Views and portraits for the Lands & Survey Department

THE ROYAL ARMS INSIGNIA STAMP
THE YELLOW STEREO FRAME and ALBUMEN PRINT

Thomas J. Nevin's photographic commissions to provide documentary records for the Colonial Government's Lands and Survey Department, date from the late 1860s while operating from his commercial studio at 140 Elizabeth St. Hobart. Nevin's next commission from ca. 1873 onwards was to provide prisoner identification photographs (mugshots) for the Prisons Department, Municipal Police Office, Hobart Town Hall and Hobart Gaol, which was also funded through the Hobart City Corporation's Lands Department (Treasury). All of Nevin's extant photographs bearing the Royal Arms insignia stamp were paid through his Lands Department contracts. Several prisoner photographs bearing this particular stamp were used to register joint copyright with the government (one sample per batch per year). Several extant portraits of HCC officials, their wives and children, all bear this Royal Arms insignia, for example, those of Constable William McVilly's children, Laura and John. Thomas Nevin's personal relationship with Lands Dept surveyor John Hurst, son of James Hurst who held the lease of the Salt Water Coal Mines on the Tasmanian Pensinsula until his death in 1876, extended to signing the birth registration of William Nevin Tatlow Hurst,John Hurst's son, as informant at Hobart on 22nd May 1868. On the verso of the river scene below is inscribed the name of Alfred Pedder, son of Nevin's colleague at the Municipal Police Office, Hobart Town Hall, Police Superintendent Frederick Pedder. Presumably, the cost for these portraits was funded jointly by the HCC and the families. Thomas Nevin was still being paid by the Lands Department in 1880 (Municipal Fund), by then receiving a full-time salary as a civil servant for the four years he served as Hall and Office Keeper of the Hobart Town Hall.

Landscapes
The Lands and Survey Department wanted these photographs, printed for depth of field effect as a stereograph because they would have conveyed important information about rainfall, the water course in the location, and soil erosion. The verso stamp on the first is one of cleanest to have survived. Its brightness can be attributed to the albumen paper Nevin used for this series, unlike the salt paper he used for many of the earlier commercial stereographs which absorbed the image, rendering it soft and fuzzy over time.





Stereograph by Thomas J. Nevin of the Glenorchy Landslip 1872
Verso stamp with government Royal Arms insignia (Lands Dept)
T. J. Nevin Photographic Artist, 140 Elizabeth St. Hobart Town
Photos recto and verso copyright © KLW NFC Imprint 2014-2015
Taken at the Tasmanian Museum and Art Gallery, 10 November 2014
TMAG Ref: Q16826.20

CAUTION: THESE PHOTOGRAPHS ARE ALL WATERMARKED

Tasmanian Museum and Art Galleries (TMAG online cat. 2006)
Q16826.20 ITEM NAME: photograph: MEDIUM: albumen silver print sepia toned stereoscope, MAKER: T J Nevin [Photographer]; DATE: 1870c DESCRIPTION : MountWellington - not Mt Wellington - looks like a man made channel





Stereograph by Thomas J. Nevin of the waterflow, Glenorchy Landslip 1872
Verso stamp with government Royal Arms insignia (Lands Dept)
T. J. Nevin Photographic Artist, 140 Elizabeth St. Hobart Town
Photos recto and verso copyright © KLW NFC Imprint 2014-2015
Taken at the Tasmanian Museum and Art Gallery, 10 November 2014
TMAG Ref: Q16826.2





Stereograph by Thomas J. Nevin, ca. 1870 of river scene
Verso stamp with government Royal Arms insignia,
T. J. Nevin Photographic Artist, 140 Elizabeth St. Hobart Town
Pencil inscription verso "A. Pedder".
Photos recto and verso copyright © KLW NFC Imprint 2014-2015
Taken at the Tasmanian Museum and Art Gallery, 10 November 2014
TMAG Ref: Q16826.19

Tasmanian Museum and Art Galleries (TMAG online cat. 2006)
Q16826.19 ITEM NAME: photograph: MEDIUM: albumen silver print sepia toned stereoscope, MAKER: T J Nevin [Artist]; DATE: 1860s DESCRIPTION : A waterfront shot. Location is uncertain. Possibly, the Huon. INSCRIPTIONS & MARKS: T.J. Nevin Photographic Artist 140 Elizabeth StreetHobart Town. Copies may be had at any time. A. Peddar.[sic]

Another vista of this river, ca. 1870, attributed to Nevin's friend and collaborator, Henry Hall Baily, was taken from a slightly closer spot along the river bank across to the hotel. The location is now called Huonville, the name finally gazetted as a town in 1891,  but known as both Victoria and Ranelagh from first settlement by the Walton brothers in 1839. A coach service was in operation by 1869.



Walker, James Backhouse (collector, not photographer)
Photograph of Victoria, Huon, Tasmania c. 1870. 
Henry Hall Baily (attributed)
University of Tasmania Library Special and Rare Materials Collection

Portraits
Two different stereographs taken on the same day, possibly only minutes apart of a group of men who could have been surveyors on government business, given Nevin's government stamp on the verso of the group of five portrait.  The TMAG has identified the location as the Salt Caves, at the town of Victoria (also called Ranelagh, now Huonville), in the Huon Valley, 38 km south of Hobart Tasmania. The first shows five men in supine poses leaning against the entrance to a cave; the second shows two men posed in similar fashion in another spot within the same cave location. The first, with five men, bears Nevin's Royal Arms insignia stamp, the second showing two men, does not. The blank verso of the second stereograph with two men indicates that Nevin used the first, the group of five men, to register the stamp, and the second was supplied as a copy for the same commission fee.





Stereograph by Thomas J. Nevin, ca. 1870 of five men in a cave
Verso stamp with government Royal Arms insignia,
Inscription: "Salt Rock Cave, Victoria, Huon"
T. J. Nevin Photographic Artist, 140 Elizabeth St. Hobart Town
Photos recto and verso copyright © KLW NFC Imprint 2014-2015
Taken at the Tasmanian Museum and Art Gallery, 10 November 2014
TMAG Ref: Q16826.14

Tasmanian Museum and Art Galleries (TMAG online cat. 2006)
Q16826.14 ITEM NAME: photograph: MEDIUM: albumen silver print sepia toned stereoscope, MAKER: Thomas Nevin [Photographer]; TITLE: 'Salt Rock Cave Victoria Huon' DATE: 1860s DESCRIPTION : A shot of five men inside the entrance of Salt Rock Cave INSCRIPTIONS & MARKS: T.J. Nevin Photogrpahic Artist 140 Elizabeth Street Hobart Town. Copies may be had at any time.





Stereograph by Thomas J. Nevin, ca. 1870 of two men in a cave
Verso is blank, with inscription: "1860s,Salt Rock Cave"
Photos recto and verso copyright © KLW NFC Imprint 2014-2015
Taken at the Tasmanian Museum and Art Gallery, 10 November 2014
TMAG Ref: Q16826.15

Tasmanian Museum and Art Galleries (TMAG online cat. 2006)
Q16826.15 ITEM NAME: photograph: MEDIUM: albumen silver print sepia toned stereoscope, MAKER: Thomas Nevin ? [Photographer]; DATE: 1860s DESCRIPTION : A shot of 2 men inside the entrance of SaltRockCave at Victoria, Huon INSCRIPTIONS & MARKS: T.J. Nevin Photogrpahic Artist 140 Elizabeth Street Hobart Town. Copies may be had at any time. On back of Q 16826.14

A Visitor's Report to the Salt Caves 1871
An employee of the firm Murchison, Lyell, and Co. who signed the following article simply S. H. W. was probably a geologist with an extensive knowledge of botany and fossils. This account of his trip to the Salt Caves, published in the Mercury, 12th May 1871 mentions only one companion. Readers are warned that phrases pertaining to Aboriginal people may cause offense.



THE SALT CAVES AT THE HUON. (1871, May 12). The Mercury (Hobart, Tas. : 1860 - 1954), p. 3. Retrieved January 21, 2015, from http://nla.gov.au/nla.news-article8875696

THE SALT CAVES AT THE HUON.
Although my rambles on high days and holidays, on behalf of the firm of Murchison, Lyell, and Co., have not been few - although I have boxed nearly all points of the compass from Hobart Town, still, by some peculiar combination of circumstances, I never saw the River Huon until a few days since, nor had I the remotest idea that the district could boast of formations having so much geological interest attached to them.
My attention was especially directed to that quarter by a gentleman (who is in the habit of going there very frequently on business) showing to me a piece of salt of remarkable purity, which he said he had obtained from a cave in some high sandstone hills near the bank of the river. What, however, seemed to be of greater importance in his mind, was the existence of a " large fossil bone of some huge animal, pro- jecting from the sandstone in one of the smaller caves." Having reason to believe that palaeozoic formations occupied that part of the country, I was sceptic enough to treat this statement of the huge fossil bone with indifference, remembering how a geologic observer illustrated on a memo- rable occasion at a meeting of our Royal Society, the character of the conclusions arrived at by tyros in geology, by a story of a petrified black-fellow's head, and which supposed head was nothing more, if I remember rightly, than a concretionary mass of ferruginous matter. Not seldom have I been decoyed into hunting shadows in these respects. One time it was a gigantic fossil fern, eight feet high, in sandstone, and which turned out to be iron dendrites, common as ditch water is in Liverpool and Collins streets. At another time it was a perfect fossil fish in a huge block of stone, which proved, after a walk of upwards of twenty miles, to be an accidental stain in sandstone, caused by the presence of oxide of iron. It is worthy of remark parenthetically, that not a single icthyolite has yet been found in Tasmania, while the veteran geologist of N.S.W., the Rev. W. B. Clarke, has discovered many in that colony from time to time, some of which I have in my collection from his cabinet. On another occasion it was nothing less than the " thigh of a blackfellow," weighing ovor a hundredweight, which the finder carried on his shoulders five or six miles. This came out to be a tubular con- cretion of iron and sand without any organic structure whatsoever. The proprietor, how- ever, is happy in the belief that he knows better, and he never loses an opportunity of drawing attention to the petrified blackfellow's thigh. Thes things will be despite philosophy, or common sense.
On Good Friday last I started with my friend for the Huon. The cuttings on the road side afford, occasionally, some very good vertical sections of the rocks. For a distance of about five miles from Hobart Town, the rocks ex- posed by the roadside consist of mudstone, often appearing as a conglomerate, limestone, and claystone, the latter being darker in colour than that which is so well exposed by the Richmond roadside and at the Bridgewater Causeway, and, like those examples, appears to be barren of fossils, while the mudstone and the lower limestone teem with them. The remainder of the road to the Huon is occupied by sand- stone, which alternates frequently and abruptly with greenstone and basalt, the latter rock in one or two instances appearing as dark, augitic basalt.
I was much struck with the character of the country traversed by the road, the lofty hills densely timbered with wonderfully gigantic trees being every now and then intersected by the beautiful fern tree gullies. It was dusk when we arrived at the Picnic Inn, but there was sufficient light to show me that I stood on the bank of a magnificent river. Leaving the dog-cart at the inn, we stepped into the punt, taking the horse with us, as my companion observed, to pilot the way to our destination, which is distant about one mile and a half from the ferry, and reached by some rather intricate paths ; and well did the tired and intelligent creature perform the task, being entirely left to his own judgment, and without making a single mistake, although it was quite dark before we had gone half the distance.
Shortly after we left the ferry, while yet there was sufficient light to enable us to discern large objects close at hand, my companion directed my attention to a high wall of rock, which skirts the river bank on the Franklin side.
"That," said he, "is where the salt caves are."
I could see a long line of almost vertical cliffs, with trees growing over the very edge. As we threaded our way along the base of this stupendous natural masonry, with the calm, bright river flowing noiselessly along on our right hand, and reflecting the few stars that were visible, with scarcely a breath of air stirring, I was impressed with a strange sense of wild weirdness in the scene, which, I might say, almost amounted to a pleasing oppression. When we had gone about a mile, and were ascending a gentle rise, I observed to my friend that we were walking over quartz, although none was visible. He seemed to think it strange that anyone should be able to arrive at that fact without seeing the stone. He was soon, how- ever, made aware of the secret. I had reason to regard it as drift, and such it turned out to be.
On the following morning at an early hour we started for the caves, my guide taking up a track that crossed a steep hill, which is bound on the south-eastern side by the sand- stone cliffs. On the top of this hill I found a crescent shaped plateau, with a slight depression in the centre, and which bears the name of Skinner's Basin. It had been under cultivation not long ago. Although, I am pretty well accustomed to mountain climbing, I looked at the high cliffs, which rose abruptly before me, and which seemed almost to overhang, with some doubt as to the possibility of scaling them from that point, but my guide informed me that it was the only point at which they might be said to be accessible. I regarded the northern escarpment of Mount Falkner, by which route I first visited the Bone Caves, as a perilous ascent, but I am bound to admit that scaling these cliffs is still more so. However, we gained the top in safety, and were, rewarded by looking from thence on a landscape of surpassing beauty. There meandered the river through broken rock-work, and tree-fringed level banks. In the distance rose the Huon Belle, a mountain that owes its name to a fancied resemblance in its outline to some Titaness stretched supine, gazing heavenward. Wherever the eye wandered from this point it was met by earth- billows thickly clothed with trees. After walking over the edge of these cliffs for about half a mile, my companion directed my attention to a projecting mass of sandstone, fully thirty yards below where we were standing. "Under that," said he, "is the 'salt cave.'" I quickly saw that, in order to reach it, a task of no easy matter, and one that was not unattended with danger lay before us. While scrambling down the almost vertical face of the cliff, grasping anything that was within our reach, my courage, I must con- fess, on one or two occasions all but forsook me ; for, on looking down the precipice, I became painfully conscious that one false step, one slip would be followed by a heavy dull thud, darkness, and oblivion. We, however, reached the cave without any such catastrophe, and I was amply rewarded for the risk run, and its attendant labour. I found my- self in a cavern about fifty feet wide at the en- trance, twenty feet long, while the roof, which is dome-shaped, is about twelve feet high at the mouth. The floor slopes upward at an angle of about 35°, and reaches to within two feet of the roof, at the back of the cave. The sides and roof of this cavity are covered with fine incrustations of salt, perfectly white, but it is on the floor where the mineral is deposited in the greatest quantity. The roof over the entrance presents a most beautiful appearance, being weathered into the most exquisitely delicate stone tapestry. It required no stretch of the imagination to see miniature castles and cathedrals, pillars, and pilas- ters, architraves and cupolas, grottoes and labyrinths in this example of natural sculpture. The lower part of the floor was covered several inches deep with loose sand, produced by the disintegration of the sandstone, and it was under- neath this that we found the thickest deposit of salt. The mineral had a highly columnar, or acicular structure, and required considerable force to detach it from the sandstone, portions of the latter often coming away with the incrustation. Upon a qualitative analysis being made of this product by an able friend of mine, it was found to consist of chloride of sodium, potass, and lime.
The whole of this sandstone formation is impregnated more or less with the salt. Where the rock has not been acted upon by atmospheric agencies, it is very hard - the hammer rebounding as from a crystalline limestone.
There are several caves of various dimensions in the face of the cliffs, some being inaccessible.
On our return my guide conducted me to the small cave, containing the huge " fossil bone." This supposed organism I found to be none other than a portion of the rock which had been weathered into a sub-globular form, and which stood out in full relief from the wall of the cavity. Were it a fossil bone, it would exceed in bulk the largest bone of the megatherium.
On the following day I examined the banks of the upper part of the river, in the neighbourhood of the falls, and found limestone of palaeozoic age, probably carboniferous, to abound on the Victoria side of the river ; while the Franklin side is more or less covered with drift. From this limestone I obtained some very choice fossils, which in genera and species, in some instances, are very different to anything I have from the rocks in the neighbourhood of Mount Wellington. For the information of geological readers, I may mention that I secured an internal cast of spirifcra glabra, six inches in length, by five inches in width, and four other species spirifera, quite new to me. Also a new ostrea, and a pachydomous, probably new, with several species of pro- ducta, terebratula, and spiral univalve shells, among which are pleurotomaria and euomphalus. In one place the limestone had a parting of blue clay, very rich in impressions of fenestella and other forms of Bryozoa.
There can be very little doubt that this high belt of sandstone cliffs owes its origin to the denuding action of the river in ages long past, by cutting its way through the sandstone, which at that time extended over the extensive plateau on the opposite bank, where it has been completely re- moved. The large rounded boulders of quartz and other rock bear testimony to the force and extent of water action in former times ; and I may observe that the fact of the saliferous sand- stone appearing in lofty cliffs on the Franklin side of the river is due to the rock being capped with greenstone on the higher ground, and which protected it from being completely removed.
During my stay I heard a good deal from an old prospector about the character of the country in the neighbourhood of the Picton, distant from the Huon forty miles. Had the season not been so far advanced I would have extended my observations to that locality. As it was, I returned to town much pleased with my visit to the salt caves of the Huon.

S. H. W.
Thanks extended to the person who corrected this text at Trove.THE SALT CAVES AT THE HUON. (1871, May 12). The Mercury (Hobart, Tas. : 1860 - 1954), p. 3. Retrieved January 21, 2015, from http://nla.gov.au/nla.news-article8875696

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Tombstones copied, Terms: - Cheap!

During their brief partnership ca. 1866-1868, Tasmanian photographers Thomas J. Nevin and Robert Smith advertised a service on the back of their stereographs with the wording Views of Residences, Tombstones copied, Terms: - Cheap!. Commercial studios routinely supplied photographic prints of family head stones, grave sites and sepulchral monuments and some, in addition, provided a low cost copy from an impression of a faded and barely legible tombstone epitaph, thereby retaining the original typography.



Photo copyright © KLW NFC Imprint 2014-2015
Taken at the Tasmanian Museum and Art Gallery, 10 November 2014
TMAG REF: Q16826.9

How cheap was "cheap"? Three years previously, when Thomas Nevin was assistant in Alfred Bock's studio at 140 Elizabeth St. Hobart before Bock's departure and Nevin &Smith acquiring the business, he would have taken exception to the word "cheap" directed at Alfred Bock's practice. The dispute about the ownership and copyright of the sennotype process between Henry Frith and Alfred Bock in 1864-1865 embittered both to the point of deciding to quit Tasmania. Frith's rates for carte-de-visite portraits were expensive, two for 10/-, and his disdain for "cheap trash palmed off on the public as cheap photography" was loudly proclaimed in this advertisement in the Mercury of 6th April 1864:



Henry Frith advertisement
Advertising. (1864, April 6). The Mercury (Hobart, Tas. : 1860 - 1954), p. 1. Retrieved January 20, 2015, from http://nla.gov.au/nla.news-article8825487

One year later, Frith had ceased publishing his rates. The very public dispute had affected all photographic businesses in Hobart, with Alfred Bock and George Cherry forced to advertise great or extraordinary reductions in prices, both charging identical rates for cdv portraits: 1/- each for a carte-de-visite portrait, or 10s.6d. per dozen, vignettes a little more expensive at 7s.6d per half-dozen:



TRANSCRIPT
GREAT REDUCTION
IN THE PRICE OF    
ALBUM OR CARD PORTRAITS
AT  MR. CHERRY'S,            
Opposite Mr. Mather's, 94, Liverpool street;
Card Portraits, 10s. 6d. per' dozen ; 6s. the haft-dozen. Vignettes, 12s. 6d, per dozen  
7s. 6d the half-dozen. 31o     
EXTRAORDINARY REDUCTION
IN THE PRICE OF      
ALBUM OR CARD PORTRAITS,
AT    
BOCK'S,
140, ELIZABETH STREET, HOBART' TOWN.
Card Portraits, 10s. 6d. per dozen; 6s. the  half dozen.
Vignettes, 12s. 6d. per dozen ; 7s. 6d. the half dozen. tc 
Advertising. (1865, October 16). The Mercury (Hobart, Tas. : 1860 - 1954), p. 1. Retrieved January 20, 2015, from http://nla.gov.au/nla.news-article8835500

Another photographer in the north of Tasmania advertised a similar service in tombstones in 1867. Peter Laurie Reid's terms, by contrast, were far from cheap: three carte-de-visite portraits for 7s 6d, compared with Alfred Bock and Thomas Nevin's sale of the same for six at 6s, and 7s 6d for vignettes at the City Photographic Establishment, 140 Elizabeth St. Hobart.



LONDON PORTRAIT GALLERY. MESSRS. REID & CO., Portrait and Landscape Photographers, Having erected a splendid Gallery, are now prepared to supply card portraits equal to the best London or Melbourne photographs. One trial is solicited. Three card de visite portraits for 7s 6d, or £1 per dozen. Families taken for a moderate sum. Patronised by the Governor. Album portraits of His Excellency Col. Gore . Browne and Mrs. Gore Browne now ready. Portraits taken from locket to life size. Oil paintings anod large pictures of all kinds copied and reduced to card size. Old portraits of every description copied and improved. Messrs. R. and Co have on hand one of the largest and choicest collections of Tasmanian views in the colony, from all parts of the island (views of the Hon. R. Q. Kermode's new mansion-just added to their stock). Houses, monuments, tombstones, drawing rooms, &c. photographed. Visitors to Launceston are invited to call at the London Portrait Gallery, St. John street, nearly opposite the Theatre. Feb. 21. [UNDER the Patronage of His Excellency Colonel Gore Browne, C.B.
Advertising. (1867, March 5). Launceston Examiner (Tas. : 1842 - 1899), p. 1., from http://nla.gov.au/nla.news-article36642307

Even thirty years later, John Watt Beatie charged significantly less, just 10/- per one dozen of small cdvs, half the cost advertised by P. L. Reid and Co., and for the entire album of The Governors of Tasmania (1895),  Beattie charged only £2/2/- which included this photograph of Colonel Gore Browne, C.B., possibly the one advertised and taken by Messrs Reid & Co. in 1867:



Colonel Gore Browne, C.B. (1807-1887)
Title: The governors of Tasmania : from 1804 to 1896 / photographed by J. W. Beattie, 52 Elizabeth Street, Hobart
Creator: Beattie, J. W. (John Watt), 1859-1930, photographer, publisher
Publication: Hobart : J.W. Beattie, [c1896]
Description: 1 album (17 hinged boards, 15 albumen photographs ) : card, gelatin silver photographic prints ; photographs 205 x 153 mm. in album 29 x 26 cm. + 1 loose sheet
Binding: Half bound in green leather, gold bands on spine, gold lettering, patterned endpapers
Format: Album, Photograph
ADRI: AUTAS001142927771
Source: Allport Library and Museum of Fine Arts



The Nevin and Swan families
Thomas Nevin worked from his New Town studio in the early 1860s (and again after 1880). He photographed many local scenes and vistas from the St John's Church, the Cemetery and the Orphan schools grounds. His sister Mary Ann Nevin enjoyed the public support of amateur photographer and naturalist Morton Allport when she applied for permission to establish a school in nearby Kangaroo Valley in 1865. This stereograph was taken at the Swan family vault at the St Johns Cemetery, New Town and attributed to Morton Allport at the State Library,but it may have been taken or copied by Thomas Nevin, given his advertisement "Tombstones copied" etc.



Title: St John's Cemetery, New Town, Swan vault
Publisher: Hobart : M. Allport, [1860]
Description: 1 photographic print : stereograph : b&w ; 96 x 172 mm
Format: Photograph
ADRI: AUTAS001126252238
Source: Allport Library and Museum of Fine Arts

The Swan family vault was substantial for two reasons: the patriarch John Swan snr was a wealthy retailer who established Swan’s Stores, Elizabeth Street, Hobart.  By the 1830s it was the premier store for clothing, millinery, fabrics, household furniture and upholstery. Premature deaths in the family was another. Mary Swan senior gave birth to fourteen children, including nine daughters. Two daughters, Harriet (1826–1853) and Julia (1834–1853) both died in 1853 of childbirth complications and scarlet fever respectively.



Mrs John Swan senior, Mary Anne (n̩e Cameron 1800Р1869)
ADRI: AUTAS001125883785
Mr John Swan senior (1796–1858)
ADRI: AUTAS001125883801
Source: Allport Library and Museum of Fine Arts




National Portrait Gallery of Australia
Left:Portrait of Harriet Swan, c 1840
by attributed to Thomas Bock and Unknown
watercolour on ivory (17.5 x 20.0 cm)
Right: Portrait of Julia Swan, c 1840
by attributed to Thomas Bock and Unknown
watercolour on ivory (16.4 x 20.0 cm)

Another daughter, Katherine, married Thomas Daniel Chapman (1815-1884), merchant and politician in 1843. And yet another daughter, Maria Nairn nee Swan, married William Edward Nairn (1812-1869) who had arrived at Hobart in February 1837 on board the Fairlie with Franklin's party. W. E. Nairn was assistant comptroller of the Convict Department in 1843. He had charge of the prisoners in Tasmania and Norfolk Island, was departmental registrar in 1855-56 and comptroller-general of convictsin 1859-68. He was also Sheriff of Hobart in 1857-68. One of the Swan family's sons, John Swan the younger, was Inspector of Police by 1875 when he endorsed Thomas Nevin's commission to photograph prisoners at the Hobart Gaol, and Sheriff of Hobart in the 1880s when he signed the death warrants for James Sutherland and Henry Stock (SLNSW Mitchell Library C203.). John Swan, Inspector of Police, signed off these discharges for prisoners from H. M Gaols in the week ending 17th February 1875, published in the police gazette, Tasmania Information for Police.Thomas Nevin's photograph of prisoner James McNally was taken on discharge from Hobart Town in the preceding fortnight.







Tasmanian prisoner James McNally
Photo by Thomas J. Nevin taken at Hobart, February 1875
Queen Victoria Museum and Art Gallery Collection
Ref: Q1985 P0168





1. John Swan Sheriff 1884: warrant for execution of prisoner Henry Stock. Mitchell Library SLNSW.
2. John Swan, Sheriff, Hobart, signed the death warrant for Henry Stock 1884
From Death Warrants V.D.L. Tasmania Supreme Court. Mitchell Library C203.
Photos copyright © KLW NFC Imprint 2009

A rather spooky, over-edited photograph of a young John Swan the younger, Inspector of Police and Sheriff of Hobart, was reprinted in 1895 by John Watt Beatie in his album Members of the Parliaments of Tasmania. As with the majority of photographs in the Beattie album of parliamentarians, this one was touched up from an 1870s photograph, taken by an earlier (and unacknowledged) photographer.



Title: John Swan [the yr = younger]
In: In: Members of the Parliaments of Tasmania No. 114
Publisher: Hobart : J. W. Beattie, [19--]
ADRI: AUTAS001136191392
Source: Allport Library and Museum of Fine Arts

Maria Nairn
On the death of her husband in 1869, John Swan's sister Maria Nairn nee Swan leased an acre of land to Thomas Nevin's father, John Nevin, adjacent to Lady Franklin's Museum at Kangaroo Valley where he had built a cottage on land held by the Wesleyan Trustees. He taught evening class to adult males at the school house, shown as his occupancy in the Hobart Gazette notices. The Wesleyan Chapel was used for family weddings and funerals etc. John Nevin used the land leased from Maria Nairn to cultivate orchards and make fruit jams which he exported to the Victorian colony.



Property values, Hobart Town Gazette 26 November 1872.
  • John Nevin, school house and dwelling, Kangaroo Valley, garden leased from Maria Nairn
  • Maria Nairn, Cottage ornee and garden, Stephen St New Town
  • Maria Nairn occupier, Executors of the late Mrs. Swan [snr], J.C and A. Swan, paddock, part of Beaulieu, New Town
This stereograph taken by Thomas J. Nevin ca. 1866 (verso has his usual New Town stamp) may be a view from the Swan family property, Beaulieu, looking across to the former Methodist church on New Town Road (at the junction of Pedder St). However, given the height at which it was taken, Nevin may have captured the scene from the tower of the large (pink-coloured) building now the Divisional Headquarters of the Salvation Army at 4 Bay Road New Town, called Brightside, which was the residence of another key figure in Thomas Nevin's life, Police Superintendent Richard Propsting of the Municipal Police Office, Hobart Town Hall.



Vista of New Town, Hobart, Tasmania looking east
Stereograph by Thomas J. Nevin, New Town ca. 1866 
Photos recto and verso copyright © KLW NFC Imprint 2014-2015
Taken at the Tasmanian Museum and Art Gallery, 10 November 2014
TMAG Collection Ref: Q1994.56.28



Title: In the church yard at New Town [St John's Cemetery]
Publisher: Hobart : M. Allport, [1860]
ADRI: AUTAS001126252253
Source: Allport Library and Museum of Fine Arts

This stereograph (below) of the tombstone of Stuart Jackson Dandridge who died of "low fever" aged 31 yrs, on 16 June, 1861, is unattributed and dated to ca. 1870. Dandridge  was a member of the Second Rifles, Southern Tasmanian Volunteers. In the distance on the right is the three storey house which was the residence in Davey St. until 1855 of Thomas Nevin's wife's uncle, Captain Edward Goldsmith.



Title:[St. David's Cemetery]
Publisher:[ca. 1870] [unattributed]
Description:1 stereoscopic pair of photographs : sepia toned ; 9 x 18 cm. (mount)
ADRI: AUTAS001125299511
Source: W.L. Crowther Library

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