here



Photograph of Tasmanian prisoner William WALKER 1870s
Photographer: Thomas J. Nevin (1842-1923)
Caption: "William Walker convict, transported per Asia. Photograph taken at Port Arthur by Thomas Nevin".
Paper copy of the cdv held at the QVMAG
Archives Office Tasmania Ref: PH30/1/3221



Photograph of Tasmanian prisoner William WALKER 1870s
Photographer: Thomas J. Nevin (1842-1923)
Albumen print in buff mount
This cdv is held at the National Library of Australia, Canberra

[Below:]
Prisoner Michael HARRIGAN or SULLIVAN
Photographer: Thomas J. Nevin (1842-1923) 1880s?
Black and white copy of sepia print printed in cdv mount
Verso indicates alias, crime, date of transportation, photo no. 466 etc
From the QVMAG Collection, Launceston, Tasmania



This print is held in the QVMAG Collection

[Below:]
Prisoner Philip AYLWARD 1870s
Photographer: Thomas J. Nevin (1842-1923)
Black and white copy of sepia print printed in cdv mount
From the QVMAG Collection, Launceston, Tasmania
Read more about Phillip AYLWARD here



Black and white copy of cdv held at the QVMAG, Launceston


Photograph of Tasmanian prisoner Phillip AYLWARD 1870s
Photographer: Thomas J. Nevin (1842-1923)
Caption: "Arrived as a military pensioner per Blenheim. Tried Hobart 1872. Photograph taken at Port Arthur by Thomas Nevin".
Paper copy of the cdv held at the QVMAG
Archives Office Tasmania Ref: PH30/1/3209


Watercolours by Kenneth Pomlett
"I never lost the look of the man" - K. Pomlett



Kenneth Pomlett at home with his watercolours of 1870s Tasmanian prisoners
Screenshot from YouTube video (below)



Uploaded to YouTube on 3 June 2013
Video by Soma Kondo
https://youtu.be/A7jnGQduE70
NB: audio is not clear.

Watch artist Kenneth Pomlett create his watercolours, and listen to his comments on the process. He points to the watercolours of Tasmanian prisoners on his wall, recounting his source as the small carte-de-visite photographs from the 1870s. Each painting took him about four hours. When exactly he produced them is not mentioned. He most likely discovered the photographs here online in our posts about each prisoner, their criminal offences in the 1870s, and the date on which Thomas J. Nevin photographed them. These six same watercolours left his possession at some point, to be snapped up at auction by Kim Sgarbossa. Read her account below.



Six watercolours by artist Ken Pomlett (2012?) of Tasmanian prisoners based on police mugshots taken by Thomas J. Nevin in the 1870s.
Copyright © Private Collection of Kim Sgarbossa

Kim Sgarbossa purchased these artworks at an auction and posted this photograph of them hanging in pride of place on her wall at home to the Facebook page, Tasmanian History, with these comments, dated 26 February 2020:

I rescued these gorgeous water colours by artist K. Pomlett. Not many people really like them but I love the history that comes with them and the lives of convicts in early Tasmania and they have pride of place in our home.
They are 6 convicts with their history. Bottom left is Thomas Francis ... Duncan MacDonald born 1812, One eyed Dennis Doherty born 1814, James Harper born 1820, George White born 1821, Peter Killeen born 1806 ... there was no interest so I just had to, not a popular pick up with my friends who think they are ugly but the history is priceless I love them ... all I know [about the artist] is he’s a Tasmanian artist who I believe has a studio in the Huon. I looked him up and these paintings were in his studio wall so I’m not sure why they ended up in a box of frames at an auction ...

The six prisoners featured in these paintings are as follows, from top left to bottom right:
Photograph of prisoner Duncan MACDONALD 1870s
Photograph of prisoner James HARPER 1870s
Photograph of prisoner Denis DOGHERTY 1870s
Photograph of prisoner George WILSON aka WHITE 1870s
Photograph of prisoner Thomas FRANCIS 1870s
Photograph of prisoner Peter KILLEEN 1870s
Photographer: Thomas J. Nevin (1842-1923)







Top line: left to right
Prisoner Duncan MACDONALD



Prisoner Duncan MACDONALD
Photographer: Thomas J. Nevin
National Library of Australia nla.obj-142917917

Prisoner James HARPER



Prisoner James HARPER
Photographer: Thomas J. Nevin
National Library of Australia nla.obj-142914518
Read more about James Harper here

Middle line: left to right
Prisoner Denis DOGHERTY



Prisoner Denis DOGHERTY
Photographer: Thomas J. Nevin
National Library of Australia nla.obj-142914810
Read more about Denis Dogherty here

Prisoner George WILSON aka WHITE



Prisoner George WILSON aka WHITE
Photographer: Thomas J. Nevin
National Library of Australia nla.obj-142919110
Read more about George White or Wilson here

Bottom line: left to right
Prisoner Thomas FRANCIS



Prisoner Thomas FRANCIS
Photographer: Thomas J. Nevin
National Library of Australia nla.obj-142916416
Read more about Thomas Francis here.

Prisoner Peter KILLEEN



Prisoner Peter KILLEEN
Photographer: Thomas J. Nevin
National Library of Australia nla.obj-142917714
Read more about Peter Killeen here.

Watercolours sourced online from Kim Sgarbossa' post to Facebook.
Photographs sourced from the National Library of Australia
Please note: the NLA has recently misattributed their collection
Research copyright © KLW NFC Imprint 2003-2020

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Prisoner George GROWSETT 1860 and 1873

DUPLICATES, COPIES and DISPERSAL of 1870s MUGSHOTS
PRISONER George Growsett's THREAT of SUICIDE

George Growsett threatened suicide at trial in 1860 for armed robbery, protesting that he would rather be hanged than endure a lengthy sentence. A sentence of death was duly recorded, which he boastfully informed the court he wanted, but his sentence was commuted a few days later to 15 years in penal servitude. He was photographed by Thomas J. Nevin at the Mayor's Court, Hobart Town Hall, on discharge on September 5th, 1873. He must have committed further offences (to be included here later if found), since Nevin's original photograph of 1873, numbered "79 " in the Hobart Gaol Photo Book, was duplicated, numbered "264" for application to the prisoner's rap sheet on sentencing for further offences.



The prisoner in a most insolent manner said he knew very well that the question was only a matter of form ; he had not been tried at all, and did not consider that he had had a fair trial. The witnesses had sworn what they liked, and he had not been defended by counsel ; in fact, he had been sold like a bullock in Smithfield Market ; he knew very well that His Honor had his sentence ready written before him, and that the whole thing was a matter of form. He knew very well that he should have a long sentence, but His Honor had better sentence him to be hanged, as he should never do a long sentence ; in fact, he could not do it whether he received it or not (Mercury 7 September 1860)
The Tasmanian Museum and Art Gallery copy
When George Growsett was found guilty at trial of armed assault in 1860, the verdict recorded was "Death" - but he was not hanged. The sentence of "death" was commuted to 15 years of penal servitude. When he was discharged from the 15 year sentence in 1873, he was photographed by government contractor, photographer Thomas J. Nevin. Just one image of this man George Growsett is extant, duplicated several times, and copied.

Three copies from two duplicates are extant of the photograph made from Thomas J. Nevin's original glass negative taken in the one and only sitting of prisoner George Growsett in September 1873 (No. 79) on discharge from a 15 yr sentence for armed robbery. The duplicate from Nevin's original was reproduced again (No. 264) when George Growsett was committed for a further sentence (to be confirmed).

This copy held at the TMAG was originally held in a collection at the Queen Victoria Museum and Art Gallery, acquired from convictarian John Watt Beattie's estate in the 1930s as government records and gaol estrays. It was removed from the QVMAG (Launceston) by Elspeth Wishart in 1983 and taken down the Port Arthur historic site as part of an exhibition. For this purpose, for its removal to the exhibition it was numbered "179" - the number written directly below the oval image on the mount. At the close of the exhibition, this mugshot and another fifty (50) and more sourced from the QVMAG were not returned to the QVMAG, deposited instead at the Tasmanian Museum and Art Gallery in Hobart, thereby violating the integrity of Beattie's Collection. These fifty and more police mugshots of the 1870s, taken by government contractor photographer Thomas J. Nevin, should have been returned to the QVMAG in 1983.

The QVMAG's list of their collection of 1870s mugshots, acquired here in 2005, shows that of the 200 listed in the original QVMAG collection in the 1980s, only 72 mugshots were in fact actually located there. More than 200 were originally acquired at the QVMAG, but were not listed in 1983. Not only were more than a hundred missing from Beattie's original collection, it was in 1983 when Elspeth Wishart et al at the Port Arthur exhibition fabricated an altogether impossible photographer attribution to the prison's commandant A. H. Boyd, despite clear recent and historical evidence that commercial photographer and government contractor Thomas J. Nevin was the commissioned photographer working from February 1872 to commence the photographing of prisoners at sentencing, incarceration and discharge. The misattribution to A. H. Boyd, a renowned bully and not a photographer by any definition of the term, was to pander to the fantasies of his descendants who were mindful of seeing their reviled ancestor come up from history smelling of roses. A. H. Boyd was dismissed for misogyny from the superintendent position at the Queen's Orphan School in 1864, and forced to resign from the commandant position at Port Arthur in December 1873 under allegations of fraud, corruption and misappropriation of funds.

Thomas J. Nevin's original glass negative was produced at the one and only sitting with prisoner George Growsett in September 1873. It was reproduced twice for application to Growsett's prison criminal record sheet, now missing, as are all the early rap sheets from the mid 1870s from which these mugshots were removed. As on later rap sheets, the date of sentencing was written, along with the crime, the length of sentence, the date of discharge and the number of the photograph, which was recorded in the Hobart Gaol Photo Book. The extant photograph held at the National Library of Australia bears TWO numbers: the first, no. "79" was recorded when Nevin photographed Growsett on discharge from a 14 year sentence (September 1860) for armed robbery in September 1873. The second number "264" was recorded for another sentence (date and nature of crime to be confirmed).



Prisoner GROWSETT, George
Ex QVMAG Collection, now held at the TMAG Ref: Q15611
Photographer: Thomas J. Nevin

This copy was printed at a slight tilt, compared with the NLA and AOT copies which were straightened when printed.



Verso of cdv of prisoner GROWSETT, George
Inscription: "79 & 264 George Growsett per Ly Montague (Taken at Port Arthur 1874)"
Ex QVMAG Collection, now held at the TMAG Ref: Q15611
Photographer: Thomas J. Nevin

The National Library of Australia copy
The National Library of Australia catalogue entry is devised from the inscription on the verso of this photograph, but with the assumption that the information is correct, viz: "George Growsette, per Ly. [Lady] Montague, taken at Port Arthur, 1874 [picture]". This photograph was not taken in 1874, it taken in early September 1873 at the Hobart Municipal Police Office, Town Hall, when Growsett was discharged, free in service with a ticket of leave.



George Growsette, per Ly. [Lady] Montague, taken at Port Arthur, 1874 [picture]
National Library of Australia Call Number PIC Album 935 #P1029/22

The NLA copy bears two numbers on recto: "79 & 264" which indicate that the first, no. 79 was taken by Thomas J. Nevin in the week preceding September 5th 1873 when George Growsett was discharged (FS - free in service). The second, no. 264, was duplicated from the first, from Nevin's original glass negative, when George Growsett was sentenced again (date and nature of crime to be confirmed).

The Archives Office Tasmania copy
A hard copy is held at the Archives Office of Tasmania, and recorded online. The hard copy was most likely reproduced for reasons to do with regional exhibitions, postcard issue, or local and family history publications.



Prisoner George Growsett:
AOT Ref: PH30/1/3258
Photographer: Thomas J. Nevin 1873


Webshot 2005: AOT Ref: PH30/1/3258
Caption: "George Growsett, convict transported per Lady Montague. Photograph taken at port Arthur by Thomas Nevin."

Court and Police Records

1852:
George Growsett, from Hereford, was tried at Chelmsford Ass. (UK) on 5th March 1859. He was transported for arson, setting fire to a stack of wheat valued at £100 etc. He arrived at Hobart (Van Diemen's Land - Tasmania) the 9th December 1852 on the Lady Montague. On arrival, he was 19 years old, his religion listed as Church of England, and was able to read and write. He was issued with a Ticket of Leave in 1853, but committed further offences. He was sentenced to 15 yrs for armed assault in 1860, and released again with a TOL on 18th August 1873, gazetted on 9th September 1873.



Growsett, George
Record Type: Convicts
Departure date: 9 Aug 1852
Departure port: Plymouth
Ship: Lady Montagu
Voyage number: 356
Index number: 28764
Record ID:NAME_INDEXES:1397589
Archives Office Tasmania

1860:
The deposition recorded on 3rd August, 1860, at Hobart Town stated that George Growsett was charged with armed robbery, death recorded. The sentence of death was commuted to 15yrs in penal servitude (P.S.) on Sept 20th 1860.



Deposition: George Growsett:
Source: Archives Office Tasmania
https://stors.tas.gov.au/AB693-1-1$init=AB693-1-1_054



Tuesday 4th September 1860: Before the Chief Justice and jury, George Growsett was found guilty of assault with a pistol on John Shipley, stealing a watch and £4.
Source: Archives Office Tasmania
https://stors.tas.gov.au/SC32-1-8$init=SC32-1-8_121



Page on right:
Thursday the 6th day of September 1860 The Court met this Day at 2pm. Before His Honor The Chief Justice
The following prisoners were placed at the bar and sentenced as opposite to their names.
Patrick Glynn To be kept in P.S. for 4 years
George Growsett Death recorded [commuted to 15 yrs penal servitude]
Martin Lydon To be Hanged
Source: Archives Office Tasmania
https://stors.tas.gov.au/SC32-1-8$init=SC32-1-8_122

PRESS REPORTS 1860
The Hobart newspaper Mercury, on 7th September 1860 reported George Growsett's death-wish statements at trial.
SUPREME COURT.
CRIMINAL SITTINGS.
(AFTER SECOND TERM, 1860.) THURSDAY, SEPTEMBER 6.
FIRST COURT,
BEFORE His Honor Sir Valentine Fleming, Knight, Chief Justice.
The Court sat by adjournment for the purpose of passing the sentences, and His Honor took his seat at two o'clock.
SENTENCES.
George Growsett convicted of robbery under arms.
On being asked if he had anything to say why judgement should not be passed upon him.
The prisoner in a most insolent manner said he knew very well that the question was only a matter of form ; he had not been tried at all, and did not consider that he had had a fair trial. The witnesses had sworn what they liked, and he had not been defended by counsel ; in fact, he had been sold like a bullock in Smithfield Market ; he knew very well that His Honor had his sentence ready written before him, and that the whole thing was a matter of form. He knew very well that he should have a long sentence, but His Honor had better sentence him to be hanged, as he should never do a long sentence ; in fact, he could not do it whether he received it or not.
His Honor said that during the progress of the trial he thought the prisoner was a very unwise and illiterate man, and if anything was needed to confirm that opinion, it was the address which he had just uttered. The prisoner said he had not had a fair trial, or, to use his own language, that he had been sold like a bullock. Now, His Honor thought that he had a most fair and impartial trial. (The prisoner—Well, then, I don't,) His Honor begged that he might not be interrupted, That the prisoner was not defended by counsel was no fault of His Honor, nor of the Crown, but was entirely the prisoner's own fault. His Honor found that he was originally transported to this colony for a very bad offence, namely, arson, for which he received a sentence of 14 years. (The prisoner said he had been punished for that.) He arrived here in 1852, and in the condition of a pass-holder, or, in other words, he arrived here in a condition of qualified freedom. His Honor well remembered that year, and if ever there was a period in the history of the colony when a man if inclined to lead an honest and industrious life, had every inducement held out to do so it was at that time, for the colony had been deprived of labor by the emigration to the gold fields, leaving open to persons in the same situation as the prisoner the means of gaining an honest livelihood. But the prisoner had not availed himself of those means, for in 1853 he was convicted of stealing a rather large sum of money (£25) received a sentence of seven years, and was sent to a penal settlement. Here he was guilty of absconding, insubordination, and other offences, but nevertheless he obtained a ticket-of-leave in 1853, and that was his present condition. The prisoner was a young man in the enjoyment of good health and physical strength and might easily have obtained an honest living, but what did he do ? His Honor here recapitulated the particulars of the prisoner's offence, and continued :- Was it to be allowed that crimes of this kind were to be committed by lawless men ? Where, he asked, was the injustice of the trial ? Was Shipley not the witness of truth ? And had not the jury given every consideration to the case ? His Honor's experience of juries showed him that they were always impartial and considerate, and that they had invariably a leaning towards mercy. And now the prisoner was so injudicious as to address the Court as he had done. He must have known that he was on his trial for life or death, and that by his crime he had forfeited that life by the laws of the colony. (Prisoner : So much the better). Notwithstanding that boastful expression it was not His Honor's intention to pass upon the prisoner the extreme sentence of the law ; there was a point in the evidence of Mr. Shipley in the prisoner's favor, of which he did not, perhaps, perceive the benefit, and that was the impression on Mr. Shipley's mind that the prisoner did not intend to take life. His Honor would give the prisoner the benefit of this, and it would rest with the Executive to determine the duration of his punishment. (Prisoner : I would rather be hanged.) His Honor said there was only one sentence which under those circumstances, he could pass upon the prisoner, and that was to order sentence of of death to be recorded, and
Sentence of death was accordingly recorded.
Source: Mercury (Hobart, Tas), Friday 7 September 1860, page 3

The Launceston Examiner on Wednesday, 20th September 1860 reported on Page 2 that the "death recorded against George Growsett for robbery under arms has been commuted to fifteen years penal servitude."

1871:



TRANSCRIPT

OFFENCES AT PORT ARTHUR.-From the Mercury we learn that two constables, named respectively Elliott and Rogers, have been dismissed for the offence of purchasing pigs and potatoes from two prisoners named respectively George Grossett and Moses Cochrane. The prisoners were also punished, Grossett being sent to an outstation, and Cochrane sentenced to 6 month's hard labor.
Source: Launceston Examiner Tue 21 Feb 1871 Page 5 OUR MONTHLY SUMMARY.

1873:
This record of discharge from the Tasmanian Police Gazette, dated 5th September 1873, lists George Growsett twice; the first entry shows no personal information such as age, height and hair colouring, simply that he was received from the Port Arthur prison minus this information. The second entry shows his alias as Grossett, that he was 40yrs old, and that his height was 5 ft 8 ins., almost 3 inches taller than when his height was recorded as 5ft 5ins at 19yrs old on arrival, a mistake by the police gazette, possibly. He was received at Hobart from the Port Arthur prison and photographed at the Municipal Police Office, Hobart Town Hall by Thomas J. Nevin on discharge from the Mayor's Court with a ticket of leave.



George Growsett, discharged 5th September 1873
Tasmania Reports of Crime for Police J. Barnard Gov't printer

Ticket of Leave
Fellow prisoner William Smith, transported on the Rodney 3 was granted a Ticket of Leave on the same day as George Growsett: his discharge was gazetted one week later, on 10th September 1873.



Recto and verso of photograph of prisoner Wm Smith per Gilmore (3)
Verso with T. J. Nevin's government contractor stamp printed with the Royal Arms insignia.
Carte numbered "199" on recto
QVMAG Ref: 1985.p.131

Thomas J. Nevin's two different prisoner identification photographs of William Smith per Rodney 3 taken in 1873 and again in 1875 both bear his government contractor stamp on verso. This one, taken in 1873, is held at the Queen Victoria Museum and Art Gallery, Launceston, Tasmania; the second, taken in 1875 is held in the Mitchell Collection, State Library of NSW.  Read more about William Smith per Rodney 3 here.



George Growsett per Lady Montagu and William Smith per Gilmore 3 each issued with ticket of leave 12 September 1873.
Source:Tasmania Reports of Crime for Police J. Barnard Gov't printer

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