Tuesday, November 14, 2017

Treasures passed down from Captain Edward Goldsmith and Captain James Day

AXUP Family
NEVIN Family
COLLECTABLES & MEMORABILIA



Portrait of a merchant naval captain with Chinese landscape
Artist: George Chinnery (1774-1852)
National Maritime Museum, Greenwich, London.Ref: BHC3169

In recent years, a connection was made between two descendants of the two daughters of master mariner Captain James Day (Yorkshire, 1806 - Hobart, 1882) and his wife Rachel Pocock (London ca. 1812 - Hobart, 1857), sister of Zachary Pearce Pocock (1816-1895), physician, surgeon and Customs Officer at Hobart in the 1840s.

Captain James Day and Rachel Pocock married at St David’s Church, Hobart on January 6th, 1841, witnessed by James Day's brother-in-law, master mariner Captain Edward Goldsmith (Chalk, Kent 1804 - Higham, Kent, 1869). Edward Goldsmith had married James Day's sister Elizabeth Day (Yorkshire, 1802 - London, 1875) at Liverpool (UK) in 1829.

Elizabeth Rachel Day, the eldest daughter of Captain James Day and Rachel Day nee Pocock, was born at Rotherhithe, London (UK), on 26th March 1847 and christened at St Mary’s, Rotherhithe (the Mayflower Church) on 28th April 1847. Their second daughter, Mary Sophia Day, was born on 9th March 1853 at Hobart, Tasmania. She was unnamed at birth and registered initially as Sophia Mary Day on April 11th, 1853.

Elizabeth Rachel Day married photographer Thomas James Nevin on 12th July, 1871 and Mary Sophia Day married harbour pilot, chief officer and leading tower assistant at George Town, Tasmania, Hector Charles James Horatio Axup on 1st May, 1878. Both marriages were conducted at the Wesleyan Chapel, Kangaroo Valley (now Lenah Valley) where Thomas Nevin's father John Nevin snr of the Royal Scots First Regiment had built a house in the early 1850s next to the Lady Franklin Museum, on land in trust to the Wesleyan Church. Both daughters of Captain James Day were named as legatees by their uncle Captain Edward Goldsmith to his will of 1869.

Mary Sophia Axup nee Day died in Melbourne on 18th June 1941, aged 89 years. Elizabeth Rachel Nevin nee Day, her elder sister by five years who married photographer Thomas J. Nevin in 1871, died in Hobart on 29 June, 1914, aged just 67 years.

Their two descendants - a great grand daughter of Elizabeth Rachel Nevin who lives in Australia, and a great grandson of Mary Sophia Axup who lives in Germany - discovered they each had in their possession almost identical vases carved from soapstone, passed down from their respective great grandmothers who in turn probably received them as gifts from their well-travelled father Captain James Day and uncle Captain Edward Goldsmith. Neither descendant knew of the other's existence until the mid 2000s when these weblogs on the life and work of photographer Thomas J. Nevin first appeared.

The Two Soapstone "Vases"
To contemporary Western eyes, each of these two carved ornaments might look like 19th century funerary artefacts, flower vases for example, which were customarily placed on the graves of the dearly departed. To the Sinophile, however, they are more likely to be brush washers used by a calligrapher or a watercolourist. Each appears to have a narrow pot and a wider one carved deep into the interior of the chunk of stone, where the narrow one might have held the brushes, and the wider pot the water to wash them. The age of these two "vases" - assuming their provenance goes back as gifts to the two daughters of Captain James Day in the 1860s-1870s - is at least 150 years old, and perhaps much older. If they were gifted as a pair of brush washers, why would they be deemed appropriate for these two young sisters? The answer now seems quite obvious: the Day sisters were the colourists working in Thomas J. Nevin's studio at 140 Elizabeth Street, Hobart from the late 1860s when Elizabeth Rachel Day became Thomas J. Nevin's fiancée. On marriage in July 1871, they moved into the residence adjacent to the studio. Several portraits and landscapes produced by Nevin's studio from 1868 onwards were coloured, some expertly, others ineptly by family members of purchasers. This portrait of his fiancée Elizabeth Rachel Day ca. 1868 is delicately tinted with yellow. She may have even applied the colouring to the portrait herself.



Elizabeth Rachel Day ca.1867-8
Photographer: Thomas J. Nevin.
Verso stamped with the Nevin & Smith label, 140 Elizabeth St. Hobart Town
Hand-tinted vignette with yellow on brooch and earrings
Copyright © KLW NFC Private Collection 2005

THE NEVIN VASE/BRUSH WASHER
This beautifully carved soapstone vase/brush washer depicting a tranquil mountain landscape was passed down from Elizabeth Rachel Nevin nee Day to her eldest daughter May Nevin, who died in Hobart in 1955. From May's estate it was passed on to her youngest brother Albert Nevin, who also died in 1955. It was then passed on from Albert Nevin's wife Emily Nevin nee Davis who died in 1971. From her estate it was passed on to one of Albert and Emily's daughters, who passed it on to her daughter - the present owner and great grand daughter of the original owner, Elizabeth Rachel Day.



19th century China trade soapstone vase/brush washer
Original collection of Elizabeth Rachel Nevin nee Day (1847-1914)
Photography and vase copyright © KLW NFC Imprint Private Collection.
NB: These images are watermarked 2015.



Back of 19th century China trade soapstone vase/brush washer
Original collection of Elizabeth Rachel Nevin nee Day (1847-1914)
Photography and vase copyright © KLW NFC Imprint Private Collection.
NB: These images are watermarked 2015.



View from top of the two separate waterproof pots
Original collection of Elizabeth Rachel Nevin nee Day (1847-1914)

Photography and vase copyright © KLW NFC Imprint Private Collection.
NB: These images are watermarked 2015.

THE AXUP VASE/BRUSH WASHER
Mary Sophia Axup's soapstone vase/brush washer was handed down to her daughter Eva Axup and Eva's husband the Rev. Percy Baldwin, who in turn passed it onto their daughter, mother of John Davis, the current owner and great grandson of Mary Sophia Axup nee Day. He has it sitting on his bookshelf in Germany, just as the other one is sitting on a bookshelf in Australia.

Mary Sophia's vase/brush washer was carved from a smaller chunk of stone than her sister's. Each is unique though similar in conception and execution. The motifs are identical, although the watchtower/pagoda at top right on the larger vase is missing on this smaller one. Both feature hanging willows, trees in blossom, shady bamboo, tea houses perched precariously on paths at the edge of steep cliffs, a cloudy sky, and two separate self-contained pots carved deep into the chunk of stone, leaving the centre void except for the lattice between them. This stone is also light grey overall, but unlike the larger vase which has streaks of pink and dark grey, this one is shot through with pink and bright blue streaks which the carver expertly used to fashion into the theme's motifs as the edges of paths, the tops of trees, and clouds.



19th century China trade soapstone vase/brush washer
Original collection of Mary Sophia Axup nee Day (1853-1941)
Photography and vase © John Davis Private Collection 2017
Copyright © KLW NFC Imprint 2017



Back of 19th century China trade soapstone vase/brush washer
Original collection of Mary Sophia Axup nee Day (1853-1941)
Photography and vase © John Davis Private Collection 2017
Copyright © KLW NFC Imprint 2017

Source of the Vases/Brush Washers
It is entirely possible that these two vases, which look similar enough to be a larger male and smaller female version (or vice versa) of a traditional model and style, were created in the same region and by the same carver(s). The chunk of soapstone from which each one has been carved differs in size and the patterns of colour, but the motifs are essentially the same.

The type of soapstone would be appear to be Qingtian rather than Shoushan stone, described here in connection with the making of stone seals:
Qingtian Stone (青田石)
Qingtian stones are another well-known type of material for seal-making and stone carving. They originate from northern Wenzhou (温州), Zhejiang (浙江) province of China. Of these, the creme de la creme would have to be the “Lamplight frosted” (灯光冻) stone, a rare treasure that many collectors desire to own. Considered to be more rare than the Tianghuang, it has been said that a piece of this stone was fair exchange for a villa! Even amongst stone enthusiasts, few would have had a glimpse of this fine stone, which only serves to add to its mystique.
Other examples of Qingtian stones include: Longdan (龙蛋), Fengmenqing (封门青), Yeluqing (叶绿青), Huangjingyao (黄金耀), Zhiluolan (紫罗兰) and Jiabandong (夹板冻). These stones are valuable because they can hardly be found even at their original mining site nowadays....
Shoushan Stone (寿山石)
Shoushan stones are mined from Shoushan (寿山), Fuzhou (福州), in the Fujian (福建) province of China, and are choice materials for seal stones and for stone carving. Amongst them, the Tianhuang (田黄) stone [yellow] is widely acknowledged as the “Emperor of Stones”, and is very much sought after by collectors.
Regarding this, there is an old saying in China: “1 ounce Tianhuang, 3 ounces Gold” (一两田黄三两金). Even now, although gold prices are high, Tianhuang prices remain exorbitantly more so. As of 2011, the price for select Tianhuang was RMB 10,000 per gramme, or approximately 35 times that of gold. This far exceeds the proverbial 3 times (or even 10 times for that matter), attesting to its value as a high return investment item.
Other valuable types of Shoushan stones include the Lychee Frosted (荔枝冻), Duling stone (杜陵石), Frosted stone (坑头冻) and the Lotus stone (芙蓉). Whether for use as a seal or for stone carving, so long as the stones are of good quality and possess fine form, their value is almost guaranteed due to the diminishing supply of quality stone materials.
Source: http://www.chinese-art.co/1029/chinese-seal-stones-a-brief-introduction/
COPYRIGHT © 2013–2017 YUPPY WORLD LLP. ALL RIGHTS RESERVED

Who originally gave these vases/brush washers to Elizabeth Rachel Nevin nee Day and Mary Sophia Axup nee Day, the daughters of Captain James Day? They look bespoke, as if made on the spot rather than factory-made to a commercial template. Were they carved for Captain James Day over a few hours during a sojourn ashore at a port in the Asian Pacific when he was Navigator and First Mate on board merchant ships commanded by his brother-in-law Captain Edward Goldsmith in the 1830s-1840s? Or did Mrs Captain Goldsmith - as she was known when supplying merchants in Hobart with the latest London fashions - did she, their aunt Elizabeth Goldsmith nee Day, bequeath the two vases to her nieces AND the two volumes (below) inscribed with her son's name to her niece Mary Sophia? She may have requested them to be sent to Tasmania from her own estate when she died in 1875 (she was buried at Chalk Church, Kent with her husband, Captain Edward Goldsmith and her son Edward jnr). Or, she may have sent them as compensation for the failed suit in Chancery in 1871 over Captain Edward Goldsmith's will which Mary Sophia Day contested as a named legatee and unmarried niece. Because Mary Sophia was under 21 years old, and not yet married to Captain Axup (that was in 1878), she was eligible to contest the will, but her elder sister Elizabeth Rachel Nevin nee Day was already married to photographer Thomas J. Nevin by July 1871, and deemed therefore ineligible for further allowances from Captain Goldsmith's estate, although he had stipulated the two nieces benefit from the use or sale of eleven cottages in Vicarage Row, Higham, Kent.

Then again, these vases/ brush washers may have been purchased from local traders in Hobart such as Thomas Westbrook. The popularity of Chinese soapstone as a cheaper alternative to jade and ivory was well established by the 1870s when importers brought substantial shipments into the colonies from ports such as Foo-chow-foo (Fuzhou (福州, capital of Fujian (福建) province) on regular traders - on this one, the Nautilus, for example:



Source: The Mercury (Hobart, Tas. : 1860 - 1954) Mon 25 Jan 1875 Page 4 Advertising

TRANSCRIPT
TUESDAY, 26th January
An Assortment of Chinese Curiosities
THOMAS WESTBROOK
Will sell, at the Exchange Mart, on TUESDAY next, 26th inst., at 11 o'clock
A QUANTITY OF CARVED IVORY and SOAPSTONE ORNAMENTS, just arrived ex "Nautilus", comprising pagodas, paper knives, chessmen, card baskets, paper weights, tea service, vases, &c., &c.
Terms as usual.
The Nautilus followed a regular trade route to Foo-chow-foo, now Fuzhou in the Fujian province of China, where the Shoushan stones are mined from Shoushan (寿山) mountain. However, the two vases/brush washers which have come down through the Axup and Nevin families appear to be carved from Qintiang stone rather Shoushan. Qingtian (Chinese: 青田; pinyin: Qīngtián; literally: "azure field"), is a county in southeastern Zhejiang Province, formerly in the county of Wenzhou (Chinese: 温州), south of Shanghai.



Source: Ovens and Murray Advertiser (Beechworth, Vic. : 1855 - 1918) Sat 25 Sep 1875 Page 4 SHIPPING INTELLIGENCE.

The Edward Goldsmith Books
Another source of puzzlement is the provenance of two tomes - Mirror of Amusement (1812) and The Youth's Cabinet (n.d.) - which were passed down from the Goldsmith family to Mary Sophia Axup nee Day, and remain the exclusive possession of her great grandson resident in Germany.

The inscriptions on the inside covers of these two volumes have raised questions as to the significance of the dates - "June 10th, 1827" or is it "June 10th, 1847" inscribed on the inside leaf of Mirror of Amusement, and "29th December, 1847" and "1853, March" inscribed inside the cover of The Youth's Cabinet?. Why does the date "1847"appear together with the date "1853, March" inside the same volume - the latter two dates being the birth dates of Captain Goldsmith's nieces: Elizabeth Rachel Day at Rotherhithe in 1847 and Mary Sophia Day at Hobart in March, 1853?

Questions arise too as to which Edward Goldsmith was gifted the volume titled MIRROR of AMUSEMENT, and the identity of "his grandmother", the donor who inscribed the dedication. Was it a present originally given to Captain Edward Goldsmith when he was a young man? If so, that date - obscured by fuzziness and faded ink - would be 1827 instead of 1847. The identity of the "grandmother" whose name appears on the inside cover of the MIRROR of AMUSEMENT might then have been Captain Goldsmith's own grandmother, his mother's mother, or indeed, his father's mother. In 1827, he was 23 years old, born in 1804 at Chalk, Kent, according to his Trinity House master mariner registration. Two years later, in 1829 when he married Elizabeth Day at Liverpool (UK), his address was registered as Rotherhithe. If the date is "1827" his grandmother in this inscription could have been the mother of his father Richard Goldsmith snr  (Richard snr was born in Chalk, 1769 to parents Mary and Abraham Goldsmith), or she could have been the mother of his mother Mary Whetland, (born to Willim and Debere Witland in 1768 at Chalk), his father Richard's first wife. She might also have been the mother of Edward's father's second wife Harriet Parrock, or even of his third, Anne Tolhurst.

Given the other volume, The Youth's Cabinet, is inscribed with the dates "1847" and "1853", it would seem more logical to assume that the date here is also"1847" and that the two volumes belonged to Edward Goldsmith jnr (b. 1836) who would have been 13 years old in 1847, and 17 years old by 1853. The identity of the "grandmother" whose name appears on the inside cover of the MIRROR of AMUSEMENT would then be his mother's mother (his mother Elizabeth Goldsmith nee Day, was b. 1802 at York) or his father's mother (his father Richard was born in 1769 at Chalk to Mary and Abraham Goldsmith). If the latter, questions have emerged as to the first, second and third marriages of the Captain's father, Richard Goldsmith snr,, and therefore Edward jnr's grandparents. Was this "grandmother" living with the Days or the Goldsmiths at Rotherhithe when his cousin Elizabeth Rachel Day was born there in 1847 to Captain James Day's wife, Rachel Day nee Pocock?

Contents: MIRROR of AMUSEMENT
Mirror Of Amusement '1812' edition contained the following novellas:
The Vicar of Wakefield, by Oliver Goldsmith
The Old English Baron by Clara Reeve
The Adventures of Sir Launcelot Greeves by Dr Smollett

Published by Nuttall, Fisher & Dixon, 1812
Read the full Harvard digital edition here at Babel Hathitrust

Oliver Goldsmith (10 November 1728 – 4 April 1774) was an Irish novelist, playwright and poet, who is best known for his novel The Vicar of Wakefield (1766), his pastoral poem The Deserted Village (1770), and his plays The Good-Natur'd Man (1768) and She Stoops to Conquer (1771, first performed in 1773). He is thought to have written the classic children's tale The History of Little Goody Two-Shoes (1765). Read more at Wikipedia.

Clara Reeve (23 January 1729 – 3 December 1807) was an English novelist, best known for her Gothic novel The Old English Baron (1777).[1] She also wrote an innovative history of prose fiction, The Progress of Romance (1785).Read more at Wikipedia.

Tobias George Smollett (19 March 1721 – 17 September 1771) was a Scottish poet and author. He was best known for his picaresque novels, such as The Adventures of Roderick Random (1748) and The Adventures of Peregrine Pickle (1751), which influenced later novelists such as Charles Dickens. Read more at Wikipedia.

The three novellas published in the MIRROR of AMUSEMENT (1812) by Oliver Goldsmith ( a distant albeit long deceased Irish relation? ), Clara Reeve and Dr. Smollett were regarded as essential reading for young minds in the early years of Queen Victoria's reign.





Photos copyright © John Davis Private Collection March 2017

Inscription on inside cover:
"Mr. Edward Goldsmith, Esq
From his Grandmother
June 10th, 1847 [?]
Rotherhithe
London"
Edward Goldsmith jnr was born at Rotherhithe (London, UK) on the 12th December 1836 to Captain Edward Goldsmith and his wife Elizabeth Goldsmith nee Day, and died a premature death at Rochester (UK) on the 8th May, 1883. He was the second son and the only surviving son after the death of his older brother Richard Sydney Goldsmith (1830-1854) from fever in Hobart, Tasmania.

In 1847 Edward Goldsmith jnr b. 1836 in theory would have had two grandmothers: his mother's mother, and his father's mother, that is, if "Grandmother" had the meaning we use today. His mother's mother - mother of Mrs Elizabeth Goldsmith nee Day and her brother Captain James Day - might have been alive and living in Surrey in the Parish of Rotherhithe in 1847 and 1853. The UK census of June 1841 listed Captain Edward Goldsmith's wife Elizabeth and their four year old son Edward as residents of Surrey Place Rotherhithe with her servant Betsy Parryman, among several other members of the household, but not her husband. Though she sometimes sailed with her husband to the colonies, she had not accompanied Captain Goldsmith on his voyage to the Australian colonies after the death of their new-born son James Bentley the previous year. On the night of the UK census, 7th June 1841, Captain Goldsmith was six weeks out from London in command of the Wave, having departed Hobart on 14th March, arriving back in London on July 22nd, 1841 which is why his name was not recorded along those of his wife's and son's.

A comparison of the hand-written inscriptions inside the books' covers with the signatures written by Captain Edward Goldsmith himself on Customs cockets in 1846 and 1850 indicates fairly conclusively that the books' inscriptions were not written by him. His signature on these cockets includes an extra curl inside the "E" of Edward, a thin single downstroke for the "G" of Goldsmith, and elision of the "o" in Goldsmith.

SIGNATURES of CAPTAIN EDWARD GOLDSMITH
The signatures and inscriptions on the inside covers of these two volumes differ in several key points from Captain Edward Goldsmith's signature in his declaration on the cockets of goods landed at Hobart for the maiden voyage of the Rattler, 13th November, 1846 (CUS36/1/442, Image 50,) and the arrival of the Rattler in Hobart in December 1850 (CUS36/1/442 Image 203). Advertisements by local merchants of goods landed from the Rattler at Hobart in November 1847, again with Captain Edward Goldsmith in command, included a large consignment of books for Walch's, but it seems clear that he arrived at Hobart without his family on board.

1846:



Detail of below: Captain Edward Goldsmith's signature November 13th, 1846



Goods landed, consignees' names, signed Edwd Goldsmith per Rattler
Hobart, 13th November 1846
Archives Office Tasmania
Item Number: CUS36/1/442 Image 50
View this record online

1847:
When Captain Edward Goldsmith arrived at Hobart in command of the barque Rattler on November 11, 1847, his wife Elizabeth Day and his sons Richard Sydney Goldsmith and Edward Goldsmith jnr were not on board. The only passengers were three adults - Colonel Kelsall and Mr and Mrs Reazon with a child, presumably their own. Colonel Roger Kelsall R.E. had sold his commission two years earlier, in 1845. He was responsible for works at the church at Port Arthur (1836); the guard house at George Town (1838); the barracks at Port Arthur (1840); the barracks on Maria Island, and the convict hospital (1842). His return to VDL was short lived: he retired to a grazing property in Victoria and died there in 1861.
November 11 -Arrived the barque Rattler,
Goldsmith master, from London 13th July, with
a general cargo. Passengers-Colonel Kelsall,
R.E., Mr. and Mrs. Reazon and child. Nathan,
Moses, & Co., Agents.
Source: Colonial Times 12th Nov 1847

This additional shipping notice appeared the next day in the Courier about the Rattler's voyage (make what you can of the lat. and long. locations!):



Source: The Courier (Hobart, Tas. : 1840 - 1859) Sat 13 Nov 1847 Page 2 SHIPPING NEWS.

TRANSCRIPT (limited OCR legibility of degrees)
The Rattler, Goldsmith, has been 120 days upon the passage; she has not spoken any vessel belonging to these colonies. On the 10th October, in 38 o 39 south lat., 48 o 36 east long., she spoke the brig Grace Darling, from London to Singapore; no date.
Whoever the grandmother was, whether Captain Edward Goldsmith's grandmother, or indeed his own mother, who would therefore be grandmother to his son Edward jnr, or indeed his wife Elizabeth Day's mother, the fact that the book titled MIRROR of AMUSEMENT was signed on 10th June 1847 just a few weeks before the Rattler left London Docks on 13th July for Hobart, suggests it was a gift prepared in advance for her grandson on the Rattler's departure. The date "June 10th" is significant in that it was Captain James Day's birthday, brother of Captain Mrs Elizabeth Goldsmith, to use the name by which she was known in Van Diemen's Land (Tasmania) on her first visits with her husband.

The MIRROR of AMUSEMENT may have been pre-selected by Edward Goldsmith jnr's grandmother from shipping agent Mr. H. Stephens' consignment of books, inks and stationery loaded at London on this voyage of the Rattler for Walch's in Hobart. She wrote her dedication to her grandson on the inside fly leaf and gave it to his father Captain Edward Goldsmith for safe-keeping on the voyage. The day after the Rattler arrived at Hobart, I. W. H. Walch, advertised in the Courier, 13 November 1847 that he had received at his Book and Fancy Stationery Warehouse at Wellington Bridge a very large consignment of books, stationery, etc for sale as well as "writing fluids" per the Rattler. The hundreds of titles included books on history (several by Oliver Goldsmith), botany, economics, gardening, books suitable for children's prizes, 5 to 14 years old, geography, religion, heraldry, medical jurisprudence, dictionaries, French, Latin and Greek grammars, biographies, magazines, The Illustrated London News etc etc, as well as stationery for ships' logs and cargo.

Top billing in Walch's advertisement of the arrival of a large consignment of books and titles ex Rattler (Courier, Sat 13 Nov 1847 Page 3) was the arrival of -
A PAIR of EIGHTEEN-INCH GLOBES, corrected to June 1847, on chair-high stands, with COMPASSES, and Leather Covers.



Walch's probably received a pair of globes identical to this pair. The compasses are set into the lower tier. The current seller 1stdibs provides this information:
Pair of Library Globes by Smith & Son, $247,674.17AUD

A Fine Pair of Eighteen Inch Library Globes, by Smith & Son, Comprising a Terrestrial and Celestial Globe. Both globes with engraved brass hour dial and stamped meridian ring, the globe divided into four quadrants, with hand coloured horizon paper showing degrees of amplitude and azimuth, compass directions, days of the month and houses of the zodiac, mounted on a mahogany library stand, with the horizon raised on three tapering square section legs terminating in castors, the stand with a lower tier containing a mahogany cased compass with blue steel needle.

The terrestrial globe made up of two sets of twenty four hand coloured engraved gores, the cartouche reading ‘Smith’s Terrestrial Globe, London, Smith & Son, 63 Charing Cross’, the equator graduated in degrees of amplitude and azimuth and in hours and minutes, the colures and Greenwich meridian graduated in degrees, the ecliptic graduated in degrees with sigils for the houses of the zodiac, the continents finely detailed with nations, towns, rivers and mountains, the oceans with an analemma and decorated with finely detailed tracks of Columbus, Cook, La Perouse, Vancouver, Clerke, Gore, Ross and Furneaus, noting dates and location of rocks, with whimsical notes such as ‘Sea Weeds & Birds seen’, as well as detailed ocean tracks for generally used sailing paths between ports.

The celestial globe made up of two sets of twenty four hand coloured engraved gores laid to the ecliptic poles, the cartouche reading ‘Smith’s Celestial Globe, Smith & Son, 63 Charing Cross’, the axis through the celestial poles, the equator graduated in degrees, hours and minutes, the colours graduated in degrees, the ecliptic graduated in degrees with sigils for the houses of the zodiac, and in days of the month, with twilight zone, the constellations depicting mythical beasts and figures and scientific instruments, with the stars shown to nine orders of magnitude, with nebulae, and labelled with Arabic numerals and Greek and Roman characters, some of which are named.

The brass meridian support engraved:

‘Instruments de Science et de Geographie importes par Biennais fournisseur Service du Ministre de la Marine’.

London, Circa 1850.

Smith & Son
The Smith family of London globe makers, founded in 1799, produced a variety of floor and table models of globes throughout the 19th century. Charles Smith was joined in business by his son in 1845.
The complete list of consignees and goods landed at Hobart from the Rattler was published in the Courier (Hobart), Sat 20th November, Shipping News page 2. Walch's advertised the library globes as header of this advertisement (below):




EXCERPT
SCHOOL BOOKS.
ENGLISH.
Murray's Grammar, 2 vols., 8vo.
Murray's Grammar, l2mo. and abridged
Murray's Reader
Murray's Spelling Book
Goldsmith's Grammar of Geography
Findlay's Atlas
C. Lambor's Atlas
Pinnock's improved Goldsmith's England...
Pinnock's Improved Goldsmith's Greece
ditto ditto ditto Rome [etc etc]
Books etc consigned to Walch's warehouse ex" Rattler" Goldsmith, master.
Source: The Courier (Hobart, Tas. : 1840 - 1859) Sat 13 Nov 1847 Page 3 Display Advertising

1850:



Detail of below, Captain Edward Goldsmith's signature, 26 December 1850
Crew and passengers arriving Hobart per Rattler 550 tons
Archives Office Tasmania: CUS36/1/442 Image 203



Rattler crew and passengers arrivals Dec. 1850
Source:Archives Office of Tasmania
Cargo, Passenger and Crew Lists
Customs Dept: CUS36/1/442 Image 203

The Youth's Cabinet
Two names and dates are inscribed on the inside cover and fly:
The inscription on the right reads" Edward Goldsmith December 29th 1847".
The name and date on the left inside cover looks like "O Goldsmith 1853 March".



This London edition was titled The Youth's Cabinet, Pledge of Affection with Fine Engravings. The name of the publisher and date of publication are not clear enough to determine. The book itself appears to be somewhat rare: Google Books has no record of a London edition with this exact title, while the American editions are numerous.



Contents of this London edition of The Youth's Cabinet:


Youth's Cabinet (London edition)
Copyright © John Davis Private Collection March 2017

This London edition of Youth's Cabinet contained instructive tales about affection, moral fortitude, adventure and history for boys, etc, e.g.
19. A Letter to a Young Lady
43. The First Roman Emperor
155. Conduct the Test of Character
The American Editions were published in New York:
New Title: Parley's magazine.
Merry's museum.
Previous Title:Youth's cabinet.
Other Authors: Woodworth, Francis C. 1812-1859
Language(s): English
Published: New York : D.A. Woodworth.
Note: Added title page engraved.
Physical Description: 20 v. : illus., ports. ; 20 cm.
Read the New York edition; Harvard digital edition here

In December 1847 when either Edward Goldsmith jnr or someone else wrote Edward's name and the date December 29th 1847 inside the YOUTH'S CABINET volume, he had turned eleven years old, attending school. But where? Was it the Amicable School at Rotherhithe, established by wealthy sea captains, or was it in Hobart? The Goldsmiths' eldest son Richard Sydney Goldsmith (1830-1854) attended Hutchins School in Hobart, and took a job at the Union Bank until his death in Hobart from fever in 1854. The Goldsmiths' Hobart residence was at 19 Davey St. opposite the St. David's Cemetery. They were not colonists and Captain Goldsmith, at sea for eight months of the year, was rarely there. The family pub at Rotherhithe was his London base, and Gad's Hill House, in the village of Higham, Kent his country home. Edward Goldsmith jnr's grandfather on his father's side, Richard Goldsmith snr died a widower at Rotherhithe in 1839. Grandfather Richard was born at Chalk, Kent, served on the Aboukir, was pensioned out, bought two pubs, the China Hall in the Old Deptford Road and the Ship on Launch (known as the Victoria) opposite the Brunel Tunnel at Rotherhithe, and was buried at the Mayflower Church, St Mary's Rotherhithe where Edward Goldsmith junior was baptised in 1836 and where his cousin Elizabeth Rachel Day was baptised in 1847.

Richard Goldsmith snr - Captain Goldsmith's father - must have had two or maybe even three families: one family from his marriage at Chalk, Kent, when several children were born before 1804, and then several more born after 1804, and perhaps Captain Goldsmith was either born in 1804 and his exhausted mother died in childbirth (Richard's first wife) , or he was born to the second Mrs Richard Goldsmith in 1804. No one has turned up his birth records for Chalk, whereas his siblings' birth records are easy to find. Captain Edward Goldsmith and his siblings are listed in his father Richard Goldsmith's will: click here to read the original will (with difficulty, no doubt, due to the Italic script).

All this means, in a nutshell, is that on THE YOUTH'S CABINET inside cover, the second name "O [?] Goldsmith" and the date "1853, March"- could be the name of a child of one of many of Captain Goldsmith's siblings - a cousin of Edward Jnr. The problem is that these dates have huge relevance as birth years of the nieces of Captain Edward Goldsmith, daughters of his wife's brother Captain James Day and Rachel Pocock. Those are dates when these sisters were born: Elizabeth Rachel Day at Rotherhithe in 1847 and Mary Sophia Day at Hobart in March 1853, dates in fact of greatest significance to their aunt Elizabeth Goldsmith nee Day, Edward's mother, because of the imminent death of her brother's wife, Rachel Day nee Pocock, mother of these two young nieces, who died of consumption after a long illness at New Town (Tas) in 1857.

This then is the possible solution to the mystery of why and how these two volumes ended up firstly in Hobart, Tasmania, in the possession of Mary Sophia Axup nee Day, then in Melbourne in possession of her daughter Eva Baldwin nee Axup, and finally in the possession of Mary Sophia's great grandson in Germany, forgotten until recently rediscovered on his bookshelf: Edward Goldsmith jnr gave his uncle Captain James Day the two volumes for his cousin Mary Sophia Day before his permanent departure with his parents Captain Edward Goldsmith and Elizabeth Goldsmith from Tasmania on board the Indian Queen as passengers in February 1856, bound for Liverpool. Mary Sophia Day was a three-year old toddler in 1856, but in 1882 when her father Captain James Day died, he was living with Mary Sophia and her husband Captain Hector Axup at Sloane Street, Battery Point, Hobart. The books passed from her father's estate to hers, and thence to her descendants.

Captain Edward Goldsmith and his wife Elizabeth returned to Gad's Hill House, Higham, Kent in 1856 where their new neighbour, Charles Dickens, had settled at No. 6 Gad's Hill Place. Although both books, The Youth's Cabinet and the Mirror of Amusement which includes Oliver Goldsmith's popular novella ,The Vicar of Wakefield are inscribed ex-libris Edward Goldsmith jnr, these tomes may have originated from the circle of his parent's famous neighbour, Charles Dickens, whose admiration of Oliver Goldsmith exceeded all others. After all, before Edward Goldsmith jnr's premature death in 1883, his income was from several properties inherited from his father's estate which included the house at No. 11 Upper Clarence Place in Rochester where Dickens' mistress Ellen Ternan was born (Dickens first met her in 1857).

The Crimean War Medallion 1855
First cousins and both children of master mariners, Edward Goldsmith jnr (1836-1883) and Elizabeth Rachel Day (1847-1914 ) were both born in London and baptised at St Mary's Church, Rotherhithe, known as the Mayflower Church, one decade apart. Elizabeth Rachel Day arrived in Hobart Tasmania as an infant, where her sister Mary Sophia Day was born on 9th March, 1853, and married professional photographer Thomas J. Nevin at Kangaroo Valley, Hobart on 12 July 1871. Edward Goldsmith jnr made several voyages to Tasmania with his father Captain Edward Goldsmith, attended the Governor's Levee there in 1855, went to Trinity College Cambridge in 1857, married, became a surgeon, managed his father's estates in Kent and died young at Rochester, UK, just 46 yrs old. He may have served briefly at the Crimean War in 1858.

FIRST COUSINS

Edward Goldsmith (b. Rotherhithe 12 December 1836 - d. Rochester UK 8 May 1883)
Father: Captain Edward Goldsmith; mother Elizabeth Day
Spouse: Sarah Jane Goldsmith nee Rivers

Elizabeth Rachel Day (b. Rotherhithe 26 March 1847 - d. Hobart Tasmania 29 June 1914)
Father: Captain James Day; mother Rachael Pocock
Spouse: Thomas James Nevin

Mary Sophia Day (b. Hobart 9th March 1853 - d. Melbourne Victoria 18 June 1941)
Father: Captain James Day; mother Rachael Pocock
Spouse: Hector Charles James Horatio Axup

In 1855, as a young man approaching twenty, Edward accompanied his father Captain Edward Goldsmith to the Governor's Levee in Hobart. But by 1856 he was back in the UK, enrolled at Trinity College where he matriculated at Michaelmas in 1857. He may have joined the Army - there is a listing for Edward Goldsmith in 1858 at the Crimean War - but afterwards studied medicine and became a surgeon. He married Sarah Jane Rivers from Deptford in July 1870.



Alumni cantabrigienses; a biographical list of all known students, graduates and holders of office at the University ... Volume 2, pt.2 ... Pt. 2: From 1752 to 1900. v.

TRANSCRIPT
GOLDSMITH, EDWARD,Adm. pens (age 20) at TRINITY, June 5, 1857. S. of Edward, Capt., of Gadshill, near Rochester, Kent [B. Dec. 12, 1836, at Rotherhithe.] Migrated to Caius, Oct. 5, 1857. Matric. Michs. 1857. Resided one term. Said to have entered the Army; afterwards studied medicine. Married. 'Died somewhat young." (Venn, ii, 338.)
When Tasmanian photographer Thomas Nevin (1842-1923) married Elizabeth Rachel Day (1847-1914) on July 12th, 1871 at the Wesleyan Chapel, Kangaroo Valley, Hobart, they were gifted a medallion issued to commemorate the end of the Crimean War: the Fall of Sebastopol 1855 and the ensuing Treaty of Paris 1856. It might have been their wedding gift (1871) from Elizabeth's first cousin Edward Goldsmith jnr who served briefly at the Crimean War in 1858. It remains in the possession of their great grand daughter in Australia.



Inscription on recto:
"FALL OF SEBASTOPOL SEP 8th 1855"

Photos copyright © KLW NFC 2009 ARR.
Medallion and photos © KLW NFC Private Collection.



Inscription on obverse:
"THE ALLIES GIVE PEACE TO EUROPE MARCH 30th 1856"

Photos copyright © KLW NFC 2009 ARR.
Medallion and photos © KLW NFC Private Collection.

The Photographs ca. 1938
When Captain Hector Axup died in 1927, his nephews Tom and Albert Nevin - the youngest and the eldest sons of photographer Thomas Nevin and Elizabeth Rachel Day respectively - travelled to the north of the island to attend his funeral at the Carr Cemetery, Launceston. Their attendance was noted in the Launceston Examiner's Obituary for Captain Hector Axup of 30th November 1927. The sons and daughters of Thomas and Elizabeth Rachel Nevin nee Day and the sons and daughters of Hector and Mary Sophia Axup nee Day, who spent many of their holidays together at the Nevin family house, 23 Newdegate Street, North Hobart, or at the Low Head Pilot Station, George Town (Tas) where the the Axup family resided, could hardly have hoped that in the first decades of the 21st century, two of their descendants would make contact at opposite ends of the globe, sharing their photographs of their great grandmothers' almost identical soapstone vases/brush washers, and photographs such as these:



From left to right:
Minnie Nevin, born 1884, daughter of Thomas and Elizabeth Nevin
Mary Sophia Axup nee Day, born 1853, sister of Elizabeth Rachel Nevin nee Day
Eva Baldwin nee Axup, born 1878, daughter of Mary Sophia Axup
May Nevin, born 1872, daughter of and Thomas and Elizabeth Nevin

Photograph taken ca. 1938, possibly at the Hobart or Melbourne Railway Station.
A family photograph found in the estate of Eva Morris nee Nevin, eldest daughter of Albert Nevin, brother of the Nevin sisters Minnie and May in this photograph. It may have been taken by Eva Nevin about the time she eloped to Melbourne with her future husband Bert Morris.
Copyright © KLW NFC Private Collections 2009 ARR.



Mary Sophia Axup nee Day with May Nevin on her left in fur (Thomas and Elizabeth Nevin's eldest daughter), and Mary Axup's adult children ca. 1939-1940
Copyright © KLW NFC Private Collections 2009 ARR.

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Sunday, November 5, 2017

Thomas Nevin and the Terpsichoreans, New Norfolk 1867

WORKING MEN'S CLUB
TERPSICHOREANS 1867 New Norfolk and 1868 Rosny
VALLEYFIELD Shoobridge Estate



Title:Photograph - Paddle Steamer, 'Monarch'
ADRI: NS1013/1/238
Source: Archives Office of Tasmania
Series: Photographs and glass plate negatives collected by E R Pretyman (NS1013)

Disambiguation: Charles Nevins and Thomas Nevin+s
Charles Nevins was a miner who operated at the Fingal Gold Fields in north-east Tasmania from 1859 to 1863. See this list of newpapers items (123 articles at Trove tagged Nevins, Charles.. He was no relation to the family of photographer Thomas J. Nevin. However, in the early to mid 1860s, Thomas Nevin designed a studio stamp to advertise his business by adding "s" to his surname, viz. "Thomas Nevins, New Town Tasmania", omitting the inferred possessive apostrophe, which would appear when applied to the full expression, e.g. "Thomas Nevin's Photographic Studio, New Town". This rare example of the stamp is held at the Tasmanian Museum and Art Gallery:



Verso of photograph below:
"Long shadow with guard at the entrance to St John's Avenue, New Town"
Photos recto and verso copyright © KLW NFC Imprint 2014-2015
TMAG Collection Ref: Q1990.22.4



"Long shadow with guard at the entrance to St John's Avenue, New Town"
Photos recto and verso copyright © KLW NFC Imprint 2014-2015
TMAG Collection Ref: Q1990.22.4

Untitled in the Tasmanian Museum and Art Gallery collection, this example by Thomas Nevin of a popular and much photographed vista of the Queen's Orphan School and St John's Church, New Town Tasmania, could be captioned "Long shadow with guard at the entrance to St John's Avenue, New Town". Its uniqueness as an artefact is the very rare studio stamp on the verso.This is the only extant example (to date) of Thomas Nevin's earliest photography which bears the design with the wording "Thomas Nevins New Town Tasmania" set against a ribbon in three flat loops, enfolding a flowering plant, and printed in bright blue ink. Thomas Nevin was barely out of his teens when he took this photograph, still a bachelor, and living with his parents in the house built by his father John Nevin next to the Lady Franklin Museum at Kangaroo Valley (New Town, Hobart, Tasmania.)

The wording on this unique stamp is typical of commercial branding; the prospective client would know from common speech that "Photographic Studio" are the missing words, and no generic apostrophe denoting possession was necessary or even grammatically logical because of the omission, viz. Nevin's (? what?). Comparative usage today goes unnoticed, eg. Myers, Woolworths, Coles, and Harrods, are the founding family surnames of large retailers where both the apostrophe before the "s" and the thing of possession have been dropped. The American department store, Macy's is a notable exception.

The stamp was devised around 1863 at Thomas Nevin's studio in New Town (Hobart) prior to his acquisition of Alfred Bock's stock, studio and glass house at 140 Elizabeth St. Hobart in 1867 when he continued to use Bock's stamp design, modified to include his own name, "T. Nevin" adding "Late A. Bock". During his brief partnership with Robert Smith, 1867-68, he designed another set of labels and stamps, eg. "Nevin & Smith".without an "s" on the end of his name. The stamp designed for work produced after 1867 from his New Town studio also dropped the "s" from his name. That more usual New Town stamp with the wording "Thos Nevin New Town" printed inside a paper scoll appears on the versos of dozens of stereographs taken during his partnership with Samuel Clifford in the late 1860s to the mid 1870s.



Detail of versos below: the scroll design

Thomas Nevin continued to use this later design when he returned to commercial photography at his New Town studio in 1881 after his four years as a civil servant working for the Municipal Police Office as photographer and the Hobart City Corporation as Office and Hall Keeper at the Hobart Town Hall.



New Town Public School
Stereograph by Thomas J. Nevin ca, 1870
TMAG Collection Ref: 16826.27
Taken at the TMAG, 10 Nov. 2014
Photos copyright © KLW NFC 2014 ARR



Verso: New Town Public School
Stereograph by Thomas J. Nevin ca, 1870
TMAG Collection Ref: 16826.27
Photos copyright © KLW NFC 2014 ARR



Hobart from Lime Kiln Hill looking down Harrington Street
Stereograph by Thomas Nevin ca. late 1860s-1870
New Town studio stamp on verso
TMAG Ref: Q1994.56.30



Verso: Tasmanian Museum and Art Gallery Database Ref: Q1994.56.30
Description : Photograph, sepia salt paper stereoscope:
MAKER: Thomas Nevin [photographer];
TITLE: '[Hobart from Lime Kiln Hill looking down Harrington Street; St Mary's, Warwick Street, West Hobart]'
ITEM DATE: 1870s
IMAGE CONTENT: view townscape; .
Size : Mount buff coloured 85 x 173mm Images (2) 73 x 70mm [images rounded at top]
Inscriptions and marks : On back handwritten in pencil: a Pedder and stamped Thos Nevin/ Newtown

So, in July 1867, when Thomas Nevin placed this advertisement in the Tasmanian Times, printed on 20th July, 1867, he was no longer using his business name "Thomas NEVINS New Town", simply "T. NEVIN, New Town" viz:



Source: The Tasmanian Times (Hobart Town, Tas. : 1867 - 1870) Sat 20 Jul 1867 Page 1 Advertising

TRANSCRIPT
PORTRAITS, RESIDENCES, MONUMENTS, Tombstones, Stereoscopic and Album Views, photographed by –
T. NEVIN,
New Town.
N.B.— Album and Stereoscopic Views
on sale at New Town Post Office, where a
Specimen Case can be seen.
However, a few months later, in December 1867, when he accompanied a group of excursionists from the Working Men's Club for an all-day picnic at Shoobridge's estate, New Norfolk, the journalist from the Tasmanian Times reported that "Mr. Nevins [sic] took three photographic views"  of  "football, foot races, kiss in the ring etc. [which]  occupied the young folks for some time in a large paddock near the house".  Having dropped the "s" on the end of "Nevin"  well before 1867, it has appeared again in this report. There was another photographer working in Hobart called Mr. Nevin - Thomas Nevin's younger brother John (William John, known as Jack to the family) Nevin (1852-1891) who was his older brother's novice assistant at the New Town studio, and at the Hobart Gaol, Campbell Street, when John Nevin joined the police force ca. 1875. Because there were two brothers in the business at New Town in the early 1860s, it probably made sense to them that they called the business "Thomas Nevins".

1867 at New Norfolk



Source: Tasmanian Times (Hobart Town, Tas. : 1867 - 1870), Saturday 28 December 1867, page 3

TRANSCRIPT
WORKING MEN'S CLUB EXCURSION TO NEW NORFOLK
Yesterday the steamer Monarch, specially chartered by the Working Men's Club, conveyed between 300 and 400 excursionists to New Norfolk. This was the order of the day. An excellent brass band performed a variety of dance music on the bridge, and a number of indefatigable votaries of Terpsichore tripped it away "on the light fantastic toe" throughout the whole of the upward voyage. New Norfolk was reached by about  ½ past 12. The majority of the excursionists proceeded at once to Valleyfield, the beautiful seat of Mr. Shoobridge, who kindly threw open his grounds to the visitors, and supplied all and sundry with hot new potatoes and green peas fruit and tea. Pic-nic parties were soon formed in all directions under the trees, and everybody seemed thoroughly to enjoy Mr. Shoobridge's genial hospitality. After refreshment the band summoned the company to the hop-room, where dancing was kept up for nearly a couple of hours. After this football, foot races, kiss in the ring etc. occupied the young folks for some time in a large paddock near the house, during which Mr. Nevins [sic] took three photographic views of the animated scene. We regret to state that an accident which might have proved serious, occurred during the day. In descending the wooden steps leading to the hop-room, a lady missed her footing and fell to the ground, some 12 or 15 feet, on her head, receiving several cuts and contusions on the face. The sufferer received every possible attention from Mrs. Shoobridge, and mainly owing, under Providence, to that excellent lady's assistance and succour was enabled to return to town by the steamer. On the homeward voyage, the excursionists were overtaken above Bridgewater by a violent squall of wind and rain, which damped for a time the ardour of their enjoyment. But as soon as the rain ceased, dancing was resumed once more, and "all went merry as a marriage peal." Mr. Henry Dobson, the secretary of the Working Men's Club, was unremitting in his exertions to promote the harmony and hilarity of the excursion; and with the drawbacks just mentioned, the whole trip was a very enjoyable success.
Source: Tasmanian Times (Hobart Town, Tas. : 1867 - 1870), Saturday 28 December 1867, page 3

If this report is at all accurate, these excursionists danced up a storm. They never stopped. They danced on the bridge, accompanied by a brass band, whatever bridge that may have been, and they danced non-stop on board the Monarch steaming its way up the River Derwent until they reached their destination. Once at Shoobridge's, they continued dancing non-stop for hours in the hop room, and then moved out to the paddock where they not only danced, they played a game called "kiss in the ring" [?]. On the homeward journey, aboard the Monarch, their dancing reached fever-pitch - or, as the reporter phrased it, "all went merry as a marriage peal".  The merriment of the New Norfolk excursionists was captured by Thomas Nevin with three photographs, according to the newspaper report, so where are the photographs now? The only extant photograph of dancers identified as Thomas Nevin's  is this one, printed as a stereograph on a buff mount, and labelled verso with the firm's name -
Tasmanian Views from Nevin & Smith Photographers, 140, Elizabeth -St., Hobarton. Stereoscopic, and Album Portraits. Views Photographed.Views of Residence, Tombstones copied, Terms - Cheap!
Unlike another extant photograph (of a house at Kangaroo Valley, New Town) bearing verso the label of Nevin & Smith - where Nevin has crossed out the name "Smith" and written above it "Late" as well as crossing out the "s" on "photographers" - this label has not been amended, so it can be assumed that Smith was still in partnership with Nevin when it was ready for sale and that the photographs - this and the other (missing) two were printed within days of the excursion, in early January 1868. Thomas Nevin's partner Robert Smith left soon after for Goulburn NSW where he opened a studio. Their partnership as Nevin & Smith was dissolved by the Nevin family solicitor, Attorney-General, the Hon. W. R. Giblin on 26th February, 1868.



Stereograph by Nevin & Smith of groups seated and dancing in a circle , 28 December 1867 or  27 May 1868?
Verso label: Tasmanian Views from Nevin & Smith .... plus Tombstones copied, Terms - Cheap!"
Photos recto and verso copyright © KLW NFC Imprint 2014-2015
Tasmanian Museum and Art Gallery,  TMAG Ref: Q1994.56.20.1



Verso: Stereograph by Nevin & Smith of groups seated and dancing in a circle , 28 December 1867 or  27 May 1868?
Verso label: Tasmanian Views from Nevin & Smith .... plus Tombstones copied, Terms - Cheap!"
Photos recto and verso copyright © KLW NFC Imprint 2014-2015
Tasmanian Museum and Art Gallery,  TMAG Ref: Q1994.56.20.1

Perhaps all groups of dancers were called "Terpsichoreans" or was it the same group who danced their way to New Norfolk on 28th December 1867 who also " danced incessantly until about 5 o'clock" at Rosny, across from Hobart on the eastern shore of the River Derwent, to celebrate a public holiday in honour of Queen Victoria's birthday, 28th May, 1868.  Thomas Nevin may have photographed that same group, female members of which wore a dark short top coat over a white dress, while the men wore a striking white hat with a wide brim, floppy crown and black band. During that summer of 1867-1868 he took the first photographs of his fiancée  Elizabeth Rachel Day.




TRANSCRIPT
ROSNY.
A number of people yesterday took advantage of the holiday to pass a few hours at Rosny, where arrangements had been made for their amusement. A race between two skiffs, for £4 a side, took place, and appeared to be watched with considerable interest by the spectators. A brass band which had been engaged discoursed sweet music,  to which the Terpsichoreans danced incessantly until about 5 o'clock, when the steamer made her last trip to Hobart Town. A very pleasant afternoon was spent, the only interruption to the general harmony being caused by the conduct of several young "roughs," who terminated their disgraceful proceedings by a general fight on board the boat.
Source: CELEBRATION OF HER MAJESTY'S BIRTHDAY. (1868, May 28). The Mercury (Hobart, Tas. : 1860 - 1954), p. 2. Retrieved January 24, 2015, from http://nla.gov.au/nla.news-article8852443

ADDENDA



Title:Photograph - Paddle Steamer, 'Monarch'
ADRI: NS1013/1/238
Source: Archives Office of Tasmania
Series: Photographs and glass plate negatives collected by E R Pretyman (NS1013)

NOTES
Lantern slide of the Monarch which was 69 ton iron paddle steamer built in Scotland in 1846. She sailed to Hobart as a schooner with her paddle wheel stored in her hull in 1855. She was soon doing regular runs to New Norfolk as well as pleasure cruises. On one occasion she took a load of residents with picks and spades to Betsey Island after a rumour circulated that gold had been found. In the 1950s her rotting hull was buried when New Town Bay was filled and made into sports grounds (Maritime Museum of Tasmania). 
MONARCH 128 gross tons, 69 net. Lb: 126'8" x 16'. Paddle Steamer built by Barr & McNab West Renfrew, for James Henderson & Alexander McKellar, Glasgow. Propulsion: steam steeple-type 60hp. Engines by Barr & McNab. 1854 Daniel Brown & Thomas Thompson, Hobart. 1856 Ed Luttrell & F H Wise. Status: Deleted from Register - 1897 Remarks: Register closed 1897 - after several years laid up,  her remains were still identifiable in New Town Bay, Hobart in 1950s (Flotilla Australia).
This photogaph was taken of Shoobridge's new octagonal kiln built at Bushy Park (Tas) in 1868.



Title Hop kiln "Bushy Park", [Tasmania] [picture]
Call Number PIC/8793/11 LOC Album 245c
Created/Published [ca. 1875]
Extent 1 photograph : albumen ; 11.5 x 17.5 cm., in album 37.5 x 36.5 cm.
National Library of Australia

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Thomas Nevin at the Tasmanian Poultry Show 1869

TASMANIAN POULTRY SOCIETY
THOMAS NEVIN PRIZE-CARDS 1869



Title: Cereopsis Novae-Hollandiae : Lath. [Cape Barren goose] J. Gould and H.C. Richter del et lith.
Author/Creator: Richter, Henry Constantine, 1821-1902
Publication Information: [London] : Hullmandel & Walton, [1848].
Physical description: 1 print : hand-coloured lithograph ; 382 x 558 mm sheet and one page of text.
Format: print image (online)
Accession number: No. 1082.
Notes:'J. Gould and H.C. Richter del et lith.' printed lower left below image.
Publisher printed lower right below image.
Title centred below image.
Online version of this image available
In: From: Birds of Australia, Vol. VII, pl. 1.
Citation: Digitised item from: Allport Library and Museum of Fine Arts, Tasmanian Archive and Heritage Office

The Prize Cards
If any of the unique photographs of poultry, pigeons etc produced by Thomas Nevin as prize-cards for the 1869 Tasmanian Poultry Show have at all survived, they appear not to be extant in Australian public collections.



Source:The Tasmanian Times (Hobart Town, Tas. : 1867 - 1870) Mon 9 Aug 1869 Page 2

TRANSCRIPT
TASMANIAN POULTRY SOCIETY—We may remind our readers that the annual exhibition of this society, under the patronage of his Excellency the Governor and his Worship the Mayor and Aldermen commences tomorrow, and will be continued the following day. A very large number of entries have been made, so that a first-rate exhibition may be expected, and to add to its attractiveness valuable gifts of poultry, pigeons, canaries, &c. will be distributed each evening. The prize cards, which we have been permitted to inspect are beautifully executed photographs of poultry, pigeons, &c., by Mr Nevin, of this city, from engravings of model birds.
What exactly had Thomas Nevin produced as photographs for these prize cards? The journalist at the Tasmanian Times had inspected them and described them as "beautifully executed photographs ... from engravings of model birds". So whose engravings had he photographed, and why had he not just photographed live birds in their cages? Of course, in an era when the capture of a living being required complete stillness from the sitter for several minutes, the constant jerks and twitches of birds would have rendered every attempt a total blur. Only dead birds give a pleasingly sharp image (see Morton Allport's below). Stuffed birds would have been a handy solution, if knowing the names of the winners in advance was possible, but that too was not the case. It is entirely possible that prior to the opening of show, Thomas Nevin was not informed of the names of particular prize winners from the many dozens of different classes of entrant, so he produced instead a series of cards from engravings of "model birds" - i.e. generic images - already published from earlier poultry shows, such as these prints from the Birmingham (UK) Poultry Show which appeared in the Illustrated London News on December 10th, 1859. Without a single example, however, the exact format and appearance of Nevin's prize-cards for the 1869 Tasmanian Poultry Show will remain unknown.



BIRMINGHAM Poultry Show Prize Geese Ducks Pigeons Chickens
Antique wood engraved print taken from the Illustrated London News
December 10th.1859 1859
Sourced at eBay Nov. 4, 2017

The Annual Show at the Hobart Town Hall
In just 60 years - from 1804 to 1869 when this extensive exhibition of exotic species of poultry was held at the Hobart Town Hall - the Europeans settlers to the island of Tasmania had managed to introduce most of the heritage chicken breeds alive in their era and every other exotic breed of game as well. Native species on display, such as the Cape Barren Geese from the Bass Strait region (see Gould's coloured lithograph above) are mentioned in this report as almost extinct despite the introduction of the Native Game Act (1860). This report was published by the Mercury the day after the opening.

THE FIRST DAY



Source: The Mercury (Hobart, Tas. : 1860 - 1954) Wed 11 Aug 1869 Page 3 TASMANIAN POULTRY SOCIETY.

Read the full article in the Mercury here.

TRANSCRIPT
TASMANIAN POULTRY SOCIETY.
ANNUAL SHOW.
The fifteenth annual show of poultry and song birds, held under the auspices of the Tasmanian Poultry Society, was opened yesterday in the Town Hall, and, notwithstanding the unfavourable state of the weather, was numerously attended. The show was one of the largest yet held in the city, and the spacious hall and ante-rooms afforded abundant space for the proper display of the exhibits without inconveniencing the promenaders, The exhibition was under the immediate patronage of His Excellency the Governor, and the Hon Mrs. Du Cane, and of His Worship the Acting Mayor, and the Alderman of the City. His Excellency arrived with Mrs. Du Cane, and accompanied by Mr. Chichester, at 2 o'clock and remained in the hall for upwards of an hour inspecting with much interest the various exhibits. The entries in all the leading classes were numerous, and the competition was so keen, that in many cases the Judges found their task a very difficult one. Of course, it is not possible on such an occasion, to satisfy every exhibitor. The breeders of fancy birds as a rule entertain very diverse opinions as to the merits of exhibited specimens, and each has schooled his eye to the recognition of peculiar beauties in his own, which are wanting in those of his neighbours. Judges, under such circumstances, can only be guided by the generally recognised standards of purity, and we believe that the awards of yesterday were such as to meet general approval. Including those sent in for exhibition only, we counted over 270 pens and cages in the show, a great display for Hobart Town. The exhibits embraced fowls of every class, turkeys, geese, ducks, pigeons, canaries and song birds in great variety, besides pheasants, rabbits, and miscellaneous live stock, including a kangaroo. Beginning at the barn door department, Dorkings, Black Spanish, Cochin Chinas, Bramah Pootras, and others of their kind were exceedingly well represented, and many of the specimens were of the. very first quality, the prize-winners in the respective classes being greatly admired. The Shanghais especially were in excellent feather, of good color , and perfect wonders in size. They reminded us of the first specimens of this kind of fowl shown in Hobart Town, which were entered some years ago by Mr. Thomas Paterson, a gentleman whose name we were sorry to miss from yesterday's entry list. The Game Fowls exhibited were below the average, and for those birds, which have generally formed an attractive feature of the show, the season seems to have been somewhat unfavourable.
There were a few pens, however, deserving of merit and their qualities were duly appreciated by the visitors, and recognised by the Judges. The Game Bantams, particularly. The duckwings were exceedingly beautiful and formed a most attractive feature of the show, they were in very fine plumage, and nearly all worthy of honourable mention. There were nine pens of turkeys, but we cannot refer to them as of more than medium excellence. One pen of pure white, being curiosities, in their way, were greatly admired. The water fowls were not very numerously represented. A couple of pens of very fine goose, were shown by Mr. Perry, being hybrids, the produce of the African goose, imported by Mr. Graves, and the good, old grey goose of England. Mr. Perry was the fortunate purchaser of a pair of African geese at the Peoples' Auction, in aid of the Franklin Island Fund, and tho noble birds shown yesterday represents a portion of the profits of his speculation. There were two or three pens of Aylesbury ducks shown yesterday, but we cannot speak of them very highly ; they were of good size and pure in colour, but their condition did not entitle them to rank as first-class specimens of this famous breed. A pair of very pretty Maori ducks exhibited by Mr. Alderman Belbin attracted a great deal of notice, and were much admired. Before leaving the water fowl, we must not omit to mention a pair of very fine Cape Barren geese exhibited by Mr J. W. Graves. Those beautiful creatures are natives of Cape Barren, and are peculiar to the region of Bass Straits. They are now becoming almost extinct, and it is to be regretted that some protection is not afforded to them by our Native Game Act. They are remarkably docile and affectionate, and the gander shown yesterday, who rejoices in the name of Darby, follows his owner about like a dog, and perambulated the room several times, allowing the children to pat and make friends with him. The Hon. Mrs. Du Cane was the exhibitor of three fine English pheasants, a cock and two hens, which were much admired. These shy and beautiful creatures were in a wicker hamper the roof of which was properly padded to prevent injury to the birds resulting from any sudden fright to which they might be liable in their novel position. This example is one which might be advantageously followed by other exhibitors of fancy birds of this class. The pigeons were a great feature of the show, and there were upwards of seventy cages exhibited, embracing nearly every variety: bald-heads, all colors ; yellow beards, blue beards, poutors, tumblers, turbits, almonds carriers, archangels, Jacobins, barbs, nuns, kites and others in variety too numerous to particularise. A pair of Lachlan pigeons, exhibited among the doves, resembling a good deal the crested pigeon of the marshes, were very greatly admired. In the first ante-room there were twenty-six cages of various song birds and parrots, and twelve pens of rabbit. Some of these were for competition, some for exhibition only, and some for sale. They represented nearly every class of English song bird, including" the glorious lark that wakes the morn." Foreign birds were also plentiful, and there were many of the denizens of our own Tasmanian bush ; several of the cages were indeed full of these pretty little creature, some of which were ticketed for sale at exceedingly low price. Among the parrots were some handsome specimens of the Budgerigar or shell parrot of South Australia. The rabbits shown are all very fine, and fanciers will be much pleased by a visit to the show. The second ante-room was entirely set apart for the exhibition of canaries, and there were fifty four cages, some containing single pairs, and some of larger size completely filled with these birds. Of the varieties we feel ourselves incompetent to enter upon any description, but all the leading kinds were well illustrated from the burlesque contortion which the " fancy" have raised to the dignity of the " standard bird," down to the plump little " dickey" of our parlors, for whom we must ever retain our affection, even when confronted with the extraordinary things that breeding has done for us. Great care is evidently taken by the Hobart Town dilettanti in breeding and rearing canaries; every year there is an increase in the number of exhibits, and an improvement in the stock, and now that an annual canary show has been inaugurated, the interesting and profitable pursuit will no doubt receive a still further impetus. We have briefly sketched the leading features of the show opened yesterday, and to be continued today in the Town Hall. It is one well worthy of encouragement, and we trust to see it largely patronised by the public.
We are not in a position to publish the prize list owing to the somewhat confused manner in which the Committee conduct their business. The prize tickets were not all attached to the pens until hours after the opening of the show, and we found it impossible to obtain a correct list for ourselves. An arrangement was made with the Secretary and the gentlemen assisting him, to hand us a copy of the document, but on applying for it at the time fixed, we found that it had been, otherwise disposed of. We think the Committee of the Society might arrange with the Judges to complete their awards in such time as would enable an ordinarily expert clerk to prepare a correct prize-list by the hour appointed for opening the exhibition. Nearly every year we have been called upon to make corrections, after publication, owing to the difficulty in obtaining the list of prizes, and if the members of the society desire us in future to publish it they must make arrangements to supply us with an authorised copy in reasonable time.
There was a very large attendance in the evening, when the Hall was brilliantly lighted, and a fine band was in attendance under the leadership of Mr. Simpson. A distribution of miscellaneous prizes took place soon after ten o'clock, the result of which greatly pleased the holders of lucky numbers, and afforded an agreeable excitement to those who had to retire with disappointed hopes. It may be consolatory for them to know that the same proceedings will be repeated this evening, when we wish them better luck.
Source::The Mercury (Hobart, Tas. : 1860 - 1954) Wed 11 Aug 1869 Page 3 TASMANIAN POULTRY SOCIETY.

The journalist in the second last paragraph used the occasion to blame the Committee of the Tasmanian Poultry Society for the delay in supplying his newspaper with the correct and final list of prize winners. It was a problem encountered in previous years, and this year was no exception, it seems. The delay in producing the list of finalists may have affected whose prize cards Thomas Nevin had made ready to be "attached to the pens". He was still attaching his prize-cards to the cages late into the evening on opening day.

THE SECOND DAY



Excerpt: Mercury (Hobart, Tas. : 1860 - 1954), Thursday 12 August 1869, page 4
http://trove.nla.gov.au/newspaper/rendition/nla.news-article8860700

TRANSCRIPT: full article
TASMANIAN POULTRY SOCIETY.
ANNUAL SHOW.
SECOND DAY
The above exhibition was open again yesterday from 10 am. to 6 p.m., and also from 6pm. to 10 p.m. There was a large attendance of visitors throughout both periods and in the evening especially the crowd was so dense as to render it difficult to move through the Hall, to say nothing of obtaining a clear view of the exhibits. Some alterations in tho arrangements had been made, and there were various additions to the Show one of which, both on account of its intrinsic interest and its conspicuous position, could not fail to attract tho notice of every visitor. We refer to tho beautiful Angora ram, presented by the late Sir Richard Dry - to the people's auction, and there purchased by Mr Alfred Jones, of New Town. This fine creature was stationed at the head of the staircase, immediately in front of the entrance door-way, and its shining silken fleece won many attribute of admiration from the passers by. Another change consisted in the placing on either side of the arched doorway leading into the singing birds compartment, of a "boomer" kangaroo and a couple of emus respectively, a very appropriate mode of reminding tho spectators of the national symbols of the island. A very interesting episode of the day was a visit paid to the Show by the children of the Queen's Orphan Asylum, who were marched in procession, headed by their several teachers and the capital little band of the institution playing appropriate airs. One of the most constant frequenters of the Hall since it was opened for the purposes of the Show, has been Mr. Clifford, of Dunedin, who some two years since conveyed a quantity of trout ova hence to that province and is now amongst us with the view of taking down an additional supply. It is pleasing to be able to announce that this gentleman, notwithstanding that he was for 10 years a resident of Victoria, and has subsequently spent half as long in new Zealand, frankly admits that the Show excels anything of its kind that he has seen in either of those colonies. Not only as regards the variety and quality of the exhibits, but also in the excellence of the pens and the arrangement, and classification of the birds. As Mr. Clifford is about to return shortly to Dunedin, he has availed of the opportunity afforded by the exhibition to make several purchases of the best varieties of poultry exhibited. We need scarcely say that we heartily wish him success with his investments. In consequence of the patronage which the Society has met with from the general public, the Show will continue open again todav, Thursday, from 12 to 6 and 1 to 10 p.m. There will be another distribution of gifts in the evening. 
Source: The Mercury (Hobart, Tas. : 1860 - 1954)  Thu 12 Aug 1869 Page 4  TASMANIAN POULTRY SOCIETY.

A significant change overnight was the arrangement of a boomer kangaroo and a pair of emus placed on either side of the doorway leading to the singing birds room. Described as "national symbols of the island", they were used by photographers Charles A Woolley  and Alfred Winter in their studio stamp designs (below) and by J. S. Lamont's music and lyrics for the cover of the national song "Our own Tasmanian home" (ca. 1859):



Left: Alfred Winter's stamp ca. 1874 (State Library Victoria)
Right: Charles . Woolley's stamp ca. 1865 (KLW NFC Private Collection)

Paradoxically, competing symbologies in 19th century Tasmania used native animal iconography to underscore the imperative to nationalism, and reinvestments of traditional British animal iconography to herald the coming postcolonial State.With movements such as the lobby to end transportation in 1853, and the later Acclimatisation Societies which organised the introduction of species and flora from Europe, the symbology of the colony vascillated between the traditional emblems of the British, and the new native fauna and flora.



Our own Tasmanian home words by E. La Mont ; music by J.S. La Mont.
Publication Information: Hobart Town : J. Walch & Sons, [1859?]
Physical description: 1 score (6p.) ; 34 cm.
Format: musical score
Notes:"National song"--Cover.
"Composed and dedicated by permission to Lady Young ..."--Cover.
For voice and piano. In: Music by Tasmanian composers, and; Songs : [binder' title].
State Library of Tasmania https://stors.tas.gov.au/smu128054251

Thomas Nevin used a simple kangaroo in his design of a studio stamp for private clientele, printed here on the back of a portrait of a woman in clerical dress. The official animal icons used by the Tasmanian colonial government on all their documents, on the other hand, were the lion and unicorn of the British Royal Coat of Arms insignia. Those icons were also used by Thomas Nevin in the design of his official government contractor studio stamp (on right) which he printed on the versos of prisoner identification photographs (mugshots) for the Hobart Gaol administration; on the versos of landscapes and streetscapes taken for the Lands and Survey Dept; and on the verso of portraits of employees and families of the Hobart City Corporation.



Left: T. Nevin stamp used for private clientele 1870-76
Right: T. J. Nevin stamp used for official government contract commissions 1872-1878

A list of the prize winners was published by the Tasmanian News (9 Aug 1869, page 4), noting that the lighting in the Hall installed by the Gas Company was an excellent improvement over past events. As the Tasmanian Poultry Society continued to hold their annual exhibition at the Hobart Town Hall well into the into the 1880s, by 1878 when Thomas Nevin was employed full-time in the civil service as Hall and Office Keeper for the HCC, resident there with his young family, he would have become an old hand at overseeing all aspects of mounting such a popular show.

The unattributed photograph (below) - and there is only the one photographic image pasted twice to a stereoscopic mount, so it is not a true stereograph - is held at the State Library of Tasmania. It is clearly not the format of prize-card announced as Thomas Nevin's for the 1869 poultry exhibition, but it may have been taken at one of the Tasmanian Poultry Society's annual shows, as game, both live and dead, were for sale, and it does have a prize-card of sorts attached to the feet of the birds. This type of stereo mount was not commonly used by Thomas Nevin, nor was it ever his stereographic practice to use just one photograph instead of two slightly different captures of the same scene to create a stereograph. It is the probably one of many such pseudo-stereographs attributed to the amateur photographer and naturalist Morton Allport.




Title: [A shooters bag of several quail]
Publication Information: Hobart : s.n., [Between 1860 and 1870]
Physical description: 1 photograph (stereo) : b&w ; 7 x 12 cm.
Notes: Exact measurements 70 x 120 mm. Each individual half image 70 x 60 mm.
In: Allport album XIII - no. 46
Photographic print is in stereo but not a stereograph i.e. pasted onto cardboard album sheet and not mounted on a card for viewing.
Citation: Digitised item from: Allport Library and Museum of Fine Arts, Tasmanian Archive and Heritage Office

Tasmanian Rare Breeds Today
The Tasmanian Rare Breeds Poultry Club, established in 2006, presently lists over 60 breeds and variety of chicken, duck, turkey, goose and guinea fowl in risk, which they aim to preserve and promote. This is a sampling of their official list of Rare Breed Poultry in Tasmania:

Soft Feather Large:
Rare Breeds:
Andalusia
Araucana
Barnevelder
Brahma
Campine
Cochin
Croad Langshan
Dorking
Faverolles .... etc

Waterfowl – Ducks:
Rare Breeds:
Large:
Abacot Ranger
Aylesbury
Blue Swedish
Campbell
Cayuga .... etc

Waterfowl – Geese:
Rare Breeds:
Chinese
Emden
Australian Settlers (formerly Pilgrim Geese)
Sebastopol
Toulouse .... etc

.... and the postcards offered for sale ....



Postcards at Tasmanian Rare Breeds Poultry Club,

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