Thomas J. Nevin belonged to a cohort of Tasmanian professional photographers of the 1860s-1880 which included his two partners Alfred Bock who was an accomplished sennotypist (until 1867) and Samuel Clifford whose output of stereographs was prodigious (1860s-1878). From Alfred Bock he learnt studio portraiture, from Samuel Clifford he learnt stereography. Others with a close association were Charles A. Woolley who experimented with mega and micro photography and whose father furnished the cohort's studios with carpets, tables, chairs, wall hangings etc from his furniture warehouse; Alfred Winter who was a society portraitist and landscape photographer; and the Nevin family friend, H. H. Baily who was also a press lithographer.
Thomas J. Nevin was contracted on a continuing basis from 1872 to 1886 to work with police as bailiff's assistant and prisons photographer, an inglorious job by comparison with Alfred Winter's government mandate at the Lands Dept, where he produced delicate and painterly vistas, or with Henry Hall Baily's mandate to photograph Tasmania's notable citizens for national and international exhibitions. In other words, T. J. Nevin was the only professional photographer with an exclusive government contract to produce prisoner mugshots starting in February 1872 when police realized the efficacy of prisoner identification photographs in cutting down the crime rate, while H. H. Baily and Alfred Winter retained their commercial base and gained special and high end commissions with the blessings of none other than the Governor.
Charles A. Woolley: portrait of woman and child, late 1860s
WOOLLEY, Charles A. 42 Macquarie St. c 1860-1870.
Copyright © Private Collection KLW NFC 2007 ARR
Henry Hall Baily: portrait of standing man with book, ca. 1870
Copyright © KLW NFC Private Collection 2007. ARR.
Charles A. Woolley was active until ca. 1870, according to some sources. The carpet and wall-hanging which appear in a portrait of Bishop Willson, accredited to C. A. Woolley by the Tasmanian Museum and Art Gallery, also appear in several studio portraits by Thomas Nevin of his private clientele taken at the City Photographic Establishment, 140 Elizabeth St. Hobart Town. Several tinted photographs held at the TMAG attributed to Woolley are very similar in technique to studio portraits by Nevin (QVMAG; PC). This photograph bearing verso a rare Charles A. Woolley studio stamp printed with the words "Advance Tasmania" and animal iconography depicts a man standing next to the same table with griffin-shaped legs which features in many of Nevin's studio portraits:
Charles A. Woolley 1860-1870; unidentified man with top hat and cane.
Copyright © Private Collection KLW NFC ARR
The photograph of a woman standing next to Thomas Nevin's big tabletop stereograph viewer resting on the same table with the griffin-shaped legs bears his stamp verso, but the photograph of a cleric seated at the same table was submitted to Nevin for copies to be reprinted from the original by the Maselawmoney brothers of Madras. Both photographs are held in the © Liam Peters Collection 2009.
Henry Hall Baily operated a studio in Elizabeth Street Hobart Town until ca. 1867 opposite Thomas Nevin's studio at 140 Elizabeth St. Henry Hall Baily and his wife were active in Nevin's life well past that date: they were walking along Liverpool Street together that fateful night in December 1880 when Nevin was detained by Detective Connor on suspicion of "acting in concert with a 'ghost'", i.e. pretending to be the "ghost" who was terrorising the girls of Hobart at night clad in a white sheet down by the Customs House. Nevin was not arrested, nor was he the "ghost" but he was suspected of using photographers' chemicals and tricks to create the ghost's aura because he was carrying photographic equipment.
The studio address on the verso of the H. H. Baily portrait above is 94 Liverpool Street, Hobart Town. However, the same studio decor is featured in an earlier portrait of a young woman, also standing and holding a book, which bears Baily's Elizabeth Street stamp on the verso:
H. H. Baily fl 1865-1881, portrait of young woman with book, Elizabeth Street studio ca. 1867
State Library of Victoria
Recto No: je000658 , Accession: H2005.34/407
Verso No: je000659, Accession: H2005.34/407A