Commemorating ANZAC DAY 2024
Wedding photograph from the (Nevin and Moran) family albums:
Brothers Tony and Dick Moran in army uniform at the wedding of Dick Moran to Biddy Coleman, Sydney, NSW, taken shortly before Dick's discharge on 23 November 1945. All three were known to family and friends by their monikers, not birth names.
From left to right: Flowergirl: (unidentified)
Best man: Frederick Denis (known as Tony) Moran
Bridesmaid: Joan Moran, Tony and Dick's sister
The groom: John Gregory jnr (known as Dick) Moran
The bride: May (known as Biddy) Coleman
Father of the bride: John (?) Coleman
Bridesmaid: Biddy's sister Eileen Coleman
In sailor's uniform: Eileen's fiancé Arthur Burnside (married in 1946)
Flowergirl: (unidentified)
Photographer: McEnnally, N. 240 Beamish Road Campsie NSW (1938-1946)
Copyright © KLW NFC Group Private Collection.
Further information: external links
Moran, F. D. (Tony), Virtual War Memorial Australia
Tony served in Papua New Guinea
Link: https://vwma.org.au/explore/people/1377562
Moran, Dick (John Gregory jnr), Virtual War Memorial Australia
Dick served in Greece and Crete
Link: https://vwma.org.au/explore/people/1759077
From the early 1950s to 1972 Dick Moran was resident caretaker with his wife Biddy and four children of Hardy's Chambers, De Mestre Place, built in 1926 for the Hardy Brothers, jewellers and goldsmiths, accessed off 310 George St. or rear of 5 Hunter St. Sydney NSW.
De Mestre Place was demolished in 2023 to make way for Sydney Metro West.
Link: https://trove.nla.gov.au/list/170381
This news item from Channel Seven, Sydney, 29 April 2024 shows where the George Street skyscraper will be built over the new Hunter Street Metro West station on the former site of De Mestre Place.
"More changes are coming to the city centre with the approval of 2 new skyscrapers | 7 News Australia"
Link: https://youtu.be/1y_mrkp8BnM?feature=shared
Showing posts with label Group Portraits. Show all posts
Showing posts with label Group Portraits. Show all posts
Thomas J. Nevin at William Snelling's inquest 1875
Transported convict William SNELLING (ca. 1814-1875), a lifer, coach maker and businessman
Photographer Thomas J. NEVIN, inquest juror and government contractor
Photographer James CHANDLER, beneficiary of the Nevin family collections
Source: Archives Office of Tasmania
Photograph - Hobart- Butcher shop - W. Snelling c 1870s
Item Number:NS869/1/452
Start Date: 01 Jan 1870
Creating Agency: James Chandler, Photographer (NG1231) 12 Aug 1877-08 Jul 1945
Hooper Family (NG434) 01 Jan 1920
Series: Photographs of General and Maritime Interest (NS869) 01 Jan 1870-31 Dec 1950
View online: https://stors.tas.gov.au/AI/NS869-1-452
Trades and Manufacture, Tasmania 1870s
The original of this photograph of W. Snelling's family butcher shop featuring five smiling individuals posed out front at the curb may have been taken by commercial photographer and government contractor Thomas J. Nevin ca. 1872-1874 shortly before former coach maker William Snelling's death from lung disease in January 1875.
The image has been disseminated widely across the internet and even offered for sale, in every instance purloined from the Archives Office of Tasmania's Flickr collection of photographer James Chandler (1877-1945). Since James Chandler was not yet born when this photograph was taken in the 1870s, its inclusion by the AOT among dozens of his works taken in the 1900s on their Flickr page might suggest the date - 1870s - is incorrect, especially as there is no photographer attribution given to suggest another, earlier photographer. However, a number of works - stereographs as well as cabinet and cdv portraits - which Thomas J. Nevin produced in the 1860s-1880s were not imprinted with his stamp if they were one of several taken in the same sitting or of the same view in the endeavour to obtain the best shot. The fact that Thomas J. Nevin was required to attend William Snelling's inquest on 25 January, 1875, strongly suggests the date given to the photograph is correct, in the first instance, and that William Snelling and Thomas Nevin were closely acquainted. In the second instance, it is the photograph's provenance which supports Nevin's attribution. It was in the possession of James Chandler, a distant relative and beneficiary of Thomas J. Nevin's collections and indeed of his expertise, in the wider family network. James Chandler was related to Thomas J. Nevin by virtue of his mother Mary Chandler nee Genge's sister's late marriage - his aunt Martha Genge - to Thomas' father, John Nevin snr. Read more about these family connections in this post here (November 2021).
The five people featured in this photograph - a woman in a cap and apron, three men in white coats and butchers' aprons, a youth in suit and hat casually propped against a lamp post, plus a dog - are all unidentified. Perhaps the man standing next to the woman was W. Snelling since as a pair they appear to be closer to middle-age than the other two employees in butchers' aprons who appear several years younger. The teenager in street clothes leaning on the lamp post and grinning from ear to ear, as likely as not might have been the youngest son of the family, the delivery boy, or indeed the photographer's assistant.
There was no shortage of butchers' shops in Hobart in 1873. According to the statistician's report tabled in Parliament, of 203 butchers listed for the whole of Tasmania, 35 were in business in Hobart, 30 in Launceston and 24 in Oatlands. Only seven (7) coach makers for the whole island were listed: 3 in Hobart, and 4 in Launceston. The question remains therefore, was the butcher W. Snelling among the 35 listed, and was the coach maker William Snelling among the three listed in Hobart, or indeed, were they one and the same man? From statistics published between 7th February 1870 and 31st December 1873, eighteen (18) photographers were counted in Tasmania, Thomas J. Nevin among them, but by far the largest group were publicans - 443 in total in 1870; 403 in 1873 with 135 in Hobart compared with just 60 in Launceston. The next largest group were boot and shoemakers: 318 in total, 60 in Hobart alone, the rest spread out across the island.
STATISTICS OF THE COLONY OF TASMANIA
FOR THE YEAR 1873.
COMPILED IN. THE OFFICE OF THE GOVERNMENT STATISTICIAN FROM OFFICIAL RECORDS.
PRESENTED TO BOTH HOUSES OF PARLIAMENT BY HIS EXCELLENCY'S COMMAND.
https://www.parliament.tas.gov.au/tpl/PPWeb/1874/HA1874pp1.pdf
The location of W. Snelling's butcher's shop is not certain. It may have been located at 60 Harrington Street Hobart when William Snelling resided there in 1860 in a house and shop owned by Joshua Jennings (Valuation Rolls, annual combined value £30). Another possibility is John Street where a number of businesses operated next to Weaver's Yard. John Street curved round the rear of premises between 212 and 214 Elizabeth Streets, North Hobart on the left looking north, between the Baptist Tabernacle and Tasma Street. It is still visible on Google maps running up the side of the Har Wee Yee Restaurant, now numbered 302 Elizabeth St. North Hobart.
According to the newspaper report of William Snelling's death in 1875, he was living at No. 4 John Street, Hobart, next door to Anne Gifford at No. 3 who discovered him dead on his bedroom floor. No mention in the report was made of family members residing with him at his death.
THE HOBART TOWN GAZETTE, Valuation Rolls
Friday, January 2, 1874.
Link: https://stors.tas.gov.au/hobartvaluationrolls$init=AUTAS001131077380
Thomas Nevin at inquest, 25 January 1875
Thomas J. Nevin was one of seven Jurors to attend the inquest into William Snelling's death. His status as contractor to the Municipal Police Office, Hobart Town Hall may account for his presence as informant, since Mrs Gifford notified the police on finding the body:
TRANSCRIPT
Link: https://nla.gov.au/nla.news-article8934835
If William Snelling was known as a "painter" and not a butcher by trade at his death, this happy photograph of five friendly smiling faces, possibly provided to promote the family's meat and poultry business, may represent another man by the name of W. Snelling, despite its provenance in the collection of Thomas Nevin's family, acquired through descent by his young relative, photographer James Chandler and dated 1870s when deposited at the Archives Office of Tasmania in 1974. Whatever his relationship to the deceased William Snelling, whether as friend or client, Thomas J. Nevin was there to witness in an official capacity the coroner's report and endorse his findings.
The wording of the "Inquisition" document required the witnesses, the seven jurors, to write their names and place an inked seal (or finger?) next to their signature, viz:
Detail of image below: Thomas Nevin's signature and inked seal or fingerprint (?).
The seven Jurors were:
John Smith (Foreman);
Thomas Nevin;
James Davies;
Thomas Hill;
John Kalbfell;
Thomas McLoughlin; and
Richard Rice.
Name: Snelling, William
Record Type :Inquests
Age:61
Ship to colony: Larkins
Remarks: Free by Servitude
Date of death:23 Jan 1875
Date of inquest:25 Jan 1875
Verdict: Lung disease
Record ID:NAME_INDEXES:1360294
Source: Archives Office of Tasmania
Link: https://stors.tas.gov.au/SC195-1-57$init=SC195-1-57-7468
NEWSPAPER NOTICE of inquest
Source: INQUESTS. (1875, January 26). The Mercury (Hobart, Tas. : 1860 - 1954), p. 3.
https://nla.gov.au/nla.news-article8934861
TRANSCRIPT
POLICE GAZETTE NOTICE of inquest
The weekly police gazette, Tasmania Reports of Crime for Police, published this notice of William Snelling's inquest with details of his status at the time of death - "F. S." - free in servitude, having arrived at Hobart as a transported convict on board the Larkins, sentenced to life:
Police Gazette, notice of 26 Feb 1875, p.31
Link: https://stors.tas.gov.au/POL709-1-12$init=POL709-1-12P2
TRANSCRIPT
This original (i.e. a real print and not a copy of a scan) photograph of William Snelling's shop found its way into the Archives Office of Tasmania from the Nevin family collection of Minnie Drew nee Nevin, youngest daughter of Thomas and Elizabeth Nevin. It was donated on her death in 1974 by funeral director and distant relative, Vic Hooper. One of a dozen or so photographs - some original cdvs but mostly just scans of the originals - which were taken by Thomas J. Nevin in 1860s-1880s and donated by Vic Hooper to the AOT were inherited by him from his uncle, photographer James Chandler (1877-1945) who was in turn the nephew of Thomas Nevin's father John Nevin snr (1808-1887) when he married James Chandler's aunt, Martha Genge late in life, in 1879.
James Chandler (1877-1945) was born in August 1877 at Thomas J. Nevin's former photographic studio, 140 Elizabeth St. Hobart. Hardly predictable but ultimately not altogether surprising is that he chose the vocation of professional photography from childhood. His father William Chandler had acquired the studio lease from owner John Henry Elliott on Thomas Nevin's appointment to the civil service with residency at the Hobart Town Hall in 1876. William Chandler snr operated a shoe-making business at Nevin's old studio up until 1890, when he moved with his son James to premises at 39 Liverpool St. Hobart.
James Chandler was Thomas Nevin's successor to professional photography within the extended family, his young "cousin-in-law". As a member of the Southern Tasmanian Photographic Society, James Chandler may have used this photograph in his lecture series in 1926 on "Early Hobart". The views presented from his collection recorded the growth of Hobart from ca. 1820 to 1880.
Archives Office of Tasmania holdings
NS434 Photographs of the Chandler, Genge and Hooper Families 01 Jan 1860 31 Dec 1960
NS869 Photographs of General and Maritime Interest 01 Jan 1870 31 Dec 1950
NS1231 Photographs of Hobart and Suburbs, Port Arthur and Ships 01 Jan 1910 31 Dec 1940
Link: https://stors.tas.gov.au/AI/NG1231
NS434 Photographs of the Chandler, Genge and Hooper Families 01 Jan 1860 31 Dec 1960
Link: https://stors.tas.gov.au/AI/NS434
William Snelling: a brief biography
William Snelling (ca, 1814-1875) was a coach painter, coach maker, and possibly the owner of a Hobart family meat and poultry business. The son of a coach and herald painter, he was a mere 17 years old when he was transported for life in 1831. He was assigned to James Dickson in 1840, sought permission to marry Eliza Clark, also a transported convict, in 1842, and gained a conditional pardon in 1845. By the mid 1850s, he was an established coach maker at 247 Elizabeth St. Hobart, near the corner of Elizabeth and Warwick Streets.
THE HOBART TOWN GAZETTE,
TUESDAY, MARCH 16, 1858.
247 Elizabeth St. Hobart.
Occupant William Snelling
Owner - Taylor
Annual value £16
Type of dwelling House.
Source: Archives Office of Tasmania
Link: https://stors.tas.gov.au/hobartvaluationrolls
Hobart Valuation Rolls
The business addresses Snelling advertised through 1855 and 1856 were located opposite the Jewish Synagogue and Bateman's livery stables, Liverpool St. Hobart:
May 1855: Tasmanian Daily News
https://nla.gov.au/nla.news-article203386548
July 1855: Hobart Town Advertiser
https://nla.gov.au/nla.news-article264619881
December 1855: Colonial Times Hobart
https://nla.gov.au/nla.news-article8786492
A cruel hoax 1855
Just when William Snelling's star was rising in business, he fell victim to a cruel prank. In November 1855 he was reported to police as an absconder called Michael Nugent by a former inmate James Edwards. None the wiser, the police locked up Snelling overnight at the station house. Since no motive was established subsequently at trial, Edwards walked free, leaving Snelling no recourse other than the press.
TRANSCRIPT
TRANSCRIPT
Source: The Hobarton Mercury, Wednesday Morning, November 28th, 1855
In 1857 William Snelling signed a petition to the Tasmanian Parliament in support of licensed victuallers. He listed his occupation as coach maker, of Elizabeth St. Hobart.
Source: Tasmanian Parliamentary Papers
https://www.parliament.tas.gov.au/tpl/PPWeb/PP1856.html
TRANSCRIPT
Assault 1860-61
In 1860 William Snelling was working from premises at 60 Harrington St. when he was assaulted by a client, Thomas Bowden who was refusing to pay for Snelling's repairs to his carriage. The injuries were severe enough that Snelling may have decided to quit the coach business there and then and take his chances in the meat and poultry trade.
TRANSCRIPTS
http://nla.gov.au/nla.news-article8800428
Less than a decade later, William Snelling would make the acquaintance of Thomas J. Nevin at the Working Men's Club, Barrack Street, Hobart, which had opened in October 1864 . The club's president, solicitor W. R. Giblin, later Attorney-General and Premier of Tasmania, acted on Nevin's behalf in the dissolution of the photographic partnership Nevin & Smith in 1868, and endorsed Nevin's government contracts with the Hobart City Council and police and prisons administration the same year through to 1886.
At the half-yearly meeting of the Working Men's Club held on Wednesday 21 April 1865, William Snelling seconded the motion put by Mr. C. Marshall that the report of probable receipts and expenditure be adopted (Cornwall Chronicle (Launceston, Tas) 22 April 1865, page 5). A review of the club's activities and amusements for members at the same meeting included mention of the steam pleasure trip to New Norfolk which was attended by 400 members and their families. On a similar trip in 1867, Thomas J. Nevin was reported to have taken "three photographic views of the animated scene" (Tasmanian Times 28 December 1867, page 3). On the 9th November 1865, William Snelling with five others petitioned the Colonial Treasurer and Director of Public Works to remedy the situation of hundreds of men rendered unemployed by private contractors when those men should have been employed by the government on the new portion of the Huon Road. The petition succeeded in gaining assurances that work would begin at once without calling for tenders on contract. (Tasmanian Morning Herald (Hobart, Tas) 10 November 1865, page 1).
Coach and herald painters
William Snelling was not the only coach painter to make the acquaintance of photographer Thomas Nevin. Tom Davis posed with one of Samuel Page's Royal Mail coaches for this photograph which bears verso Thomas J. Nevin's government contractor stamp. This print is held at the Queen Victoria Museum and Art Gallery, Launceston, Tasmania.
Above: original sepia print by T. J. Nevin with the figure of Tom Davis and Burdon's company name painted out (QMAG Collection Ref: 1987_P_0220).Tom Davis' scroll work would have included the colonial government's Royal insignia as well as decorative blazons. The verso bears T. J. Nevin's government contractor stamp with the colonial Royal Arms insignia used for commissions with the Hobart City Council and Municipal Police Office, in this instance for photographing Samuel Page's Royal Mail Hobart Town-Launceston coach service.
Above: this was the original capture by T. J. Nevin with the figure of Tom Davis and Burdon's company name visible (TMAG Collection Ref: Q1988.77.480). A copy with Tom Davis visible is also held at the Entally Estate, a 200 year-old heritage house located at Hadspen, eleven kilometres from Launceston.
Verso studio imprint: faded government contractor stamp with Royal Arms insignia which signified T. J. Nevin's joint copyright with the Lands and Survey Department, the Municipal Police Office, Hobart Town Hall and Hobart City Council, between 1865 and 1876.
Verso inscription: handwritten on the reverse of the original with Tom Davis painted out:
This is a clean example of T. J. Nevin's government contractor stamp
See more here: Trademarks copyrighted for fourteen years.
The craftsmen and their colours
A comprehensive article on coach builders and painters was published by Peter MacFie in 1996. The following extracts and summaries were taken from his article, Coachbuilding and related crafts in Tasmania, Papers and Proceedings, Tasmanian Historical Research Association, Vol 43, No. 2, June 1996, pp 77-88.
Many thanks to Jan Horton for providing access.
All of Peter MacFie's research is listed on his website:
https://petermacfiehistorian.net.au/publications/coachbuilding/
Vibrant colours were used to paint the body, fine-line the scroll work and pick out the wheels. These particulars are summarised from Peter MacFie's article (1996: 77-88, THRA P & P 43/2 - with apologies, footnotes omitted):
E. A. Fawner, butchers, had a delivery cart painted in cream with gold and blue lines. The Lee Bros hay wagon was painted blue with white and yellow scroll work. Peter Barrett's delivery cart for ice and aerated waters was painted chrome yellow, picked out with blue and vermilion, fine-lined with chrome yellow and blue, with lettering done in gold. Crocker's coach constructed for F. W. L. Steiglitz of KilIymoon and based on a curricle owned by His Highness Said Pasha was painted sky blue and fine-lined in orange. Easther's Coach Factory built a cart for confectioner T. Gould painted dark green, fine-lined pale green, with cream wheels picked out dark green, fine-lined light green ... And E.C.A. Nichols' Launceston cart was "painted in brown lake with fine white lines on the studs but none on the panels which adds to the appearance"...
Read the full article downloaded from the NLA here:
https://drive.google.com/file/d/1EA4P_sNW3jFWlL-1xpoMzucL4GG7i7pM/view
Extracts and summaries from Peter MacFie's article, Coachbuilding and related crafts in Tasmania. Published in Papers and Proceedings, Tasmanian Historical Research Association, Vol 43, No. 2, June 1996, pp 77-88.
Website: https://petermacfiehistorian.net.au/publications/coachbuilding/
Addenda
William Snelling's archival records
1. TRANSPORTATION per Larkins 1831
According to these partially legible notes, William Snelling was transported for crimes before 1831 which were serious enough to warrant a sentence for life and which included stealing tin pans and a pair of boots. On arrival in VDL his further offences included assault. He was granted a conditional pardon in 1845. His death in 1875 was also recorded here as the last inscription.
Snelling, William
Record Type: Convicts
Departure date: 18 Jun 1831
Departure port: Downs
Ship: Larkins
Place of origin: St Luke's, Middlesex
Voyage number: 89
Index number: 66509
Record ID: NAME_INDEXES:1436391
2. ARRIVAL at HOBART, Van Diemen's Land (Tasmania)
William Snelling was a coach painter, just seventeen years old, when he stepped ashore at Hobart to serve out a life sentence. He was short, fair and single.
https://stors.tas.gov.au/CON14-1-3$init=CON14-1-3P73
Hobart Town Advertiser : Weekly Edt. (Tas. : 1859 - 1865), Saturday 16 March 1861, page 8
TRANSCRIPT
3. PERMISSION to marry Eliza CLARK 1842
William Snelling's application to marry Eliza Clark, transported per Nautilus (1838) was approved on 10 March, 1842. She was nineteen years old on arrival, her former occupation was recorded as prostitute, and she had spent nine months in prison, received from Nottingham. The Nautilus surgeon on board recorded she was sick with diarrhœa on the 6th May, and discharged well on 8th May 1838.
https://www.femaleconvicts.org.au/docs2/ships/SurgeonsJournal_Nautilus1838.pdf
https://www.femaleconvicts.org.au/index.php/convict-ships/disposal-on-arrival#Nautilus
PERMISSION to MARRY
Clarke, Eliza
Record Type: Marriage Permissions
Ship/free: Nautilus
Marriage to: Snelling, William
Ship/free: Larkins
Permission date: 31 Jan 1842
Index number: 12503
Record ID: NAME_INDEXES:1248404
Resource: CON52/1/2 Page 182
Archives Office of Tasmania
Link:https://stors.tas.gov.au/NI/1248404
4. CEMETERY RECORD
William Snelling
BIRTH 1814
DEATH 26 Jan 1875 (aged 60–61)
BURIAL Cornelian Bay Cemetery And Crematorium
Hobart, Tasmania, Australia
PLOT Pauper, A, Number 146
MEMORIAL ID 212749474
Detail of oil painting by Henry Gritten 1857
"The main road New Town with the coach Perseverance"
QVMAG ref: QVM:1949:FP:0440
RELATED POSTS main weblog
Photographer Thomas J. NEVIN, inquest juror and government contractor
Photographer James CHANDLER, beneficiary of the Nevin family collections
Source: Archives Office of Tasmania
Photograph - Hobart- Butcher shop - W. Snelling c 1870s
Item Number:NS869/1/452
Start Date: 01 Jan 1870
Creating Agency: James Chandler, Photographer (NG1231) 12 Aug 1877-08 Jul 1945
Hooper Family (NG434) 01 Jan 1920
Series: Photographs of General and Maritime Interest (NS869) 01 Jan 1870-31 Dec 1950
View online: https://stors.tas.gov.au/AI/NS869-1-452
Trades and Manufacture, Tasmania 1870s
The original of this photograph of W. Snelling's family butcher shop featuring five smiling individuals posed out front at the curb may have been taken by commercial photographer and government contractor Thomas J. Nevin ca. 1872-1874 shortly before former coach maker William Snelling's death from lung disease in January 1875.
The image has been disseminated widely across the internet and even offered for sale, in every instance purloined from the Archives Office of Tasmania's Flickr collection of photographer James Chandler (1877-1945). Since James Chandler was not yet born when this photograph was taken in the 1870s, its inclusion by the AOT among dozens of his works taken in the 1900s on their Flickr page might suggest the date - 1870s - is incorrect, especially as there is no photographer attribution given to suggest another, earlier photographer. However, a number of works - stereographs as well as cabinet and cdv portraits - which Thomas J. Nevin produced in the 1860s-1880s were not imprinted with his stamp if they were one of several taken in the same sitting or of the same view in the endeavour to obtain the best shot. The fact that Thomas J. Nevin was required to attend William Snelling's inquest on 25 January, 1875, strongly suggests the date given to the photograph is correct, in the first instance, and that William Snelling and Thomas Nevin were closely acquainted. In the second instance, it is the photograph's provenance which supports Nevin's attribution. It was in the possession of James Chandler, a distant relative and beneficiary of Thomas J. Nevin's collections and indeed of his expertise, in the wider family network. James Chandler was related to Thomas J. Nevin by virtue of his mother Mary Chandler nee Genge's sister's late marriage - his aunt Martha Genge - to Thomas' father, John Nevin snr. Read more about these family connections in this post here (November 2021).
The five people featured in this photograph - a woman in a cap and apron, three men in white coats and butchers' aprons, a youth in suit and hat casually propped against a lamp post, plus a dog - are all unidentified. Perhaps the man standing next to the woman was W. Snelling since as a pair they appear to be closer to middle-age than the other two employees in butchers' aprons who appear several years younger. The teenager in street clothes leaning on the lamp post and grinning from ear to ear, as likely as not might have been the youngest son of the family, the delivery boy, or indeed the photographer's assistant.
There was no shortage of butchers' shops in Hobart in 1873. According to the statistician's report tabled in Parliament, of 203 butchers listed for the whole of Tasmania, 35 were in business in Hobart, 30 in Launceston and 24 in Oatlands. Only seven (7) coach makers for the whole island were listed: 3 in Hobart, and 4 in Launceston. The question remains therefore, was the butcher W. Snelling among the 35 listed, and was the coach maker William Snelling among the three listed in Hobart, or indeed, were they one and the same man? From statistics published between 7th February 1870 and 31st December 1873, eighteen (18) photographers were counted in Tasmania, Thomas J. Nevin among them, but by far the largest group were publicans - 443 in total in 1870; 403 in 1873 with 135 in Hobart compared with just 60 in Launceston. The next largest group were boot and shoemakers: 318 in total, 60 in Hobart alone, the rest spread out across the island.
STATISTICS OF THE COLONY OF TASMANIA
FOR THE YEAR 1873.
COMPILED IN. THE OFFICE OF THE GOVERNMENT STATISTICIAN FROM OFFICIAL RECORDS.
PRESENTED TO BOTH HOUSES OF PARLIAMENT BY HIS EXCELLENCY'S COMMAND.
https://www.parliament.tas.gov.au/tpl/PPWeb/1874/HA1874pp1.pdf
The location of W. Snelling's butcher's shop is not certain. It may have been located at 60 Harrington Street Hobart when William Snelling resided there in 1860 in a house and shop owned by Joshua Jennings (Valuation Rolls, annual combined value £30). Another possibility is John Street where a number of businesses operated next to Weaver's Yard. John Street curved round the rear of premises between 212 and 214 Elizabeth Streets, North Hobart on the left looking north, between the Baptist Tabernacle and Tasma Street. It is still visible on Google maps running up the side of the Har Wee Yee Restaurant, now numbered 302 Elizabeth St. North Hobart.
According to the newspaper report of William Snelling's death in 1875, he was living at No. 4 John Street, Hobart, next door to Anne Gifford at No. 3 who discovered him dead on his bedroom floor. No mention in the report was made of family members residing with him at his death.
THE HOBART TOWN GAZETTE, Valuation Rolls
Friday, January 2, 1874.
Link: https://stors.tas.gov.au/hobartvaluationrolls$init=AUTAS001131077380
Thomas Nevin at inquest, 25 January 1875
Thomas J. Nevin was one of seven Jurors to attend the inquest into William Snelling's death. His status as contractor to the Municipal Police Office, Hobart Town Hall may account for his presence as informant, since Mrs Gifford notified the police on finding the body:
TRANSCRIPT
SUDDEN DEATH.- On Saturday morning, an old man named William Snelling, a painter, by trade, died suddenly at his residence, John-street. Information was given to the police, who had the body conveyed to the dead-house at the General Hospital.Source: THE MERCURY. (1875, January 25). p. 2.
Link: https://nla.gov.au/nla.news-article8934835
If William Snelling was known as a "painter" and not a butcher by trade at his death, this happy photograph of five friendly smiling faces, possibly provided to promote the family's meat and poultry business, may represent another man by the name of W. Snelling, despite its provenance in the collection of Thomas Nevin's family, acquired through descent by his young relative, photographer James Chandler and dated 1870s when deposited at the Archives Office of Tasmania in 1974. Whatever his relationship to the deceased William Snelling, whether as friend or client, Thomas J. Nevin was there to witness in an official capacity the coroner's report and endorse his findings.
The wording of the "Inquisition" document required the witnesses, the seven jurors, to write their names and place an inked seal (or finger?) next to their signature, viz:
IN WITNESS whereof as well the said Coroner as the Jurors aforesaid have to this Inquisition set their Hands and Seals the day and year and place above mentioned.
Detail of image below: Thomas Nevin's signature and inked seal or fingerprint (?).
The seven Jurors were:
John Smith (Foreman);
Thomas Nevin;
James Davies;
Thomas Hill;
John Kalbfell;
Thomas McLoughlin; and
Richard Rice.
Name: Snelling, William
Record Type :Inquests
Age:61
Ship to colony: Larkins
Remarks: Free by Servitude
Date of death:23 Jan 1875
Date of inquest:25 Jan 1875
Verdict: Lung disease
Record ID:NAME_INDEXES:1360294
Source: Archives Office of Tasmania
Link: https://stors.tas.gov.au/SC195-1-57$init=SC195-1-57-7468
NEWSPAPER NOTICE of inquest
Source: INQUESTS. (1875, January 26). The Mercury (Hobart, Tas. : 1860 - 1954), p. 3.
https://nla.gov.au/nla.news-article8934861
TRANSCRIPT
INQUESTS
DEATH FROM PHTHISIS
An inquest was held yesterday morning, at Allen's Royal Exchange Hotel, before Mr. Tarleton and a jury of seven, on the body of William Snelling, who was found dead at his place of abode on Saturday. Ann Gifford, who resides in John-street, next door to where the deceased lived, deposed that he had been ailing for a long time, though he was not actually bed-ridden. The last time she saw him was on Friday night, about half past ten o'clock, he was then in bed. Next morning, about 11 o'clock, as she did not hear him about, she went into the house and found him lying on the floor by the side of the bed. Information was at once given to the police, and the body was removed to the hospital. The evidence of Dr. Macfarlane, who made a post mortem examination, was to the effect that the cause of death was disease of the lungs. The jury returned a verdict accordingly.
POLICE GAZETTE NOTICE of inquest
The weekly police gazette, Tasmania Reports of Crime for Police, published this notice of William Snelling's inquest with details of his status at the time of death - "F. S." - free in servitude, having arrived at Hobart as a transported convict on board the Larkins, sentenced to life:
Police Gazette, notice of 26 Feb 1875, p.31
Link: https://stors.tas.gov.au/POL709-1-12$init=POL709-1-12P2
TRANSCRIPT
AN Inquest was held at Hobart Town, on the 25th ultimo, before William Tarleton, Esq., Coroner, on the body of William Snelling, F. S., per Larkins, aged about 61 years. Verdict: - "Died from natural causes, to wit, disease of the lungs."Provenance of the photograph
This original (i.e. a real print and not a copy of a scan) photograph of William Snelling's shop found its way into the Archives Office of Tasmania from the Nevin family collection of Minnie Drew nee Nevin, youngest daughter of Thomas and Elizabeth Nevin. It was donated on her death in 1974 by funeral director and distant relative, Vic Hooper. One of a dozen or so photographs - some original cdvs but mostly just scans of the originals - which were taken by Thomas J. Nevin in 1860s-1880s and donated by Vic Hooper to the AOT were inherited by him from his uncle, photographer James Chandler (1877-1945) who was in turn the nephew of Thomas Nevin's father John Nevin snr (1808-1887) when he married James Chandler's aunt, Martha Genge late in life, in 1879.
James Chandler (1877-1945) was born in August 1877 at Thomas J. Nevin's former photographic studio, 140 Elizabeth St. Hobart. Hardly predictable but ultimately not altogether surprising is that he chose the vocation of professional photography from childhood. His father William Chandler had acquired the studio lease from owner John Henry Elliott on Thomas Nevin's appointment to the civil service with residency at the Hobart Town Hall in 1876. William Chandler snr operated a shoe-making business at Nevin's old studio up until 1890, when he moved with his son James to premises at 39 Liverpool St. Hobart.
James Chandler was Thomas Nevin's successor to professional photography within the extended family, his young "cousin-in-law". As a member of the Southern Tasmanian Photographic Society, James Chandler may have used this photograph in his lecture series in 1926 on "Early Hobart". The views presented from his collection recorded the growth of Hobart from ca. 1820 to 1880.
Archives Office of Tasmania holdings
NS434 Photographs of the Chandler, Genge and Hooper Families 01 Jan 1860 31 Dec 1960
NS869 Photographs of General and Maritime Interest 01 Jan 1870 31 Dec 1950
NS1231 Photographs of Hobart and Suburbs, Port Arthur and Ships 01 Jan 1910 31 Dec 1940
Link: https://stors.tas.gov.au/AI/NG1231
NS434 Photographs of the Chandler, Genge and Hooper Families 01 Jan 1860 31 Dec 1960
Link: https://stors.tas.gov.au/AI/NS434
William Snelling: a brief biography
William Snelling (ca, 1814-1875) was a coach painter, coach maker, and possibly the owner of a Hobart family meat and poultry business. The son of a coach and herald painter, he was a mere 17 years old when he was transported for life in 1831. He was assigned to James Dickson in 1840, sought permission to marry Eliza Clark, also a transported convict, in 1842, and gained a conditional pardon in 1845. By the mid 1850s, he was an established coach maker at 247 Elizabeth St. Hobart, near the corner of Elizabeth and Warwick Streets.
THE HOBART TOWN GAZETTE,
TUESDAY, MARCH 16, 1858.
247 Elizabeth St. Hobart.
Occupant William Snelling
Owner - Taylor
Annual value £16
Type of dwelling House.
Source: Archives Office of Tasmania
Link: https://stors.tas.gov.au/hobartvaluationrolls
Hobart Valuation Rolls
The business addresses Snelling advertised through 1855 and 1856 were located opposite the Jewish Synagogue and Bateman's livery stables, Liverpool St. Hobart:
May 1855: Tasmanian Daily News
https://nla.gov.au/nla.news-article203386548
July 1855: Hobart Town Advertiser
https://nla.gov.au/nla.news-article264619881
December 1855: Colonial Times Hobart
https://nla.gov.au/nla.news-article8786492
A cruel hoax 1855
Just when William Snelling's star was rising in business, he fell victim to a cruel prank. In November 1855 he was reported to police as an absconder called Michael Nugent by a former inmate James Edwards. None the wiser, the police locked up Snelling overnight at the station house. Since no motive was established subsequently at trial, Edwards walked free, leaving Snelling no recourse other than the press.
TRANSCRIPT
ABOMINABLE INTERFERENCE WITH THE LIBERTY OF THE SUBJECT: -Source: Colonial Times (Hobart, Tas) Nov 21 1855
Yesterday a constable placed Mr Snelling, coach painter before Mr. Burgess. It appeared from his statement that he appreheded him in Elizabeth-street, the night before on the suspicion of being an absconder. He since found out his mistake. To justify his suspicion on the course he had taken in apprehending a free man he procured from the Comptoller-General's office the description of Michael Nugent, an old Sydney prisoner, of whose where abouts, the convict authoritiies are ignorant, and of which they appear to have been ignorant for some time. The difference between the description and that of Snelling, must have been patent to any man except a Tasmanian constable. The height was different the complexions different, and the very accent would show any man, accustomed to conversing with different men in this colony that Snelling was not an Irish man, while the document from the Comproller-General's office, proved that that Michael was a boy of the Nugent's from the Emerald Isle.
Snelling was most indignant at this unjustifiable interference with the liberty of the subject, and inquired whether there was no redress for so great an injury, as that of being falsely imprisoned and having been detained all night, and up to that hour from his home and business? No answer being given to his question, he said he should at all events have recourse to the press, to make known the injustice practised towards him evidently through bad feeling. He told the magistrate that he was well known to Mr. Symons the chief constable, as a free man, and he gave this information to the constable who looked him up. He left the court highly excited.
TRANSCRIPT
Extraordinary Case.- Last week Mr. Snelling, coach-maker, of Liverpool-street, was taken into custody, by two detective constables, old hands, Gordon and McGuire, as an absconded offender, named Michael Nugent. Mr. Snelling at the time was in company with three respectable innkeepers, who vouched for his freedom, offered to become bail for him to any amount, and solemnly declared, that they had known him for many years, as the veritable William Snelling, the coach-maker, and not Michael Nugent the bolter; it was of no use, Mr. Snelling was conducted to the watchhouse, locked up for the night, and at 3 o'clock the next day, and not before, brought before Mr. Burgess, when a remand was played for to produce the informer! But the anxious prayer was not granted, and Mr. Snelling was discharged.*myrmidon: a follower or subordinate of a powerful person, typically one who is unscrupulous or carries out orders unquestioningly.
And who was this informer, who thus stole away the liberty of a respectable tradesman?
One James Edwards, who has just obtained his Ticket of Leave, whose police record is, in the words of the Magistrate, "dreadful," and whose colonial career has made him acquainted with every penal settlement in the island, and out of it, and with all the especial virtues therein practised and upheld. And upon this man's word, in direct opposition to the solemn assertion of three well-known respectable citizens, was Mr Snelling dragged to the watchhouse, thrust into a loathsome "dirty" cell, and there imprisoned for many hours. There are circumstances connected with this monstrous case, which require the most rigorous investigation. We know how the police authorities, underlings included, hang towards the Police myrmidons [see definition below*], but times are not as they used to be, and public opinion, through its mighty organ, the Press, is now omnipotent, and, in this case, calls loudly and imperatively for the dismissal of men, who could have acted as these constables acted. With such a system at work, and with such men to carry out its abominations, what has happened to Mr. Snelling may happen to almost every one, and the curse of convictism be perpetuated, when its evils ought to be forgotten. The constables were merciful in this; they did not handcuff Mr. Snelling, but every other indignity was shown towards him by the Dogberrys at the station house. Suppose, however, Mr. Snelling had resisted this unlawful capture, as he would have been perfectly justified in doing? The manacles would have been quickly on his wrists, and the constables' batons in close companionship with his head, In short, the case is too monstrous, and in every respect too atrocious to be left where it is, and the sooner the proper authorities institute an investigation the better: it is open to Mr. Snelling to lay an information against these men, but that will be attended with personal expense to him, which he ought not to have added to his burthen: the chief constable must take the matter up, and that without loss of time. We may add, that Edwards was tried on Saturday before Mr. E. Abbott, for misconduct in misleading the Police, and on Monday, discharged, as His Worship could not dive into motives.
Source: The Hobarton Mercury, Wednesday Morning, November 28th, 1855
TRANSCRIPT
RATHER STRANGE.—On Saturday last James Edwards was tried for misconduct as a prisoner of the crown, in having misled the constables, by representing to them that Mr. Snelling, the coach painter, (long known in town as a free man ) to be an absconder, of the name of Michael Nugent, was brought up yesterday before Mr Abbott, who stated that it was impossible to enter into men's motives, and as he did not know his motives for acting as he did, he should on this occasion dismiss him.Source: Colonial Times (Hobart, Tas. : 1828 - 1857), Tuesday 27 November 1855, page 3
In 1857 William Snelling signed a petition to the Tasmanian Parliament in support of licensed victuallers. He listed his occupation as coach maker, of Elizabeth St. Hobart.
Source: Tasmanian Parliamentary Papers
https://www.parliament.tas.gov.au/tpl/PPWeb/PP1856.html
TRANSCRIPT
To the Honourable the Speaker and Members of the House of Assembly
of Tasmania, in Parliament assembled.
The humble Petition of the undersigned Inhabitants of Tasmania,
RESPECTFULLY SHOWETH:
THAT your Petitioners recognise in the existing Laws for the Sale of Liquors in Tasmania enactments unsuited to a Free Colony dependent upon, and belonging to, the United Kingdom, and suited only to a Penal System now happily disappearing from this Colony.
That your Petitioners, being desirous of seeing the Laws by which they are governed keeping pace with the restored freedom of .the Colony, and assimilated as nearly as circumstances will permit to the Laws of England, beg respectfully to express their hearty concurrence in the Petition of the holders of Public-house Licences in Tasmania, and in the prayer of the said Petition for a revision of the Enactments which press so heavily upon them.
Your Petitioners therefore humbly pray that your Honourable House will be pleased favourably to consider the Petition of the holders of Public-house Licences in Tasmania, and grant the prayer of their said· Petition.
And your Petitioners, as in duty bound, will ever pray, &c.
Assault 1860-61
In 1860 William Snelling was working from premises at 60 Harrington St. when he was assaulted by a client, Thomas Bowden who was refusing to pay for Snelling's repairs to his carriage. The injuries were severe enough that Snelling may have decided to quit the coach business there and then and take his chances in the meat and poultry trade.
TRANSCRIPTS
COURT OF REQUESTS.Source: Mercury (Hobart, Tas. : 1860 - 1954), Tuesday 12 February 1861, page 2
THIRTY POUNDS JURISDICTION.
MONDAY, 11TH FEBRUARY, 1861.
BEFORE Mr. Acting-Commissioner Browne, and Juries of four.
The Court sat by adjournment to dispose of the remaining cases on the list.
SNELLING V. BOWDEN.
Mr. Lees for the plaintiff.
This was an action brought by William Snelling, coach painter, against Thomas Bowden, miller and baker, O'Brien's Bridge, for an assault ; the damages were laid at £30.
Mr. Lees said that the jury would have to assess the damages in this case as no defence had been entered. The learned counsel was proceeding to state the case to the jury when Mr. Crisp said that the defendant had instructed Mr. Graves to enter an appearance, and Mr. Graves was now out of town. He proposed, therefore, that the case should be put off on the payment of the costs of the day by the defendant, to enable him to file a defence.
This proposal was assented to, and the case postponed accordingly.
COURT OF REQUESTS.Source: COURT OF REQUESTS. (1861, March 16). Hobart Town Advertiser : Weekly Edt. (Tas. : 1859 - 1865), p. 8. http://nla.gov.au/nla.news-article264717326
THURSDAY, MARCH 16, 1861. (Before the Commission, Fielding Browne, Esq.) THIRTY POUND COURT.
SNELLING V. BOWDEN. An action for an assault. Damages laid at £30. Mr. Lees, for plaintiff, objected that no defence had been filed, and that the costs of the last hearing had not been paid, and therefore the defendant could not interfere with the assessment. Mr Graves contended that by the 13th Section of the Act his Honor had power to amend any defects if the opposite party had not been prejudiced. Mr Lees still objecting, Mr Graves claimed that he bad a right to cross-examine witnesses, and address the Court in mitigation of damages. Mr Crisp, (as the oldest practitioner), confirmed this, as the rule of the Court. Mr Lees then stated the case, and called Wm Snelling, the plaintiff who deposed -
— About four months ago, defendant came after a carriage I had repaired for him. I would not let the carriage go without the money, and finding I would not let it go out of the place, he knocked me down senseless. In a short time I recovered somewhat, and was knocked down again. He then went out, and I managed to get my key out, and locked my door. I was then going away, when defendant knocked me down again, and I remembered nothing more until I found myself in my bed. Dr Harvey attended me. My teeth are loose now. My stomach is injured and I cannot now use my left arm, nor sleep at night for the pain.
Cross-examined by Mr Graves — I did not agree to find new cotton and leather. I only was to make the carriage look decent to the sum of £11. Three persons have been pressing me to finish work since the assault, and I cannot do it. I have received the money for the carriage. I paid Mrs. White 2/6d for nursing me. I found myself in my own house after the assault. I did not walk home, nor do I know who carried me there.
William Vickers, detective constable, saw plaintiff on a day in the early part of January — did not see defendant.
Wm Parish, Charles Read, and George Smith corroborated the plaintiff's testimony; Parish and Smith deposing that when plaintiff was knocked down in the street the third time, he became insensible, and while in that state, the defendant lifted him up by the body, shook him as if he had been a dog, and then dashed him down on the ground. Mary White, nurse, proved the condition of the plaintiff, after the assault. Henry H. Harvey, medical practitioner, deposed that when he saw plaintiff, he was spitting blood, had extreme debility, and great pain in his extremities. He had a contused bruise in the mouth, and his arm was severely bruised. Ordered him twelve leeches for the breast, and appropriate medicines. I attended him between 2 and 3 weeks. My account amounts to £6 12s,
Cross examined — I have not yet received my bill.
Mr Graves addressed the jury in mitigation of damages, and admitted that the assault had been committed, but urged that the plaintiff had not stated the provocation he had given. He would undertake to say that the plaintiff's shop was empty, and that had the case been settled last Court, then the plaintiff would have been walking about rejoicing -, and would have discarded the sham of the sling. After a short interval, the jury returned a verdict for the plaintiff.— Damages £20. The Court was then adjourned until 10 o'clock, Friday morning. Friday, 8th March, 1861.
ANOTHER CASE OF SURETIES.Source: POLICE OFFICE. (1861, August 14). The Mercury (Hobart, Tas. : 1860 - 1954), p. 3.
William Snelling, of Harrington-street, prayed sureties of the peace against William Duffy, for saying to him, on the 5th August, " I'll slaughter you."
Mr. Lees appeared for defendant.
Complainant stated that he had given defendant no provocation, was in bodily fear from his threat; defendant had never attempted to assault witness. Defendant said "If you interfere with me, I'll slaughter you."
Cross examined - Would take good care that he did not interfere with defendant.
Mr. Lees submitted, that as the threat was conditional the information must be dismissed.
The Bench directed the defendant to enter into his own recognisance of £10 to keep the peace for six months.
http://nla.gov.au/nla.news-article8800428
Less than a decade later, William Snelling would make the acquaintance of Thomas J. Nevin at the Working Men's Club, Barrack Street, Hobart, which had opened in October 1864 . The club's president, solicitor W. R. Giblin, later Attorney-General and Premier of Tasmania, acted on Nevin's behalf in the dissolution of the photographic partnership Nevin & Smith in 1868, and endorsed Nevin's government contracts with the Hobart City Council and police and prisons administration the same year through to 1886.
At the half-yearly meeting of the Working Men's Club held on Wednesday 21 April 1865, William Snelling seconded the motion put by Mr. C. Marshall that the report of probable receipts and expenditure be adopted (Cornwall Chronicle (Launceston, Tas) 22 April 1865, page 5). A review of the club's activities and amusements for members at the same meeting included mention of the steam pleasure trip to New Norfolk which was attended by 400 members and their families. On a similar trip in 1867, Thomas J. Nevin was reported to have taken "three photographic views of the animated scene" (Tasmanian Times 28 December 1867, page 3). On the 9th November 1865, William Snelling with five others petitioned the Colonial Treasurer and Director of Public Works to remedy the situation of hundreds of men rendered unemployed by private contractors when those men should have been employed by the government on the new portion of the Huon Road. The petition succeeded in gaining assurances that work would begin at once without calling for tenders on contract. (Tasmanian Morning Herald (Hobart, Tas) 10 November 1865, page 1).
Coach and herald painters
William Snelling was not the only coach painter to make the acquaintance of photographer Thomas Nevin. Tom Davis posed with one of Samuel Page's Royal Mail coaches for this photograph which bears verso Thomas J. Nevin's government contractor stamp. This print is held at the Queen Victoria Museum and Art Gallery, Launceston, Tasmania.
Above: original sepia print by T. J. Nevin with the figure of Tom Davis and Burdon's company name painted out (QMAG Collection Ref: 1987_P_0220).Tom Davis' scroll work would have included the colonial government's Royal insignia as well as decorative blazons. The verso bears T. J. Nevin's government contractor stamp with the colonial Royal Arms insignia used for commissions with the Hobart City Council and Municipal Police Office, in this instance for photographing Samuel Page's Royal Mail Hobart Town-Launceston coach service.
Above: this was the original capture by T. J. Nevin with the figure of Tom Davis and Burdon's company name visible (TMAG Collection Ref: Q1988.77.480). A copy with Tom Davis visible is also held at the Entally Estate, a 200 year-old heritage house located at Hadspen, eleven kilometres from Launceston.
Verso studio imprint: faded government contractor stamp with Royal Arms insignia which signified T. J. Nevin's joint copyright with the Lands and Survey Department, the Municipal Police Office, Hobart Town Hall and Hobart City Council, between 1865 and 1876.
Verso inscription: handwritten on the reverse of the original with Tom Davis painted out:
"From same photo held at Entally/ painted out background/ Burdons Coach Factory/ Man on r.h.s. of photo Tom Davis (has been painted out)/ 1872/ A.B. McKellar 328 Liverpool St/ coach body maker employed at Burdon and son when this coach was built"Source: QMAG Collection Ref: 1987_P_0220
This is a clean example of T. J. Nevin's government contractor stamp
See more here: Trademarks copyrighted for fourteen years.
The craftsmen and their colours
A comprehensive article on coach builders and painters was published by Peter MacFie in 1996. The following extracts and summaries were taken from his article, Coachbuilding and related crafts in Tasmania, Papers and Proceedings, Tasmanian Historical Research Association, Vol 43, No. 2, June 1996, pp 77-88.
Many thanks to Jan Horton for providing access.
All of Peter MacFie's research is listed on his website:
https://petermacfiehistorian.net.au/publications/coachbuilding/
The firm of James Burdon and Son became established in Hobart in 1849 on premises in Argyle Street, between Collins and Macquarie Streets. Burdon was originally employed by Alexander Fraser. Born in Nottinghamshire, England in 1822, James Burdon arrived in Tasmania via Victoria in 1841 aboard the Westminster. He married Mary, the daughter of merchant and former convict, Henry Burgess, at Hobart on 28 August 1846. He died at his home, Durham House, Hobart, in June 1893.[p.81, MacFie, THRA P & P 43/2]
Burdon was an employer of assigned convicts. They included a rebellious Point Puer boy, George Maclean, 23-year-old Joseph Root, from Whitechapel, London, whose trade was 'Coach spring (maker?) can make vice and harness', and 25-year-old James WilIiams of Norwich, who was a 'Coach body maker'.
In 1850 William?/James Burdon coachbuilder of Argyle Street was complimented for his 'excellent work'. In 1855 Burdon constructed a new mail coach for James Lord. In 1860 he built a coach for Sam Backwell for the Bothwell-Melton Mowbray run, a fine vehicle".
In 1862 he patented a coach invention.
Another Hobart coachbuilder was McPherson's Coach Establishment of 55 Melville Street who acquired Burdon's premises, which later became Crouch's auction rooms.
In 1855 William Snelling operated as a coachmaker and coach painter in Argyle Street near Solomon's Temple. ie the Jewish Synagogue. Aged 17, Snelling, the son of a 'coach and herald painter' was transported in 1831. In 1837 he served briefly under Palmer, the Launceston coach builder, the same man under whom W. B. Gould served.
Other coachbuilders were David Yeoman of Kemp Street, off Collins Street in 1852; William Adamson of Bathurst Street in 1857; and in 1887 C. Dawson of Edward Street, Glebe; W. Easther of 27 St Georges Terrace, Battery Point; Henry Cripps at Kelly Street; E. Burrows of Melville Street; and N.P. Neilsen of the 'coach factory' at 67 Patrick Street....
...Finishing the vehicles required the coach painter and upholsterer. The more elaborate the decoration and finish, the more expensive. Learning coach painting included training in lettering and scroll work. These required a range of dozens of squirrel-hair brushes of varying degrees of fineness. With practice, these could be applied freehand; the greatest skill was to be able to paint scrolls with left and right hand simultaneously.[p.86, MacFie, THRA P & P 43/2]
In 1833 B. Frost, coach painter, was in Liverpool St. In late 1836, the convict artist, William Beulow Gould, was assigned as coach painter to Palmer. These specialists continued to operate into the twentieth century. In 1857, William Snelling in Liverpool Street and John Atkinson of Murray street were Hobart coach painters, while Davis Howard in Patrick Street was a coach trimmer. In 1887 R.C. Dickens was a coach trimmer of 138 Argyle Street, D. Flood, coach painter of 183 Campbell Street, and Alfred Abbott was at 28 Goulburn Street. Bathurst Street, Hobart, was the location of three specialists, S. Terry, coach painter of 133, W. R. James, coach trimmer of 162, and Thomas Davis, coach painter, of 21O ....
Vibrant colours were used to paint the body, fine-line the scroll work and pick out the wheels. These particulars are summarised from Peter MacFie's article (1996: 77-88, THRA P & P 43/2 - with apologies, footnotes omitted):
E. A. Fawner, butchers, had a delivery cart painted in cream with gold and blue lines. The Lee Bros hay wagon was painted blue with white and yellow scroll work. Peter Barrett's delivery cart for ice and aerated waters was painted chrome yellow, picked out with blue and vermilion, fine-lined with chrome yellow and blue, with lettering done in gold. Crocker's coach constructed for F. W. L. Steiglitz of KilIymoon and based on a curricle owned by His Highness Said Pasha was painted sky blue and fine-lined in orange. Easther's Coach Factory built a cart for confectioner T. Gould painted dark green, fine-lined pale green, with cream wheels picked out dark green, fine-lined light green ... And E.C.A. Nichols' Launceston cart was "painted in brown lake with fine white lines on the studs but none on the panels which adds to the appearance"...
Read the full article downloaded from the NLA here:
https://drive.google.com/file/d/1EA4P_sNW3jFWlL-1xpoMzucL4GG7i7pM/view
Extracts and summaries from Peter MacFie's article, Coachbuilding and related crafts in Tasmania. Published in Papers and Proceedings, Tasmanian Historical Research Association, Vol 43, No. 2, June 1996, pp 77-88.
Website: https://petermacfiehistorian.net.au/publications/coachbuilding/
Addenda
William Snelling's archival records
1. TRANSPORTATION per Larkins 1831
According to these partially legible notes, William Snelling was transported for crimes before 1831 which were serious enough to warrant a sentence for life and which included stealing tin pans and a pair of boots. On arrival in VDL his further offences included assault. He was granted a conditional pardon in 1845. His death in 1875 was also recorded here as the last inscription.
Snelling, William
Record Type: Convicts
Departure date: 18 Jun 1831
Departure port: Downs
Ship: Larkins
Place of origin: St Luke's, Middlesex
Voyage number: 89
Index number: 66509
Record ID: NAME_INDEXES:1436391
2. ARRIVAL at HOBART, Van Diemen's Land (Tasmania)
William Snelling was a coach painter, just seventeen years old, when he stepped ashore at Hobart to serve out a life sentence. He was short, fair and single.
https://stors.tas.gov.au/CON14-1-3$init=CON14-1-3P73
Hobart Town Advertiser : Weekly Edt. (Tas. : 1859 - 1865), Saturday 16 March 1861, page 8
TRANSCRIPT
Snelling, Wm
Trade Coach painter St Lukes
Height 5/1
Age 17
Complexion fair
Hair brown
Whiskers -
Visage Oval Small
Forehead Perpend 'r [perpendicular]
Eyebrows brown
Eyes Blue
Nose Long
Mouth "
Chin [? illegible]
Remarks Large ears
3. PERMISSION to marry Eliza CLARK 1842
William Snelling's application to marry Eliza Clark, transported per Nautilus (1838) was approved on 10 March, 1842. She was nineteen years old on arrival, her former occupation was recorded as prostitute, and she had spent nine months in prison, received from Nottingham. The Nautilus surgeon on board recorded she was sick with diarrhœa on the 6th May, and discharged well on 8th May 1838.
NautilusSources:
The Principal Superintendent of Convicts, Josiah Spode, wrote to the Colonial Secretary on 14 September 1838 (AOT, CSO 5/140/3376 p.285) detailing the distribution of 133 female convicts received from England per ship Nautilus. 120 were assigned (from Hobart), two were forwarded to Launceston for assignment, five were not fit for assignment, three were sick, one died on board (Jane Brown) and two were unassigned (vacant).
https://www.femaleconvicts.org.au/docs2/ships/SurgeonsJournal_Nautilus1838.pdf
https://www.femaleconvicts.org.au/index.php/convict-ships/disposal-on-arrival#Nautilus
PERMISSION to MARRY
Clarke, Eliza
Record Type: Marriage Permissions
Ship/free: Nautilus
Marriage to: Snelling, William
Ship/free: Larkins
Permission date: 31 Jan 1842
Index number: 12503
Record ID: NAME_INDEXES:1248404
Resource: CON52/1/2 Page 182
Archives Office of Tasmania
Link:https://stors.tas.gov.au/NI/1248404
4. CEMETERY RECORD
William Snelling
BIRTH 1814
DEATH 26 Jan 1875 (aged 60–61)
BURIAL Cornelian Bay Cemetery And Crematorium
Hobart, Tasmania, Australia
PLOT Pauper, A, Number 146
MEMORIAL ID 212749474
Detail of oil painting by Henry Gritten 1857
"The main road New Town with the coach Perseverance"
QVMAG ref: QVM:1949:FP:0440
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Best of friends: Emma PITT and Liz O'MEAGHER 1866
SEMIOSIS: deixis
PITT, Emma nee BARTLETT (1847-1899)
PITT, Albert, solicitor (1840-1906)
O'MEAGHER, Liz (1847-1906) and Arthur BELL (1839-1921)
WOOLLEY, Charles, photographer (1834-1922)
EPIDEMIC New Zealand 1906
Subject: a young woman holding a summer hat, wearing a summer dress frilled at the hem.
Standing pose, left hand resting on the back of a studded slipper chair, her gaze directed slightly above and to the right of the photographer.
Photographer: Charles A. Woolley, studio stamp on verso, 42 Macquarie St. Hobart, Tasmania
Location and date: Hobart, 1866
Format: full length studio portrait, sepia print, carte-de-visite
Condition: foxing, surface dirt, torn, fair condition
Provenance: DSFB, Melbourne 2021, sold as " Studio portrait of a lady identified as Liz O'Meagher. Hobart Town, Tasmania, 1866"
Copyright: © KLW NFC Imprint & KLW NFC Private Collection 2021
Verso inscription: "I say Captain Mackie is not show his face in Nelson without you Liz O'Meagher. Emma Pitt June 6th 1866"
The cdv: a deictic mystery
The verso inscription on this carte-de-visite - "I say Captain Mackie is not to show his face in Nelson without you Liz O'Meagher" - signed by Emma Pitt, dated 6th June 1866, has created differences in perception as to the identity of the young woman in the photograph, first by the seller (DSFB) on the one hand, and second by the purchaser (KLW NFC Imprint) on the other. Is it a photograph of Emma Pitt's addressee "you Liz O'Meagher", (b. Tas 1847- d. NZ 1906) or does it represent the sender Emma Pitt herself (b. Tas 1847-d. NZ 1899)?
The cdv was offered for sale at Douglas Stewart Fine Books (Melbourne) in May 2021 as a "Studio portrait of a lady identified as Liz O'Meagher. Hobart Town, Tasmania, 1866", so is the young woman in the photograph Emma's friend Liz O'Meagher, or is Emma sending her friend a photograph of herself? Odd, perhaps, that Emma Pitt should send a precious and possibly unique object such as a photographic portrait by Charles A. Woolley of her friend back to her friend, especially if the photograph was a gift from her friend in the first place. The transaction would look like this : "I" - Emma - am returning to "you" - Liz - a visual signifier of "you" - Liz - which may have been given to "me" - Emma - by "you" - Liz - - and now "I" - Emma - am returning "you" - Liz - to "you" - Liz. Why return a photograph of the addressee to the addressee, which in some contexts could affront the recipient but in this instance, it seems, is a performative act in which the sender Emma hopes to encourage Liz to come visit her on a ship to Nelson - to "here" - from where she is sending her friend the cdv who is "there" in Hobart.
The cdv as a multimodal message is quite complex. Emma's single sentence is a powerful theatrical gesture in tenor and text. She uses the deictic "you" as a cataphoric pointer forward to the name "Liz O'Meagher" without reference to the photograph itself or to the name of the woman it portrays. "This is you" or "this is me" are absent pointers which could identify the subject of the photograph. Liz O'Meagher is clearly intended as the receiver, the addressee, the "you" in script, in textual form on the verso of the cdv but there is the addition of a visual signifier in the message, the photograph of a young woman on the recto of the cdv, whose identity is not altogether straightforward despite comparisons with extant photographic records taken in the same decade and into the 1880s of - potentially - both young women (see below). There is, of course, the possibility that the photograph represents another young woman entirely.
To initiate the message, Emma is giving an order to the addressee "you Liz O'Meagher" when she uses the modal "I say" to insist that what she is about to say is to be remembered and acted on. If paraphrased, "I say" imports something like "I want you to repeat this, to quote me when I say this, this is not just an opinion, it is what I want, so do what I want, you ought to do this". Secondly, Emma's use of Captain Mackie's name which stands in for "voyage" is both synecdochic and anaphoric (external) to the message, but since he is nowhere to hear it, Emma performs a promise that exudes flirtatious but ultimately unquantifiable power and a doubtful scenario - she will not only admonish him personally, should he show up at Nelson without Liz O'Meagher on board, she will banish him from her sight - or, as she puts it, he "is not to show his face" without her. The addressee "you Liz O'Meagher", who is "without" to Emma, must act on Emma's message and book her passage with Captain Mackie on his very next voyage to NZ to become inclusive within her social set, to avoid further "finger pointing" or deictic acts just like this one which = I say this to you here so you must do that for me there.
Assuming that Liz O'Meagher received the cdv, on reading the verso she may have found it amusing, humorous, comedic even in what Emma was proposing to do to Captain Mackie. Then again, Liz O'Meagher may have become anxious while processing her perception of the photograph's significance to them both.
Reversing the gaze back onto the sender, this may be a photograph of Emma herself, sealed with her signature and date. Emma Bartlett was married to Albert Pitt by June 1866 when she dated the verso of the cdv, while Liz O'Meagher was still single and would not marry Arthur Bell until February 1867. She would therefore be sending a message in her own image as an example of the happiness to which her friend in Hobart might aspire, with the wish she (Liz) join her (Emma) as soon as possible in New Zealand, perhaps with her groom-to-be for their honeymoon. The photograph as memento of their close friendship would then reflect an image on which Liz O'Meagher might gaze and imagine for herself a similar happy outcome (presumably sans envie).
That both young women were close friends is evident on the marriage registration of Emma Pitt. Born Emma Bartlett, she married solicitor Albert Pitt on 26th January, 1866 at St. David's Cathedral, Hobart, Tasmania. Her friend Liz O'Meagher was a signatory witness at the marriage. If this photograph does not depict Liz O'Meagher, it depicts Emma. This is "me", Emma is saying by sending her friend a photograph of herself. Taken by Charles A. Woolley at his Hobart studio, 42 Macquarie Street, Hobart Town (Tasmania) perhaps in the summer of 1866, Emma may have visited Woolley's studio for a photograph of herself dressed in her best summer outfit for a special occasion. It is not a bridal gown she is wearing, so the occasion was not her wedding day, nor was it a winter outfit suitable for travel in March when she departed Hobart with her husband on board ship to join Captain Hugh Mackie's steamer the Gothenburg at Melbourne for the voyage to New Zealand. Rather, this photograph, if it represents Emma Pitt, was how Liz O'Meagher might look, Emma is suggesting to her friend, if she were to follow her example.
Emma and Albert Pitt in New Zealand
Captain Hugh Mackie arrived in New Zealand in command of the steamer Gothenburg on March 7, 1866 with passengers Mr and Mrs. Pitt.
Sources: Papers Past NZ, due to return to Melbourne on December 27th 1866.
WEST COAST TIMES, ISSUE 388, 20 DECEMBER 1866, PAGE 1
https://sites.rootsweb.com/~nzbound/otago1866.htm
Subject: Emma Pitt nee Bartlett (1847-1899) or Elizabeth Bell nee O'Meagher (1847-1906)?
Photographer: Charles A. Woolley
Location and date: 42 Macquarie St. Hobart, Tasmania 1866
Copyright © KLW NFC Imprint & KLW NFC Group Private Collection 2021
Emma's husband, Albert Pitt (1842-1906) was photographed by Charles Woolley at Hobart, possibly earlier than his wedding in 1866, if the studio decor is any indication.
Subject: Albert Pitt (1840-1906)
Photographer: Charles A. Woolley
Location and date: Hobart 1866
Archives Office Tasmania Ref: AUTAS001126072719W800
Albert Pitt was the sole surviving child of Captain Francis Pitt, Harbour Master and Maria Reardon, who married on 20th July 1833 at Hobart, Van Diemen's Land (Tasmania). They lived at Pitt Farm, New Town until retiring to Napoleon Street, Battery Point where Francis Pitt died in 1874. Albert escorted his mother Maria back to Nelson to live with his family. She died there on 29 June 1896, 82 yrs old.
MARRIAGE REGISTRATION 26th JANUARY 1866
In 1864 Albert Pitt migrated to Nelson, New Zealand, where he started his own law firm, returning briefly to marry Emma Bartlett, daughter of Edmund Bartlett at Hobart, on 25th January 1866.
Pitt, Albert
Record Type: Marriages
Gender: Male
Age: 23
Spouse: Bartlett, Emma
Gender: Female
Age: 18
Date of marriage: 26 Jan 1866
Registered: Hobart
Registration year: 1866
Record ID: NAME_INDEXES:868047
Resource: RGD37/1/25 no 120
Link: https://stors.tas.gov.au/NI/868047
ALBERT PITT and the MAUNGATAPU MURDERS 1866
Barely a week after Emma Pitt signed the verso of the cdv she intended to send to Liz O'Meagher on 6th June 1866, her husband Albert was called to appear as an advocate for the defendants, the Burgess gang, who murdered James Battle on 12th June 1866 on the Maungatapu track, south-east of Nelson. Four other men were killed on the same track the following day. Three of the gang were executed, the fourth - Joseph Sullivan - was deported. Read the full account here....
URL: https://nzhistory.govt.nz/culture/society/maungatapu-murders/the-maungatapu-murders, (Ministry for Culture and Heritage), updated 13-Aug-2015
The Burgess gang. (Clockwise from top) Joseph Thomas Sullivan, Thomas Kelly, Philip Levy and Richard Burgess, photographed at Nelson gaol in 1866.
Source: https://nzhistory.govt.nz/media/photo/the-burgess-gang-1866
In 1868 Albert Pitt entered into partnership with Henry Adams, trading as Adams & Pitt. With the dissolution of that partnership, he partnered with Edward Moore, operating as the firm Pitt & Moore. (Source: https://en.wikipedia.org/wiki/Albert_Pitt).
FAMILY PHOTOGRAPHS
The Nelson Provincial Museum has a sizeable collection of photographs of Albert Pitt and members of his family but is there a photograph of Emma Pitt which can compare favourably with the subject of the cdv she sent to her friend Liz O'Meagher dated June 6th, 1866? In other words, do any of these photographs of female members of Albert and Emma Pitt's family taken from ca. 1880-1889 resemble the woman in Emma Pitt's cdv sent to her friend Liz O'Meagher?
Pitt, Mrs A [sic - as in Mrs Albert Pitt]
Glass Monochrome/Media/Photography half plate/glass plate/
Production date Oct 1889
Photo collection reference number 16408
Collection Tyree Studio Collection
https://collection.nelsonmuseum.co.nz
Albert Pitt, 1883
Source: Nelson Provincial Museum (New Zealand)
Object type glass plate negative
Media and materials Glass Monochrome/Media/Photography 4 x 5/glass plate/Format/Photography
Collection W E Brown Collection
Credit line Pitt, Mr A. Dec 1883. Nelson Provincial Museum, W E Brown Collection: 11795
Link: https://collection.nelsonmuseum.co.nz/objects/6119/pitt-mr-a
Pitt Family NZ
Photo collection reference number 176235
Description Full length studio portrait of four men, four women and a boy.
Object type glass plate negative
Media/materials description Glass plate
Media and materials Glass Monochrome/Media/Photography 6 x 8/glass plate/
Format/Photography Measurements 6 x 8 inches
Collection Tyree Studio Collection
https://collection.nelsonmuseum.co.nz/objects/P35992/pitt
DEATH of Emma PITT, 1899
Record ID WKCE05046_C
Surname PITT
First names EMMA
Age 52 years
Date of interment 01/09/1899
Date of death 30/08/1899
Gender Female
Cemetery Wakapuaka
Copyright © 2021 Nelson City Council
LAST WILL and TESTAMENT of Albert PITT 1906
Albert Pitt's wife Emma Pitt nee Bartlett was 52 years old when she died in 1899. His will of 1906 named three of their children to inherit his estate in equal measure: his daughters Minnie Constanza Macdonald and Charlotte Emma Georgina Pitt, and his son Wilmot Bartlett Pitt. Albert Pitt died 64 years old on 18/11/1906; Emma Pitt died 52 years old on 30/8/1899. Two of their children predeceased them: Annie Pitt, died 3 months old on 11/4/1871 and Sidney Herbert Pitt died 28 years old on 22/3/1890.
TRANSCRIPT
Pitt, Albert
Record Type: Wills
Year: 1907
File number: 7134
Record ID: NAME_INDEXES:1667091
Resource: AD960-1-29 Will Number 7134
https://stors.tas.gov.au/AD960-1-29-7134$init=AD960-1-29-7134_1
Memorial Walk
In Nelson, NZ, at the Bridge Street entrance of the Queens Gardens are the wrought iron Albert Pitt Memorial gates. Albert Pitt (1841-1906) was the Minister of Defence, Lt Colonel of the NZ
Militia and C.O. of the Nelson Military District 1877-1899. The opening ceremony took place on 2nd May, 1914.
Women in the O'Meagher family
So who was Emma Pitt's friend Liz O'Meagher? She was Elizabeth Ann O'Meagher (b. Hobart, Tas 1847 - d. Kawhia,NZ 1906) , the younger daughter of Elizabeth Anne O'Meagher snr (d. 1879) and William O'Meagher (d. 1849). Her father was chief clerk of H.M. Ordnance Stores, New Wharf, Hobart. She married Arthur Bell (his full name was Arthur Waite Iredale Bell) on 5th February 1867 at St. David's Cathedral, Hobart. Arthur Waite Iredale Bell (1839-1921) and his sister Kezia Mary Bell (1849-1940) were born in Launceston, Tasmania to auctioneer Joseph William Bell (1793-1870) and Georgina Ford (d. NZ 1909). The elder daughter Mary Frances O'Meagher married Robert Walker on 14 July 1879 at St. David's Cathedral, Hobart. There were two sons as well as two daughters: Franc Penn O'Meagher and Wm Hudson O'Meagher (d. 1883) who were mentioned in the Last Will and Testament of Elizabeth Anne O'Meagher snr. A Codicil added to their mother's will in 1873 requested that another daughter - or daughter-in-law - Elizabeth Frances O'Meagher - be granted an annuity (see will below).
1867: MARRIAGE to ARTHUR BELL
Archives Office Tasmania
Marriage of Arthur Bell to Elizabeth Ann O'Meagher, under 21
https://stors.tas.gov.au/RGD37-1-26$init=RGD37-1-26P76
1879: MARRIAGE of ELDER SISTER MARY to ROBERT WALKER
https://nla.gov.au/nla.news-article8979027
1870: BIRTH of PERCY WALTER BELL
Bell, Percy Walter
Record Type: Births
Gender: Male
Father: Bell, Arthur
Mother: Elizabeth, Anne O'Meagher
Date of birth:04 Mar 1870
Registered: Hobart
Registration year: 1870
Record ID: NAME_INDEXES:972964
Resource: RGD33/1/10/ no 964
Registration informant of the birth of Percy Walter Bell to Elizabeth Anne Bell (formerly O'Meagher) and Arthur Bell on 11th April 1870 was Elizabeth's mother, Elizabeth O'Meagher snr. The informant column on the registration clearly states "E. A. O'Meagher, Grandmother, (present at birth) Macquarie Street" [Hobart]. No press notice was published of this birth. An earlier birth of a son born at Rockhampton was published in the Hobart press on 28 February1868. Elizabeth Bell nee O'Meagher, wife of Arthur Bell, gave birth to three sons (Percy born at Hobart in 1870, two born at Rockhampton, Qld) and a daughter in 1873, Josephine Mary Bell, who died at 5 yrs of age at her parents' residence Athelstane Range, Rockhampton, Queensland. Another son was born in Hobart on 30 August 1878.
NEWSPAPER FAMILY NOTICES:
1. Mercury (Hobart, Tas. : 1860 - 1954), Friday 28 February 1868, page 1
https://nla.gov.au/nla.news-article8850790
2. Rockhampton Bulletin (Qld. : 1871 - 1878), Monday 10 February 1873, page 1
https://nla.gov.au/nla.news-article51792316
3. Daily Northern Argus (Rockhampton, Qld. : 1875 - 1896), Wednesday 9 June 1875, page 3
https://nla.gov.au/nla.news-article213415438
4. Capricornian (Rockhampton, Qld. : 1875 - 1929), Saturday 8 December 1877, page 1
https://nla.gov.au/nla.news-article65767832
Record Type: Births
Gender: Male
Father: Bell, Arthur
Mother: Elizabeth, Ann O'Meagher
Date of birth: 30 Aug 1878
Registered: Hobart
Registration year: 1878
Record ID: NAME_INDEXES:1093410
Resource: RGD33/1/12/ no 270
Archives Office Tasmania
https://stors.tas.gov.au/RGD33-1-12$init=RGD33-1-12-P150
ARTHUR BELL'S ADVERTISEMENTS
TRANSCRIPT
Link: https://nla.gov.au/nla.news-article52396039
Although Arthur Bell was in Hobart on 3rd October, 1878 when he registered the birth of Robert Hudson Bell, he had not yet managed to sell their residence and property at Athelstane Range nor his business, Arthur Bell & Co. Ironmongers, at Rockhampton. Facing insolvency, he advertised the sale of all his stock valued at £7250 on 28 January 1878 and ran advertisements as agent for rubber paint imported from San Francisco from September to December 1878 in the Rockhampton press:
Source: Morning Bulletin (Rockhampton, Qld. : 1878 - 1954), Saturday 21 September 1878, page 2
https://nla.gov.au/nla.news-article51979452
TRANSCRIPT
1875: PURCHASE of LAND, MONA Street BATTERY POINT
In 1875, Elizabeth Anne O'Meagher snr acquired sixteen perches on Mona Street near Colville Road, Battery Point, Hobart, which was numbered 1 Mona St. on her death four years later, in 1879. Her daughter Elizabeth Ann Bell nee O'Meagher and husband Arthur Bell, hardware merchant, had relocated from Queensland and were residing with her at Mona Street when their son Robert Hudson was born in August 1878.
O'Meagher, Elizabeth Ann
Record Type: Land
Date:1875
Location: Hobart
Remarks:16 perches
Record ID:NAME_INDEXES:1755311
RGD1/1 Book 78, page 158
https://stors.tas.gov.au/RD1-1-78$init=RD1-1-78P158JPG
1879: DEATH of LIZ O'MEAGHER'S MOTHER
1879: LAST WILL and TESTAMENT of Elizabeth Anne O'MEAGHER snr
Liz O'Meagher's father, William O'Meagher died at their residence in Argyle Street, Hobart on 20th December 1849. He was chief clerk at H. M. Ordnance Stores, New Wharf, Hobart.
https://nla.gov.au/nla.news-article226531981
Elizabeth Anne O'Meagher snr, wife of William O'Meagher, died thirty years later at the property she purchased in 1875, No. 1, Mona Street Battery Point, Hobart, Tasmania. Her will provided for her two daughters and two sons from probate of £5,150. The codicil added to her will in 1873 requested that another daughter - or daughter-in-law - Elizabeth Frances O'Meagher - be granted an annuity (the codicil below on the second page is almost illegible):
Above: Page 1: O'Meagher, Elizabeth Anne Record Type: Wills
Below: Pages 2 and 3: O'Meagher, Elizabeth Anne Record Type: Wills
O'Meagher, Elizabeth Anne
Record Type: Wills
Year:1879
File number:2226
Record ID:
NAME_INDEXES:1633207
Resource:AD960-1-13
Will Number 2226
Link: https://stors.tas.gov.au/AD960-1-13-2226$init=AD960-1-13-2226_1
View of the River Derwent and Eastern shore, Hobart, from No. 1 Mona Street, Battery Point.
Photo copyright © KLW NFC Group 2014
Liz O'Meagher and Arthur Bell in New Zealand
It seems that Emma Pitt finally did get her wish to re-unite in New Zealand with her friend Elizabeth Ann Bell she knew as Liz O'Meagher. Both women would lead short lives - both were born in 1847, Emma died in 1899 (52 yrs old) and Liz died in 1906 (59 yrs old). Both were born in Tasmania and died in New Zealand: neither reached their 60th birthday.
Liz O'Meagher's husband, Arthur Waite Iredale Bell (1839-1921) and his sister Kezia Mary Bell (1849-1940) were born in Launceston, Tasmania to auctioneer Joseph William Bell (1793-1870) and Georgina Ford (d. NZ, 1909). Kezia Mary Bell and Robert Gardner (1842-1919) were married at New Town, Tasmania in 1868. In 1879, Elizabeth and Arthur Bell left Tasmania to join Arthur's sister Kezia who had moved to Christchurch, NZ, in 1877 with her husband, Arthur Bell's former partner Robert Gardner when their Rockhampton hardware business faced bankruptcy. Georgina Bell moved from Tasmania to New Zealand to join her son Arthur and daughter Kezia, dying there at the grand age of 91 years in April 1909.
Settled at Christchurch, New Zealand, Elizabeth Bell (Liz O'Meagher) and Arthur Bell became parents once more with the birth of their daughter Winifred Kassin Bell (1882-1963) who later married Gardner's son Robert Clifford Gardner (1882-1943) in 1908. Within two years, Arthur Bell had to contend with bankruptcy. On 18th August 1884, he filed a petition in the Supreme Court, Christchurch, NZ to be adjudged a bankrupt but by 1886, he was back in business advertising baby carriages from his shop called Bell's Hardware House, in Victoria Avenue, Wanganui. For the remainder of Elizabeth Bell's life, she lived with her husband and family at Wanganui on the west coast of the New Zealand's north island, north of Wellington, but on one fateful day in November 1906, while residing with her son at Hari Hari near Kawhia where he had established a flax mill, she fell ill during an epidemic of influenza. Robert Hudson Bell, 28 years old, son of Arthur Bell, died of influenza on 20th November 1906, his mother Elizabeth Ann Bell (Liz O'Meagher), 59 years old, wife of Arthur Bell, died the following day, on 21st November 1906.
Deaths of Robert Hudson Bell and Elizabeth Bell
Source:Manawatu Standard, Volume XLI, Issue 8143, 26 November 1906, Page 4
Link: https://paperspast.natlib.govt.nz/newspapers/MS19061126.2.9
Link: https://paperspast.natlib.govt.nz/newspapers/NZH19060122.2.19.4
But by November 1906, reports followed the spread of the epidemic, and then of the deaths of Elizabeth Bell and her son Robert Hudson Bell with brief details of their lives.
Link: https://paperspast.natlib.govt.nz/newspapers/KSRA19061116.2.7
Link: https://paperspast.natlib.govt.nz/newspapers/KCC19061130.2.13
Father of Robert, husband of Elizabeth, Arthur Bell himself was required to perform the services at the graveside in the absence of available clergymen in the district:
Link: https://paperspast.natlib.govt.nz/newspapers/NZH19061129.2.94
Once more, the mystery of the cdv
No early photographs to date appear to be extant of any of the women from this Tasmanian branch of the O'Meagher family, with the possible exception of the cdv in question signed by Emma Pitt in 1866, which may or may not be a photograph of Liz O'Meagher. If photographer Woolley's cdv was a photograph of Elizabeth Ann Bell nee O'Meagher, known affectionately to her friend Emma Pitt as Liz O'Meagher, it is indeed a rare family memento, especially so given the circumstances of her death. One question remains: if Emma Pitt actually sent the cdv to her friend Liz O'Meagher in Hobart, Tasmania from Nelson, New Zealand in 1866, why did Liz O'Meagher not take it with her when she left Tasmania to settle permanently in New Zealand with husband Arthur Bell and family in the late 1870s? Did she leave it in Tasmania for her sisters and mother? Or was it returned to her mother and sisters from her New Zealand family in her memory because she died so suddenly with her son Robert in 1906?
The additional mystery which this cdv presents is this: how did it find its way to Melbourne (at DSFB) to be offered for sale in 2021? Provenance, anyone?
Sources: David Gardner Crouch, Canada.
Papers Past (National Library of New Zealand)
Familysearch.org - Bell and Gardner families
ADDENDA 1: Not Liz O'MEAGHER
Is there any comparison between the young woman pictured below - identified as Elizabeth Frances Bell (1847-1930) - and the young woman in the cdv (at top) which Emma Pitt sent her friend dated June 1866? The short answer is no, the young woman with child pictured below was the wife of Frederick George Bell, apparently no relation to the family of either Arthur Bell or Elizabeth Frances O'Meagher.
The photograph below was taken in 1875 of Elizabeth Frances Bell, maiden name unknown. Her death notice listed a number of deceased children:
Elizabeth Frances Bell (1847-1930) & and Frederick George Bell ca. 1875
Wife of Frederick George Bell (d. 1910, North Melbourne)
Photographer: Stewart and Co. Melbourne, ca. 1875
Part of: Sub-collection: North Melbourne and West Melbourne (Victoria)
https://www.picturevictoria.vic.gov.au/site/melbourne/NorthMelbourne/20214.html
https://www.picturevictoria.vic.gov.au/site/melbourne/NorthMelbourne/20210.html
ADDENDA 2: The sinking of SS Gothenburg 1875
Captain R. G. A. Pearce, 20 March 1875
La Trobe Picture Collection, State Library of Victoria
Source: https://en.wikipedia.org/wiki/SS_Gothenburg
From the Archives, 1875: The Gothenburg sinks off Queensland killing 102
First published in The Age on March 4, 1875
Record Title: Ship Gothenburg in the graving dock at Port Chalmers
Tiaki IRN:215787
Tiaki Reference Number: 1/2-014530-G
Collection: PA-Group-00198: De Maus, David Alexander, 1847-1925:Shipping negatives
Coverage: 1872
Description: The ship "Gothenburg" in the Port Chalmers graving dock. Part of Port Chalmers township visible behind the graving dock. Photographed between 1872 when the graving dock came into use, and 1875 when the "Gothenburg" was wrecked off Queensland. Photograph taken by David Alexander De Maus.
National Library of New Zealand
https://tiaki.natlib.govt.nz/#details=ecatalogue.215787
RELATED POSTS main weblog
PITT, Emma nee BARTLETT (1847-1899)
PITT, Albert, solicitor (1840-1906)
O'MEAGHER, Liz (1847-1906) and Arthur BELL (1839-1921)
WOOLLEY, Charles, photographer (1834-1922)
EPIDEMIC New Zealand 1906
"I say Captain Mackie is not to show his face in Nelson without you Liz O'Meagher.
Emma Pitt
June 6th 1866"
Subject: a young woman holding a summer hat, wearing a summer dress frilled at the hem.
Standing pose, left hand resting on the back of a studded slipper chair, her gaze directed slightly above and to the right of the photographer.
Photographer: Charles A. Woolley, studio stamp on verso, 42 Macquarie St. Hobart, Tasmania
Location and date: Hobart, 1866
Format: full length studio portrait, sepia print, carte-de-visite
Condition: foxing, surface dirt, torn, fair condition
Provenance: DSFB, Melbourne 2021, sold as " Studio portrait of a lady identified as Liz O'Meagher. Hobart Town, Tasmania, 1866"
Copyright: © KLW NFC Imprint & KLW NFC Private Collection 2021
Verso inscription: "I say Captain Mackie is not show his face in Nelson without you Liz O'Meagher. Emma Pitt June 6th 1866"
The cdv: a deictic mystery
The verso inscription on this carte-de-visite - "I say Captain Mackie is not to show his face in Nelson without you Liz O'Meagher" - signed by Emma Pitt, dated 6th June 1866, has created differences in perception as to the identity of the young woman in the photograph, first by the seller (DSFB) on the one hand, and second by the purchaser (KLW NFC Imprint) on the other. Is it a photograph of Emma Pitt's addressee "you Liz O'Meagher", (b. Tas 1847- d. NZ 1906) or does it represent the sender Emma Pitt herself (b. Tas 1847-d. NZ 1899)?
The cdv was offered for sale at Douglas Stewart Fine Books (Melbourne) in May 2021 as a "Studio portrait of a lady identified as Liz O'Meagher. Hobart Town, Tasmania, 1866", so is the young woman in the photograph Emma's friend Liz O'Meagher, or is Emma sending her friend a photograph of herself? Odd, perhaps, that Emma Pitt should send a precious and possibly unique object such as a photographic portrait by Charles A. Woolley of her friend back to her friend, especially if the photograph was a gift from her friend in the first place. The transaction would look like this : "I" - Emma - am returning to "you" - Liz - a visual signifier of "you" - Liz - which may have been given to "me" - Emma - by "you" - Liz - - and now "I" - Emma - am returning "you" - Liz - to "you" - Liz. Why return a photograph of the addressee to the addressee, which in some contexts could affront the recipient but in this instance, it seems, is a performative act in which the sender Emma hopes to encourage Liz to come visit her on a ship to Nelson - to "here" - from where she is sending her friend the cdv who is "there" in Hobart.
The cdv as a multimodal message is quite complex. Emma's single sentence is a powerful theatrical gesture in tenor and text. She uses the deictic "you" as a cataphoric pointer forward to the name "Liz O'Meagher" without reference to the photograph itself or to the name of the woman it portrays. "This is you" or "this is me" are absent pointers which could identify the subject of the photograph. Liz O'Meagher is clearly intended as the receiver, the addressee, the "you" in script, in textual form on the verso of the cdv but there is the addition of a visual signifier in the message, the photograph of a young woman on the recto of the cdv, whose identity is not altogether straightforward despite comparisons with extant photographic records taken in the same decade and into the 1880s of - potentially - both young women (see below). There is, of course, the possibility that the photograph represents another young woman entirely.
To initiate the message, Emma is giving an order to the addressee "you Liz O'Meagher" when she uses the modal "I say" to insist that what she is about to say is to be remembered and acted on. If paraphrased, "I say" imports something like "I want you to repeat this, to quote me when I say this, this is not just an opinion, it is what I want, so do what I want, you ought to do this". Secondly, Emma's use of Captain Mackie's name which stands in for "voyage" is both synecdochic and anaphoric (external) to the message, but since he is nowhere to hear it, Emma performs a promise that exudes flirtatious but ultimately unquantifiable power and a doubtful scenario - she will not only admonish him personally, should he show up at Nelson without Liz O'Meagher on board, she will banish him from her sight - or, as she puts it, he "is not to show his face" without her. The addressee "you Liz O'Meagher", who is "without" to Emma, must act on Emma's message and book her passage with Captain Mackie on his very next voyage to NZ to become inclusive within her social set, to avoid further "finger pointing" or deictic acts just like this one which = I say this to you here so you must do that for me there.
Assuming that Liz O'Meagher received the cdv, on reading the verso she may have found it amusing, humorous, comedic even in what Emma was proposing to do to Captain Mackie. Then again, Liz O'Meagher may have become anxious while processing her perception of the photograph's significance to them both.
Reversing the gaze back onto the sender, this may be a photograph of Emma herself, sealed with her signature and date. Emma Bartlett was married to Albert Pitt by June 1866 when she dated the verso of the cdv, while Liz O'Meagher was still single and would not marry Arthur Bell until February 1867. She would therefore be sending a message in her own image as an example of the happiness to which her friend in Hobart might aspire, with the wish she (Liz) join her (Emma) as soon as possible in New Zealand, perhaps with her groom-to-be for their honeymoon. The photograph as memento of their close friendship would then reflect an image on which Liz O'Meagher might gaze and imagine for herself a similar happy outcome (presumably sans envie).
That both young women were close friends is evident on the marriage registration of Emma Pitt. Born Emma Bartlett, she married solicitor Albert Pitt on 26th January, 1866 at St. David's Cathedral, Hobart, Tasmania. Her friend Liz O'Meagher was a signatory witness at the marriage. If this photograph does not depict Liz O'Meagher, it depicts Emma. This is "me", Emma is saying by sending her friend a photograph of herself. Taken by Charles A. Woolley at his Hobart studio, 42 Macquarie Street, Hobart Town (Tasmania) perhaps in the summer of 1866, Emma may have visited Woolley's studio for a photograph of herself dressed in her best summer outfit for a special occasion. It is not a bridal gown she is wearing, so the occasion was not her wedding day, nor was it a winter outfit suitable for travel in March when she departed Hobart with her husband on board ship to join Captain Hugh Mackie's steamer the Gothenburg at Melbourne for the voyage to New Zealand. Rather, this photograph, if it represents Emma Pitt, was how Liz O'Meagher might look, Emma is suggesting to her friend, if she were to follow her example.
Emma and Albert Pitt in New Zealand
Captain Hugh Mackie arrived in New Zealand in command of the steamer Gothenburg on March 7, 1866 with passengers Mr and Mrs. Pitt.
Sources: Papers Past NZ, due to return to Melbourne on December 27th 1866.
WEST COAST TIMES, ISSUE 388, 20 DECEMBER 1866, PAGE 1
https://sites.rootsweb.com/~nzbound/otago1866.htm
Subject: Emma Pitt nee Bartlett (1847-1899) or Elizabeth Bell nee O'Meagher (1847-1906)?
Photographer: Charles A. Woolley
Location and date: 42 Macquarie St. Hobart, Tasmania 1866
Copyright © KLW NFC Imprint & KLW NFC Group Private Collection 2021
Emma's husband, Albert Pitt (1842-1906) was photographed by Charles Woolley at Hobart, possibly earlier than his wedding in 1866, if the studio decor is any indication.
Subject: Albert Pitt (1840-1906)
Photographer: Charles A. Woolley
Location and date: Hobart 1866
Archives Office Tasmania Ref: AUTAS001126072719W800
Albert Pitt was the sole surviving child of Captain Francis Pitt, Harbour Master and Maria Reardon, who married on 20th July 1833 at Hobart, Van Diemen's Land (Tasmania). They lived at Pitt Farm, New Town until retiring to Napoleon Street, Battery Point where Francis Pitt died in 1874. Albert escorted his mother Maria back to Nelson to live with his family. She died there on 29 June 1896, 82 yrs old.
MARRIAGE REGISTRATION 26th JANUARY 1866
In 1864 Albert Pitt migrated to Nelson, New Zealand, where he started his own law firm, returning briefly to marry Emma Bartlett, daughter of Edmund Bartlett at Hobart, on 25th January 1866.
Pitt, Albert
Record Type: Marriages
Gender: Male
Age: 23
Spouse: Bartlett, Emma
Gender: Female
Age: 18
Date of marriage: 26 Jan 1866
Registered: Hobart
Registration year: 1866
Record ID: NAME_INDEXES:868047
Resource: RGD37/1/25 no 120
Link: https://stors.tas.gov.au/NI/868047
ALBERT PITT and the MAUNGATAPU MURDERS 1866
Barely a week after Emma Pitt signed the verso of the cdv she intended to send to Liz O'Meagher on 6th June 1866, her husband Albert was called to appear as an advocate for the defendants, the Burgess gang, who murdered James Battle on 12th June 1866 on the Maungatapu track, south-east of Nelson. Four other men were killed on the same track the following day. Three of the gang were executed, the fourth - Joseph Sullivan - was deported. Read the full account here....
On 12 June 1866, James Battle was murdered on the Maungatapu track, south-east of Nelson. The following day four other men were killed nearby – a crime that shocked the colony. These killings, the work of the 'Burgess gang', resembled something from the American 'wild west'.Source: 'The Maungatapu murders',
The case was made more intriguing by the fact that one of the gang, Joseph Sullivan, turned on his co-accused and provided the evidence that convicted them. The trial was followed with great interest and sketches and accounts of the case were eagerly snapped up by the public. Unlike his colleagues, Sullivan escaped the gallows.
All four members of the Burgess gang had come to New Zealand via the goldfields of Victoria, Australia. Three of them had been transported to Australia for crimes committed in England. They were the sort of 'career criminals' that the authorities in Otago had feared would arrive following the discovery of gold in the province. The South Island goldfields of the 1860s offered potentially rich pickings for criminals. Crime was generally the work of individuals, and often a spontaneous act fuelled by alcohol, but there were notable exceptions.... etc etc
URL: https://nzhistory.govt.nz/culture/society/maungatapu-murders/the-maungatapu-murders, (Ministry for Culture and Heritage), updated 13-Aug-2015
The Burgess gang. (Clockwise from top) Joseph Thomas Sullivan, Thomas Kelly, Philip Levy and Richard Burgess, photographed at Nelson gaol in 1866.
Source: https://nzhistory.govt.nz/media/photo/the-burgess-gang-1866
In 1868 Albert Pitt entered into partnership with Henry Adams, trading as Adams & Pitt. With the dissolution of that partnership, he partnered with Edward Moore, operating as the firm Pitt & Moore. (Source: https://en.wikipedia.org/wiki/Albert_Pitt).
FAMILY PHOTOGRAPHS
The Nelson Provincial Museum has a sizeable collection of photographs of Albert Pitt and members of his family but is there a photograph of Emma Pitt which can compare favourably with the subject of the cdv she sent to her friend Liz O'Meagher dated June 6th, 1866? In other words, do any of these photographs of female members of Albert and Emma Pitt's family taken from ca. 1880-1889 resemble the woman in Emma Pitt's cdv sent to her friend Liz O'Meagher?
Pitt, Mrs A [sic - as in Mrs Albert Pitt]
Glass Monochrome/Media/Photography half plate/glass plate/
Production date Oct 1889
Photo collection reference number 16408
Collection Tyree Studio Collection
https://collection.nelsonmuseum.co.nz
Albert Pitt, 1883
Source: Nelson Provincial Museum (New Zealand)
Object type glass plate negative
Media and materials Glass Monochrome/Media/Photography 4 x 5/glass plate/Format/Photography
Collection W E Brown Collection
Credit line Pitt, Mr A. Dec 1883. Nelson Provincial Museum, W E Brown Collection: 11795
Link: https://collection.nelsonmuseum.co.nz/objects/6119/pitt-mr-a
Pitt Family NZ
Photo collection reference number 176235
Description Full length studio portrait of four men, four women and a boy.
Object type glass plate negative
Media/materials description Glass plate
Media and materials Glass Monochrome/Media/Photography 6 x 8/glass plate/
Format/Photography Measurements 6 x 8 inches
Collection Tyree Studio Collection
https://collection.nelsonmuseum.co.nz/objects/P35992/pitt
DEATH of Emma PITT, 1899
Record ID WKCE05046_C
Surname PITT
First names EMMA
Age 52 years
Date of interment 01/09/1899
Date of death 30/08/1899
Gender Female
Cemetery Wakapuaka
Copyright © 2021 Nelson City Council
LAST WILL and TESTAMENT of Albert PITT 1906
Albert Pitt's wife Emma Pitt nee Bartlett was 52 years old when she died in 1899. His will of 1906 named three of their children to inherit his estate in equal measure: his daughters Minnie Constanza Macdonald and Charlotte Emma Georgina Pitt, and his son Wilmot Bartlett Pitt. Albert Pitt died 64 years old on 18/11/1906; Emma Pitt died 52 years old on 30/8/1899. Two of their children predeceased them: Annie Pitt, died 3 months old on 11/4/1871 and Sidney Herbert Pitt died 28 years old on 22/3/1890.
TRANSCRIPT
No. 7134 In the Supreme Court of Nelson Wellington DistrictSource: Archives Office Tasmania
Be it known that upon search being made in the Office of the Supreme Court at Wellington in the colony of New Zealand it appears that on the twenty first day of December 1906, the last Will and Testament of Albert Pitt, late of the City of Nelson in the Provincial District of Nelson but lately in the City of Wellington both in the colony of New Zealand Barrister deceased who died in the City of Christchurch in the said colony on or about the eighteenth day of November 1906 was proved by the Public Trustee in the colony of New Zealand a corporation sole with perpetual succession and a seal of office the executor named therein and which Probate now remains of record in the said office the true tenor of the said will is in the words and figures following to wit: - This is the last Will and Testament of me Albert Pitt of the city of Nelson and lately of the City of Wellington in New Zealand Barrister I revoke all former wills and other testamentary dispositions by me at any time heretobefore made and declare that this alone to be my last Will and Testament I give devise and bequeath all my real and personal property whatsoever and wheresoever unto my children Minnie Constanza Macdonald Charlotte Emma Georgina Pitt and Wilmot Bartlett Pitt in equal shares as tenants in common I devise all estates vested in me by any trust subject to the equities affecting the same to my Trustee hereinafter named I direct that my just debts funeral and testamentary expenses shall be paid out of my estate I appoint the Public - [Albert Pitt] - Trustee to be the Trustee and Executor of this my Will. In Witness whereof I have hereunder set my hand the 13th day of November 1906 Albert Pitt. Signed by the said Albert Pitt as and for his last Will and Testament in the presence of us both being present at the same time who at his request in his sight and presence and in the presence of each other have hereunto subscribed our names attesting witnesses E. N. G. Foulton Private Secretary Wellington Kassie Turner Nurse Christchurch In faith and testimony whereof these Letters Testimonial are issued Given at Wellington aforesaid as to the time of the aforesaid search and the sealing of these present this 9th day of April 1907
Seal of the Supreme Court of New Zealand
Ewing & Seager
Sealed 6/6/07
Assets Tas £225 [sig?]
Pitt, Albert
Record Type: Wills
Year: 1907
File number: 7134
Record ID: NAME_INDEXES:1667091
Resource: AD960-1-29 Will Number 7134
https://stors.tas.gov.au/AD960-1-29-7134$init=AD960-1-29-7134_1
Memorial Walk
In Nelson, NZ, at the Bridge Street entrance of the Queens Gardens are the wrought iron Albert Pitt Memorial gates. Albert Pitt (1841-1906) was the Minister of Defence, Lt Colonel of the NZ
Militia and C.O. of the Nelson Military District 1877-1899. The opening ceremony took place on 2nd May, 1914.
Women in the O'Meagher family
So who was Emma Pitt's friend Liz O'Meagher? She was Elizabeth Ann O'Meagher (b. Hobart, Tas 1847 - d. Kawhia,NZ 1906) , the younger daughter of Elizabeth Anne O'Meagher snr (d. 1879) and William O'Meagher (d. 1849). Her father was chief clerk of H.M. Ordnance Stores, New Wharf, Hobart. She married Arthur Bell (his full name was Arthur Waite Iredale Bell) on 5th February 1867 at St. David's Cathedral, Hobart. Arthur Waite Iredale Bell (1839-1921) and his sister Kezia Mary Bell (1849-1940) were born in Launceston, Tasmania to auctioneer Joseph William Bell (1793-1870) and Georgina Ford (d. NZ 1909). The elder daughter Mary Frances O'Meagher married Robert Walker on 14 July 1879 at St. David's Cathedral, Hobart. There were two sons as well as two daughters: Franc Penn O'Meagher and Wm Hudson O'Meagher (d. 1883) who were mentioned in the Last Will and Testament of Elizabeth Anne O'Meagher snr. A Codicil added to their mother's will in 1873 requested that another daughter - or daughter-in-law - Elizabeth Frances O'Meagher - be granted an annuity (see will below).
1867: MARRIAGE to ARTHUR BELL
MARRIAGES.Source: "Family Notices" The Mercury (Hobart, Tas. : 1860 - 1954) 8 February 1867: 1. Web. 4 Sep 2021 https://nla.gov.au/nla.news-article8844112
BELL-O'MEAGHER. -On 5th February, at St. David's Cathedral, by the Rev. F. H. Cox, Arthur Bell, Esq., of, Rockhampton, Queensland, to Elizabeth Anne, youngest daughter of the late W. O'Meagher, Esq., of Her Majesty's Ordnance. 8f
Archives Office Tasmania
Marriage of Arthur Bell to Elizabeth Ann O'Meagher, under 21
https://stors.tas.gov.au/RGD37-1-26$init=RGD37-1-26P76
1879: MARRIAGE of ELDER SISTER MARY to ROBERT WALKER
WALKER—O'MEAGHER.—On the 31st August, at St. David's Cathedral, by the Rev. F. H. Cox, Robert Walker, Esq., of Gipps Land, Victoria, to Mary Frances, eldest daughter of the late William O'Meagher, Esq., of H.M. Ordnance.Source: Family Notices (1879, July 14). The Mercury (Hobart, Tas. : 1860 - 1954), p. 1.
https://nla.gov.au/nla.news-article8979027
1870: BIRTH of PERCY WALTER BELL
Bell, Percy Walter
Record Type: Births
Gender: Male
Father: Bell, Arthur
Mother: Elizabeth, Anne O'Meagher
Date of birth:04 Mar 1870
Registered: Hobart
Registration year: 1870
Record ID: NAME_INDEXES:972964
Resource: RGD33/1/10/ no 964
Registration informant of the birth of Percy Walter Bell to Elizabeth Anne Bell (formerly O'Meagher) and Arthur Bell on 11th April 1870 was Elizabeth's mother, Elizabeth O'Meagher snr. The informant column on the registration clearly states "E. A. O'Meagher, Grandmother, (present at birth) Macquarie Street" [Hobart]. No press notice was published of this birth. An earlier birth of a son born at Rockhampton was published in the Hobart press on 28 February1868. Elizabeth Bell nee O'Meagher, wife of Arthur Bell, gave birth to three sons (Percy born at Hobart in 1870, two born at Rockhampton, Qld) and a daughter in 1873, Josephine Mary Bell, who died at 5 yrs of age at her parents' residence Athelstane Range, Rockhampton, Queensland. Another son was born in Hobart on 30 August 1878.
NEWSPAPER FAMILY NOTICES:
1. Mercury (Hobart, Tas. : 1860 - 1954), Friday 28 February 1868, page 1
https://nla.gov.au/nla.news-article8850790
BIRTHS.
BELL. -On 4th February, at her residence, Athelstane Range, Rockhampton, Queensland, the wife of Mr. Arthur Bell, of a son.
2. Rockhampton Bulletin (Qld. : 1871 - 1878), Monday 10 February 1873, page 1
https://nla.gov.au/nla.news-article51792316
BIRTH.
BELL.—On Sunday, the 9th instant, at her residence, Athelstane Range, the wife of Mr. Arthur Bell, of a daughter.
3. Daily Northern Argus (Rockhampton, Qld. : 1875 - 1896), Wednesday 9 June 1875, page 3
https://nla.gov.au/nla.news-article213415438
BIRTH.
BELL.—On the 8th instant, at her residence, Athelstane Range, the wife of Arthur Bell of a son
4. Capricornian (Rockhampton, Qld. : 1875 - 1929), Saturday 8 December 1877, page 1
https://nla.gov.au/nla.news-article65767832
DEATHSOn 30th August 1878, Elizabeth Ann Bell nee O'Meagher gave birth to another son, Robert Hudson Bell at Hobart, registered by his father, Arthur Bell, hardware merchant, of Battery Point, Hobart, on 3rd October 1878.
BELL.—On the 5th instant, at her father's residence, Athelstane Range, Josephine Mary, aged 5 years' youngest daughter of Mr. Arthur Bell.
Record Type: Births
Gender: Male
Father: Bell, Arthur
Mother: Elizabeth, Ann O'Meagher
Date of birth: 30 Aug 1878
Registered: Hobart
Registration year: 1878
Record ID: NAME_INDEXES:1093410
Resource: RGD33/1/12/ no 270
Archives Office Tasmania
https://stors.tas.gov.au/RGD33-1-12$init=RGD33-1-12-P150
ARTHUR BELL'S ADVERTISEMENTS
TRANSCRIPT
£7250 WORTH!Source: Advertising (1878, January 28). Morning Bulletin (Rockhampton, Qld. : 1878 - 1954), p. 1.
7250 POUNDS WORTH !!!
OF
HARDWARE, EARTHENWARE, GLASS,
LEATHER,
And similar class of Goods,
Are now offered for Private Sale by the
undersigned.
In consequence of Large Shipments of above Goods having lately come to hand, our Stock has been increased beyond ordinary requirements. We must therefore clear off a quantity of beautiful. NEW GOODS by RAPID SALE, and will do so at
PRICES HITHERTO UNKNOWN IN ROCK-
HAMPTON.
Squatters, Storekeepers, and the public generally should avail themselves of this opportunity, and send all their orders to us quickly.
PIANOS, HARMONIUMS, BEDSTEADS,
STOVES, CUTLERY, & GENERAL FURITURE, offering now at SYDNEY
PRICES—
FOR THE GOODS MUST BE SOLD !
ARTHUR BELL & CO.,
HARDWARE IMPORTERS,
ROCKHAMPTON.
Link: https://nla.gov.au/nla.news-article52396039
Although Arthur Bell was in Hobart on 3rd October, 1878 when he registered the birth of Robert Hudson Bell, he had not yet managed to sell their residence and property at Athelstane Range nor his business, Arthur Bell & Co. Ironmongers, at Rockhampton. Facing insolvency, he advertised the sale of all his stock valued at £7250 on 28 January 1878 and ran advertisements as agent for rubber paint imported from San Francisco from September to December 1878 in the Rockhampton press:
Source: Morning Bulletin (Rockhampton, Qld. : 1878 - 1954), Saturday 21 September 1878, page 2
https://nla.gov.au/nla.news-article51979452
TRANSCRIPT
BEST PAINT IN THE WORLD
PREMIUMS :
Gold Medal from California State Agricultural Society
Silver Medal from Nevada State Agricultural Society
Bronze Medal from New South Wales Agricultural Society
Gold Medal from Oregon State Agricultural Society
Diplomas from - California State Agricultural Society, 1875; Mechanics' Institute Industrial Fair, 1875; Santa Clara Valley Agricultural Society, 187C; San Joaquin Valley Agricultural Society, 1870; Sonoma and Marin District. Agricultural Society, 1870.
PACIFIC RUBBER PAINT COMPANY,
207, Sacramento-street,
SAN FRANCISCO.
BUZACOTT & ARMSTRONG, Sydney,
Sole Agents for Queensland and N. S. Wales.
Local Agents
ARTHUR BELL & CO.,
Ironmongers
1875: PURCHASE of LAND, MONA Street BATTERY POINT
In 1875, Elizabeth Anne O'Meagher snr acquired sixteen perches on Mona Street near Colville Road, Battery Point, Hobart, which was numbered 1 Mona St. on her death four years later, in 1879. Her daughter Elizabeth Ann Bell nee O'Meagher and husband Arthur Bell, hardware merchant, had relocated from Queensland and were residing with her at Mona Street when their son Robert Hudson was born in August 1878.
O'Meagher, Elizabeth Ann
Record Type: Land
Date:1875
Location: Hobart
Remarks:16 perches
Record ID:NAME_INDEXES:1755311
RGD1/1 Book 78, page 158
https://stors.tas.gov.au/RD1-1-78$init=RD1-1-78P158JPG
1879: DEATH of LIZ O'MEAGHER'S MOTHER
DEATHS.Source: Family Notices (1879, July 14). The Mercury (Hobart, Tas. : 1860 - 1954), p. 1. https://nla.gov.au/nla.news-article8979027
O'MEAGHER - On July 11, at No. 1 Mona-street, Battery Point, Elizabeth Anne, widow of the late Wm. O'Meagher, Esq., H.M. Ordnance, aged 67 years The funeral will leave her late residence THIS DAY, at half past 2 o'clock. 5559
1879: LAST WILL and TESTAMENT of Elizabeth Anne O'MEAGHER snr
Liz O'Meagher's father, William O'Meagher died at their residence in Argyle Street, Hobart on 20th December 1849. He was chief clerk at H. M. Ordnance Stores, New Wharf, Hobart.
Death of William O'MeagherSource: Family Notices (1849, December 20). The Britannia and Trades' Advocate (Hobart Town, Tas. : 1846 - 1851), p. 2.
On Thursday morning, the 13th instant, at his residence Argyle-street. Wm O'Meagher, Esq., of H. M. Ordnance, in the 58th year of his age.
https://nla.gov.au/nla.news-article226531981
Elizabeth Anne O'Meagher snr, wife of William O'Meagher, died thirty years later at the property she purchased in 1875, No. 1, Mona Street Battery Point, Hobart, Tasmania. Her will provided for her two daughters and two sons from probate of £5,150. The codicil added to her will in 1873 requested that another daughter - or daughter-in-law - Elizabeth Frances O'Meagher - be granted an annuity (the codicil below on the second page is almost illegible):
Above: Page 1: O'Meagher, Elizabeth Anne Record Type: Wills
Below: Pages 2 and 3: O'Meagher, Elizabeth Anne Record Type: Wills
O'Meagher, Elizabeth Anne
Record Type: Wills
Year:1879
File number:2226
Record ID:
NAME_INDEXES:1633207
Resource:AD960-1-13
Will Number 2226
Link: https://stors.tas.gov.au/AD960-1-13-2226$init=AD960-1-13-2226_1
View of the River Derwent and Eastern shore, Hobart, from No. 1 Mona Street, Battery Point.
Photo copyright © KLW NFC Group 2014
Liz O'Meagher and Arthur Bell in New Zealand
It seems that Emma Pitt finally did get her wish to re-unite in New Zealand with her friend Elizabeth Ann Bell she knew as Liz O'Meagher. Both women would lead short lives - both were born in 1847, Emma died in 1899 (52 yrs old) and Liz died in 1906 (59 yrs old). Both were born in Tasmania and died in New Zealand: neither reached their 60th birthday.
Liz O'Meagher's husband, Arthur Waite Iredale Bell (1839-1921) and his sister Kezia Mary Bell (1849-1940) were born in Launceston, Tasmania to auctioneer Joseph William Bell (1793-1870) and Georgina Ford (d. NZ, 1909). Kezia Mary Bell and Robert Gardner (1842-1919) were married at New Town, Tasmania in 1868. In 1879, Elizabeth and Arthur Bell left Tasmania to join Arthur's sister Kezia who had moved to Christchurch, NZ, in 1877 with her husband, Arthur Bell's former partner Robert Gardner when their Rockhampton hardware business faced bankruptcy. Georgina Bell moved from Tasmania to New Zealand to join her son Arthur and daughter Kezia, dying there at the grand age of 91 years in April 1909.
Settled at Christchurch, New Zealand, Elizabeth Bell (Liz O'Meagher) and Arthur Bell became parents once more with the birth of their daughter Winifred Kassin Bell (1882-1963) who later married Gardner's son Robert Clifford Gardner (1882-1943) in 1908. Within two years, Arthur Bell had to contend with bankruptcy. On 18th August 1884, he filed a petition in the Supreme Court, Christchurch, NZ to be adjudged a bankrupt but by 1886, he was back in business advertising baby carriages from his shop called Bell's Hardware House, in Victoria Avenue, Wanganui. For the remainder of Elizabeth Bell's life, she lived with her husband and family at Wanganui on the west coast of the New Zealand's north island, north of Wellington, but on one fateful day in November 1906, while residing with her son at Hari Hari near Kawhia where he had established a flax mill, she fell ill during an epidemic of influenza. Robert Hudson Bell, 28 years old, son of Arthur Bell, died of influenza on 20th November 1906, his mother Elizabeth Ann Bell (Liz O'Meagher), 59 years old, wife of Arthur Bell, died the following day, on 21st November 1906.
Deaths of Robert Hudson Bell and Elizabeth Bell
Source:Manawatu Standard, Volume XLI, Issue 8143, 26 November 1906, Page 4
Link: https://paperspast.natlib.govt.nz/newspapers/MS19061126.2.9
BELL - At Hari Hari, Kawhia, on 21st November, Elizabeth Ann Bell, aged 59, wife of Arthur Bell, lately residing at Paiaka; and on 20th November, Robert Hudson Bell, aged 28, son of Arthur Bell.
The local press in early 1906 reported the success of Robert Hudson's flax mill operating as Bell Bros with Ross at Hari Hari. Robert Bell's brother(s) who were his partners were not mentioned:
The flax industry is rapidly extending in the Kawhia district. Mr. Langley's mill at the Pakoka is running long hours, whilst Messrs. Bell Bros, and Ross' mill at Harihari is now working at top. Mr. A. D. Newton has surveyed two mill sites at Marakopa for a wealthy syndicate, which, it is understood, intends putting in plants at an early date. Besides this the virgin area at Nukuhakari is to be sold by the Government, and no doubt mills will be erected there.Source: New Zealand Herald, Volume XLIII, Issue 13081, 22 January 1906, Page 4
Link: https://paperspast.natlib.govt.nz/newspapers/NZH19060122.2.19.4
But by November 1906, reports followed the spread of the epidemic, and then of the deaths of Elizabeth Bell and her son Robert Hudson Bell with brief details of their lives.
A severe epidemic of influenza has lately made its appearance at Harihari. In consequence Messrs Bell Bros, and Ross' flax mill has been closed for a week, no fewer than 10 of the hands being laid up.Source: Kawhia Settler and Raglan Advertiser, Volume IV, Issue 285, 16 November 1906
Link: https://paperspast.natlib.govt.nz/newspapers/KSRA19061116.2.7
KAWHIA.Source: King Country Chronicle, Volume I, Issue 6, 30 November 1906, Page 3
Mr. R. Bell, of the Harihari flaxmill, who was ill with influenza for some time died last week. Mr Bell was highly esteemed in the district, and was a prominent athlete, being captain of the Marokopa Football Club, and an excellent rifle shot. Mrs Bell with the same complaint, passed away on the Wednesday, only surviving her son by a day. The deceased lady only came into the district a short time ago from the Wairarapa, and was greatly esteemed by a large circle of friends.
Link: https://paperspast.natlib.govt.nz/newspapers/KCC19061130.2.13
Father of Robert, husband of Elizabeth, Arthur Bell himself was required to perform the services at the graveside in the absence of available clergymen in the district:
Last week I reported a severe outbreak of influenza at Harihari, and it is with feelings of deepest regret that I have this week to chronicle the death of two highly-esteemed residents of that locality through illness brought on by that complaint, Some two weeks ago Mr. Robert Bell caught influenza and laid up for a, time, but returning to work too soon got relapse, and pneumonia supervening, despite most careful attention the patient succumbed to the attack on Tuesday afternoon, November 20. The deceased was a member of the firm of Messrs. Bell Bros, and Ross, and was a universal favourite with all who knew him. In the sporting arena the late Mr. Bell was prominent, being captain of the Marokopa Football Club and one of the best-rifle shots in the district. Quiet and reserved he was, but genuine and trite, and the sudden cutting off of one so robust and who had led such a clean life , at the early age of 28 came as a sudden blow. Mrs. Bell was by this time so dangerously ill. that the sad news was kept from her, and her position becoming worse Dr. Sanders, of Raglan, was sent for to consult with Dr. Jenkins, but before he could arrive the patient had passed away on Wednesday afternoon. The deceased lady had only removed to this district a few months ago, coming from the Manawata, where she was esteemed by a very large circle of friends. The late Mrs. Bell was 62 years of age at the time of her demise. It was impossible to bring the remains to the Kawhia cemetery, consequently the burials took place at a private cemetery on the homestead. In the absence of a clergyman, the services at the graveside were conducted by Mr. Bell (father and husband). The news of the deaths came as a surprise to residents of this district, and the relatives have the heartfelt sympathy of the whole of the inhabitants.Source: New Zealand Herald, Volume XLIII, Issue 13347, 29 November 1906, Page 7
Link: https://paperspast.natlib.govt.nz/newspapers/NZH19061129.2.94
Once more, the mystery of the cdv
No early photographs to date appear to be extant of any of the women from this Tasmanian branch of the O'Meagher family, with the possible exception of the cdv in question signed by Emma Pitt in 1866, which may or may not be a photograph of Liz O'Meagher. If photographer Woolley's cdv was a photograph of Elizabeth Ann Bell nee O'Meagher, known affectionately to her friend Emma Pitt as Liz O'Meagher, it is indeed a rare family memento, especially so given the circumstances of her death. One question remains: if Emma Pitt actually sent the cdv to her friend Liz O'Meagher in Hobart, Tasmania from Nelson, New Zealand in 1866, why did Liz O'Meagher not take it with her when she left Tasmania to settle permanently in New Zealand with husband Arthur Bell and family in the late 1870s? Did she leave it in Tasmania for her sisters and mother? Or was it returned to her mother and sisters from her New Zealand family in her memory because she died so suddenly with her son Robert in 1906?
The additional mystery which this cdv presents is this: how did it find its way to Melbourne (at DSFB) to be offered for sale in 2021? Provenance, anyone?
Sources: David Gardner Crouch, Canada.
Papers Past (National Library of New Zealand)
Familysearch.org - Bell and Gardner families
ADDENDA 1: Not Liz O'MEAGHER
Is there any comparison between the young woman pictured below - identified as Elizabeth Frances Bell (1847-1930) - and the young woman in the cdv (at top) which Emma Pitt sent her friend dated June 1866? The short answer is no, the young woman with child pictured below was the wife of Frederick George Bell, apparently no relation to the family of either Arthur Bell or Elizabeth Frances O'Meagher.
The photograph below was taken in 1875 of Elizabeth Frances Bell, maiden name unknown. Her death notice listed a number of deceased children:
BELL.—On the 4th July, 1930, at the residence of her son (Mr. J. H. Bell), 44 Leveson street, North Melbourne, Elizabeth Frances, widow of the late Frederick George Bell, mother of Frederick, Samuel (deceased), Elizabeth (deceased), John, Ross (deceased), Flora (deceased), William (deceased), Annie (deceased), Robert (deceased), Albert (deceased), and Victor, aged 83 years, resident of North Melbourne 76 years.Source: Argus (Melbourne, Vic. : 1848 - 1957), Monday 7 July 1930, page 1
Elizabeth Frances Bell (1847-1930) & and Frederick George Bell ca. 1875
Wife of Frederick George Bell (d. 1910, North Melbourne)
Photographer: Stewart and Co. Melbourne, ca. 1875
Part of: Sub-collection: North Melbourne and West Melbourne (Victoria)
https://www.picturevictoria.vic.gov.au/site/melbourne/NorthMelbourne/20214.html
https://www.picturevictoria.vic.gov.au/site/melbourne/NorthMelbourne/20210.html
ADDENDA 2: The sinking of SS Gothenburg 1875
The SS Gothenburg was a steamship that operated along the British and then later the Australian and New Zealand coastlines. In February 1875, Gothenburg left Darwin, Australia and while en route to Adelaide it encountered a cyclone-strength storm off the north Queensland coast. The ship was wrecked on the Great Barrier Reef north-west of Holbourne Island on 24 February 1875. Survivors in one of the lifeboats were rescued two days later by Leichhardt, while the occupants of two other lifeboats that managed to reach Holbourne Island were rescued several days later. Twenty-two men survived, while between 98 and 112 others died, including a number of high-profile civil servants and dignitaries...
Captain R. G. A. Pearce, 20 March 1875
La Trobe Picture Collection, State Library of Victoria
Source: https://en.wikipedia.org/wiki/SS_Gothenburg
Much like the infamous Titanic, Gothenburg’s last trip focused on making the best possible speed under renowned Captain Robert Pearce but, this story also has a notorious twist – stashed away in the Captain’s cabin was approximately 93 kilograms of gold valued at £40,000 (approximately £4,645,891 in 2020).Source: https://blog.qm.qld.gov.au/2021/01/13/ss-gothenburg-a-haunting-watery-grave/
On 24th February 1875, as Gothenburg steamed south down the Queensland coast, it encountered cyclonic weather conditions. At 7pm, Gothenburg struck the southern edge of Detached Reef approximately 131km southeast of Townsville.
From the Archives, 1875: The Gothenburg sinks off Queensland killing 102
First published in The Age on March 4, 1875
WRECK OF THE STEAMER GOTHENBURG ONE HUNDRED AND SEVENTEEN PASSENGERS AND CREW MISSINGSource: https://www.brisbanetimes.com.au/national/queensland/from-the-archives-1875-the-gothenburg-sinks-off-queensland-killing-102-20210219-p57417.html
Record Title: Ship Gothenburg in the graving dock at Port Chalmers
Tiaki IRN:215787
Tiaki Reference Number: 1/2-014530-G
Collection: PA-Group-00198: De Maus, David Alexander, 1847-1925:Shipping negatives
Coverage: 1872
Description: The ship "Gothenburg" in the Port Chalmers graving dock. Part of Port Chalmers township visible behind the graving dock. Photographed between 1872 when the graving dock came into use, and 1875 when the "Gothenburg" was wrecked off Queensland. Photograph taken by David Alexander De Maus.
National Library of New Zealand
https://tiaki.natlib.govt.nz/#details=ecatalogue.215787
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