Showing posts with label microphotography. Show all posts
Showing posts with label microphotography. Show all posts

Christmas from our Archives

HAND-TINTED PORTRAITS as CHRISTMAS CARDS Red and green sprigs 1874
PHOTOGRAPHIC REDUCTIONS of LARGE DOCUMENTS Cdv of Mercury 1874; fire bell warnings 1878
CHARLES DICKENS and CAPTAIN GOLDSMITH The Gadshill mail box 1859
CHRISTMAS DRINKS at the MAYPOLE Drunk and disorderly at New Town 1885
PRISONERS partying 1881 and SAILORS hugging the holly 1850
CHRISTMAS CONCERT Theatre Royal Hobart ca. 1958
THE GRAND-CHILDREN'S ALBUMS Thomas and Elizabeth Nevin's grandchildren 1942

1. Summer of '42

Betty Nevin and June Watson with icecreams 1940s

From Thomas and Elizabeth Nevin's grandchildren's albums:
Betty J. Nevin (left) with friend June Watson (right), enjoying ice cream after a swim
Taken at Sandy Bay, Hobart, Tasmania, Christmas 1942 (unattributed)
Copyright © KLW NFC Group & KLW NFC Imprint Private Collection 2021-24


2. The Hobart Mercury front page reduced to a cdv, 1874
On Christmas Day, 25th December 1874, the Mercury newspaper (Tasmania) published a notice which served the dual purpose of praising Thomas Nevin's photographic talents and suggesting by way of praise that the "literary curiosity" would make a great gift as a Christmas card:



T. J. Nevin's photographic feat, Mercury 23 December 1874

TRANSCRIPT
A PHOTOGRAPHIC FEAT. - Mr T. J. Nevin, of Elizabeth-street, has performed a feat in photography which may be justly regarded as a literary curiosity. He has succeeded in legibly producing the front page of The Mercury of Wednesday, the 23 inst., on a card three inches by two inches. Many of the advertisements could be read without the aid of a glass, and the seven columns admit of a margin all round the card.
See the full page here of the Mercury, 23 December 1874
Read more here: Thomas Nevin's Christmas feat 1874

Of personal interest on the front page of the December 23, 1874 issue of the Mercury which Thomas Nevin photographed as a Christmas cdv novelty was a small advertisement informing readers that the Royal Standard Hotel was to let by its new proprietor John Elliott. Located next door to Nevin's photographic business at 140 Elizabeth St., the Royal Standard Hotel at 142 Elizabeth St. was operated by victualler and government contractor James Spence since 1868. Public Works Department contractors regularly gathered at his hotel to air their "grievances received at the hands of the Public Works Department". Thomas Nevin nominated James Spence in his aldermanic campaign to serve on the Hobart City Council in 1872. Spence's promise to the citizens of Hobart, if elected, was to monitor excessive expenditure on upcoming water and road infrastructure projects. He suggested too - and this proved to be his undoing - that he would investigate and report corruption within government, whether local or colonial, as a whistle-blower, or in his words, as "a dog on the chain." Not only did Spence fail to gain a seat in the 1872 HCC elections, he became the subject of two court cases, accused of slander. Ridiculed in the press, he left Hobart, selling the Royal Standard Hotel to John Elliott in 1874 for £775 as Lot 1. Included in the sale was "a cottage and shop adjoining, and three weather-boarded houses in Patrick Street next to Lot 1" for an additional £175. (Mercury 22 Jan 1874 p 2). When Nevin produced his cdv of the Mercury's front page issue, December 23, 1874, Elliott's notice of the lease on the Royal Standard appeared in the last column:



TRANSCRIPT
TO LET, the "ROYAL STANDARD HOTEL", situate corner of Elizabeth and Patrick streets. Apply to J. ELLIOTT.
The Royal Standard Hotel to let, next door to Thomas Nevin's studio
Source: Advertising (1874, December 24). The Mercury (Hobart, Tas. : 1860 - 1954), p. 1.last column
https://nla.gov.au/nla.news-article8934231

Read more about James Spence here: Contractors Thomas J. Nevin and "dog on the chain" James Spence 1872


3. Connections past and present
On January 18th, 2014, this weblog posted an article with reference to two of Charles Dickens' letters complaining about his neighbour, retired master mariner Captain Edward Goldsmith at Gadshill, in the village of Higham, Kent (UK). The first letter dated 1857 concerned Captain Goldsmith's monopoly of the water supply in the village, and the second dated 1859 concerned the location of the village mailbox outside Captain Goldsmith's house. It took just a few months in 2014, from January when we first posted the reference to Captain Goldsmith and the Higham mailbox in Charles Dickens' letters, to December 2014 when this now famous mailbox found restitution as a fully operational service of the Royal Mail. Perhaps we played a small part in bringing the mailbox back into service. Our generous Captain Goldsmith, without doubt, is the ancestor who keeps on giving.



Source: Marion Dickens and friends at Charles Dickens’s personal postbox, outside his Kent home, recommissioned ahead of Christmas. Photograph: Royal Mail/PA 2014

Read more here: A Christmas Story: Captain Goldsmith, Charles Dickens and the Higham mail box.


4. The Terpsichoreans, New Norfolk 1867
Thomas J. Nevin photographed a large group of dancers at Shoobridge's hop grounds, New Norfolk, north of Hobart, Tasmania, on 27 December 1867. As a group, they were similarly attired: the women wore a dark short top coat over a white dress, while the men wore a striking white hat with a wide brim, floppy crown and black band. During that summer of 1867-1868 Thomas Nevin took the first photographs of his fiancée Elizabeth Rachel Day, who also wore a dark top coat over a white dress for this full-length portrait:

Elizabeth Rachel Day 1867, photo by Thomas Nevin

Elizabeth Rachel Day, 1868, fiancée of Thomas J. Nevin.
Full-length portrait, carte-de-visite
Nevin & Smith (late Bock's) 1867-8
City Photographic Establishment, 140 Elizabeth Street Hobart Town
Copyright © KLW NFC Imprint & Private Collection. Watermarked.

Dancers at New Norfolk 1867, Nevin photo

Stereograph by Nevin & Smith of groups seated and dancing in a circle, New Norfolk, Tasmania, 28 December 1867
Verso label: Tasmanian Views from Nevin & Smith .... plus Tombstones copied, Terms - Cheap!"
Photo copyright © KLW NFC Imprint 2014-2015
Taken at the Tasmanian Museum and Art Gallery, November 2014
TMAG Ref: Q1994.56.20.1

WORKING MEN'S CLUB EXCURSION TO NEW NORFOLK
Yesterday the steamer Monarch, specially chartered by the Working Men's Club, conveyed between 300 and 400 excursionists to New Norfolk. This was the order of the day. An excellent brass band performed a variety of dance music on the bridge, and a number of indefatigable votaries of Terpsichore tripped it away "on the light fantastic toe" throughout the whole of the upward voyage. New Norfolk was reached by about  ½ past 12. The majority of the excursionists proceeded at once to Valleyfield, the beautiful seat of Mr. Shoobridge, who kindly threw open his grounds to the visitors, and supplied all and sundry with hot new potatoes and green peas fruit and tea. Picnic parties were soon formed in all directions under the trees, and everybody seemed thoroughly to enjoy Mr. Shoobridge's genial hospitality. After refreshment the band summoned the company to the hop-room, where dancing was kept up for nearly a couple of hours. After this football, foot races, kiss in the ring etc. occupied the young folks for some time in a large paddock near the house, during which Mr. Nevins [sic] took three photographic views of the animated scene....
Source: Tasmanian Times Saturday 28 December 1867, page 3

Read more here:Thomas Nevin and the Terpsichoreans, New Norfolk 1867


5. A few drinks on Christmas Eve 1885
Thomas Nevin's photographic studio in the years 1880-1888 was located in New Town where he resumed commercial photography after his departure from the position of Office and Hall Keeper, Hobart Town Hall, in early 1881 and continued photographic contractual work with bailiff duties for the New Town Territorial Police and the Hobart Municipal Police Office. He listed his occupation as "Photographer, New Town" on the birth registration of his youngest daughter Minnie (Mary Ann Nevin) in December 1884. His adult children listed their father's occupation as "Photographer" on their respective marriage certificates in the early 1900s including his affectionate name for their mother - "Lizza" - right to the last marriage in 1917 of their youngest son Albert Edward Nevin to Emily Maud Davis. Even at his death in 1923, Thomas J. Nevin's occupation was registered as "Photographer" on the cemetery's burial certificate.

On or about Christmas Eve, December 24th 1885, William Curtis, Thomas Nevin and and an unnamed "first offender" were celebrating the Season of Cheer with a few drinks when they were each fined 5s. for "drunk and disorderly conduct at New Town".



Stereograph by Thomas J. Nevin of the Maypole Inn and Congregational Church behind, ca. 1870.
Verso inscribed by an archivist with location details. Sourced from eBay March 2016.

Read more here: A few drinks on Christmas Eve 1885 at New Town


6. The traditional sprig of holly
Carte-de-visite portraits were taken in the 1870s by Thomas J. Nevin at the request of clients and colleagues who wanted to gift their portrait as a Christmas Card. They were invariably posed holding the traditional sprig of holly, or whatever was grown locally that would represent holly, tinted red and green always as the two colours readily recognised as signifiers of Christmas.



A Christmas portrait by T. J. Nevin of a toddler holding a sprig of holly, hand coloured red and green
Verso bears Nevin's Royal Warrant stamp ca. 1874
From © The Lucy Batchelor Collection 2009 ARR [PC]



Above: teenage girl holding a sprig, daubed red and green, ca. 1874
Portrait inscribed verso with the transcription "Clifford & Nevin, Hobart Town"
From © The G.T. Harrisson Collection 2006 ARR [PC]

Read more here: The red and green tinted sprigs and Wm Maguire


7. Thomas Nevin's cdv of Hobart's fire bell signals
Thomas Nevin's photographic reductions of large printed documents to the size of a carte-de-visite - 54.0 mm (2.125 in) × 89 mm (3.5 in) mounted on a card sized 64 mm (2.5 in) × 100 mm (4 in) - "evoked much admiration" when reported in the press. His first noted experiment in 1870 was the replication to a pocket sized card of the Town Clerk's poster which provided the public with information on how to interpret fire bell alarms.

Even though the electric alarm system might have been in operation in Hobart by the late 1870s, Mr. H. Wilkinson, Town Clerk, and Thomas J. Nevin, Office-keeper of the Hobart Municipal Council, considered it a necessary public service to publish a diagram in the Mercury Almanac for 1878 on New Year's Day, January 1st,1878, showing the number of strokes of the fire bell for each sequence signifying the fire's location, viz: from the intersection of Liverpool and Harrington streets in the north (2 strokes) and west (3 strokes), to the intersection of Harrington Street and Montepellier Road, i.e. Montepellier Retreat, to the south (4 strokes) and east (1 stroke) rising from New Wharf (now Salamanca Place) to Battery Point (5 strokes).





TRANSCRIPT
FIRE BELL SIGNALS, HOBART TOWN.
The city is divided into five parts, as shown below. After the general alarm for a fire has been rung, the proper signal will be given, being repeated five times, with an interval of one minute between each : -
West 3 Strokes.
North 2 Strokes.
Liverpool Street - Harrington Street
South 4 Strokes.
East 1 Stroke.
Montpellier-road
Battery Point and New Wharf;
5 Strokes.
Source: Mercury (Hobart, Tas. : 1860 - 1954) Tue 1 Jan 1878 Page 1 FIRE BELL SIGNALS, HOBART TOWN.

Read more here: Thomas Nevin's photographic reductions of large documents 1870s


8. The Pretty Views of Hobart 1850
Venturing out into a Hobart Town garden from HMS Havannah anchored in port at Hobart, Van Diemen's Land (Tasmania) on 26th December, 1850, deputy adjutant Godfrey Mundy rejoiced at the sight of a full-grown holly:
Every kind of English flower and fruit appears to benefit by transportation to Van Diemen's Land. Well-remembered shrubs and plants, to which the heat of Australia is fatal, thrive in the utmost luxuriance under this more southern climate. For five years I had lost sight of a rough but respected old friend — the holly, or at most I had contemplated with chastened affection one wretched little specimen in the Sydney Botanic Garden — labelled for the enlightenment of the Cornstalks. But in a Hobart Town garden I suddenly found myself in the presence of a full-grown holly, twenty feet high and spangled with red berries, into whose embrace I incontinently rushed, to the astonishment of a large party of the Brave and the Fair, as well as to that of my most prominent feature!


Common Holly 1864
Source:Biocyclopedia.com

Read more here: Captain Edward Goldsmith: imports to Tasmania, exports to everywhere, 1840s-1860s


9. In a party mood: Michael LYNCH, Christmas Eve, 1881
Sixty-five (65) year old cook, Michael Horrigan (or Lynch, Harrigan and Sullivan), transported as Michael Lynch per Waverley (1) in 1841, was feeling festive on Christmas Eve, 24th December 1881. He celebrated by breaking into the residence of Alexander Denholm junior at Forcett, south-east of Hobart near Sorell, helping himself to a gold watch and some very fancy clothes. In a party mood, and probably dressed to the nines in Denholm's tweeds, he then sought out and made amorous sexual advances to Robert Freeman which landed him in prison for indecent assault.



Prisoner Michael LYNCH alias HORRIGAN, HARRIGAN and SULLIVAN
Photographer: Thomas J. Nevin (1842-1923)
Date and Place: Hobart Supreme Court March 1882
Black and white copy of sepia print printed in cdv mount
Verso indicates alias, crime, date of transportation, photo or archival no. 466 etc
QVM:1985:P:89, QVMAG Collection, Launceston, Tasmania

Read more here: In a party mood: prisoner Michael LYNCH (as Horrigan, Harrigan or Sullivan), Christmas Eve, December 24th 1881


10. ... And from the 1950s



Norma Witts, Santa Claus and children from the Norma Witts Dance School
Christmas Concert, Theatre Royal Hobart ca. 1958
Thomas and Elizabeth Nevin's great grand daughter Kerry middle row third from left
From © KLW NFC Group Private Collection 2023

Thomas Nevin's photographic reductions of large documents 1870s

FIRE BELL SIGNALS Tasmania
MERCURY front page on micro cdv 1874
T. J. NEVIN and C. A. WOOLLEY photographers
MICROPHOTOGRAPHY microcards

Thomas Nevin's photographic reductions of large printed documents to the size of a carte-de-visite  - 54.0 mm (2.125 in) × 89 mm (3.5 in) mounted on a card sized 64 mm (2.5 in) × 100 mm (4 in) - "evoked much admiration" when reported in the press. His first noted experiment in 1870 was the replication to a pocket sized card of the Town Clerk's poster which provided the public with information on how to interpret fire bell alarms. The second was the reduction of the front page of the Mercury a day before the Christmas Eve edition, 23rd December 1874, printed as a gift card. Although examples of these photographic reductions might be read with the naked eye, some experiments, such as those by Nevin's more senior contemporary, Charles A. Woolley, which required viewing with a magnifying glass, would more likely be described as microform cards, using the methods of microphotography pioneered by John Benjamin Dancer (1812–1887). Dancer's miniaturized photographs of texts in 1857 heralded the use of microphotography for the storage of large documents and records held in the archives of courts, libraries, and government departments. The reverse photographic method, enlarging microscopic material such as bacteria, is more precisely termed photomicrography (pp 925-928 Encyclopedia of Nineteenth-Century Photography Chapman and Hall, 1968, edited by John Hannavy 2008) - see ADDENDA below.

Thomas Nevin's cdv of the fire bell poster



Group portrait of the New Town Division of the Hobart Fire Brigade, including horse drawn Fire Cart c 1900
Item Number PH30/1/1641 Archives Office Tasmania

Not just a novelty, Thomas Nevin's cdv of Hobart's fire bell signals provided a handy reference for interpreting the sequences of sounds. He photographed and reduced to a pocket-sized card the large bills posted to walls around the city, signed by the Town Clerk, which indicated in a diagram the location of the fire according to the number of strokes of the fire bell. In some contemporary pamphlets of the period, the signals were also printed as a series of Morse code dots and dashes.



TRANSCRIPT
FIRE SIGNALS: - There are many of our citizens who are not conversant with the different strokes rung out by the firebell on the outbreak of a fire indicating in which part of the city the alarm has arisen. We should call attention to a photographic code of signals issued by Mr. Nevin the photographer of upper Elizabeth-street. It is in carte size and therefore especially convenient for the pocket, and we believe the price is sixpence. The photograph is cleverly executed especially the signature of the Town Clerk which though diminished to a microscopical magnitude still remains as legible and clear as its original on the large bills. A specimen of this delicate work is on view at our office and has already evoked much admiration from visitors.
Source: Tasmanian Times (Hobart Town, Tas. : 1867 - 1870) Fri 18 Nov 1870 Page 2 No Title
https://trove.nla.gov.au/newspaper/article/232961438?

A week later, on the 24th November 1870, three fires were reported in Hobart, a reminder to the public, and perhaps not by coincidence, of the public's need to carry a ready reference such as Thomas Nevin's cdv of the fire bell code, costing just sixpence :



TRANSCRIPT
Hobart Town was visited by three fires within 20 hours. A farm hut at Providence Valley was burnt down; also the Florence Nightingale Inn, Franklin Wharf; and two stables behind the place of Mr. Sherwin, the tanner, Collins-street.
Source: Illustrated Sydney News (NSW : 1853 - 1872) Thu 24 Nov 1870 Page 7 TASMANIA.

Neither the Council's fire bell poster nor Thomas Nevin's reduction of it to a cdv appears extant in public collections at this juncture, although the diagram (below) published in in 1877 and 1878 gives some idea of what information might have been presented on the 1870s poster.

The Great Fire of Hobart, Friday 8th March 1878
Originally a fire alarm was raised by roving watchmen ringing hand bells, by church sextons ringing church bells or by factory steam whistles. The Tasmanian Fire Museum holds a hand-drawn manual fire pump dated 1826, the first fire-appliance in Van Diemen's Land (Tasmania). The first Hobart Fire station was built in 1859 at the junction of Bathurst and Watchorn Streets. Presumably, the electric telegraph system was used to wire up boxes in the municipality from the head station no later than the late 1860s (?). This familiar facade of the head station (photo below), built in 1911 and operational until 2003 in Argyle Street, Hobart, now fronts the three engine bays used by the Tasmania Fire Museum.



The Hobart Fire Brigade, Argyle St. Hobart, 1911
Source: Tasmanian Fire Museum History

With the invention of Samuel Morse's dots and dashes code in the 1840s -
William Channing, a young doctor and avid fire buff, and Moses G. Farmer convinced the city of Boston in March 1851 to install their version of a municipal alarm system using Samuel Morse's printing register as a major component of the system. The system consisted of 40 miles of wire to connect the central station to 40 signal boxes and 19 bells in churches, schools and fire engine houses. The system had some technical flaws but after these were resolved, the system would transmit an electric impulse from a code wheel breaking the circuit and record a Morse code dot or dash on the printing register. On April 30, 1852, within 24 hours of being placed in service, a fire alarm was transmitted for a fire on Causeway Street.
Source: Fire alarm signaling systems / Richard W. Bukowski, Wayne D. Moore. Quincy, Mass. : National Fire Protection Association ; Bethesda, Md. : Society of Fire Protection Engineers, c2003

Walch's Almanac 1877



Walch's Tasmanian Sixpenny Almanac 1877 [NLA online}
The City of Hobart Town
Members of the Municipality administration, pp 42-43



Walch's Tasmanian Sixpenny Almanac 1877, page 43.
Hall Keeper, Thomas Nevin.
Fire bell signals for the five parts of Hobart Town

Even though the electric alarm system might have been in operation in Hobart by the late 1870s, Mr. H. Wilkinson, Town Clerk, and Thomas J. Nevin, Office-keeper of the Hobart Municipal Council, considered it a necessary public service to publish a diagram in both Walch's Tasmanian Sixpenny Almanac of 1877 p.43 and the Mercury Almanac for 1878 on New Year's Day, January 1st, 1878, showing the number of strokes of the fire bell for each sequence signifying the fire's location, viz:from the intersection of Liverpool and Harrington streets in the north (2 strokes) and west (3 strokes), to the intersection of Harrington Street and Montepellier Road, i.e. Montepellier Retreat, to the south (4 strokes) and east (1 stroke) rising from New Wharf (now Salamanca Place) to Battery Point (5 strokes).



TRANSCRIPT
FIRE BELL SIGNALS, HOBART TOWN.
The city is divided into five parts, as shown below. After the general alarm for a fire has been rung, the proper signal will be given, being repeated five times, with an interval of one minute between each : -
West 3 Strokes.
North 2 Strokes.
Liverpool Street - Harrington Street
South 4 Strokes.
East 1 Stroke.
Montpellier-road
Battery Point and New Wharf;
5 Strokes.
On the same page of this special supplement to the Mercury, Thomas Nevin's designated position was Office-keeper of the Municipality of Hobart Town, located at the Hobart Town Hall.



Source: Mercury (Hobart, Tas. : 1860 - 1954), Tuesday 1 January 1878, page 1
Supplement: Mercury Almanac for 1878

TRANSCRIPT
MUNICIPALITY OF HOBART TOWN
Mayor, W. P. Green. Aldermen: W. H. Burgess, jun., F. J. Pike, E. Maher, E. Espie, J. Harcourt, John Watchorn, J. E. Addison, M.F. Daly. Auditors, A. T. Stuart and W. F. Brownell. Town Clerk and Treasurer, H. Wilkinson. Accountant, W.H. Smith. Municipal Clerk, W. T. Birch. City Surveyor J. Rait. Director of Water Works W. C. Christopherson. Health Officer, E. S. Hall. Collectors, F. H. Piesse and W. Brundle. City Inspector and Inspector of Weights and Measures, W. Mason. Lessee of Old Market, J. G. Turner; New Market, T. H. Turner. Inspector of Stock, G. Propsting; assistant to Inspector of Stock, Joseph Turner. Office-keeper, Thomas Nevin; messenger, L. Marks.
POLICE - Superintendent, Richard Propsting; clerk, S. W. Rheuben. Sub-inspectors, W. McConnell, C. Pitman; Detectives, W. Simpson, J. Connors. Summoning Officer, John Dorsett.
"Office-keeper, Thomas Nevin"
Source: The Mercury (Hobart, Tas. : 1860 - 1954)Tue 1 Jan 1878 Page 1 MUNICIPALITY OF HOBART TOWN. The Mercury Almanac for 1878

Less than 10 weeks after the diagram was published on New Year's Day 1878, a fire broke out at Franklin Wharf which engulfed Risby's timber yard and destroyed businesses in surrounding buildings. The summary printed by the Bendigo Advertiser (referring to Hobart's Tribune account of 11 March) reported the catastrophe as the most extensive since the great fire in Liverpool Street in 1854.


The Great Fire at Hobart Town
Bendigo Advertiser (Vic. : 1855 - 1918), Wednesday 13 March 1878, page 3

TRANSCRIPT
THE GREAT FIRE AT HOBART TOWN.
From the Hobart Town Tribune we learn some particulars of the disastrous fire which occurred at Hobart Town on the night o£ the 8th instant, the most extensive since the great fire in Liverpool-street in 1854. About a quarter-past ten shouts were heard in the streets, which arose high above the N. W. gale which was blowing, and immediately all eyes were turned in the direction of Franklin Wharf, and it was seen that the fire was amongst the mills and timber yards of that quarter of the city. Soon ten thousand people thronged the hill at the back of the Franklin-square. For a long time people were compelled to abstain from passing the Elizabeth-street front of the fire, for the broad flames were blowing right across the roadway. The gallant seamen were landed with great celerity under the command of Lieutenant Still, of H.M.S. Sappho, and rendered signal service in saving property. We regret that two of them, in their anxiety to render help, were injured. The citizens generally exerted themselves to the uttermost in saving property. From what we can gather it appears that the smell of fire was apparent to the watchman on board the S.S. Easby, lying at the Elizabeth-street pier, for an hour before the flames issued from Messrs. Grubb's bark mill, which, after burning furiously for a short time, collapsed with a tremendous report. Risby's saw mills was the next place to go, and in consequence of the inflammable materials scattered around, together with the immense range of buildings, caused a terrific conflagration. The loss on this place alone is from £5,000 to £7,000. Fisher and Facy's followed, next, being totally destroyed, the loss being estimated at £650. Then came Tolman's wood and coal depot, which holding 300 tons of coal and 200 tons of firewood, burnt furiously and defied all the efforts of the firemen. Rex's, chandler, was the next building, and this was almost destroyed, £1,500 worth of damage being done. Had the fire passed this building nothing would have saved the whole block. Errson's flour mills next to Rex's escaped, the only damage done being in the removal of wheat and other produce. Some of the opposite buildings, including the Marine Board buildings and T.S.N. Company's office had to be constantly saturated with water, whilst it was feared at one time that the shipping at the wharf would have to be cut adrift. The fire burnt all night despite heavy streams of water, and a constant watch had to be kept for fear of another outbreak.
Source: Bendigo Advertiser (Vic. : 1855 - 1918) Wed 13 Mar 1878 Page 3 THE GREAT FIRE AT HOBART TOWN.Read the original report here from the Tribune, 11th March 1878.



Risby Bros. timber yard showing Secheron House in background 1870s
Source: Archives Office of Tasmania
Item Number: NS3121/1/395

The Mercury front page reduced to a cdv, 1874
On Christmas Day, 25th December 1874, The Mercury newspaper (Tasmania) published a notice which served the dual purpose of praising Thomas Nevin's photographic talents and suggesting by way of praise that the "literary curiosity" would make a great gift as a Christmas card:

Thos Nevin photographic feat Mercury 24 Dec 1874

T. J. Nevin's photographic feat, The Mercury 25 December 1874

TRANSCRIPT
A PHOTOGRAPHIC FEAT. - Mr T. J. Nevin, of Elizabeth-street, has performed a feat in photography which may be justly regarded as a literary curiosity. He has succeeded in legibly producing the front page of The Mercury of Wednesday, the 23 inst., on a card three inches by two inches. Many of the advertisements could be read without the aid of a glass, and the seven columns admit of a margin all round the card.
Below is a microfiche scan of the front page of The Mercury, Wednesday 23rd December 1874. It is a poor reproduction despite our 21st century technology, yet Thomas Nevin managed to photograph the full broadsheet onto a 3 x 2 inch card without sacrificing margins or legibility.

Front page Mercury Tas 23 Dec 1874

Scan of front page The Mercury 23rd December 1874
See the full page open the PDF here Nevin front page Mercury 23 December 1874

Five of the seven columns on the front page carried advertisements for sales and special offers by retailers for goods as diverse as Christmas cards, cakes, imported confectionery, Japanese silks, chaise carts, guns and "real turtle soup" made from "one of the finest and largest turtles ever imported into Tasmania" and only available at Webb's Hotel.

This card and its duplicates may not have survived or even appear to be extant in public collections for several reasons: it would have been displayed in the windows of the Mercury newspaper offices, as well as in Nevin's studio window, and as a result may have deteriorated to a state not fit to be assessed as either valuable or collectable by the narrowly-defined aesthetic standards of museums. It most certainly carried verso Nevin's government contractor stamp current by 1874, the only one of his stamps bearing his full initials - " T. J. Nevin" above the Royal Arms government insignia - since the journalist in his report used the name with these initials. Nevin used this stamp for commissions from the Land and Survey Department to photograph flood damaged areas and mining sites (TMAG collection), and from the Municipal Police Office (HCC), he used the same stamp on examples to obtain his commission for photographing prisoners at the Port Arthur and Hobart Gaols (QVMAG, NLA and SLNSW collections). Duplicates of these same photographs were NOT stamped verso, for several reasons: mounting on calico to send via mail delivery to the client or purchaser was certainly one consideration; another was the pasting to prison records, whether parchment or paper, his identification photographs of prisoners, among other official uses. The use of his government contractor stamp was unnecessary once he was selected to full-time civil service with the HCC in 1876.

Charles Woolley's Microphotography
In 1879, Tasmanian photographer Charles A. Woolley produced photographic copies of the London Times of 3 October, 1798, noted by the author of this letter to the Mercury, J. E. Calder (former Surveyor-General and Sergeant-at-Arms in 1876), as two and a half times less the size of the Mercury,viz.1806 square inches versus 753½ for the London Times. The historical subject of these pages was Nelson's account of the battle of the Nile. Calder remarked that with the aid of a magnifying glass, the print on Mr. Wooley's [sic] photograph was "beautifully distinct".



The London Times 1798 and Charles Wooley [sic]
The Mercury, 8th January 1879.

TRANSCRIPT excerpt
...To the naked eye, the photograph is too small for perusal, but with the assistance of a magnifying glass, the print is beautifully distinct. Photographic copies of this rare old paper, will I suppose be obtainable from Mr. Wooley.
Faithfully yours
J.E. CALDER
179 Macquarie-street, Hobart Town,
8th January, 1879.
Addenda
MICROFORM
Using the daguerreotype process, John Benjamin Dancer was one of the first to produce microphotographs, in 1839.[1] He achieved a reduction ratio of 160:1. Dancer perfected his reduction procedures with Frederick Scott Archer's wet collodion process, developed in 1850–51, but he dismissed his decades-long work on microphotographs as a personal hobby, and did not document his procedures. The idea that microphotography could be no more than a novelty was an opinion shared by the 1858 Dictionary of Photography, which called the process "somewhat trifling and childish".[2]
Microphotography was first suggested as a document preservation method in 1851 by James Glaisher, an astronomer, and in 1853 by John Herschel. Both men attended the 1851 Great Exhibition in London, where the exhibit on photography greatly influenced Glaisher. He called it "the most remarkable discovery of modern times", and argued in his official report for using microphotography to preserve documents.[3]

FOOTNOTES
1. Lance Day & Ian McNeil (1998). Biographical Dictionary of the History of Technology. Taylor & Francis. pp. 333–334. ISBN 9780415193993.
2. Sutton, Thomas (1976). "Microphotography". In Veaner, Allen B. Studies in micropublishing, 1853–1976: documentary sources. Westport, Conn: Microform Review Inc. p. 88. ISBN 0-913672-07-6. Originally published in Dictionary of Photography (1858).

Source: https://en.wikipedia.org/wiki/Microform
This article, written for UNESCO in 1962, includes an interesting use of microphotography by R. Dragon for his pigeon post during the siege of Paris, 1870.
In 1853 Sir John Herschel suggested ‘the publication of concentrated microscopic editions of works of reference-maps, atlases, logarithmic tables, or the concentration for pocket use of private notes and manuscripts, [6] and R. Dagron was the first to use microphotography in quantity for his pigeon post during the siege of Paris in 1870 [7]. After the discovery, in 1871, by R. L. Maddox, of the ‘dry plate’ with its silver bromide gelatine emulsion, modern photographic techniques could develop. In 1887 H. Goodwin produced the first photographic film on celluloid base, and in 1889 T. A. Edison developed the 35 mm. cine film as it is still used today.

FOOTNOTES
6. HERSCHEL, J. F. W. New photographic process. Athenaeum, no. 1341, 1853, p. 831.
7. DAGRON, R. La poste par bigeons voyageurs. Tours, I 870-7 I.
Source: MICROPHOTOGRAPHY IN THE LIBRARY
by ALFRED GUNTHER
Scientific Information Service
European Organization for Nuclear Research (CERN)
Reprinted from Unesco Bulletin for Libraries
Vol. XVI, No. I, January-February 1962 (Item .I)
https://unesdoc.unesco.org/images/0008/000876/087612eo.pdf

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