Showing posts with label Stereographs. Show all posts
Showing posts with label Stereographs. Show all posts

Thomas J. Nevin and the Salmon Act petition 1879

Stereographs by Thomas J. NEVIN and Samuel CLIFFORD 1860s
The SALMON ACT 1865 (29 Vic, No 6) and the Salmon Ponds, River Plenty
PETITIONS to relax or retain fishing restrictions in the River Derwent 1879

WHAT THEY WERE SAYING THEN
Often accredited with the introduction of salmon to Tasmania, lawyer and amateur photographer Morton Allport was most keen to export Tasmania's "resources" in exchange for recognition, rewards and membership of prestigious scientific organisations. In this letter of 29 November 1875, he talks about SALMON and TIN for EXPORT:

TRANSCRIPT
Page 190-192

29th Novr. 5 [1875]

Dear Knight,
I am puzzled at receiving no reply or communication of any sort from Cecil Henslowe especially as you speak of his having taken some steps in reference to taking out [illegible] of Administration.
Till I do hear the dividends must go on accumulating & be idle with the sum formerly on fixed deposit which fell in on the 12th instant.
Every interest in this Colony seems now steadily improving due mainly to the marvellous mineral discoveries taking place daily miles upon miles of Country looked upon hitherto as worthless are now proved to be rich in Tin & but little less than 1000 Tons of that metal will be exported during the next twelve months. A jump in three years from none to £80,000 worth of Tin is something to stare at, but this is only the beginning of the end as there are plentiful indications of the presence of other valuable minerals, notably Bismuth, Silver, copper and lead.
Property is going up very much in value and the holders who have tided over so many years of depression are jubilant.
I am trying to make hay while the sun shines so rarely get time for much amusement I have not been two consecutive working days away from the office in the last two years and have to do much night work also. A fine Salmon grilse was caught at Kangaroo point yesterday in an ordinary graball net, this fish weighs 3 lbs 1 oz and a larger one escaped as this net was being hauled into the boat, over 20 were captured last year and in a few seasons we shall be exporting them largely much to the astonishment of the learned in ichthyology.
I am uneasy at hearing nothing of or from Gould since July last when his sister wrote me that he was seriously ill, have you seen anything of him?
As I must enclose a few lines for Mrs Knight before the mail closes

I remain
Yours sincerely
Morton Allport [sender]

W. Knight Esq [addressee]
20 Longridge Road
Brought S. W.
London

Source: Series Letterbooks of Morton Allport (ALL19)
Start Date 07 Aug 1874 End Date 08 Jul 1876
Links: Book 5. https://libraries.tas.gov.au/Digital/ALL19-1-5

A lively and relatively later contemporary account of the introduction of salmon and trout from British stock into Tasmania from the earliest endeavours in 1841 through all the experiments, difficulties, discouragement, setbacks and successes leading to the establishment of the Salmon Ponds in the 1860s was written by P. S. Seager, Secretary to the Fisheries Board of Tasmania titled "CONCISE HISTORY OF THE ACCLIMATISATION OF THE SALMONID.AE IN TASMANIA", published (No. 109) and presented in 1889 to both Houses of the Tasmanian Parliament. His final words gave these assurances:-
I trust ... we will in the future hear of fewer doubts upon the subject and accept the one broad fact which is beyond dispute, that a fish has been acclimatised in Tasmania which is of considerable commercial value, that it is the means of attracting visitors to our shores, and that with proper care and attention, it will in the future afford profitable employment.

Title: Concise History of the Acclimatisation of the SalmonidÆ in Tasmania
Source: Parliament of Tasmania
Link: https://www.parliament.tas.gov.au/__data/assets/pdf_file/0017/34451/1889pp109.pdf

WHAT THEY ARE SAYING NOW
Richard Flanagan (2021) on the Tasmanian salmon industry today, and Cassandra Pybus (2024) on Morton Allport's credentials:



But back to beginnings ....

1860s: Clifford & Nevin's identical views
Established as a popular tourist destination by the late 1860s, the intercolonial press published visitors' accounts to the Derwent Valley and Salmon Ponds with lithographed views from photographs accredited to Thomas Nevin's senior colleague Samuel Clifford. Two of the views published in this article were originally imprinted as stereographs by Nevin with his studio mark: "T. NEVIN PHOTO".

Salmon Ponds Tasmania 1869

Illustrated Australian News for Home Readers (Melbourne, Vic. : 1867 - 1875)
Monday 29 November 1869, page 222

TRANSCRIPT

THE SALMON PONDS, TASMANIA. Every one was glad to hear and ready to believe that salmon had been caught in the Derwent, and should there have been any mistake made respecting the two fish said to be salmon, none the less credit is due to those who devoted themselves to the task of rearing the 'king of fishes' in the Southern hemisphere from ova transported all the way from England, nor will the less interest be attached to the scene of such an important experiment. The Salmon Ponds are at New Norfolk, or more properly speaking, some six miles beyond that town, on the banks of the Derwent. A trip from Hobart Town to this picturesque locality is always enjoyable, and especially at this season of the year, when the grain fields are ripening and the air is richly laden with the scent of the sweet briar and of the newly-mown hay. Finding in the Hobart Town Mercury a racy account of a recent trip made by a party of some twelve or fourteen gentlemen, we don't think we can do better than avail ourselves of their pleasurable experience. We must resort, however, to some abridgement, as the account is rather long : —  "The excursionists were conveyed in two cabs, drawn by four nags, that did their work well and truly throughout the day. and were brought back to town after doing a distance of nearly forty-five miles — the remainder being performed by horses engaged at New Norfolk, along a road which, generally good throughout, has many bad and very many nasty points in it— fresh, and without the slightest betrayal of anything beyond the usual fatigue of a day's work. It was as late as nine o'clock in the evening when the party returned. Shortly after the start was made in the morning, symptoms of wet weather began to show themselves, and the promise did not fail to realise itself afterwards. It was only at intervals, however, that the rain fell in sufficient quantity to materially obscure the grand and beautiful panorama that lay stretched out before the excursionist. Certainly no river in the world is more picturesque than our Derwent — rich not only in beauty, but in every diversified form of beauty. Its wooded heights, its cultivated banks, the fertile valleys ever and again opening to the eye, and its long stretches of pasture land, dotted with animals grazing on its dainty verdure or reclining in the easy attitudes of rest, present a scene that it is indeed a holiday enjoyment in itself to look upon. Although, with the single exception of the rain during the earlier part of the day, to which, however, a fine afternoon succeeded, the trip was surrounded by many accessories of pleasure; its more practical object was to make acquaintance with the salmon grounds and their various illustrations of a great experiment, which is now known to have been attended with a success that promises amply to reward all the labor and cost it has involved and the anxiety with which it has been watched. With the general feature of the ground set apart for salmon purposes the public are probably by this time sufficiently acquainted from the various sketches that have been given of it. It comprises an area of some six acres, and the surface area covered by the waters of the different ponds and races amounts to upwards of half an acre. The Plenty River runs at the back of the salmon reserve, and from that river the supply of water hag been obtained — the water being conveyed through troughs which pour their contents through a rill within the grounds into the first pond. This first pond is at this moment the home of some ninety ' brown trout' — the lusty fellows we spoke of just now, some of them weighing from six to seven pounds each, and numbering in all, it is computed, some ninety. They are for the most part full of ago, being the product of the experiment made no less than five years ago. These fish have ascended the rill we have mentioned, for the purpose of using it as a spawning ground, and ten or twelve thousand of their progeny — some went so far as to estimate some thousands over that number — were visible, measuring from an inch to an inch and a half in length, and affording nil the indications of being strong laity youngsters of their tribe. Next to the trout pond — and divided from it only by the narrow strip of ground — there is the hatching house, a cool wooden building, through which are laid four parallel wooden troughs. Through these the Plenty water flows freely,-  but slowly. In these troughs are a part of the salmon-, trout fry. There are, of course, no salmon fry in any of its stages to be seen., the last of these having left the ponds on their way to the river and sea upwards of 18 months ago. Thus the long pond into which the stream from the hatching-house fall was empty. From this pond another channel communicates with the one in which the salmon trout are found. That these have deposited their ova and hatched, there can be no doubt. This fish, however, is remarkably shy. Such of the parent fish as were visible were apparently from a pound to a pound and a half in weight. The facts in connection with this pond, are of interest from a scientific as well as from other points of view. They afford an undoubted instance of a curious law in Ichthyology, viz., of fish whose habitat for a portion of the year is salt-water, being able to mature and spawn without access to the sea. from this pond the water runs through a wide gravelly rill, in which the young fish are placed as they progress in growth — the rill being properly protected with grating — and through this the water finally passes off to the Plenty. With this ends the system of works that have been constructed for the purposes of this great experiment. It is not easy by a pen description to convey to the mind a very accurate idea of the whole arrangements, which are at once simple and complicated, and admirably adapted for the accomplishment of the end in view. To those who have not had the opportunity of visiting the ponds and witnessing for themselves their many interesting features, the general description we have given is all that can be fairly intelligible, and we should serve no purpose by entering into any more minute and elaborate detail. From photographs taken by S. Clifford we are enabled to present views of the Salmon Ponds, of the River Plenty at its junction with the Derwent, of the windings of the beautiful Derwent between the Plenty and New Norfolk, and finally of New Norfolk itself, the garden of Tasmania. This last view is taken from the garden attached to the house of Sir R. Officer, who is known far and 'wide as Chief Commissioner in connection with the salmon rearing experiment.

Source: THE SALMON PONDS, TASMANIA. (1869, November 29). Illustrated Australian News for Home Readers (Melbourne, Vic.), p. 222.
Link: https://nla.gov.au/nla.news-article60449171

PLAN of the SALMON PONDS
At the end of the largest pond on this map/plan (1885) on the viewer's right near the perforated zinc gates and before the troughing leading to three smaller ponds is where Sam Clifford, Thomas Nevin and later photographers Alfred Winter and John Watt Beattie positioned their cameras (see Addenda) in a direct line to capture the Hatching House at the other end  (on viewer's left).



Map - Buckingham 108 - parish of New Norfolk, plans of the Salmon Ponds - surveyor Thomas Frodsham
Date: 06 Jul 1885
Creating Agency: Lands and Surveys Department (TA69)
Archives Office Tasmania
Link:https://libraries.tas.gov.au/Record/Archives/AF396-1-115

VIEWS of the HATCHING HOUSE



Salmon Ponds Tasmania by Thomas Nevin ca. 1870

At the Salmon Ponds, Tasmania
Stereograph by T. Nevin ca. 1868-1873
Blind stamp impress on side of left image, recto; verso blank
Tasmanian Museum and Art Gallery Collection Ref: Q1994.56.7

A young Thomas J. Nevin, barely out of his teens and not yet married, took this photograph of the newly established salmon ponds and hatchery near New Norfolk, 20 kms north of Hobart, ca. 1868. With life-long friend and prolific stereographer Samuel Clifford, he made several excursions to this area and perhaps for more than just the opportunity to capture scenic images with commercial appeal. Both photographers were called on by the colonial administration and legal fraternity in various capacities throughout their professional careers, their skills providing the "silent witness" of the photograph when needed in cases before the courts. So, it is quite possible on one of these excursions up the Derwent Valley to the Salmon Ponds, they were asked to report sightings of illegal salmon fishing under Section 25 of the Salmon Act, 1865:

25 It shall be lawful for the Governor from time to time to appoint, during pleasure, all such Officers, Servants, and other persons as may appear to him to be necessary for the due management and protection of Salmon in any inland or tidal waters, and for the prevention and detection of offences against this Act and such Regulations as aforesaid, and enforcing this Act and such Regulations in respect of such inland or tidal waters.

Source: The Salmon Act 1865 (29 Vic, No 6), Section 25: Governor to appoint necessary officers
Link: https://classic.austlii.edu.au/au/legis/tas/num_act/tsa186529vn6177/

SAM CLIFFORD's VIEW in REVERSE
This view of a recumbent group who were photographed relaxing at the other end of the big pond, close to the hatching house, was cleanly mounted in a binocular frame, sold as a stereograph, accredited to Samuel Clifford and dated 1868.



Salmon Ponds, nr. New Norfolk
Author: Clifford, Samuel, 1827-1890.
Publication Information: 1868.
Physical description: 1 stereoscopic pair of photographs : sepia toned ; each 7 cm. in diam.
Notes: Circular images. Archives Office Tasmania
Link: https://stors.tas.gov.au/AUTAS001136194172

VIEW of the RIVER DERWENT at PLENTY

Salmon Ponds Tasmania 1860s

Photograph - New Norfolk - River Derwent 1870
Creating Agency: Unidentified Creating Agency (XX1)
Series: Album of Photographs of Tasmania (PH1)
Archives Office Tasmania
Link:https://libraries.tas.gov.au/Record/Archives/PH1-1-56

Samuel Clifford and Thomas J. Nevin produced dozens of stereographs of identical scenes, printed sometimes with Clifford's label verso and sometimes with Nevin's impress recto. A good dozen and more that are identifiably taken by these two photographers but carry no studio markings are held in public and private collections. A handful of studio portraits as well carry the written inscription on verso, "Clifford & Nevin, Hobart Town." Their scenic views taken on excursions around the island of Tasmania for more than a decade were printed in several formats: as cartes-de-visite, as stereographs, or larger single prints. This image and another two of the spawning grounds of salmon, the Plenty tributary of the River Derwent, are held in private collections as albums of 24-48 prints with titles such as "Tasmanian Scenes" which Samuel Clifford sold in his name, selected and arranged according to the purchaser's order. Identical stereographs with these two collaborators' different studio markings, and those with no marks at all, have caused attribution issues. Thomas Nevin's imprint appears on the recto (e.g. vertical impress on image on left, above) on this stereograph in some collections and with Clifford's label in others.

River Plenty stereo by Thomas Nevin 1860s

The River Derwent at Plenty, Tasmania
Stereograph by Thomas J. Nevin 1860s
TMAG Ref: Q1994-56-21 (not online at TMAG)





Album: Tasmanian Scenes, S. Clifford Photographer
Held at the Tasmanian Archives and Heritage Office (TAHO)
Photos copyright © KLW NFC 2012 ARR

This album was compiled by Walch's printers and booksellers who sold it to the May family (name inscribed on inside cover) and although several photographs in the album are identifiably prints from Nevin's original stereographs, the cover carries sole attribution to Samuel Clifford. The caption to the scene (top photograph) by Clifford in this album is "The Derwent near the Salmon Ponds" whereas the caption mostly applied to Nevin's stereograph of the same scene is "The River Derwent at Plenty " (TMAG collection).

1878: Sam CLIFFORD's CAMERA STOLEN
On one of their excursions through the Tasmanian midlands to Melton Mowbray, Clifford's camera was stolen while staying at the Wilmot Arms at Green Ponds. The police published a description of the stolen camera in this notice:

Samuel Clifford's stolen camera 1878

TRANSCRIPT

GREEN PONDS MUNICIPALITY
STOLEN during last week, from the Wilmot Arms, Green Ponds: - A photographic sliding camera, with rising front for pictures, 8 x 4½ inches, swing back, folding tail-board rack and pinion movement, shifting front with brass flange, the woodwork is Indian teak; 3 negatives of views at Belgrove; the property of and identifiable by Mr. S. Clifford.

Police gazette, 15th November, 1878:
Samuel Clifford's camera stolen from the Wilmot Arms at Green Ponds
Source: Tasmania Reports of Crime for Police J. Barnard Gov't printer

1879: Thomas Nevin signs the petition
The salmon fishing problem in Tasmania first arose from the introduction in the 1860s of salmon and salmon trout ova to hatcheries in the Derwent Valley near New Norfolk, 32 km (20 miles) north-west of Hobart on the River Derwent. To ensure their survival, the Salmon Act 1865 (29 Vic, No 6) was introduced to restrict commercial fishermen from accessing the river and its tributaries north of Hobart "for seventeen years" according to the petitioners' statement dated 1879.

These petitioners proposed amendments to the Act to allow local fishermen who earnt their living from fishing to access the river at least 4 kms north from Hobart, the demarcation line from Kangaroo Point (Bellerive) in the east across to Cornelian Bay (New Town, 4 kms from ) in the west.

When photographer Thomas J. Nevin signed this petition in October 1879 he was a full-time civil servant at the Hobart City Council, resident with his family as Hall and Office Keeper of the Hobart Town Hall in Macquarie Street. His duties included  prisoner identification photography for the Hobart Municipal Police Office and Mayor's Court housed within the Town Hall building. With Samuel Clifford's retirement from commercial photography in 1878, Thomas Nevin's closest colleague among Hobart's commercial photographers was contractor Henry Hall Baily (their companionship was mentioned in the Mercury, December 4, 1880). H. H. Baily held a colonial warrant on commissions to produce portraits of notable administrators including Parliamentarians, prominent citizens and businessmen for displays within government buildings and at intercolonial and overseas exhibitions. He submitted more than 100 photographs to exhibitions in Melbourne and the Philadelphia Centennial Exhibition, held May 10 - November 10, 1876 .

The first page of this petition presented to the House of Assembly by the Hon. W. R. Giblin included names of the two contractual photographers, Henry Hall Baily and Thomas Nevin;  the Superintendent of Police Richard Propsting who swore in Nevin as Special Constable during the Chiniquy Riots at the Town Hall in June 1879;  and barrister John Woodcock Graves the younger, a family friend who commissioned Nevin's services for photographs of official events, court documents and prisoner photographs. These seventy-five (75) or so prominent citizens and warrant holders of 1870s Hobart Town were petitioning the government to amend the Salmon Act to "allow  the River Derwent to be thrown open to fishermen ....

Salmon Act Petition 1879



TRANSCRIPT
(No. 75)
1879
TASMANIA.
HOUSE OF ASSEMBLY

S A L M O N    A C T :

PETITION FOR, AND AGAINST, ITS AMENDMENT

Presented by Mr. Giblin, and Mr. Gellibrand, and ordered by the House to be printed, October 24, 1879.

[Presented by Mr. Giblin, 9th October, 1879.]

To the Honorable the Speaker and Members of the House of Assembly in Tasmania, in Parliament assembled.

The respectful Petition of the undersigned Fishermen and others resident in Hobart Town.

RESPECTFULLY SHOWETH :
THAT, owing to the River Derwent having been closed against Fishermen for the last seventeen years, the supply of fish for the market has been limited to such as can only be procured with difficulty outside the river.

And also that such supply consists of only a few of the varieties of fish which are found in the surrounding waters.

They wish also to draw the attention of your Honorable House to the fact that in stormy weather the fishermen are deprived of the means of procuring their living near the town.

They therefore respectfully pray that your Honorable House will see fit to amend the Salmon Act, so as either to allow the River Derwent to be thrown open to fishermen altogether or as far as Cornelian Bay in the said river, or only to close it for certain months in each year when the salmon are migrating.

And your Petitioners will ever pray.

Jas. Harcourt. F. J. Pike. J. Watchorn. M. F. Daly. E. Maher. Geo. S. Seabrook. William Guesdon. H. Chapman. P. J. Sinclair. Thos. Sheehy. Saml. Biggins. Peter Oldham. J.B. Ledwell. W. A. Webb. A. T. Stuart. M. Burgess. G. M. Potter. Thomas E. Self. Albert Gaylor. J. Bidencope. Jno. Read. Jas. Stott. Andrew P. Miller. Henry Hinsby. Walter Rice. W. Montgomerie. James Smith. W. Fisher. Edward Valentine. Thos. Nevin. G. B. Sealey. Wm. Burgoyne. B. R. Dyer. J. C. Hamilton. Jno. Pregnell.  Chas. Pregnell. Robt. R. Rex.  Edward J. Freeman.  Robert A. Knight.  Geo. W. Rex.  Henry Tremlett Hull. Thomas Goldsmith. Kemp & Lloyd. C. G. Eady. T. M'Gowan. E. Gifford. P. J . Sinclair, jun. Jno. W. Graves. R. Harry. H. H. Baily. A. R. Miles. James Bett. John Webb. T. E. Hewitt. no. T. Morris. A. G. Pogµe. C. P. Frodsham. J. W. Livingston. James Isherwood. William Robertson. John Ayton. P. O'Shea. Thos. Shirlev. E. Mulcahy. Matthew Ready. A. W. Hume. John Geo. Burn. B. S. Morrison. Jas. W. Collins. D. M'Gregor. D. H. Crisp. T. E. Creswell. Wm. J. Watchorn. John Andrews. Richd. Propsting. J. Philp. R. Sargent. Robert Hempseed. H. Chesterman. Chas. Green. G. Bentley Wright. J. W. Garth. James R. Fryer. Charles Dowdell. F. B. Wilkinson. D. T. Wilkinson. Thomas M'Loughlin.

RESPONSE: FISHERMEN and OTHERS AGAINST THE AMENDMENT
Page 4: The petition of the fishermen and other such as fishmonger Chas. Cearns, of Elizabeth St. Hobart against amendments to the Salmon Act asserted that such amendments would open the River Derwent to all fishermen, and permit unregulated use of graball and seine nets.

Salmon Act petition 1879 p4

TRANSCRIPT

4

[Presented by Mr. ,Gellibrand, 24th October, 1879.]

To the Honorable the Speaker and Members of the House of Assembly.

The humble Petition of the undersigned Fishermen and others.

RESPECTFULLY SHOWETH:
THAT a Petition has recently been presented to your Honorable House by Fishermen and others praying your Honorable House to so amend "The Salmon Act" as to either allow the River Derwent to be thrown open to Fishermen altogether, or as far as Cornelian Bay in the said river, or only to close it for certain months in the year when Salmon are migratory ; and which Petition alleges that fish for the market have been limited on account of the river being closed.

Your Petitioners beg to observe that the river is now open to Fishermen with graball nets as far as Cornelian Bay during the day-time, and that any nets may be used in the river below Garth's Point on the one side and Droughty Point on the other.

Your Petitioners assert that the closing of the river has had a most beneficial effect in producing a plentiful supply of fish, which through the former use of nets had become almost exhausted.

That the use of seine nets is calculated to destroy the future of any fishery, as in this practice vast numbers of young fish, unsuitable for food, are helplessly suffocated by sand and debris.

Having, in view the large expenditure incurred by the Colony in introducing Salmon, your Petitioners would humbly beg your Honorable House to pause ere sanctioning any alteration of the existing Law which would grant the prayer of the Petition referred to, and which alteration would have the effect, in all probability, of destroying the work of years, by the capture of immense numbers of Salmon to the serious loss of the whole Colony.

Your Petitioners would also observe, that the opinions of gentlemen of undoubted standing in the United Kingdom have been obtained on the subject of netting, and they all agree that such a practice should be avoided as much as possible.

Your Petitioners therefore humbly pray that your Honorable House will not amend "The Salmon Act" as proposed in the Petition recently presented to you.

Thomas Rush. George Poole. James Everall. Frank Miles. Thomas Whitney. George Barber. James Jolley. Brummy Merry. George Massey. James Cubey. Thomas Seymour. John Walker. Henry Silvester. George Main. John Hartley. Edward Adlard. George John King. R. Roberts. W. Paling. Henry Norris . Frank Rush. John Copper. William Teed. George Humper. Jacob Timbs. George Creswell.* William Green. James Morling. William Martin. John Martin. John Smith. William Veal. James Gowan. Jack Albury. Alfred Woods. Thomas Hadley. William Barber. Henry. Chambers. James Hull. Henry Graham. George Howard. Thomas Turner.* Chas. Cearns*. George Amer. Teddy Harris. William Smith. Thomas Pretty. Philip Stafford. James Madden. E. Fitzgera1d. Henry Smith, Jun. W. Colville. John Massey. William Fisher. William Adams. John Bolton. George Maddocks. George Lµcas. Thomas Wise.

* The above signatures are Fishermen except those marked with an asterisk.
____________________________

JAMES BARNARD
GOVERNMENT PRINTER, TASMANIA
____________________________  

Source: Parliament of Tasmania, The Salmon Act, Petition for and Against its Amendment
Link; https://www.parliament.tas.gov.au/__data/assets/pdf_file/0023/31649/ha1879pp75.pdf



Mrs. Cearns, fishmonger, Elizabeth St., Hobart [drawn by T. Midwood].
Author/Creator: Midwood, Thomas Claude Wade, 1854-1912.
Publication Information: [Hobart] : [Mercury], [1893?]
Physical description:1 print : b&w engraving ; image 108 x 120 mm., 1 of 4 on plate 239 x 274 mm.
Notes: "By appointment to His Excellency the Governor". and "Fish delivered to all parts of town".
Summary: Cartoon depicts a large fish recumbent on shells. Archives Office Tasmania
Link: https://libraries.tas.gov.au/Digital/AUTAS001126250844/AUTAS001126250844

Net fishing



Photograph - Derwent River at Plenty - Hugh John Ford fishing / photographer Jenny Ford [Jenny Ford collection]
Start Date: 01 Jan 1894
View online:https://libraries.tas.gov.au/Record/Archives/PH30-1-6888



Description: Lantern slide - Net Fishing
Start Date: 01 Jan 1900
Format: photograph
Creating Agency: George Billing (Collector) (NG82)
View online:https://libraries.tas.gov.au/Digital/NS2495-1-5/NS2495-1-5

FISHING GEAR RESTRICTIONS
These are the current restrictions applying to scale fish netting in Tasmania:
Source: https://fishing.tas.gov.au/recreational-fishing/rules/gear

Graball net
Graball nets and mullet nets, including flounder nets, are types of gillnet.
No more than three gillnets may be carried on, or used from a single boat.
A gillnet cannot be used as an encircling net, eg. as a beach seine net

One graball net (includes flounder nets) may be used and a licence is required. A graball net is a single mesh net:
  • mesh must be between 105 mm and 140 mm; and
  • must not be deeper than 33 meshes or longer than 50 metres.
Beach seine net
A beach seine net licence allows you to possess and use one beach seine net.
A beach seine net must:
  • be an encircling net that does not exceed 50 m in length;
  • have a bag or bunt or a panel that forms a bunt with a mesh of at least 30 mm;
  • not be pursed or drawn through rings into the shape of a bag; and
  • be emptied while in the water.



Source: Maritime Museum Tasmania
Fishing net (graball?) used in southern Tasmania.
Object number A_2011-040
Link: https://ehive.com/collections/3906/objects/208171/fishing-net-used-in-southern-tasmania

Addenda: press reports and letters

1869: "One of themselves"

TRANSCRIPT

THE "SALMON ACT" AGAIN !!
TO THE EDITOR OF THE MERCURY

SIR, Parliament will shortly assemble for the despatch of business, and I beg to call your attention and that of your readers, to the great hardships the fishermen of Hobart Town have had to endure since the passing of "The Salmon Act," by the closing of the whole of the river Derwent against their vocations. There are, or rather there were, nearly 100 men engaged in fishing, and with families dependent on them and fishermen are prohibited under heavy penalties from labouring north of a line of demarcation, extending from the Commissariat Point to Kangaroo Point Bluff, thus virtually shutting up the river.

To tell you of the misery and hardships entailed by this to the poor men, might be here out of place, yet such is the fact, that numbers have been thrown out of employment and literally half-starved for years, and almost without a murmur, for the sake of " Salmonia Verax."

Again, fresh fish, such as are procurable in the river, are in great demand in the Melbourne markets, and may be taken in any quantities for that purpose or for our own tables every morning, but if taken, as it is termed, " down the river," they are generally two or three or more days old, and, consequently, unfit for shipment, so, of course, trade is thus prevented in exports.

Parliament in its last session resolved that unless salmon were actually proved to be in the River Derwent, it would not continue the conservative annual vote. Yet the restrictions as to netting will still be in force, and, as is well known, the penalties for taking salmon (were they in the rivers) without license, are extremely severe. The fishermen generally are not so foolish as to run the gauntlet ; the fish they want are not the English salmon, but those fish procurable during the night for dishing up next morning.

Petitions are in course of signature from the fishermen, praying that Parliament will enact its remedial measure, so that the river may not continue a "close river" south of Glenorchy, or even Risdon, if thought expedient.

Your powerful influence in eliminating these particulars of the hard case of the fishermen, is most respectfully solicited by,

Sir,

Your most obedient servant,
ONE OF THEMSELVES. Hobart Town, 1st August, 1869.

Source: THE "SALMON ACT" AGAIN! (1869, August 3). The Mercury (Hobart, Tas.), p. 3.
Link: https://nla.gov.au/nla.news-article8860524


1870: New Regulations under the Salmon Act
NEW REGULATIONS UNDER THE SALMON ACT.

The Gazette of this day contains the following regulations under and by virtue of " The Salmon Act", to take effect from to-day; those hitherto in force being rescinded: -

1. No person shall fish or take fish in any manner in the River Plenty, in the River Styx, in in the River Clyde, in the Lachlan rivulet, in the Sorell Rivulet, in the Bagdad Rivulet, all being tributaries of of the River Derwent, or in the River Huon above Mosquito Point, or in the Meredith River in Tasmania, under a penalty of ten pounds for each breach of this regulation.

2. All nets and other engines, instruments, or devices used for taking fish in the above-mentioned rivers or rivulets shall be seized and forfeited, destroyed, or removed as each case may require.

3. It shall be lawful for any person to uses a seine net, with meshes measuring two inches and one half of an inch from knot to knot when wet, for the purpose of taking fish in the River Derwent, after such person shall have of obtained a certificate under the hand of the Chairman of the Salmon Commissioners setting forth that such seine net has been examined by the Salmon Commissioners.

4. No person shall be allowed to use any other net for the purpose of fishing in the waters of the River Derwent, or any of its tributaries above a line extending from Battery Point on the western to Kangaroo Point Bluff on the eastern bank of the said river, under a penalty of ten pounds for each breach of this regulation.

5, All nets used in contravention of the foregoing regulations shall be seized and forfeited, destroyed, or removed as each case may require.

Source: NEW REGULATIONS UNDER THE SALMON ACT. (1870, May 24). The Mercury (Hobart, Tas.), p. 2.
Link: https://nla.gov.au/nla.news-article8863492



Photo copyright © KLW NFC Group 2014

This view at Hobart, Tasmania of the River Derwent taken from Battery Point (No. 1 Mona Street) across to Kangaroo Point Bluff on the Eastern Shore shows where the demarcation line was drawn, closing off the river to commercial fishing further north by the new 1870 regulation to the Salmon Act.



No. 3. Flounder
Gould, William Buelow, 1803-1853.[attributed]
Publication Information:[ca. 1832]
Painting : watercolour on paper ; 19 x 23 cm.
Link: https://libraries.tas.gov.au/Digital/AUTAS001139592208/AUTAS001139592208-P03

1873-1877: Morton Allport and the Salmon Act
Stephen Budden, commercial agent from Lyttleton, New Zealand for the Canterbury Acclimatisation Society arrived at New Wharf, Hobart, Tasmania, on 4th August 1873, the sole passenger aboard the brig Chanticleer under command of Capt. G. A. Phillips. His mission was to superintend a shipment of salmon and salmon trout ova back to New Zealand. With assistance from the Tasmanian Acclimatisation Society and naturalist and amateur photographer, Morton Allport, who was instrumental in the introduction of salmon ova and European fish to Tasmania in the 1860s, two shipments were sent: the first of salmon trout ova was accompanied by Stephen Budden on the Clematis, departing 29th August; and the second of 500 brown trout ova destined for the Auckland Climatisation Society left on the Bella Mary on the 23rd August 1873. As a result of Stephen Budden's successful mission, Morton Allport was made an honorary life member of the Otago Acclimatisation Society. In this letter (transcript below) published in the press, November 1877, he despaired that new regulations to the Salmon Act allowing pecuniary interests to prevail would lead to the eradication of young salmon in the Derwent.



Title: [Self portrait of Morton Allport]
Creator: Allport, Morton, 1830-1878, photographer
Publisher: [1854]
Description: 1 photograph : silver albumen print; 10 x 7 cm
Source: Allport Library and Museum of Fine Arts
Link: https://libraries.tas.gov.au/Record/Library/SD_ILS-603598

TRANSCRIPT
Link: https://nla.gov.au/nla.news-article8957678

BILL FOR THE ANNIHILATION OF SALMON AND SALMON TROUT.
TO THE EDITOR OF THE MERCURY.

SIR,- What has been done by this colony with a view to the introduction and thorough establishment of the above valuable fish is now a matter of history, and the immense gain which ought to accrue to Tasmania is no longer a mere speculation but a certainty.
In the early stages of the experiment a body of gentlemen were appointed commissioners, to whose care it was virtually entirely entrusted. As soon as the probability of success became assured, these commissioners obtained all the information they could collect from British blue books and reports, and all other available sources, and prepared the Salmon Act, 29 Vic., No 6, and under that Act power was vested in the Governor-in-Council to make such regulations as might from time to time be necessary by for restricting the fishing in all the waters of the colony.
The Governor-in-Council still has power to open or close any particular waters, and has hitherto exercised that power on the recommendation of the Salmon Commissioners, under the natural belief that a body of independent gentlemen having no interest whatever beyond the successful accomplishment of the work entrusted to them would, before advising, make themselves acquainted with the necessity for any restrictions recommended.
Large numbers of salmon or salmon trout or both having been destroyed in the Derwent in January, 1876, by the seine net men, the Governor-in-Council caused the lower Derwent to be closed, and the very men who then caused incalculable mischief are now desirous of completing their works and scraping out everything that may fall in the way of their nets.
To this end petitions have been presented to Parliament signed by some 50 persons, the majority of whom probably do not care one straw about the matter, and have never given the subject sufficient consideration to make their own opinions valuable.
Of the remainder about six are fishermen, two of whom have been already convicted of breaking the law, while the whole interest of the others is to sacrifice the permanent benefit of the public to their own immediate gain.
Will it be believed that on these petitions it is sought by the bill now before Parliament, to take from the Governor-in-Council, the power now most properly vested in him, and to  hand the whole estuary of the Derwent over to the tender mercies of those very men, whose present pecuniary interest it is to destroy the young salmon, and some of whom have been already convicted of breaking the law?
If the opening of the river can be shown to be of no detriment to the salmon or salmon trout, the Governor-in-Council can now open it, but well knowing it would virtually eradicate those grilse, the fishermen coolly proposed to set all laws at defiance, and at once get rid of any opposition to their wishes.
Some of the Salmon Commissioners have been nearly 15 years engaged in carrying the experiment to its present successful state, and yet this bill - which will if carried entirely destroy their labours - has never been placed in their hands till this morning, although it is proposed to read it a second time to- morrow Comment on this courtesy is quite unnecessary.
In conclusion, I confidently assert that in this ill considered and unnecessary bill ever becomes law, the colony will be justly held up to the contempt and ridicule of the whole civilised world, for first spending about £15,000 over the experiment, and then, in defiance of warning, sacrificing the whole at the dictation of half a dozen fishermen and poachers.
I am, etc,
MORTON ALLPORT.

Source: BILL FOR THE ANNIHILATION OF SALMON AND SALMON TROUT. (1877, November 29).
The Mercury (Hobart, Tas.), p. 2.
Link: https://nla.gov.au/nla.news-article8957678

Mr Allport, who is poaching?



TRANSCRIPT

THE SALMON ACT
TO THE EDITOR OF THE MERCURY
SIR, - In Mr. Allport's letter published in your journal this morning , on the salmon question, he refers to fishermen poaching on the River Derwent. Does he refer to those occasions when he actually went with them, and when flounders and other fish were caught in his presence, and sold at the fish market, Hobart Town?
The wonder is that fishermen, driven to such extremities as they at times have been, have not been guilty of poaching to a greater extent than they have been. And it is well known that this has been, and is still, carried on much more by others who do not get their living by fishing, and who can better afford to have their net seized than fishermen, who would thus for a time at least be deprived of the means of their living.
I am not aware that any quantity of salmon or salmon trout has ever been caught at one time, with the exception of the occasion when three old fishermen caught 54 (not 200 as reported), and this happened immediately after the flood of December 1875, which caused a very heavy fresh in the Derwent.
A FISHERMAN
Source: THE SALMON ACT. (1877, November 30). The Mercury (Hobart, Tas. : ), p. 2.
Link: https://nla.gov.au/nla.news-article8957699

1878: seine nets confiscated



TRANSCRIPT

At the Glenorchy Police Court yesterday, the Bench gave their decision in the case against George Whitehouse, Daniel Whitehouse, Wm. Whitehouse, senr., and Wm. Whitehouse, jun., who were charged by Aaron Ashwood, Water Bailiff, with having fished with a seine in the Derwent at Sandy Bay contrary to the regulations of the Salmon Act, and with having assaulted the bailiff in the execution of his duty. The Bench fined each defendant £10, and ordered the seine net used to be confiscated.

Source: TASMANIA. (1878, August 24). Weekly Examiner (Launceston, Tas.), p. 16.
Link: https://nla.gov.au/nla.news-article233682343

Photographs 1880s-1900s
These later photographs were taken a little further back from where Nevin placed his camera, to show visitors either standing next to the plank (on viewer's right) or on it from where they could watch the fish, or indeed catch one.

1880s: Alfred WINTER



Salmon Ponds, New Norfolk, Tasmania / Photographer Alfred Winter [Album page 14, Photograph 2]
Start Date: 01 Jan 1880 - End Date: 03 Jul 1882
Source: Tasmanian Archives
Alfred Winter [Photographer] (NG2694) 08 Jul 1837 13 Apr 1911
Series: Photograph Album of Tasmanian Views (LPIC35)
Link: https://libraries.tas.gov.au/Record/Archives/LPIC35-1-25

1900s: J. W. BEATTIE



Photograph - Glass slide - Salmon Ponds / J W Beattie Tasmanian Series 463a
Item Number:NS4077/1/210
Start Date: 01 Jan 1910 End Date: 31 Dec 1919
Creating Agency: Ash, Bester and Co (NG2887)
View online: https://libraries.tas.gov.au/Record/Archives/NS4077-1-210

Films 1965 & 1975



At YouTube: https://youtu.be/kLMJVrN9PIE?feature=shared
Trout Country (1965) and Trout Fishing in Tasmania (1975)
Trout Country: Includes a brief history of Brown and Rainbow Trout in Tasmania, footage of the Derwent Valley and the Plenty Salmon Ponds, fishing supplies, fly tying and the Shannon Rise.
Trout Fishing in Tasmania: Michael Pate visits major trout fishing locations in Tasmania.
Please be advised that this footage may contain words and descriptions that may be culturally sensitive, which reflect the attitude of the period in which the film was produced, and which may be considered inappropriate today.
Tasmanian Archive and Heritage Office:
Film - Trout Country – 16mm Ektachrome Release Print (colour, sound) - 10m 35s - (Reference: AB869/1/2878)
Film - Trout Fishing in Tasmania– 16mm Eastmancolor Composite Release Print (colour, sound) - 26m 68s - (Reference: AB869/1/2896)

RELATED POSTS main weblog

Thomas J. Nevin at the Citizen's Arch, 8 January 1868

Royal Visit to Hobart by HRH Prince ALFRED, Duke of Edinburgh 1868
Thos J. NEVIN's cdv's of the Citizen's Arch 1868
Photograph ALBUMS of scenes and children gifted to the Prince 1868
Captain GOLDSMITH's vehicular ferry "Kangaroo" on fire 1868
F. J. PATERSON (attr) reprints as stereo of Thos J. Nevin's cdv the Citizen's Arch 1890

1868: a busy year for Thomas J. Nevin



Above: cropped detail of carte-de-visite below:
The Citizens' Arch, Hobart, Tasmania
Erected for the visit of HRH Prince Alfred, Duke of Edinburgh
Photographer: Thomas J. Nevin, 8 January 1868
Private collection (ex DSFB) October 2023)

Citizens Arch 1868 Nevin photo

Subject: The Citizens' Arch, design and decorations by Charles E. Walch, paid for by citizens' subscriptions to honour the visit to Tasmania by HRH Prince Alfred, Duke of Edinburgh. Inscription on arch - "The Citizens Greet You."
Photographer: Thomas J. Nevin (1842-1923)
Location and date: Liverpool Street, Hobart, Tasmania, 8 January 1868
Format: albumen print photograph, carte de visite landscape format, 63 x 103 mm (mount)
Verso: bears the signature of "Thos J Nevin" in sepia ink, written in his usual orthographic style and contemporaneous with the date of photographic capture and print, January 1868.
Details: this is one of two consecutive images of the same scene taken by Nevin within a minute of each other, the second printed here as a cdv, and both intended to be printed together as a stereograph (Nevin's original stereograph may have been misattributed to F. J. Paterson - see below).
Condition: crisp, clean, ash burn at top edge, no foxing.
Provenance: acquired for sale by Douglas Stewart Fine Books, Melbourne, Victoria from the estate of photographer Joyce Evans (1929-2019).
Copyright: Sold by DSFB, October 2023 to private collector. Permission to reproduce here.

Citizens Arch 1868 Nevin photo

Thomas J. Nevin's signature: "Thos J Nevin"
Thomas James Nevin printed and signed the verso of this photograph in the same sepia ink used to develop it, and probably within hours of returning to his studio from capturing the scene in Liverpool Street on the morning of the Prince's procession through the Citizen's Arch, Tuesday, 8 January 1868. To meet an anticipated high demand for souvenirs by the thousands of people attending the event, he had left little time on that day to imprint the verso with one of his studio stamps or labels. His signature remained largely unchanged from this example in 1868 to his signatures on the birth registrations of six  of his seven children, 1872-1888. The one birth registration he did not sign was that of his first-born son to wife Elizabeth Rachael Day, whom they named the same as his father - Thomas James Nevin jnr in May 1874 - signed by her father Captain James Day while Nevin was away on business at the Port Arthur prison.



Above: Photographer Thomas J. Nevin's signature on the birth registration of their first child, daughter Mary (May) Florence Elizabeth Nevin, 29 June 1872. His first name "Thomas" was abbreviated to "Thos" and second name "James" to "Jas", both presumably written first, followed by an artistic calligraphic flourish on the "N" for Nevin which appears to start from the front at "Thos" and flies over the frst two names to finish as "Nevin". Note the 18th century copperplate script for "P" on "Photographer" in the Rank or Profession of Father column.



Above: Nevin, Mary Florence Elizabeth
Record Type:Births
Gender:Female
Father:Nevin, Thomas James
Mother:Day, Elizabeth Rachel
Date of birth:19 May 1872
Registered:Hobart
Registration year:1872
Record ID:NAME_INDEXES:974599
Resource:RGD33/1/10/ no 2599
Source: Tasmanian Names Indexes TAHO
Link: https://stors.tas.gov.au/RGD33-1-10-p373j2k

See more examples of photographer Thomas James Nevin's signature here: https://tasmanianphotographer.blogspot.com/2014/10/thomas-j-nevin-at-new-town-studio-to.html

Nevin & Smith partnership
In late 1865 Thomas J. Nevin moved his practice from Kangaroo Valley (Hobart) where he was selling stereographs out of the New Town Post Office, to the studio leased by Alfred Bock at 140 Elizabeth St. Hobart Town. On Bock's insolvency and imminent departure to Victoria in 1866, Nevin acquired the lease on the studio, including the glass house, furnishings, stock in trade and business name, "The City Photographic Establishment". A joint lease with the Biggs famiy included a residence and shop next to the studio at 138 Elizabeth Street. In 1867 Nevin formed a partnership with photographer Robert Smith, operating from the studio as the firm Nevin & Smith. Their studio marks, stamps and labels included a rare, distinctive stamp featuring the Prince of Wales' blazon of three feathers and a coronet, banded with the German "ICH DIEN" (I Serve).

This delicately coloured carte-de-visite in a buff oval mount of an unidentified bearded man in semi-profile wearing a summer check-pattern jacket was taken in January 1868 during the visit of HRH Prince Alfred, Duke of Edinburgh. On the verso is the stamp featuring the Prince's blazon used by Thomas Nevin and Robert Smith in partnership during the Royal visit.

Portrait by Nevin & Smith 1868Verso Portrait by Nevin & Smith 1868

Carte-de-visite of bearded young man in check jacket, hand tinted, 1868
Photographers: Nevin & Smith. Late Bock's, 140 Elizabeth St. Hobart Town
Verso bears the Prince of Wales' blazon of three feathers and coronet, p
Printed during the visit of Prince Alfred, January 1868
Courtesy of ©The Liam Peters Collection 2010.

In anticipation of robust sales during the visit of Prince Alfred in January 1868, Thomas J. Nevin advertised extensively in the Tasmanian Times. He submitted photographs of streetscapes and portraits of children at the request of the Prince Alfred Preparation Committe along with a dozen other photographers, a selection of which was printed in souvenir albums to be presented to the Duke on his departure (see newspaper articles below). Thomas Nevin's partnership with Robert Smith was dissolved in late February 1868, a month after the Duke's visit by his solicitor, W. R. Giblin (later Attorney-General and Premier), on Smith's decision to leave Hobart and set up his own photographic studio in Goulburn NSW.

Tuesday, 8th January 1868
The atmosphere ... was rather sultry during the early part of the day, but towards noon a refreshing sea breeze sprang up, which soon crested the river with foam, and although it rendered the scene rather difficult for the photographers by reason of the waving of the banners and the movement of the various decorations, it was extremely refreshing, and contributed greatly to the pleasure of all concerned in the reception. Speaking of the photographers, we may mention that the gentlemen engaged by the reception commissioners have succeeded in producing very creditable views of the procession, both on large plates and in stereoscopic style. [Mercury, 8 January 1868]

By 9 o'clock on the morning of Tuesday 8th January 1868, Thomas J. Nevin had set up his cameras in Liverpool Street, Hobart, facing the Citizen's Arch as the crowds began forming in anticipation of the Duke of Edinburgh passing through on his way to Government House in Macquarie Street at midday. He may have been working on commision for the Citizens' Arch designer and decorator, Charles E. Walch, partner in the family firm Walch & Sons Co., publishers of the annual Walch's Almanac and regular importers of photographic supplies.

Well before the Duke's arrival, Thomas Nevin took two photographs (extant) of the street and the Citizen's Arch, each a minute or so apart from the same spot. Both photographs have survived. He would print a single image as a carte-de-visite of one of the captures as well as pasting the two slightly different captures of the scene side by side on a double mount to be viewed as a true stereograph with a stereoscopic viewer. His first photograph captured a man near the (viewer's) left side of the arch (see stereograph below with Paterson attribution). The second photograph taken a minute or so later captured the same man having walked from the left side of the arch to the centre of the road, presumably to greet oncoming traffic.

This second photograph of the street and a man now closer to the centre of the road beneath the arch carries Thomas Nevin's signature on verso in sepia. It survived in modern times as a single image carte-de-visite in the estate of the late Joyce Evans (1929-2019), photographer and friend of Professor Joan Kerr whose farewell lecture at Sydney University on retirement in 1994 included an affectionate appraisal of the work of Thomas J. Nevin as the photographer of Tasmania's "convicts" in the 1870s.



The Citizens' Arch, Hobart, Tasmania: man near centre of the arch
Erected for the visit of HRH Prince Alfred, Duke of Edinburgh
Photographer: Thomas J. Nevin, 8 January 1868 (private collection - see above)

The first photograph which Thomas Nevin took a minute or so before the second of the same scene in Liverpool Street shows a man standing under the left side of the Citizens' Arch. This first image has survived on a stereographic mount in the collection of the Cox family (held at the Archives Office of Tasmania), printed as a stereograph and attributed to F. J. Paterson. But it is not a true stereograph (see below). The same image was printed twice from Nevin's single first negative he took of the man standing under the left side of the arch before the man moved towards the centre of the road. Those same two prints from this first negative were then pasted to a square format stereograph mount to make the whole appear to be a true stereograph. Each image on left and right in this so-called stereograph are from the same capture and negative, whereas for a stereograph to give a true 3D experience, two distinct photographs are printed from two separate negatives (if a single lens camera is used) and then pasted side by side, with more detail of the scene, usually in the right image showing at the right side margin where the camera was moved to the right.



Photograph - stereogram - Duke of Edinburgh's visit, Welcome arch, "The Citizen's Greet You", shows side of Beaumont's Family Hotel, Liverpool Street and "Graham's",
Photographer F.J Paterson
Item Number: NS6904/1/34
Start Date: 01 Jan 1868
End Date: 31 Dec 1868
Source: Tasmanian Archives
Creating Agency: Cox, Weymouth and Miller Family (NG1640)
Series: Photographs collected by the Cox Family (NS6904)
View online: https://stors.tas.gov.au/NS6904-1-34



Detail: The Citizen's Arch, Liverpool Street, Hobart Tasmania
Single image from right side of stereograph
Photographer: F.J Paterson (attributed)
Item Number: NS6904/1/34
Start Date: 01 Jan 1868
End Date: 31 Dec 1868
Source: Tasmanian Archives

Differences
The two photographs - the cdv carrying Thomas Jas. Nevin's signature verso taken after the image in the so-called stereograph which is attributed to F. J. Paterson of the same scene - are slightly different. In Paterson's there is a woman with a cart shielded by an umbrella on the pavement to the left, whereas in the Nevin print there are several carts and men in the same spot. In the Paterson print, the man standing under the arch is closer to left column of the arch, whereas in the Nevin photograph the man appears to have walked closer to the centre of the road in order to greet the approaching van. The van in the distance is further away in the stereo image (attr. Paterson's) than in the cdv image (Nevin's). The sky and foreground in Nevin's cdv appears to have been cropped for printing, whereas the stereograph print shows more of both. These differences raise questions of both printing techniques from different cameras and lenses, as well as attribution: was there just one photographer present who took two separate captures just minutes apart? Or were both Nevin and Paterson present together in the exact same spot from where each took almost identical photographs, one within minutes of the other? One valued opinion (at DSFB) very much doubts that, opting for Nevin's as the sole attribution for both images.

The stereograph bears no photographer's mark, imprint or studio stamp. It was donated to the Archives of Tasmania as part of the Cox family collections and given an attribution to F. J. Paterson, who operated a studio at 53 Argyle St. Hobart between 1864-1869 (Davies & Stanbury The Mechanical Eye in Australia, Oxford University Press 1986.) but was much better known later in the 1890s as a marine photographer and assistant secretary to the Photographic and Arts Association. F. J. Paterson may have acquired the first negative Nevin took of the Citizen's Arch from Nevin's own collection of commercial negatives which he passed on to Samuel Clifford when ceasing commercial photography temporarily on joining the civil service as resident Hobart Town Hall keeper with family, 1876-1880. In turn, on Clifford's retirement in 1878, his own negatives and collections, including those of Nevin's, were acquired by the Anson Bros and subsequently by John Watt Beattie who reprinted the work of these earlier photographers without attribution. The first negative Nevin created of the scene which has survived as a stereograph, and possibly misattributed to F. J. Paterson, may have survived therefore from Beattie's collections, perhaps even been reprinted as a stereograph in 1899-1900 in anticipation of the Duke and Duchess of York's Royal Visit in 1901. A proposal by its original decorator C. J. Walch to re-erect the Citizen's Arch for the occasion would have included printing historical as well as contemporary photographic souvenirs ahead of the visit.

As was Thomas Nevin's practice, he used different formats when producing photographs for important public occasions. For the VIP visitors' trip to Adventure Bay in 1872, for example, he printed the first of two consecutive captures taken on the spot of the visitor group as a landscape carte-de-visite, and with the second image produced a stereograph with both slightly different images pasted side by side on two types of mount: arched above both images for one item, circular or binocular for another. He would also take and print two photographs of the same sitter in his studio, leaving one without a studio mark, and signing or printing his commercial stamp on the verso of the other, chosen according to his clients' preferences (examples are held in the TMAG collection). Given two images were taken of the same street scene of a man under the Citizen's within a minute of each other, the print bearing Thomas J. Nevin's signature verso was either the one he intended to keep, or the one he intended to include with the second capture to print as a stereograph, perhaps with the Nevin & Smith stamp featuring the Prince's blazon, but failed to proceed with using his studio's mark because Robert Smith would be departing the partnership in a matter of weeks.

Put together, the views in sequence as Thomas Nevin would have photographed them:





There is a narrative here: the first image shows a man waiting on the left side of the arch, and on seeing a van and horses approaching in the second image he walks toward the centre of the road to greet them.

Some time later, as the entire procession with the Prince and his official entourage comes into view, large crowds now gathered on both sides of Liverpool Street watch and wave and cheer. The moment the procession passes under the arch, an unnamed photographer skilfully captures every aspect of the excited scene: the barking and running of the dogs, the skittishness of the horses, the billowing of women's dresses, the flapping of flags, and the flurry of flowers and dust. The air is filled with tumultuous cheers and applause as everyone surges towards the Prince. Except one man. There he is, the same watchful man photographed by Thomas Nevin a few hours earlier. He's back at his post, squeezed up against the left side of the arch's column by the crowds. Perhaps he was a Special Constable in plain clothes enlisted for the occasion, just as Thomas Nevin was made Special Constable in 1879 during the visit of the Canadian renegade Catholic priest, Charles Chiniquy.

Citizens Arch Hobart 1868

Description:Photograph - Street view of decorations for the visit of Duke of Edinburgh in January
Item Number: PH30/1/3320
Start Date: 01 Jan 1868
Format: photograph [unattributed]
Creating Agency:Unidentified Creating Agency (XX1)
Archives Office of Tasmania
View online: https://stors.tas.gov.au/PH30-1-3320

Not only did Charles E. Walch publish again in the Mercury of 2 April, 1901 the exact same paragraph about the Citizen's Arch that he published in the Mercury on 24 December 1867, he would have displayed at the family's business premises a collection of the original photographs and memorabilia of his beautiful floral designs for the 1868 arch in anticipation of another success when the Citizens' Arch was again to be erected in honour of the Duke and Duchess of York's visit, 2-6 July 1901, this time in Macquarie Street.



'Citizens Arch,' Macquarie Street, 2-6 July 1901
Item Number: NS5742/1/38
Creating Agency: Edward Swarbreck Hall and Family (NG308)
View online:https://libraries.tas.gov.au/Record/Archives/NS5742-1-38

Timeline: the Citizens' Arch, 1867-1901

Newspaper Reports

4 December 1867: LETTER from Charles Walch
THE CITIZENS' ARCH.
TO THE EDITOR OF THE MERCURY,
SIR-In reading over the report of the proceedings of the Municipal Council published in this morning's Mercury there are two inaccuracies which I shall be glad if you will allow me to correct. In the first place the letter read at the Council Board, from the secretary of the Citizens' Arch Committee, is stated to be from Mr. Creswell. This is not correct ; Mr. Creswell is the indefatigable secretary of the Citizens' Reception Committee, but Mr. Charles E. Walch has the honour of being the secretary of the Citizens' Arch Committee. In the second place it is stated that my application to the Mayor and Aldermen was for a grant towards erecting the arch. This is the second error, for my application was for a grant towards decorating the arch, the Prince Alfred Preparation Committee having decided to erect the arch for which a model has been accepted leaving its decoration entirely in the hands of the citizens, and for which a small committee, in the name of the citizens generally, have made themselves responsible.

I am very glad to say that the design for this arch (the model is now on view at Wellington Bridge has been approved by all who have seen it), and that the few citizens who have been asked to contribute towards the cost of the decorations have done so most liberally. I am sorry that the Mayor and Aldermen, in their corporate capacity, could not see their way clear to give a grant either in money or in labour' towards the decoration of the citizens' arch ; however, it is gratifying to see that they are prepared to do the next best thing, and that is to subscribe liberally themselves. I have urged the erection of this citizens' arch on the Corporation, because nowhere on the route of the Prince's public entry into and passage through the city, will there be the slightest visible result of our having a Corporation at all excepting of course the pleasure that he will have in seeing the Mayor and Aldermen themselves.

The whole matter stands thus. There has been collected and promised up to the present time about sixty pounds ; but to decorate the arch worthily will cost at least one hundred pounds, leaving forty pounds yet to be collected. To get together this little sum of forty pounds, I now I confidently look to His Worship the Mayor, the Aldermen, and those citizens who have not yet been asked to contribute ; so that if in the vastness of their assembled crowds, and the gorgeousness of their general display, her sister colonies ease Tasmania completely into the shade, who in her turn will be able to boast of a triumph of artistic and decorative art in her " citizens' arch'."

I am, dear sir,
Faithfully yours,
CHARLES E. WALCH.
December 3rd, 1867

Source: THE CITIZENS ARCH. (1867, December 4). The Mercury p. 2.
Link: https://nla.gov.au/nla.news-article8849312

7 December 1867: FUNDING the Citizens' Arch
At a meeting of the Citizens' Reception Committee at Hobart Town on Wednesday, subscription lists were submitted representing £200. Another £100 is expected. It seems that the arch termed the Citizens' Arch is to be erected at the expense of the Government, and the only part to be played by the citizens is the decorating of it with flowers, designs, &., which it is expected will cost no less than £100. We are informed that in Melbourne the artificial flowers alone of one of the arches cost upwards of £200. The Citizens' Committee have appointed three subcommittees to carry out the details of the objects contemplated by the Citizens' Committee, viz., a Citizens' Ball, the erection of an emblematic arch, and a banquet to the crew of the Galatea. The model of the citizens arch, at Hobart Town, represents a four faced structure with the principal face towards Liverpool-street as seen from Murray-street. It will start from the four corners and will present a pretty effect. It will be in the shape of a dome highly ornamented with appropriate drapery, flowers, lamps, &, and have on its principal face an appropriate motto. The top will be surmounted with a huge crown composed of flowers.
Source: RECEPTION OF PRINCE ALFRED. (1867, December 7). Launceston Examiner p. 5.
Link: https://nla.gov.au/nla.news-article36647697

28 December 1867: HUMOUR by Punch
This article's attempt to disparage the elaborate preparations for the Duke's visit may have passed for humour of the day. The journalist writing this for the Hobart Town Punch spared the Citizen's Arch of criticism but not the Embematic Arch. He ridiculed in particular the Ode of Welcome written by Mrs Louisa Anne Meredith intended to be sung by five thousand children.



TRANSCRIPT
The Arches.
SOME skeletons of what are intended to be ornamental structures blockup the thoroughfares, and look sadly miserable, as the wind whistles through their bare ribs. We don't know how these skeletons will look when" clothed with evergreens and flowers, but at present "triumphal" is about the last adjective proper to characterise them. The Emblematic Arch on the Wharf is an idea of a good kind, and appropriately founded on oil-butts, signifying that Tasmania is the butt of the colonies and of the empire, an Ultima Thule indeed. We believe that beside the wool bales on top, there are to be other objects characteristic of Tasmanian commerce, amongst others, a Truss of Hay cut open to exhibit a large stone which takes up a good part of its interior, some bags of sour Chilian flour mixed with plaster of Paris and branded "Best Tasmanian Flour," some tins of boiled carrots sweetened with sugar, labelled "Fine Tasmanian Jam" from a well-known Hebrew firm, a stranger from Victoria as he appeared when taken in and done for by Hobart Town lodging house keepers and Cabmen. These will form a striking emblem of some lucrative branches of Tasmanian Commerce. Then a few models of the manufactories and mines of Tasmania, the Pyrolignite Works, the Seymour Coal Mines, Fingal Companies, and others, showing in a striking manner the energy and perseverance of the people. On the top three enormous barrels of beer from the breweries of the Mayors of Hobart Town and Launceston and our ex-Mayor, this being the only really flourishing trade in Tasmania. On these barrels will be a group of native youth in various lounging attitudes, smoking — with some City Arabs and one or two country skullbankers. This group will typify the strongest characteristics of a large part of our energetic population. His H. H. the Prince will then get a bird's eye view of Tasmania. The citizens' Arch, called so because the Government have erected it, is a great credit to the town and a feather in the cap of the energetic individuals to whom we owe it. A brilliant illumination of arches would quite cut out all other displays, even the magnificent star of Messrs Salier & Co.

The Ode of Welcome. WE have said so much about this, that we have little more to add. It will be enough to say that the way it is sung does more than justice to the words of Mrs. Meredith and the music of Packer, for the less that is heard of either the better. The verses have not even the merit which so many other nonsense verses have, that of decent rhythm. On the whole we prefer the National Anthem, and we think the Prince will be of the same opinion, if he hears either from the assembled children. The conductor has snubbed every one who has attempted to help him with the children; he wanted all the glory, and we think no one will care to share with him what he will get when the production is 'performed' before the Prince. His H.H. R. will call him and the performers a Pack of ninnies.
The Platforms !!! ARE by no means the least brilliant part of the display intended to do honor to the Sailor Prince. They are, for the most part, constructed of colonial hardwood, which being in the rough, gives them a pleasingly rustic appearance, and is likely to conduce in no small measure to the comfort of their occupants. That slight spice of danger too, which is generally so much appreciated by the public, is not wholly absent, and lends a zest to the enjoyment of those adventurous spirits who feel a pleasure in paying their shilling or half-crown for the privilege of balancing themselves for a couple of hours or so on a couple of inches of batten, at a distance of from ten to thirty feet from the ground. Messrs. Bromby and Cox would like it to be as generally known as possible, that in their advertisement, which appeared in our last number, it was omitted to be stated that their platforms are all arranged as locomotives, being mounted on wheels, and travelling upon rails. By this ingenious arrangement they can be run back after the Prince has passed, and will be available for the ceremony of Laying the Foundation Stone of the New Cathedral. It is suggested that people of an economical turn of mind should take seats, for the procession, on these platforms, as by laying in a stock of sandwiches. &c., there would be no necessity for them to move until after the day of the Laying the Foundation Stone, and they would be thus enabled to view both ceremonials for the same money. N.B.—Bed-gowns similar to those to be worn by the choir on the latter occasion may be had at reasonable rates on application to Messrs. Bromby, Cox, or Hunter.
Source: The Arches, Hobart Town Punch Saturday 28 December 1867, page 8
Link: https://nla.gov.au/nla.news-article232935336

8 January 1868: STATE RECEPTION and CITIZENS' ARCH



TRANSCRIPT - excerpt
THE DUKE OF EDINBURGH IN TASMANIA.
THE STATE RECEPTION.

Yesterday will be marked as a red-letter day in the history of Tasmania, being that upon which the first scion of English royalty ever set foot upon her shores. The importance attached by a loyal populace to the event was most unmistakable, and if the demonstration of affectionate greeting which was made on the occasion was in any degree loss imposing than that shown in richer colonies, it is on account of the smaller proportions of our city, and from no want of genuine liberality and loyal feeling on the part of our citizens. In intro-ducing a detailed report of the state ceremony of the day, it would be difficult to convey any adequate idea of the genuine enthusiasm which pervaded all the arrangements, suffice it to say that from the moment of His Royal Highness's landing until his arrival at Government House, the welcome which greeted him was spontaneous, heartfelt, and sincere. Those of our readers who know the city will be aware that at sundown on Monday evening the arrangements for the reception were far from complete, and men were employed in some cases throughout the night in perfecting them. At day dawn gangs of men were at work on the various arches, in hoisting flags on the wharves, and otherwise completing the arrangements, and it was quite 12 o'clock before all was ready. By nine o'clock in the morning the streets were crowded with people who had turned out to view the general decorations, and to make sure of their positions for obtaining a good sight of the procession. The centre of attraction seemed to be the public buildings, and from thence to the wharf ; and many thousands of persons had assembled in those localities at an early hour. The stands erected in various parts of the city were scarcely so well patronised as might have been expected. Those erected by the government, by Messrs. Walch, and by private persons on the wharves, were well filled, but the others were far from crowded. It was about eleven o'clock when the populace really began to muster in force, and then the wharf stands were fairly rushed, the piles of timber also became superior points of view, and every available point from which the landing and progress of the procession in its earlier stages could be witnessed were eagerly seized upon. From the river and wharves, wherever a clear view of the town could be obtained, the sight was most imposing ; and seen from the top of the hill behind Franklin Square, the marshalling of the procession was a most magnificent sight. The dense mass of heads moving about in the plateau below, the waving of tho flags' and banners borne by the friendly societies, the red shirts of the fire-men, and the emblematic arch with its two whaleboats manned by crews of native youths in red shirts and sailor hats ; and beyond all the long clear space, with the dais for the accommodation of the Mayor and Corporation standing out in bold relief, dotted here and there by groups of officials in uniform, and the clergy in their robes of offlice, besides little knots of private citizens ; the whole scene enlivened by the regular lines of scarlet coats, white belts, and glittering bayonets, distinguishing the guard of honor, combined to form a scene of surpassing brilliancy. Nor have we half described the appearance of the crowd from this point of view. The natural beauties of the harbour added much to the grandeur of its effect. The wharves flanked by lines of vessels dressed in all their colors, and all crowded with eager spectators, and the glittering river with the noble ship riding at anchor, and resplendent with bunting, formed a glorious contrast, and combined to complete a scene scarcely equalled in the pages of fairy romance. The weather during the morning was everything that could be desired, although dark threatening clouds hung over the mountain, fore-boding rain. The atmosphere, too, was rather sultry during the early part of the day, but towards noon a refreshing sea breeze sprang up, which soon crested the river with foam, and although it rendered the scene rather difficult for the photographers by reason of the waving of the banners and the movement of the various decorations, it was extremely refreshing, and contributed greatly to the pleasure of all concerned in the reception. Speaking of the photographers, we may mention that the gentlemen engaged by the reception commissioners have succeeded in producing very creditable views of the procession, both on large plates and in stereoscopic style. What we have said of the landing place, the wharves, and the public buildings, will apply equally to other divisions of the city; but if any particular points are deserving of special mention above others, it is the Citizens' canopy of arches, and the Sunday school children's platform in the domain. After the more immediate excite-ment of the royal progress was over the latter point became the centre of general attraction. On the procession crossing Park-street a somewhat lengthy stoppage occurred to enable the photographic artist stationed there to perform his duty. During this interval the city seemed to empty itself into the noble park, and the fences of the cricket ground, the rising ground behind the platform, and every available point of view were rushod by eager spectators. At a rough computation wo should say that from at least 10,000 to 15,000 persons were here assembled, and the scene was a brilliant and imposing one. The children's platform extended in the form of an amphitheatre for a distance of about 150 yards, and the seats ranged five deep, while hundreds of children who were unable to obtain accommodation lined the rear. The children were for the most part dressed uniformly, the girls wearing white dresses and blue sashes, and the boys sailor hats and blue favors. A vast number of small Union Jacks were distributed among the schools, and the waving of those added materially to the general effect. The various scenes in connection with the reception will, however, be described in detail below......
......
In the above order the procession moved away under the emblematic arch, amid the cheers of the populace. This arch was a most appropriate and imposing structure. The piers were composed wholly of oil barrels, and, iIlustrative of our whaling trade, had a fine effect, and the top, piled up in the form of a high pyramid, with samples of our porter, ale, beer, jams, leather, wheat, barley, oats, &c., &c, and surmounted by the huge jaws of a whale, the merchant ensign of Britain floating over all, formed a most characteristic m¡ d'aeil. Beneath this, on the river side of the arch, was the inscription, "Welcome Sailor Prince," and on the other side, " Welcome to Tasmania." The feature which would, we ima-gine, most please His Royal Highness in connection with this structure, would be the two fine whale boats which surmounted the side arches, and which were manned by crews of six native youths attired in red shirts and sailor hats. These lads peaked their oars and cheered as the Prince's carriage passed under the archway. All the stands along the route of the procession at this point were densely crowded, and the enthusiasm of the spectators knew no bounds. The principal stands were at Belbin and Dowdell's at the Old Market, and at the lowor end of Murray-street, and the occupants of each cheered, waved their handkerchiefs, or threw bouquets as the pro-cession passed. Gradually it wended its way up Murray-street towards the first of the Government arches, where the word "Welcome," in roses again, greeted the Prince, and his carriage passed under the arch....

Presently the swell of voices which prelude tho march of an approaching crowd grew more and more audible, and in about a quarter of-an hour from the moment of His Royal Highnoss putting his foot on the landing stage, the head of the procession showed beneath the archway abutting on the government offices. Tim array passed on in tho order in which it had beon marshalled, as already doscribed, on tho wharf until the carriage of His Royal Highness had arrived opposite the parliamentary platform, when a halt was called in order to allow of the National Anthem being sung, as arranged in the programme, by the ladies assembled in front of the government buildings, aided by the occupants of the platform on the opposite side of the street. The anthem was sung with commendable precision, but the volume of sound was not sufficient to render it as effective as could have been desired. At this point a photographic picture was taken by Mr. Stewart, who was stationed for the purpose in one of the windows of the tower of St. David's Cathedral. The stay was of brief duration, but during its continuance there was some good humored crowding around the Prince's carriage, induced by a loyal curiosity to see His Royal Highness in as immediate proximity as possible; but the pressure arising from this cause rapidly subsided on the procession resuming its march. The progress along Murray and Liverpool streets was not marked by any event worthy of special mention, and the flag decorations, though profuse, were of necessity to such an extont repetitions of those previously described, as to render it needless to attempt describing them in detail..
.
THE CITIZENS' ARCH.
This is a structure worthy of the citizens,-a noble arch,-an elegant arch,-built by the Goverment as far as the woodwork is concerned, but the decorations were supplied by the citizens at a cost of from £120 to £130. And they are worthy of the occasion. A quadruple arch, rising to a height of 57 feet, and surmounted by a floral crown, 10 foot in height, with a cross of 2 feet, completes a structure worthy of the advent of an emperor. But in addition to this, the arch is profusely decorated with evergreens and flowers. On the front facing Liverpool-street, in the west, is the inscription, "The Citizens greet you," surmounted by two Union Jacks, partly folded, and from the centres of the four arches were suspended baskets of flowers. The arches rest on four pilasters, forming a pediment, and entwined with native shrubs and creepers, the base being formod by fern fronds from the Huon track, and kept fresh and fragrant by constant jets of fresh water. The arch was designed by Mr. C. Walch, and for the information of our country friends, we may describe it briefly as a quadruple arch, the four corners springing from Mr. Graham's to Messrs. Russells', and from Messrs. Walch's to Messrs. Saliers.' We may add here that a contretemps occurred during the progress of the procession at this part by a woman falling down, and being trampled on, but, fortunately, no serious injury was sustained. In fact, the police, aided by the special constables, maintained the most complete order and regularity. At the corner of Elizabeth and Liverpool-streets the scene was particularly gay and striking. Flags and banners were flaunting from many houses, and at Messrs. Walch's a rather novel but pleasing effect was produced by the display of flags at the windows, the staffs of which were entwined with wreaths of roses. At Messrs. Salier's wreaths of overgreens were carried in front of the house, which had a very pretty appearance. At Messrs' R.D. and W. Russell's the building was covered with flowers and evergreens, and Messrs. Harcourt, Holmes, G. Johnson, and Hinsby displayed similar floral decorations. Proceeding towards the domain the same decorations of flags and evergreens met the eye in every direction, until it rested on the arch erected by the hospital, when it received rather an unpleasant check, as the arch in question was more like the entrance to a cemetery, than an object of welcome and gratulation to a Royal Prince Passing this by, however, the procession moved onwards, and on arriving in view of the domain a scene of surpassing bounty and interest met the view. There, ranged in seats provided for them, were seen some hundreds, nay, thousands of children, belonging to the various Sunday-schools, and who were waiting to greet our royal visitor with an "Ode of Welcome," A more gratifying spectacle than this we never beheld, although in olden times wo have witnessed the annual gatherings of the charity children in St. Paul's, London. When the carriage with His Royal Highness and the Governor came in view of the domain a stoppage took place, and we observed that His Royal Highness, as he looked towards the children, seemed very highly pleased with so novel and so interesting a spectacle. No doubt, indeed, but that our sailor Prince was much delighted, for he could have witnessed nothing of the kind,-so largely carried out, at least,-in any of the neighboring colonies. We may add that the windows of the houses en route were filled with spectators, and several stands on the line of the procession were fairly occupied....
Source: THE DUKE OF EDINBURGH IN TASMANIA. (1868, January 8). The Mercury p. 2.
Link: https://nla.gov.au/nla.news-article8849902

The Tasmanian Times Special Edition ran a lengthy report on each stage of the Duke's tour around Hobart. Thomas Nevin's colleague Samuel Clifford produced a fine series of stereoscopic and album prints of the day, which he advertised for sale on the 26th February 1868.



TRANSCRIPT
PHOTOGRAPHS CONNECTED WITH H.R.H. THE.DUKE OF EDINBURGH'S VISIT TO TASMANIA.
Landing in State, "instantaneous," stereoscopic and album.
The Landing, 10 x 8.
The Galatea, 10 x 8, stereoscopic and album.
Emblematic Arch, 10 x 8, stereoscopic and album.
State Carriage, with Outriders und Orderlies, cabinet!
The Duke's Saddle Horse, album.
H. R. H. His Excellency, and Company at Government House', 10 x 8.
S. CLIFFORD, Liverpool-street, Prize Medalist [sic] at Melbourne, and highest Award at New Zealand.
Advertising (1868, February 26). The Mercury (Hobart, Tas. : 1860 - 1954), p. 1.
Link: http://nla.gov.au/nla.news-article8850754

Citizens Arch 1868 Duke's visit, S. Clifford photo

Emblematic Arch, 10 x 8, stereoscopic and album.
Photographer Samuel Clifford 1868
Archives Office of Tasmania Ref: PH30-1-31



TRANSCRIPT
THE EMBLEMATIC ARCH.
In this order the procession moved away under the Emblematic Arch, erected by the Citizens' Reception Committee. This was declared on all sides to be a novel and striking feature in the various symbols of welcome offered to the Prince, and very successfully carried out. The piers were built up of tun butts, used in our whaling trade. The arch itself being composed of a main and two smaller arches, surmounted by bales of wool, pockets of hops, cases of preserves, bundles of shingles, leather, and bark used in tanning, sheaves of wheat, and a variety of the other products of the colony. Above the whole the jaw bones of a sperm whale. The side openings were crowned by two whale boats manned by the proper number of hands dressed in whaling costume. The whole of the arch was embellished with our beautiful ferns and flowers. On the side to meet the Prince's view was the legend " Welcome to Tasmania," and on the other side was "Welcome Sailor Prince." The top of it was decorated with flags. The whole line of the procession from the landing stage was also decorated with flags. Every halting place or stoppage was taken advantage of to loudly cheer our Royal visitor, who courteously responded to the same by bowing. Along the wharf and up Murray-street were several commodious stands tastefully decorated, and filled with well dressed people who all cheered lustily as the Prince passed. The procession moved slowly upwards from the wharf amidst continuous cheering, between two lines of Military who kept the route clear from the landing stage to the arch in Murray street.
THE STATE LANDING. (1868, February 1). The Tasmanian Times (Hobart Town, Tas. : 1867 - 1870), p. 3.
Link: http://nla.gov.au/nla.news-article232857843

8 January 1868: FIRE on the "KANGAROO"
The Twins steamer ferry Kangaroo built by Elizabeth Rachel (Day) Nevin's uncle Captain Edward Goldsmith in 1854-55, was sold to Askin Morrison in 1857, then to James Staines Taylor in 1864 who operated it for the next 40 years. Under his command on this day of celebrations with a full complement of passengers greeting the Prince's yacht Galatea, fireworks exploded over the deck, catching ladies' dresses on fire and causing them to faint.



TRANSCRIPT
THE TWINS STEAMER.
The ladies and gentlemen who were to take part in the torchlight aquatic procession began to assemble about half-past 7 o'clock, accompanied by their friends and a large number of ladies and gentlemen invited by the committee. The evening was beautifully fine. The sea breeze which had been blowing briskly all day, died away, aud gave place to a westerly wind. The moon shone beautifully, and rode through an almost cloudless sky. The temperature was sufficiently cool to render shawls and wrappers a comfortable addition to the ordinary dress. There were on board altogether about six hundred ladies and gentlemen, including many of the leading inhabitants of the city. The entire management of the procession was under the direction of J. Davies,Esq.,M.H. A., who was assisted by H.S. Barrett, Esq., M.H. A., and the arrangements to give effect to the demonstration were as perfect as they possibly could be. The whole of the living freight being on board, the band, under the leadership of Mr.Thomas, struck up a quickstep march, the red fire was lighted, and a signal rocket fired. The steamer got slowly under way, and proceeded towards the Galatea, amid cheers from the shore. A little delay was caused in arranging the flotilla, during which the rockets and red and green fires were occasionally burnt, and the band played some of its most inspiring strains. The steamer went slowly round the Galatea, the company singing Rule Britannia with great precision and effect. The scene at this time was brilliant and beautiful in the extreme. The long line of boats, with lighted torches undulating with the waves, and slowly advancing was one of the prettiest sights ever witnessed on the banks of the Derwent. Three hearty cheers were given as the steamer passed the Galatea, which were returned by the men on board the frigate, the band at the same time striking up a lively air. Green fires were now burnt and several rockets thrown up, the band playing a march, and then the company sang " O'er the calm and sparkling waters," which sounded very beautifully, the voices blending well. As soon as this ended the Galatea exhibited a blue fire at each port hole, and one from the jibboom end. The effect was magnificent, and there was but one feeling of delight at this brilliant exhibition. The flotilla now steamed gently towards Government House, firing rockets and burning alternatively red and green fires, the company singing "Lo, the gladsome day is breaking," and with increasing effort and precision, as the amateurs seemed to gain confidence. Everything was proceeding as " merry as a marriage bell," and all on board were enjoying themselves thoroughly, and were in the greatest state of enthusiasm and delight, when one of those accidents which seem to mock all human prudence and foresight occurred. A large case of rockets had been placed at the opposite end of the steamer to where the orchestra was situated, and it was believed quite sufficiently secured from accident. The man in charge went to fire a serpent, and the sparks fell in among the rockets, and set them on fire. In an instant a scene of great confusion occurred. Several of the rockets flew about the deck and exploded, and the greatest danger was for a few minutes apprehended. A rush was made to the other end of the steamer, and several ladies fainted, and the clothes of one or two caught fire, but were quickly extinguished by the bystanders. Several gentlemen at a great risk made a rush to the burning box of fireworks, and after getting in one or two instances burnt on the hands, the box was thrown overboard and all danger ceased. The deck of the steamer was burnt in several places, and the bulwarks were on fire, but a few buckets of water promptly extinguished all remnants of fire. The alarm among the ladies was very great, and it was some time before many of them could get over the fright which had been given them. Mr Davies and others were indefatigable in reassuring them, but every time afterwards that a rocket went off, or the green or red fires were burnt, their alarm was renewed. By the time order was restored the flotilla had reached its appointed place of Government House. The anchor was dropped, rockets fired, and the orchestra began in accordance with the arrangements to go through the programme again. " Rule Britannia" and the other pieces were gone through with great precision and effect, and the spirit stirring strains had a most invigorating effect on those whom the recent accident had rendered timid and nervous. The " Welcome to Prince Alfred" was especially well rendered, and called forth many encomiums. The "National Anthem" closed the musical portion of the serenade, and the steamer weighed anchor and returned to town. On passing the Galatea "Rule Britannia" was again played by the band, and the large freight was landed safe, in spite of an accident which threatened once to be serious. Had it not been for the unfortunate explosion the serenade would, as it still must be considered, have been the most beautiful and successful spectacle ever witnessed in the colonies. On landing at the wharf three hearty cheers were given for Mr. Davies, for the energetic and successful way in which all the arrangements had been carried out.
Source: THE DUKE OF EDINBURGH IN TASMANIA. 1868, January 8. The Mercury p. 3.
Link: https://nla.gov.au/nla.news-article8849902

Torchlight procession 1868 Hobart

Title Aquatic torchlight procession, Hobart Town. [picture]
Contributor(s) Gill, S. T., 1818-1880 artist.
Publisher Melbourne : Robert Stewart
Date February 29, 1868.
Description print : wood engraving.
Notes Wood engraving published in The illustrated Melbourne Post.
State Library of Victoria
Link: https://handle.slv.vic.gov.au/10381/47696

10 January 1868: FORTY POUNDS in debt
On January 10, Charles E. Walch wrote a letter adressed to both the editor of the Tasmanian Times and the Hobart Mercury, requesting their readers to meet a shortfall of forty pounds - £40 - in subscription funds to complete the decorations on the Citizens' Arch.
THE CITIZENS ARCH.
To the Editor of the Tasmanian Times
SIR,—The Committee of The Citizens' Arch, desire to avail themselves of'your columns, that it may be generally known that a sum of about Fifty Pounds is still required to pay for the decorations in addition to the seventy pounds subscribed by the Committee and others. The Citizens of Hobart Town may well feel proud of their Arch, for it far surpasses any yet erected by their wealthier neighbour, but that their boasting may be justified, they must clear off the debt of forty pounds, and in order to accomplish this, Mr. Jas. E. Sailer, Mr. W. Weaver, and myself are prepared to receive any donations. no matter how small, and I need not add, how large.
I am, Sir,
Yours obediently,
CHAS. E. WALCH,
Secretary and Treasurer.
Source: THE CITIZENS ARCH. (1868, January 10). The Tasmanian Times p. 3.
Link: https://nla.gov.au/nla.news-article232857259

THE CITIZENS' ARCH.
To the Editor of the Mercury .
Dear Sir - Having practically shown your own interest in the Citizens' Arch, I trust that you will still further aid the committee by inserting this letter in the columns of your paper, its purport simply to inform the citizens of Hobart Town other friends that a sum of about forty pounds is still required to defray the expenses of decoration their arch. The cost of the decorations will amount to about £110; of this sum the committees have subscribed among themselves 12s in cash, (I won't say one word about the value of the personal services of some of their number), and have received other subscriptions bringing the total up to £70. In undertaking the responsibility of decorating this arch which I am fully justified in styling the finest, both in design and decoration, yet erected in the Australian colonies - the committee felt confident that their fellow-citizens would stand by them, and now that the arch speaks for itself and funds are required, the committee would not cast such a slur on them as to make any appeal, but would simply state that three members of the committee, Messrs. Weaver, James E. Salier, and Charles E. Walch, are prepared to receive any donation, however small, towards meeting the deficit of forty pounds.
I am, dear Sir,
Yours faithfully
CHAS. E. WALCH,
Secretary and Treasurer.
Source: THE CITIZEN' ARCH. (1868, January 10). The Mercury , p. 2.
Link: https://nla.gov.au/nla.news-article8849936

Photograph Albums presented to the Prince
Thomas J. Nevin was one of a dozen or so local photographers invited by the Reception Commissioners to submit prints for inclusion in two albums to be presented to Prince Alfred on his departure from Hobart. His contributions to the album of Tasmanian scenery would have included his photographs of the Citizens' Arch in Liverpool Street, his studio and residence in Elizabeth Street seen from corner of Patrick Street, the Orphan School at New Town, and several houses at Kangaroo Valley including the house his father built there. His contributions to the album of children's portraits, some lightly hand-coloured, would have included his portrait of younger brother Jack (William John) Nevin (see below).



Source: Tasmanian Times (Hobart Town, Tas. : 1867 - 1870), Monday 20 January 1868, page 2

TRANSCRIPT
PHOTOGRAPHIC ALBUM PRESENTED TO HIS ROYAL HIGHNESS.
On Saturday the album of photographs of Tasmanian scenery which has been prepared by the Prince Alfred preparation committee "for H.R.H, the Duke of Edinburgh from the colonists as memorial of his visit to Tasmania in H.SCS. Galatea," was presented on board that vessel to Hie Royal Highness by the chairman of the committee, the Hon. James Milne Wilson, mayor of the city, accompanied by Mr. Hugh M. Hull, Secretary to the committee. There were present also the Hon. Sir R. Dry, the Hon. T. D. Chapman, the Hon. W. L. Dobson, and Capt. Tarleton. Mr. Wilson accompanied the presentation with few remarks, and H.R.H. expressed the pleasure he felt in receiving so beautiful a present, saying that there many parts of the colony he would have wished very much to see, and that he hoped to enjoy a leisure hour in looking over the album. The gentlemen named had then the honor of lunching in the Prince's dining cabin. Besides H.R.H.'s staff and Lord Newry, His Excellency the Governor, and Mrs. and Miss Gore Browne were present. The album which was admitted to be the most costly book ever prepared in the colony, and valuable as illustrating our lovely scenery, and our beautiful children, (of whom 8,000 welcomed H.R.H. in the two towns alone) is of imperial size, bound in crimson morocco, gilt and ornamented in an elaborate and tasteful manner. It contains 83 photographs of Ferntree vallies, river scenery, public buildings, schools, hospitals, orphan asylums, country towns, such as Richmond, Deloraine, New Norfolk, Pontville, Circular Head, Swansea, - views of several private residences, such as Mona Yale, Sunnyside, Cascades, Dr. Officer's and Mr. Sharland's, and of Government House, and the R.S. Gardens. There are also 48 coloured portraits of our most beautiful children, selected from the studies of the photographic artists who go in for that line. The committee also succeeded in placing in the album the following plates in immediate connexion with the Prince's visit to the colony:-
1. The Galatea as she lay in harbour.
2. The Landing in State.
3. The Emblematic Arch.
4. The Public Buildings' Arch.
5. The Savings Bank decorated, and the Ladies' Platform.
6. The Citizens' Arch.
7. The Children in the Domain.
8. The Laying of the Cathedral Stone.
9. The O'Briens' Bridge Arch.
The title page was drawn by Mr. Alfred Randall in letters of gold, surrounded by wreaths of Macquarie Harbour pine trailed on twigs, and in each corner of the page was an inimitable sketch in pen and ink by Mr. W. C. Piguenit, the subjects being Risdon, Prince of Wales' Bay, Benlomond, and the. rocks at New Norfolk respectively. The Pictures were accompanied by an elaborate index in gold letters by Mr. Randall.

His Royal Highness was pleased to request Mr. Hull to procure for him duplicate copies of all the pictures in the album, for the purpose of aiding in illustrating a work which His Royal Highness is preparing in connection with his visit to the Australian Colonies.
Source: PHOTOGRAPHIC ALBUM PRESENTED. TO HIS ROYAL HIGHNESS.
Tasmanian Times (Hobart Town, Tas. : 1867 - 1870), Monday 20 January 1868, page 2
https://nla.gov.au/nla.news-article232857474

Thomas Nevin and partner Robert Smith, operating as the firm Nevin & Smith, were indeed "photographers who go in for that line" of photographing children and colouring their portraits as contributions to the promised album for the Prince. Toddlers to teens sat for them, including young Jack Nevin (William John, later Constable John Nevin), Thomas Nevin's younger brother who posed for this full-length portrait during the Prince's visit in 1868. The typical pose and dress of young Jack Nevin, choices made whenever he was photographed while still a youth, were with left arm bent, hand on hip, clean shaven (until his twenties when he favoured a moustache), a three piece suit with fob chain, and jacket with velvet revers (lapels). The little bowler was brand new, placed next to two decorative pot plants. The decor in the studio at this time - January 1868 - featured the heavy plinth with plaster panels inset with a wreath which Thomas Nevin acquired from Alfred Bock's auction and which appears in one of his photos of the Bayles sisters. The large lozenge patterned carpet softened with white edges and floral centre appears in several of these Nevin & Smith portraits.



Subject: William John Nevin (1852-1891), known as Jack to the family;
also known as Constable John Nevin from 1870-1891
Photographers: Thomas J. Nevin (older brother) and Robert Smith, as the firm NEVIN & SMITH
Location and Date: 140 Elizabeth St. Hobart, Tasmania, January 1868.
Details: verso stamped with Prince of Wales blazon of three feathers, coronet and Ich Dien;
"From Nevin & Smith late Bock's, 140 Elizabeth St. Hobart Town"
Source: Private Collection, Sydney Rare Books Auction, June 2019

1901: Resurrect the Citizen's Arch?

22 January 1891: F. J. PATERSON
The stereograph of the Citizens' Arch attributed to F. J. Paterson bears no studio mark or inscription to warrant accreditation, even if it was produced in 1868 as an original, possibly taken by him at the exact same spot where Thomas J. Nevin stood to take the first one, though that would seem an unlikely occurrence.  F. J. Paterson was certainly active as a photographer in the 1890s, asccording to the report of an exhibition held in 1891, whereas photographs by him taken in the 1860s are rare, if extant at all, and only known as part of the Cox family collections.

This article mentions F. J. Paterson's work in some detail. Note the patronising tone towards the photographic work of the women who contributed to an exhibition held at Temperance Hall, 21 January 1891:

PHOTOGRAPHIC AND ART ASSOCIATION
There were those who, when the Tasmanian Photographic and Art Association was founded some four years ago, did not hesitate to characterise the movements an amateur's fad, and a mushroom growth that would, they prophesied, die as rapidly as it had sprung into existence. Time, however, has proved that the photographic art, apart from that particular portion of it which has to do with those who gain their living by its practice, has not only come amongst us, but has come to stay. The ranks of our amateur photographers are daily swelling, and as each successive exhibition of their handiwork has come around there has been placed on evidence that they are not more spoilers of plates and paper, but workers imbued with the enthusiasm of art and the determination to excel. Indeed, they trim their professional brothers very close, and in some instances the eye of the expert is requisite to detect and define a tints of comparison. The exhibition opened yesterday in the Temperance Hall, is the largest collection of photographs yet shown. These have been grouped around the room together with paintings and collections of material and instruments used in photography. Of the exhibits made by amateurs, those of Mr. Aikenhead, of West Devonport, stand head and shoulders above the rest. They mc nil silver prints, but the artist has shown excellent taste in choice of subjects (all landscape and the lighting is most perfect. Mr. Aikenhead is the holder of the senior prize for the current year. Mr Gruncell is a new man, but has succeeded in turning out some very creditable work, and Mr. F. J. Paterson maintains the reputation he has gained for his excellence in relation to instantaneous work, his pictures of steamers and yachts being perfect specimens of this class of work. Sir. N. Oldham has not had time at his disposal to furnish other than an ordinary exhibit, but his choice of subjects has been good. Mr. Shepherd's animal portraiture furnishes so me most amusing pictures, Miss Frean's views are well selected, although, of course, the the ladies are always handicapped in this work. Mr. R. Downing has effectively copied some old engravings, and Mr A. Butler, whose specialty appears to be instantaneous, water pictures, is to be complimented on, his id suits. Miss Dickson has secured good negatives, but the work of vigneting has been but poorly done. The exhibits by profesionals comprise portraits by both Messrs. Watson and Co., and Messrs. Wherrett Bros., and that of the former show considerable recent improvementment. Mr. J. Anson contributes a fine group of landscapes. Captain Forrest heads the list of exhibitors of oil paintings with a fine picture of the gully at the back of the Cascades. The lighting is effective, and the warmth of tone noticeable in this artist'ss paintings of Tasmanian scenery is well preserved. A second contribution (unfinished) is a derelict barque, an excellent piece of sea painting. Mr. E. Mace, jnr , has been on the West Coast, and his pictures of the Pieman River Mount Zeehan, are interesting. "In the Lake Country" is not so satisfactory a piece of work. Miss Hope's picture of Tasmanian berries is on exhibition although not a new painting by this lady Mrs. Reichenburg has conveyed considable force into her picture "In the Engadine Valley," although, occasional weekly classes in foliage work are perceptible. Miss Dickson's little piece of mountain scenery is charming. Other contributors were Misses Carraway, M. Williams, and Elliott. A collection of Fijian curios is loaned. by Mrs. Lang, of Risdon, A collection of fine bromide, enlargement is also worthy of special mention. In a separate room the president (Mr. Curzon Allport) exhibited a collection of pictures, many of which are known as works of art. Proceedings opened at 11 o'clock, following the arrival of His Excellency the Governor, who is patron of the Association, take along a good attendance, In the evening there was a good attendance and the progressive provided for the unter statement of patrons give general satisfaction. It embraced a short address by the President of The Association and its work, which proved interesting alike to members and those not, within the past, A short experimental lecture by Mr. Paterson on "The production of the photographic picture " also formed an interesting loin, but chiefly successful was the splendid lime-light, exhibition with some of the features of which the Hobart public are already convey any, but which loses none of its attractive-ness by repetition. The entire arrangements reflected great credit on the Executive Copies notice, the secretary (Mr. Nat Oldham), and assistant secretary (Mr. F. J. Patterson). The exhibition will be open this evening, when, in addition to the lime-light pictures already spoken of, other attractions will be presented in the form of the lime-light exhibition with the Mining lanterns and oxy-hydrogen microscope, thrill particulars, I can be cleaned from the announcemnt published elsewhere.

Source: PHOTOGRAPHIC AND ART ASSOCIATION. (1891, January 22). The Mercury p. 3.
Link: https://nla.gov.au/nla.news-article12711860

2 April 1901: PROPOSAL to erect the Citizen's Arch again for another Royal visit
Designer and decorator of the Citizen's Arch for the 1868 Royal visit, Charles E. Walch requested that the Mercury reprint a paragraph about the arch first published on January 8, 1868, by way of suggesting the arch could be resurrected for the forthcoming Royal Visit of the Duke and Duchess of York in 1901:

TRANSCRIPTS
THE VISIT OF THE DUKE AND DUCHESS OF YORK.
Sir,-As it appears that the Government, as far as I know, has not decided on the exact form the public welcome to the Duke and Duchess of York is to take, permit me to suggest that what was done in one instance a generation since, on the occasion of the visit of the Duke of Edinburgh, might well form part of our welcome on this new occasion. I allude to the Citizens' Arch, which was erected at the junction of Elizabeth and Liverpool streets. I enclose an extract from "The Mercury" of January 8, 1868, giving a descriptive account of the arch, which, I think, will be read with interest -
Yours, etc.,
CHAS. E. WALCH.
THE CITIZENS' ARCH.
This is a structure worthy of the citizen and a noble arch and elegant arch built by the Government as far as the woodwork is concerned, but the decorations were supplied by the citizens at a cost of from £120 to £200, and they are worthy of the occasion. A quadruple arch, rising to a height of 57ft., and surmounted by a floral crown, 10ft. in height, with a cross of 2ft., completes a structure worthy of the advent of an Emperor. But in addition to this, the arch is profusely decorated with evergreens and flowers. On the front facing Liverpool-street, on the west, is the inscription, "The Citizens Greet You," surmounted by two Union Jacks, partly folded, and from the centre of the four arches are suspended baskets of flowers. The arches rest on four pilasters forming a pediment, and entwined with native shrubs and creepers, the base being formed with fern fronds from the Huon track, and kept fresh and fragrant by constant jets of fresh water. The arch was designed by Mr. C. Walch, and for the information of our country friends, we may describe it briefly as a quadruple arch, the four corners springing from Mr. Graham's to Messrs. Russell's, and from Messrs. Walch's to Messrs. Sailer's.
Source: Mercury (Hobart, Tas. : 1860 - 1954), Tuesday 2 April 1901, page 3
Reprinted from THE DUKE OF EDINBURGH. (1867, December 24). The Mercury p. 3.
Link: https://nla.gov.au/nla.news-article8849641

Citizens Arch, Hobart 1901

Photograph - 'Citizens Arch,' Macquarie Street, to celebrate the visit of Their Royal Highnesses The Duke and Duchess of Cornwall and York
Item Number: NS5742/1/38
Start Date: 02 Jul 1901
End Date: 06 Jul 1901
Format: photograph
Creating Agency: Edward Swarbreck Hall and Family (NG308)
Series:Photographs (NS5742) 01 Jan 1870 31 Mar 1933
View online:https://libraries.tas.gov.au/Record/Archives/NS5742-1-38

Addenda:

1.TRANSPARENCY of the Prince, Lands Dept



Source:THE CARNIVAL WEEK. (1868, January 24). The Mercury p. 2.
Link: https://nla.gov.au/nla.news-article8850166

TRANSCRIPT
THE LATE ILLUMINATION-.-The following should have been addod to the Davey-street list of transparencies noticed on the night of the illumination ¡-- Captain Bateman,angle of Davey street and Molle-streets-Crown and anchor transparencies with the words, " Alfred may your voyage through life be prosperous." In the second window a crown and star, with the words " Welcome England's Sailor Prince ;" the fan-light being also adorned with a colored trans-parency. Mrs. Garrett's house in Davey-street was tastefully adorned with transparencies in the whole of the front windows. In the upper centre window was an anchor with the letter "A" also ; in the windows right and left,the whole being surmounted by stars. The lower windows were decorated with transparencies of the Union Jack, and the flag red, white, and blue, and in the fanlight was placed an illuminated transparency of Prince Alfred. Mr. Fielding Browne's house was illuminated throughout, with colored transparencies in each window ; and the front and end windows of Mr. A. Gellie's residence, also in Davey-street, were brightly illuminated with candles.



TRANSCRIPT
0:19 Hi. I'm Elspeth Wishart, I'm the senior curator of cultural heritage at the
0:23 Tasmanian Museum and Art Gallery and I'd like to talk to you about this
0:27 fascinating object. A large banner which has been a mystery to us
0:36 and I think that's really what excites me about it. It was brought into the
0:41 museum 30 years ago from a government department, the Lands Department, and we
0:48 didn't really know much about it except that it had been connected with a royal
0:53 visit in the eighteen hundreds. So we wrapped it up, catalogued it and put
0:59 it away and then we did this exhibition, The Changing Landscapes Creating
1:04 Tasmania, and we were looking for objects that was helping Tasmanians to find
1:13 their identity in the 1800s, so I remembered that we had this object so we
1:18 got it out and because we didn't have much information about it we took a
1:23 couple of avenues. We started doing research on it and then we also looked
1:30 at it physically to see what clues it could give us and that was really where
1:34 we started to get excited because we thought it was a large painting that was
1:38 perhaps framed and hung in some important place but when you look at the
1:42 close details it's very naive, it's got very light
1:48 paint on it and it's got paint on both sides but then we looked at the edges
1:54 and we found that it had been put on a stretcher but it had never been framed
2:00 so we started to think, what what was this object? It was maybe a prop for a
2:06 play or some sort of just temporary ephemeral thing – it doesn't have an
2:13 artist signature or anything on it. And then it was suggested by one of our
2:19 curators that maybe it was a transparency. Now in the 1800s
2:24 transparencies were used for festivals, they were usually lit from behind which
2:30 would make sense with the light paint and they were used for
2:35 special occasions, so we started to read up about this and looking at the royal
2:40 visits and we found that in 1868 the first ever royal visit came to Australia
2:47 and that was of Prince Alfred who was the Duke of Edinburgh, he was the second
2:52 son of Queen Victoria, and we were able to identify that this is actually an
2:59 image of Prince Alfred. And the details show him surrounded with the Union
3:07 Jacks and ash trees and acorns and oak trees and he's leaning on a maritime
3:20 object and he's got anchors and then of course there's this ribbon saying
3:25 "Welcome to Tasmania". So it all sort of began to fall into place and then we
3:30 found a newspaper account of his visits around the world and everywhere he went
3:36 there were massive illuminations where people had light displays and
3:43 transparencies such as this in their windows, you know, from small little paned
3:49 windows to large windows and when we were reading the account in the Mercury
3:54 in January in 1868 there was a description of this exact transparency
4:04 being displayed in the Lands Department, which is where this came from, or the
4:10 Survey Department, which is now, which is still in Davey Street, the old St Mary's
4:15 Hospital, and it was painted by one of the draftsman from the Survey
4:20 Department – Stan Dunnett  [sic - Frank Dunnett 1822-1891]. So all that information was already there and we
4:25 were able to piece it together so suddenly this sort of rather faded, worn
4:32 banner became a really significant piece of Tasmania's history and to this date
4:39 we think it's the only one in the world remaining from
4:43 the whole of his, the prince's, global tour to many many countries. So we're very
4:51 excited to have this and would like to put it out there if anyone knows of any
4:55 other ones we'd be really interested to hear about it.
English (auto-generated)

Source: Tasmanian Museum and Art Gallery YouTube Channel
Link: https://youtu.be/KR4E0vvnJP8?feature=shared

2. BIOGRAPHY of Charles Edward WALCH (1830–1915)
ADB: https://adb.anu.edu.au/biography/walch-charles-edward-4783



Walch's Corner, Elizabeth Street and Liverpool Street [unattributed]
Publication Information: [Tasmania : s.n., between 1860 and 1870].
Physical description: 1 photographic print : b&w ; 150 x 201 mm.
Citation: Digitised item from: Allport Library and Museum of Fine Arts, State Library of Tasmania.
Link: https://libraries.tas.gov.au/Record/Library/SD_ILS-684701

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