Portraits of Thomas and Sarah (Rothwell) CROUCH 1860s-1870s, and Robert Stanton ROTHWELL ca. 1870
SHOOBRIDGE estate and grave sites, West Hobart, Tasmania
Sarah (Rothwell) Crouch (1806-1876), cdv by Thomas J. Nevin, ca. 1867-1871
Copyright © KLW NFC Imprint Private Collection 2026
Alfred Bock's sennotypes of Thomas and Sarah Crouch
Alfred K. Bock (1835 -1920) inherited his father Thomas Bock's daguerreotype establishment at 22 Campbell Street Hobart Town in April 1855 and announced his own photographic business. By July 1855 he had moved to Elliston's premises at 78 Liverpool Street, formerly occupied by the photographers Duryea and McDonald where he built a "Crystal Palace" studio and purchased photographic equipment from Ross of London. Financial difficulties ensued, and Bock moved several times.
In 1857 Alfred Bock was at 18 Macquarie Street. But on 6th February, 1858, he was insolvent. Later that year, Bock re-established himself at 140 Elizabeth Street, Hobart Town - a business he called The City Photographic Establishment - and stayed there until 1865 when he was again declared insolvent (Kerr, ed. 1992: 77-78). In late May 1865, Alfred Bock's wife gave birth to a daughter (Mercury, 23 May 1865). This event too may have precipitated Bock's decision to sell up and leave Tasmania.
Financially bruised by a dispute with photographer Henry Frith about the origins and rights to the sennotype process, the stock-in-trade of Bock's studio at the City Photographic Establishment was advertised at auction on August 2nd, 1865. Thomas J. Nevin bought the lease of the studio, the shop, the stock of negatives, camera equipment, backdrops and furniture, including the glass house/gallery installed at the end of the cart path adjacent to the studio, listed as 138½ Elizabeth St. on valuation rolls.
These two fine portraits of Thomas J. Crouch and his wife Sarah (Rothwell) Crouch were produced by Alfred Bock at the City Photographic Establishment in the early 1860s using the method of assemblage called the sennotype process which consisted of two albumen prints sandwiched under glass, the top one waxed for transparency and usually hand-coloured, resulting in blacker shadows and greater tonal range.
Left: Under-Sheriff Thomas. J. Crouch (1805-1890)
Right: Sarah Crouch (1806-1876) nee Rothwell
Sennotypes by Alfred Bock ca 1860
Tasmanian Museum and Art Gallery Collection
Biographical Notes: Sarah and Thomas Crouch
Biographical Notes by Peter Bolger
Australian Dictionary of Biography
Link: https://adb.anu.edu.au/biography/crouch-george-stanton-3346
Thomas James Crouch (1805-1890), under-sheriff, was born on 22 October 1805 in London, the eldest son of James Crouch of Hertfordshire and his wife Sarah, née Marston, of Shropshire. His parents had moved to London before their marriage in 1804 at St George's, Hanover Square, and his father was, among other business projects, proprietor of public baths in Cannon Street. Thomas's education at various small city schools was interrupted by ill health and convalescence at Worthing and Barmouth, and he later became clerk to a barrister at Lincoln's Inn. He was friendly with Dudley Fereday, who was appointed sheriff of Van Diemen's Land. Crouch agreed to become his clerk and arrived at Hobart Town in the Phoenix in January 1825. He was a successful clerk in various commissariat offices, specializing in legal matters until he was appointed under-sheriff in 1836; he held the post until he retired on a pension in 1868.
On 20 February 1832 at St David's Cathedral Crouch married Sarah Rothwell, from Limehouse, London, whom he had met when she passed through Hobart as governess to the family of Rev. Joseph Orton. The Crouch family had been Anglican but in 1826 Thomas had become attached to the Wesleyan Methodists and was an active Sunday school teacher. Sarah was also a Wesleyan but their cottage became the lodgings of the missionaries James Backhouse and George Washington Walker, and she adopted Quaker manners and attended their meetings. Crouch helped to initiate the schools of the Hobart Wesleyan circuit and was a trustee of the Melville Street Church for fifty-eight years. With James Bonwick and G. W. Walker he organized the first local temperance society in 1833 and in 1843 signed the pledge. He was a prominent founder of the Tasmanian Temperance Alliance and chaired its 34th annual meeting on the evening of his death on 28 May 1890. He was also a founder of the Hobart Town Benevolent Society in 1860, a committee member for thirty years and its secretary for seventeen years. For many his greatest claim to fame was his part in the recognition and capture of Martin Cash in Hobart in 1843.
Crouch's wife [Sarah Crouch], after seven years of paralysis, died on 16 January 1876 in her seventieth year. She remained loyal to the Society of Friends and was buried in their ground at Providence Valley. Sarah had shared in her husband's religious and temperance activities, organized a female petition for a Maine Liquor Law in the colony and another to forestall Sunday licensing, and served on the committees of the Maternal and Dorcas Society and of various societies such as the Van Diemen's Land Asylum for the Protection of Destitute and Unfortunate Females, which Walker had promoted in 1848. She was one of the Ladies Visiting Committee which each week inspected female paupers at New Town, Cascades and the Brickfields, and was reputed to have kept her own dispensary where she gave medicines to the needy. Perhaps her greatest contribution to the welfare of Hobart poor was her Servants' Home in High Street, which only closed in her final illness.
Crouch and his wife had at least eight children, most of whom died in childhood. One daughter, Mary, was married to Robert S. Caseley, Wesleyan minister in South Australia in 1863, and another, Ann, to Robert Shoobridge in 1871. The eldest son, Thomas James [Crouch], became an architect, designing among other work the General Post Office in Melbourne; there he died on 4 December 1889.
The second son, George Stanton [Crouch] (b. 1 May 1834), was educated like his brother at Bonwick's and Hutchins Schools. They were active in Wesleyan Sabbath school and temperance work at St Kilda after failing at the diggings. George was a farmer at Kangaroo Valley, near Hobart, from 1854 until 1863 when he sailed with his wife for New Zealand. His job at Invercargill as clerk and book-keeper at the Southland News ended in 1870 when he became part-owner of both it and its rival, the Southland Times. In these years he advocated total abstinence and was a prominent Wesleyan. He returned to Hobart in 1871 and ran an auctioneer's salesroom until 1905. In 1883 he was elected alderman of the City of Hobart and served for twelve years, being mayor in 1892, but was prevented from becoming a justice of the peace by his Quaker-like refusal to take the oath. He gained ambivalent repute as the 'Teetotal Mayor' and startled Saturday night revellers by regular inspections of public houses, always with a police bodyguard... [extract]
Source: https://adb.anu.edu.au/biography/crouch-george-stanton-3346
The Rothwell and Crouch families were closely involved with the operations of the Sheriff's Office at the Hobart Gaol from the 1830s to the 1880s. Sarah (Rothwell) Crouch's brother, John Rothwell (1812-1885) gained the position of second clerk to the Sheriff in 1836 through her husband's influence, advancing by degrees until he was appointed chief clerk in 1841 and Under-Sheriff in 1868 on the retirement of brother-in-law Thomas J. Crouch, a position he held until retirement, 71 years old, in 1883, having served the office with "fidelity and justice" under Judges Pedder, Montagu, Fleming, Home, Smith, and Dobson, according to his Obituary in the Mercury, 19 Sept 1885. He supervised the execution of Job Smith aka Campbell on 31st May, 1875, at the Hobart Gaol; Thomas J. Nevin's photogaph taken at his only sitting with Job Smith is extant in several public collections, one was even hand-tinted, another was poorly reprinted in the 20th century.
In 1838 John Rothwell married Celia Rebecca Smith in Hobart. Her sister Sarah Anson (d. 1858) was the mother of Hobart photographers Joshua (b. 1821) and John (b. 1835) Anson. John and Celia Rothwell had a large family of children (15 are listed at familysearch.org), and apart from their first-born daughter Sarah who died in 1924, their eighth child, son Robert Stanton Rothwell (1850-1902), Sarah (Rothwell) Crouch's nephew in effect, was the last of their sons still living by 1900. He died of neurosyphilis in 1902 at the New Norfolk Lunatic Asylum. When, as a young man barely 20 years old, he visited the studio of T. D. Webb, St. John's Street, Launceston, Tasmania to be photographed wearing his finest (ca.1870), he dedicated his portrait to Miss Ellen Bayles of Ross, signing it verso "With R.S.R.'s compliments, to Ms E. Bayles, Auburn, Ross".
If the history of ownership of his portrait (below) could be established beyond the 1870s when Ellen Bayles first placed it her family album, some light might be shed as to why this young man, Robert Stanton Rothwell was misidentified by its vendor at Leski's auction (Melbourne) in May 2026 as the brother of photographer Thomas J. Nevin, William John Nevin (1852-1891). While both Nevin brothers worked at the Hobart Gaol from the early 1870s with Under-Sheriff John Rothwell - Thomas as photographer of prisoners who were received, incarcerated and discharged from Supreme Court convictions, and his brother Constable John (W. J. aka Jack to the family) Nevin as warder and messenger - and while the Rothwell, Crouch and Nevin families shared many connections including their respective farms at Kangaroo Valley (Hobart), their Wesleyan faith, Lodge membership and civil service, there is nothing about this carte-de-visite which would invite such a misidentification (more to come in a future post).
Portrait of Robert Stanton Rothwell by T. D. Webb, Launceston, Tasmania ca. 1870
Inscribed verso "With R.S.R.'s compliments, to Ms E. Bayles, Auburn, Ross"
Misidentified by vendor at auction (Leski's May 2026) as William John Nevin, brother of photographer T. J. Nevin.
Purchased from Leski's (Melb) for © KLW NFC Imprint Private Collection, 31 May 2026.
Departure of Alfred Bock to Victoria
Alfred Bock's trade advertisement in Walch's Tasmanian Almanac, 1864
The City Photographic Establishment and the house next door were premises consisting of two house-and-shop properties owned by Abraham Biggs snr at 138-140 Elizabeth St. Hobart, They were still "unfinished" in 1853 according to the Hobart Valuation Rolls. By 1854 Biggs was listed as the proprietor with his son, builder Abraham Edwin Biggs. By 1857 they had let the premises at 140 Elizabeth St. to photographer Alfred Bock which he operated as a studio with his (step) brother William Bock until 1865. On Alfred Bock's departure to Victoria, commercial photographer and government contractor Thomas J. Nevin continued the business with the firm's name, The City Photographic Establishment, 140 Elizabeth Street, Hobart Town. He operated the studio in partnership with Robert Smith under the business name of Nevin & Smith briefly between 1866-68, vacating the shop, residence, glass house and studio a decade later, in 1876, to take up his appointment in full-time civil service with residency at the Hobart Town Hall.
Photographer Thomas J. Nevin was a member of the Loyal United Brothers' Lodge and their official photographer. He was also an affiliate of the Benevolent Society and Wesleyan Church with senior members of the Crouch, Nevin and Genge families. Thomas' father John Nevin snr leased an acre of land from the Wesleyan Trustees of Ancanthe at Kangaroo Valley (Lenah Valley) from the early 1850s and remained there to his death in 1887. His daughter Rebecca Jane Nevin died there in 1865 and his wife Mary Ann (Dickson) Nevin died there in 1875. Eldest son Thomas James Nevin married Elizabeth Rachel Day at the Wesleyan Chapel there in 1871, and his only surviving daughter Mary Ann Nevin married John Carr there in 1877. John Nevin snr also taught class at the Wesleyan Chapel, Kangaroo Valley in 1875. His second marriage in 1879 after the death of his wife in 1875 was to widow Martha (Genge) Salter, daughter of Wesleyan lay preacher William Genge of the Methodist Church and meeting rooms, Melville Street, Hobart. William Genge's death occasioned a poem written as a lament by John Nevin in 1881.
Thomas J. Nevin's portrait of Sarah (Rothwell) Crouch
Thomas J. Nevin stamped his mostly commonly used commercial studio backmark in blue ink on the verso of this carte-de-visite, his portrait of Sarah (Rothwell) Crouch, which would indicate she visited his studio sometime ca. 1867-1871. He used sepia or black ink on later portraits after 1872. See examples here of both backstamps in blue and black ink at the National Gallery of Victoria's collection of eleven (11) cdv's of Nevin's portraits donated by John McPhee in 2020.
Sarah (Rothwell) Crouch was experiencing the early effects of paralysis which would claim her life in 1876 when she visited Nevin's studio. His capture of her facial expression might have unintentionally betrayed the pain she was enduring, and not just from her illness. The tight whalebone corset she was wearing had completely flattened the natural line of her bosom, undoubtedly causing further discomfort.
This is an unusual photograph in that Thomas J. Nevin positioned the sitter closer to his camera than he otherwise seemed to prefer in sittings with women clients. His use of the newer lenses here, which allowed shorter focal range and a larger image of the face and hands without sacrificing clarity, became his trademark when he commenced the photographing of prisoners with Supreme Court convictions on government contract soon after Sarah Crouch's brother John Rothwell succeeded her husband Thomas J. Crouch to the position of Under-Sheriff. This photograph, the first to be printed off the glass negative and like many which Nevin produced at the Hobart Gaol of prisoners for inclusion on their rap sheets, was printed initially with the whole upper body visible. The next print, if requested, would have been the same image formatted as a carte-de-visite, framed in an oval mount, showing the face but not the hands. If this same image of Sarah Crouch was ever produced as a carte-de-visite, it has yet to surface in public or private collections.
Above: Portrait of Sarah (Rothwell) Crouch, cdv by Thomas J. Nevin, taken ca. 1867-1871
Item: Carte-de-visite on buff mount, sepia albumen print
Subject: Sarah (Rothwell) Crouch (1806-1876)
Photographer: Thomas J. Nevin (1842-1923)
Location: City Photographic Establishment, 140 Elizabeth St. Hobart
Verso studio stamp: [blue ink] T. Nevin, late A. Bock, City Photographic Establishment, 140 Elizabeth St. Hobart. Further copies can be obtained at any time.
Provenance: estate of the Late Alexander Renwick
Per Leski's Auctions, Melbourne, May 2026 online.
Copyright © KLW NFC Imprint Private Collection 2026
Thomas J. Nevin photographed prisoner George Leathley seated in similar fashion to Sarah Crouch. Both sat with sightlines deflected to right of frame, their faces turned to look past the photographer standing quite close to their left, and each with folded hands resting on their lap. He printed both photographs in rich sepia from the negative, but pasted the full upper-body print of Sarah Crouch to a plain mount, whereas his print of Leathley was produced in carte-de-visite format for police and prison records. One cdv was pasted to the prisoner's rap sheet, another was included in the Photo Books held at the Municipal Police Office, Hobart Town Hall, and others were forwarded to regional and rural police stations wherever the prisoner was sent to work. Although Nevin's original negative taken in the one sitting in the early to mid 1870s was commonly used for further prints if the prisoner was again convicted after release (e.g. Leathley's No.14 printed 1872, reprint in 1874, No. 226), another sitting was required if the negative was too damaged, as was most likely the case with Nevin's second and quite different photograph of George Leathley taken on discharge in 1876.
Left: Prisoner George Leathley
Thomas Nevin's original print from his glass negative, 1874
Reprinted by John Watt Beattie on a panel for sale, 1916
Held at the QVMAG Ref: 1983_p_0163-0176
Right: Prisoner George Leathley No's. 14 and 226
National Library of Australia collection
Title: George Leathley, per ship Blundell
Creator: T. J. Nevin 1874.
Inscription: “Nos. 14 & 226”–On reverse
Taken at the National Library of Australia, Feb. 2015
Photo copyright © KLW NFC Imprint 2016.
THE SERVANTS' HOME
Sarah (Rothwell) Crouch was a committee member of the Maternal and Dorcas Society when she sought subscriptions and donations for the establishment and on-going support of a home for servant girls in High Street, North Hobart. The street was renamed Tasma Street in 1921 to avoid duplication with High Street, Sandy Bay, named after the novelist Jessie Catherine Couvreur, nee Huybers (1848-97), whose pseudonym was "Tasma".
These notices were published in the press at the beginning of Sarah Crouch's campaign in September to November 1856.
Extract, full transcript below:
TRANSCRIPT
SERVANTS' HOME
SEVERAL Ladies having been long impressed with the desolate state of females occupying the sphere of domestic servants on leaving their situations while seeking others, the following ideas have been suggested: -
"That a society of ladies be formed, the design of which shall be to protect ALL lone female servants, and afford such advice as experience dictates and by judicious care and oversight prevent exposure to many evils which strangers in the colony are subject to; and also to provide a "Home" to ALL female servants willing to avail themselves of its privileges at a rate within the reach of their limited means. The "Home" will be conducted as much as possible in accordance with similar Institutions in London.
Such a home will preclude the necessity of the well-intentioned taking up their abode with persons whose object is gain to themselves, though it should be the destruction of their supporters.
With this view the ladies have taken a house in High-street, near the New Town Road (a respectable neighbourhood) at a very moderate rent, in which there is a sitting-room, with table requisites for the use of the inmates, and all necessary utensil for cooking, washing, &c - the dormitories furnished with beds, bedding, and everything necessary to the comfort of those desirous of placing themselves under the guardianship of the ladies.
The ladies feel the time has arrived when such an institute is required, and will be valued in town and country, both by servants and employers. By this provision, when it is known in England and elsewhere, the ladies believe encouragement will be given to the virtuous to emigrate, and the comfort and convenience of the community generally increased, while much vice and its consequent pauperism will be prevented.
The Ladies have great confidence in appealing to the Public for aid in this philanthropic undertaking, feeling assured they will not appeal in vain. There is no doubt the want of such a Home has been lamentably felt by many a friendless girl, who may at this time be pining in poverty and woe; who would have been, under other circumstances, an useful member of society, and an ornament in the station she was designed to fill.
Particulars may be obtained at the "home" or of the undersigned, by whom Subscriptions and Donations will be gratefully received.
S. CROUCH, Secretary. Argyle-street
Servants' "House", High-street. 14th of 10th Month, 1856."
Source: SERVANTS' HOME. (1856, November 1). The Courier (Hobart, Tas. : 1840 - 1859), p. 1.
Link: https://nla.gov.au/nla.news-article2506506
THE RULES No's. 1-5:
FEMALE SERVANTS' HOME, HIGH -STREET. (1856, November 26).
The Tasmanian Daily News (Hobart Town, Tas. : 1855 - 1858), p. 3.
Source: https://nla.gov.au/nla.news-article202389475
TRANSCRIPT
Female Servants' Home, High-street.
Various rumours being abroad as to the conditions on which servants are admitted into the " home," the committee have determined to publish the rules for the information of the public generally, and at the same time to thank those ladies and gentlemen both in town and country who have come forward so kindly and generously with subscriptions to aid in establishing this institution.
The rules to be observed by the inmates of the servants'-" home."
1st. Admission rule— Each person must produce her own character.
She must also signify her intention to conform to the following rules by signing them in a book kept for that purpose.
2nd. That each person so admitted must pay to the housekeeper three shillings per week (in advance) which will entitle her to a bed, the use of the fire, and other necessaries for cooking, washing, &., with the accommodation of the sitting room.
3rd. That each person will be required to deposit one shilling with the housekeeper, which sum will be returned on her leaving the establishment, provided nothing is destroyed which was appropriated to her individual use.
4th. In the event of any female leaving before her week is expired, so much of the three shillings will be returned as will amount to the payment of sixpence each night she shall have occupied the lodging.
5th. The doors of the building will be closed at nine o'clock, when each person is expected to be in, and the lights out at ten o'clock. No intoxicating drinks will be allowed on the premises ; but no further restraint will be used, or undue influence exercised in the choice of situation or otherwise.
S. Crouch, Secretary.
N.B.— Any inmate preferring to take her meals off the housekeeper can procure either at nine pence per meal.
FEMALE SERVANTS' HOME, HIGH -STREET. (1856, November 26).
The Tasmanian Daily News (Hobart Town, Tas. : 1855 - 1858), p. 3.
Source: https://nla.gov.au/nla.news-article202389475
H. H. Baily's portrait of Sarah (Rothwell) Crouch
One way of looking at this photograph is to see it as a piece of cardboard on which is printed an image. Perhaps it has commercial value only because of age, condition, and provenance. Another way is to step into the scene and participate as the photographer might while talking to his sitter. Still another way is to trace the journey of each element in the picture from any known context in which it has appeared up to the present, in which case the familiar object in this portrait of Sarah Crouch by H. H. Baily is the carpet with a pattern of large dark lozenges rimmed in white. It was formerly used by Alfred Bock as one of his studio carpets, then by Thomas Nevin for one of several set-ups for taking portraits in the same studio in 1868, and finally the same carpet was used in this portrait of Sarah Crouch by Henry Hall Baily, that is, if he photographed her before her death in 1876. Note that Sarah Crouch wore her velvet jacket over her dress for her sitting in the Alfred Bock and H. H. Baily photographs, but had taken it off for her sitting with Thomas J. Nevin.
On the other hand, is this just a piece of cardboard which was reprinted by Henry Hall Baily from an original capture taken by Alfred Bock before 1865; then reprinted by Thomas Nevin, operating as Nevin & Smith between 1865-1868; or, later, reprinted by Thomas Nevin again from 1868-1875 when both Bock's stock and Nevin's negatives were reprinted by Samuel Clifford to 1878; and lastly, reprinted by Henry Hall Baily ca. 1880? Reprints were mostly at the request of the client and family. All three photographers - Alfred Bock, Samuel Clifford, and Henry Hall Baily - were close friends and colleagues of Thomas J. Nevin from the early 1860s to his retirement in 1888. To further complicate matters of copying, from the early 1860s the source of their studio carpets, tables, drapes and backsheets was the family warehouse of Charles A. Woolley, the most senior photographer of their Hobart cohort. His studio furnishings and photographic paraphernalia were passed around among members of that cohort when times were hard, which was more often than not.
Photograph of Sarah Crouch,
University of Tasmania Library Special and Rare Materials Collection
Link: https://eprints.utas.edu.au/7214/
Photograph of Sarah Crouch, wife of Thomas James Crouch, under sheriff of Van Diemen's Land. The photographer was Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart from 1865-1918.
Verso: Photograph of Sarah Crouch
University of Tasmania Library Special and Rare Materials Collection
Link: https://eprints.utas.edu.au/7214/
Woolley's Carpets and Upholstery Warehouse, Macquarie St.
Series: Photographs and Glass Plate Negatives collected by E R Pretyman (NS1013)
Archives Tasmania Ref: NS1013_1_1895
Providence Valley Burial Ground
In 1836 the Society of Friends (Quakers) established a cemetery on ground purchased from William Shoobridge's Providence Valley Farm. Sarah Crouch was buried there in 1876, so too was her husband Thomas Crouch in 1890. About 60 people, including members of the Propsting, Mather, Benson, Bell, Rowntree and Walker families used the cemetery until its closure in 1912. The former burial ground is now called the Friends' Park, Hill Street. The headstones of Sarah Crouch and others were retained and displayed around the park's perimeter.
Gravestone of Sarah Rothwell Crouch at Providence Valley Farm
Source: UTAS, eprints.utas.edu
Friends' Park
Source: G. Ritchie, photos and text
Link: https://ontheconvicttrail.blogspot.com/2014/04/friends-park-west-hobart.html
Friends Park is a small park in West Hobart that started life as a burial ground for the Society of Friends (Quakers). The land had originally been granted to William Shoobridge in the early 1820's and he had set up a farming enterprise. Although Shoobridge was a practicing Methodist, he found himself supporting the work of a number of Quaker missionaries who had visited Van Diemen's Land in the early 1830's. As a show of his support, he agreed to give the Society of Friends a half acre portion of his farm land in order for the Society to establish a burial grounds for themselves. As it turned out, following the establishment of the burial ground, Shoobridge himself became the first person to be buried there after he passed away in 1836.
The burial ground continued to provide for the Quakers into the 1900's. Even after the Cornelian Bay cemetery was opened in 1872 and many of Hobart's numerous suburban burial grounds were closed, the Society of Friends burial ground was able to continue operating because it fell outside the Hobart municipal boundary. Following the rezoning of the region into the new Greater Hobart municipality, the burial ground was finally closed in 1908.
It just remained as an unused burial ground until 1937 when the Hobart City Council negotiated with the Friends Society for the transfer of the land to the council so that it could be converted to a community recreation space for the growing West Hobart community.
Under the terms of the transfer agreement, the park was to be renamed Friends Park and the headstones were to be repositioned and re-erected around the walls of the new park. This was subsequently completed and the newly named Friends Park has continued to provide the local community with a beautiful recreational space. One with a very interesting past.
Source: https://ontheconvicttrail.blogspot.com/2014/04/friends-park-west-hobart.html
The Nevin and Shoobridge families
Shortly before Thomas J. Nevin's death in 1923 at his home, 270 Elizabeth St. Hobart, his eldest daughter known as May Nevin (1872-1955) made arrangements with her close friend Winifred Shoobridge, daughter of Annie Crouch and Richard Shoobridge, grand daughter of William Shoobridge of Providence Valley, to move with her brothers George, William, and Albert into the property at No's 23-29 Newdegate St., or Queen Street as it was then called until 1925, formerly Providence Valley, where they would remain until the death of May Nevin in 1955. Her other two siblings - Minnie Drew nee Nevin and Tom "Sonny" Nevin - were both married and living elsewhere by 1907. Each of the four remaining adult siblings set up a business on the Newdegate St. property: May did dressmaking; George sold vegetables from the garden; William ran a furniture removal business, and Albert trained a stable of pacers. In 1925 Queen Street was renamed Newdegate Street after Governor Sir Francis Newdegate (1917-1920) to avoid duplication with Queen Street, Sandy Bay.
The house at 23 Newdegate St. North Hobart, formerly Queen St. and Providence Valley (on the Shoobridge estate).Children of Albert Nevin, grandchildren of Thomas J. Nevin and Elizabeth Rachel Nevin nee Day out front, 1930s.
Signage of W. J. Nevin, carrier, son of Thomas and Elizabeth Nevin at left.
Copyright © KLW NFC 2006-2009 Private Collection ARR.
Metropolitan Drainage Board Map. No. 58 ca. 1908
The property 23-29 Newdegate St. formerly Queen St. where Thomas and Elizabeth Nevin's adult children settled from c 1923 to the late 1950s.
Queen St. North Hobart was renamed Newdegate St. after Governor of Tasmania Francis Newegate (1917-1920).
Source: Archives Office of Tasmania Ref: 628270
No. 23 Newdegate St. North Hobart Tasmania
The units on either side of the house and cottage were built with the sale of part of the property in the 1960s.
Google maps 2019
Updated 29 August 2026
Copyright © KLW NFC Imprint 2020-2026
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