Showing posts with label 19th century photographers. Show all posts
Showing posts with label 19th century photographers. Show all posts

Amy Bock's bid for marriage equality in 1909 in New Zealand

Amy Bock and Agnes Ottaway married on 21 April 1909 in Dunedin, NZ. Four days later Amy Bock was arrested at the Ottaways' boarding house. She was convicted in the Dunedin Supreme Court on 27 May on two counts of false pretences and one of forgery, and was finally declared an habitual offender. The marriage was annulled on 17 June 1909. Was it a bid for "marriage equality" or not?



NZ police mugshot of Amy Bock [n.d. but probably 1890]
New Zealand Police Museum online exhibition. March 2010.

Amy Maud Bock (1859–1943) was born on 18th May 1859 at her father's photographic studio, The City Photographic Establishment, 140 Elizabeth St. Hobart, Tasmania, to Alfred Bock and Mary Ann Parkinson, second daughter of Robert Parkinson of Hobart. They had married on 24th July, 1858.


BIRTHS
On May 18th, at her residence, 140 Elizabeth-street, the wife of Alfred Bock of a Daughter.
Birth of Amy Bock at the City Photographic Establishment 18 May 1859
Source: The Courier (Hobart, Tas. : 1840 - 1859) Thu 19 May 1859 Page 2 Family Notices

Thomas J. Nevin was seventeen years old when Amy Bock was born. By 1863, now 21 yrs old, he would have been a friendly face to the four-year old toddler Amy while assisting her father Alfred Bock with studio portraiture in the glass house constructed at the back of the studio premises. It was located at the end of the laneway  at 138½ Elizabeth-street. Thomas Nevin had established himself as a professional photographer within the Hobart cohort of photographers, especially with Samuel Clifford as well as Alfred Bock by 1864, and was operating principally from his studio at New Town, but on Alfred Bock's insolvency in 1865 and departure from Tasmania in 1867 he acquired Bock's negative stock, furnishings, studio lease, and glass house at auction and continued with the business under the same name, the City Photographic Establishment, 140 Elizabeth Street, Hobart until 1876.



A view of the City Photographic Establishment studio
Thomas Nevin's studio, formerly Alfred Bock's. third door down on right side of Elizabeth St. Hobart
Stereograph by T. J. Nevin ca. 1867
TMAG Ref: Q1994-56-33



Photographic studio where Amy Bock was born
The City Photographic Establishment
140 Elizabeth St Hobart
Stereograph by Thomas J. Nevin ca. 1868
TMAG Ref: Q1994-56-12

Alfred Bock's (half) brother William Rose Bock was a teenager when he served more than two and half years as Alfred's apprentice in the studio at the City Photographic Establishment, 140 Elizabeth-street, Hobart Town from 1863-1865. Alfred Bock was born on 19 April 1837 to Mary Ann Cameron nee Spencer and Alexander Cameron. William Bock was born on 5 January 1847 to Mary Ann Cameron nee Spencer and Thomas Bock. William Bock left Tasmania in 1868, returned in 1874 to marry his fiance Rebecca Finlay, and settled back in Wellington New Zealand where he thrived as an engraver, lithographic printer, medallist, stamp designer, and illuminator. He died in 1932.

Alfred Bock moved his family from Tasmania to Sale, Victoria, in 1867 and to Melbourne in 1874. His first wife Mary Ann Parkinson died in Melbourne on 14th January 1875. The first five of their six children were born in Hobart. Alfred Bock married again to Eleanor Rachel Blackburn on 25th March 1882 in Melbourne. She was the granddaughter of architect James Blackburn. They moved to Auckland, New Zealand in 1882 where the three eldest sons of their seven children were born. But by 1887, Alfred Bock and family were back in Melbourne where they stayed until ca. 1906. Alfred Bock retired from business and moved to Wynyard, Tasmania where he died on 19th February 1920, survived by his wife and several of their children.

Alfred Bock's eldest daughter Amy Bock found employment as a teacher in Gippsland, Victoria but in 1885 she was summoned for acquiring goods on false credit. Her father suggested she move to Auckland, New Zealand, where he was living with his second wife Eleanor Rachel Bock nee Blackburn.

Amy Bock's Criminal Career
The first notice of Amy Bock's series of offences appeared in the New Zealand Herald on 14th May 1885. Read these excerpts at this link: Papers Past New Zealand, search term: "Amy Bock". The following extract is from the biography written by Fiona Farrell, first published in the Dictionary of New Zealand Biography, vol 2, 1993:
Amy Bock's first officially recorded appearance before the New Zealand authorities was in April 1886 in the Resident Magistrate's Court in Wellington, where she was charged with buying goods on credit in Christchurch and then disappearing. Remanded to Christchurch, she was sentenced to one month's hard labour at Addington gaol. On her release she lived in Wellington, but by July 1887 she was back in court on fraud charges. She was sentenced to six months' detention at Caversham Industrial School, Dunedin, where she so impressed the superintendent with her intelligence and 'ladylike deportment' that he offered her employment as a teacher. The position came to an abrupt end when she was discovered attempting to engineer her escape by forging letters from an affectionate but alas fictitious aunt. In January 1888 she left the school and advertised as a music teacher, but by April she was in court charged with obtaining goods on false credit and was sentenced to two months' imprisonment. After her release she remained in Dunedin, later moving to Hill Top near Akaroa where she worked as a governess, before receiving concurrent six-month sentences for larceny and false pretences in April 1889. At the end of the year she returned to Dunedin where she found a job as a housekeeper until mid 1890, when she pawned her employer's furniture. This time she received the maximum penalty: three years' imprisonment with hard labour.

In October 1892 Amy Bock emerged from prison with £1 9s. in her pocket, some of which she spent on a ticket to Timaru where she fraudulently obtained £1. Discharged from prison in November, she joined the Salvation Army and lived with Army members in Timaru, but by Easter 1893 she was in trouble for selling her landlady's watch. After serving her six-month sentence she moved to Oamaru, where she procured various trifling amounts of money, attempted to defraud a furniture vendor of a larger sum and was in prison again by January the following year.

In 1895, after serving another three-month sentence for leaving a house owing board and lodging, Bock disappeared from official notice for several years. Some of this time she spent at the Magdalen Asylum for 'fallen' women, near Christchurch. In 1902 she appeared in Christchurch as Molly (or Mary) Shannon, and through an elaborate deception which took her to Wellington and Auckland borrowed substantial amounts of money to finance the purchase of a poultry farm. This escapade earned her two years' imprisonment in March 1903. Late the following year, after remission for good behaviour, she found work at Rakaia, now using the name Amy Chanel, but in February 1905 she was charged with altering a cheque and given a three-year sentence.

In June 1907 she was released from prison and for a year lived quietly in Christchurch. In 1908 she returned to Dunedin where, as Agnes Vallance, she pawned her employer's furniture and went to ground after delaying pursuit by creating a complex scenario through letters from Miss Vallance's concerned 'friend', Charlotte Skevington. It was at this point that she found the perfect disguise, posing as the wealthy sheepfarmer Percival Leonard Carol Redwood. Percy holidayed at Port Molyneux on the South Otago coast, staying at the Albion House boarding establishment, where he paid court to the landlady's daughter, Agnes Ottaway, and within a few weeks the couple were engaged. Bock managed to maintain the appearance of wealth by a succession of deceptions involving letters to lawyers, postal orders and small personal loans. These were not detected until after the elaborate wedding, which took place at the bride's home on 21 April 1909. Four days later Bock was arrested at the Ottaways' boarding house. She was convicted in the Dunedin Supreme Court on 27 May on two counts of false pretences and one of forgery, and was finally declared a habitual criminal. (The marriage was annulled on 17 June 1909.)
Source: Te Ara the Encyclopeadia of New Zealand
https://teara.govt.nz/en/biographies/2b30/bock-amy-maud



NZ police mugshot of Amy Bock [n.d. but probably 1890]
Source: Nichols, Chelsea. "Suspicious Looking: 19th Century Mug Shots in the Collection of the New Zealand Police Museum." New Zealand Police Museum online exhibition. March 2010.
Link: New Zealand Police Museum

The New Zealand press "went wild" with this story, as related by Sorrel Hoskin
In 1909 Amy invented the persona of Percival Redwood, a pipe smoking, well dressed man of small stature and high voice. Percy was a man of independent means – he owned shares in a North Island sheep farm – and was generous with his money, spending it lavishly on others – despite the fact that Bock was almost penniless. He made many friends in the small community of Port Molyneux in South Otago, including Agnes Ottaway, the landlady's daughter. Agnes and Percy got engaged and it's here that Percy's world began to unravel. His funds ran out and he had to devise other ways to keep up appearances and his generous disposition. Agnes's parents were a little suspicious of the new man in her life – but their worries were eased when letters began arriving from Percy's mother reassuring them of her son's financial position. Percy made up stories and borrowed money from friends and unsuspecting lawyers, bought an engagement ring on false credit and built lie upon lie to convince everyone of his status as a well–off man.

There were rumours in the build–up to the marriage, Percy was a source of interest in the community – his small wizened face, and sharp perky bearing raised curiosity everywhere. Jack Muir the barber later said Percy was a ‘curious lookin' little cuss', but at the same time thought he was ‘merely a very peculiar specimen of his kind.’
Percy had to do some fast talking when the debtors came to call, and again when his ‘mother’ wrote to say the family wouldn't be attending his wedding. Although suspicious, no–one said anything.

The society wedding went ahead on 21 April 1909. At the altar Percy murmured his vows and kissed the bride before a large group of guests, including the local MP and the press. Afterwards they gathered in a large decorated marquee, the tables were laden with food and presents, there was speeches and dancing. The newly married couple were travelling to Melbourne for their honeymoon.

But beneath the surface was a murmuring of discontent. The bride was subdued and kept her distance from her new husband, rumours were floating among the guests: the question on everybody's lips was – where would Percy sleep that night?

Percy didn't get to sleep with his bride. The Ottaway family were suspicious about his claimed riches. He was told to bunk in the same room as the groomsman who was intrigued when the newly married man leapt into bed with his pyjamas on over his wedding clothes.

The next day Percy claimed his mother was on her way down South and all debts would be repaid. The newly married man was given a week's grace – but would not be sleeping with his bride before then.

The wedding had taken place on a Wednesday – by Sunday the police were at the front door confronting Redwood with the words: ‘The game's up, Amy!’ The giveaway had been a basket of women's clothes found in a room at a Dunedin boarding house used by Redwood. Amy admitted all and was arrested for male impersonation and fraud.

The national media went wild. Bock's scam quickly became the object of jokes around the country. Postcards and a booklet The Adventures of Amy Bock were produced to capitalise on the interest in the case.

The Ottaway's were understandably shocked. Poor Agnes, horrified at the part she played in ‘New Zealand's most notorious’ wedding quickly had the marriage annulled. She later married a ‘real’ man.

Amy, who told the court she was 46, was charged with false pretences and forgery. She was declared a habitual criminal and sentenced to two years in the New Plymouth Prison.



Photographs of Amy Bock were taken by Guy [?] above, and Pattilo, below.





Tasmanian readers of the Weekly Courier, 20 May 1909 were provided with the Pattilo photo, Amy Bock as Percy Carol Redwood, and another earlier photo of Amy Bock, Photos 1 and 2 top left on page 22.

The "divorce":
AMY BOCK DIVORCED.
END OF A SENSATIONAL INCIDENT. [BY TELEGRAPH.—PER PRESS ASSOCIATION.] DUNEDIN, This Day. At the Divorce Court to-day, Agnes Ottoway's marriage with Amy Bock was annulled by Mr Judge Williams
Source: GREYMOUTH EVENING STAR, 18 JUNE 1909



AMY BOCK SKETCHED IN THE DOCK IN THE DUNEDIN CITY POLICE COURT.
OTAGO WITNESS, ISSUE 2878, 12 MAY 1909
Source: Papers Past New Zealand Newspapers 



Sourced from Wikipedia - Amy Bock, confidence trickster of the early 20th century. Photo from 1908/1909, taken from the Dictionary of New Zealand Biography published by New Zealand's Ministry of Culture and Heritage

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EXTERNAL LINKS



Mad Or Bad?: The Exploits of Amy Bock, 1859-1943
Jenny Coleman, Otago University Press, 2010
Catalogue Note at Google Books:
In New Zealand, Amy Bock's life has been the inspiration for plays, books, a television program, a photographic exhibition, a musical composition, and more. Mad or Bad? is the first full-length biography of Amy Bock, New Zealand's most notorious female criminal con artist. Born in 1859 in Hobart, Tasmania, Amy had a convict heritage on both sides of her family. She gained notoriety in 1909 for her impersonation of a man - Percy Redwood - and married an unsuspecting woman. Author Jenny Coleman shows how Amy's whole life was one of fraud and misrepresentation. After teaching for six years in Victorian schools until she was asked to resign, Amy migrated to New Zealand in 1884. Assuming a variety of personae and remaining conveniently itinerant, she pursued a consistent course of petty crime for the next 25 years. In presenting her colorful and checkered life, this well researched biography leaves the reader to judge whether Amy Bock was essentially mad or just bad.
Notice here that the author of this synopsis mentions the Tasmanian convict heritage "on both sides of her family" of Amy Bock as if it would have contributed sui generis to her criminal behaviour. Note also that the woman whom Amy Bock married is characterised as "unsuspecting" in this synopsis. Neither claim, surely, can pass as reasonable to readers in 2010, the year the book was published.

Another famous case and much more serious was that of convicted murderer Eugenia Falleni, who was born in Italy, migrated as a child with her family to New Zealand by some accounts, and in 1898 travelled to Sydney, NSW where she became Harry Leo Crawford (sometimes known as Jack Crawford). Harry worked in low paid jobs around hotels and in February 1913 married the widow Annie Birkett. They opened a confectionery shop in Balmain but Annie disappeared after going on a picnic with Harry on 28 September 1917:
When Annie's body was identified, suspicion fell on her husband, Harry Crawford. He was arrested by the Chatswood Police on 22 July 1920 and taken to the Central Police Station for questioning and to take part in identification parades. Harry had just married another woman and was still wearing men's clothes, had short dark hair and looked very masculine. He only revealed his true identity as a woman when he was threatened with going to a mens' gaol. From NRS 10958 Police Gazette NSW, 1920 [1/3252, p.474]
Source: NSW State Archives and Records.
Read more here about Falleni from 1917 to her death in 1938



Photo sourced at Historic Houses Trusts NSW
Title: Eugenia Falleni, alias Harry Crawford, special photograph number 234, Central Police Station Sydney, 1920.
Creator: New South Wales. Police Dept.
Date: 1920
Format: [Picture] Glass plate negative:
Inscription: Emulsion side:
Place: Central Police Station (Sydney, N.S.W.)


One session, two poses at the City Photographic Establishment

CITY PHOTOGRAPHIC ESTABLISHMENT 140 Elizabeth St. Hobart Town
PHOTOGRAPHERS Alfred BOCK and Thomas J. NEVIN
TWO POSES at same sitting of WOMEN CLIENTS 1860s-1870s

Alfred Bock ca. 1865-1867
These two photographs of an unidentified woman who posed for photographer Alfred Bock ca. 1865-1867 in his Hobart studio were taken minutes apart. The provenance of the top cdv where the woman is gazing directly at the camera/photographer, was local: it was purchased for  KLW NFC Imprint Private Collection on eBay in 2017 from a seller located in South Australia. The provenance of the second cdv in which the woman's gaze is directed 15 degrees to the viewer's left, was the United Kingdom, according to Douglas Stewart Fine Books (Melbourne) who catalogued it for sale in July 2017. Here, on this webpage, exactly 150 years after these two photographs were taken in Bock's glass house at 140 Elizabeth Street, Hobart, and probably printed within the hour on the same day, they are reunited in the hope they may excite recognition from a descendant who can provide this striking woman with a name and an account of her travels.



Detail of full-length carte-de-visite of an unidentified woman ca. 1865, her gaze direct to camera
Photographer: Alfred Bock, City Photographic Establishment 140 Elizabeth St. Hobart Town
Copyright © KLW NFC Private Collection 2016



[Above]: Full-length carte-de-visite of an unidentified woman ca. 1865
Photographer: Alfred Bock, City Photographic Establishment 140 Elizabeth St. Hobart Town
Copyright © KLW NFC Private Collection 2016
Provenance: purchased from eBay 5 August 2016

[Below]: Detail of the cdv of the same "wealthy lady wearing a fine taffeta dress", taken within minutes of each other, her gaze averted to the viewer's left.
Sourced with permission from Douglas Stewart Fine Books July 2017 Catalogue





Sourced with permission from Douglas Stewart Fine Books July 2017 Catalogue
Albumen print photograph, carte de visite format, 103 x 63 mm, verso of mount with imprint in blue ink of Alfred Bock, City Photographic Establishment, 140 Elizabeth St. Hobart Town; both the albumen print and mount are in fine condition.
A superb studio portrait of a wealthy lady wearing a fine taffeta dress. In her left hand she holds what appears to be a carte de visite album; her other hand rests on a neo-classical column. The painted backdrop, depicting an open landscape, is framed by a wrought iron arch.
Alfred Bock, son of the convict engraver and pioneer photographer Thomas Bock, was active at his 140 Elizabeth Street premises between 1858 and 1867.

Alfred Bock's Studio Decor early 1860s
This unidentified gentleman was photographed by Alfred Bock at the City Photographic Establishment not much later than 1860. The decorative arch, the painted backdrop featuring a tree and the waist-high lattice fence were already key items of studio decor which were still in place for the later two portraits of the woman in a taffeta dress (above). The item of furniture provided for her to rest her right hand was a solid pedestal supporting a very large urn, whereas a low easy chair was provided for this gentleman to casually rest his right hand and lower arm. The photographer's stamp on the verso of this cdv was one of Bock's earliest, designed soon after taking the lease on the premises at 140 Elizabeth Street, Hobart in 1858. It predates his later one also featuring a kangaroo which Thomas Nevin used, modified only slightly to include his own name and Bock's with the wording "T. Nevin late A. Bock." See these examples of both photographers' designs here.



CITATION
Untitled 1859-1867
Artist Alfred K Bock
Australia 1835 - 1920
Art Gallery of NSW 2015
The Photograph and Australia Exhibition
https://www.artgallery.nsw.gov.au/collection/works/270.2014/

Alfred Bock is distinguished as the first known Australian-born photographer. Bock was born in Hobart Town in 1835 to Mary Ann Cameron, née Spencer, who lived with, and eventually married, Thomas Bock. Alfred was given Thomas’s surname and regarded him as his natural father. Thomas Bock taught Alfred painting, drawing and photography, and he assisted his stepfather in his daguerreotype business until establishing his own studio in 1855. Despite ongoing financial difficulties (he was announced insolvent in 1857 and again in 1865) Bock succeeded in introducing the carte de visite to Hobart in 1861 and became expert in the sennotype process. In addition to his experimentation with photomechanical techniques, he also hand-coloured portraits and experimented with over-painting photographs. Bock showed his work at the London International Exhibition (1873), the Philadelphia Centennial Exhibition (1876), the Sandhurst (Bendigo) Industrial Exhibition (1879), the Adelaide International Exhibition (1887) and the Paris International Exhibition (1889) and received several awards.

A carte de visite is a stiff card of about 10 x 6.4 cm, with an attached paper photograph, invented in 1854 by André-Adolphe-Eugène Disderi. They were introduced into Australia in 1859 by William Blackwood with albums arriving in 1860, aiding the collection and distribution of multiple cartes. Cartes were usually portraits and were made by the millions worldwide. Multi-lens, or ‘multiplying’ cameras were introduced in the 1860s, which were capable of producing from 2 to 32 images in quick succession, dramatically increasing the number of cartes de visite that could be made from a single photographic plate. They were easily reproduced by making paper contact prints from the glass plates, which were then cut and pasted to card.

EXHIBITION HISTORY
The photograph and Australia:
Art Gallery of New South Wales, Sydney 21 Mar 2015–08 Jun 2015
Queensland Art Gallery, South Brisbane 04 Jul 2015–11 Oct 2015

BIBLIOGRAPHY
Judy Annear, The photograph and Australia, Sydney, Jun 2015, 248 (colour illus.).

Thomas J. Nevin ca. 1870
Two portraits of this unidentified woman taken by Thomas J. Nevin have also survived from a session at the City Photographic Establishment. Their provenance is unknown  as is their date of acquisition by the Tasmanian Museum and Art Gallery.  These two examples were reprinted from Nevin's negatives by his friend and colleague Samuel Clifford between 1876 and 1878 at the request of the client. The original cdvs by Nevin would have carried his studio stamp on verso.

Both versos carry the handwritten inscription in Samuel Clifford’s orthography: “Clifford & Nevin Hobart Town”. The original was taken by Thomas Nevin before 1876, and reprinted by Samuel Clifford up until the date of his (Clifford's) retirement in 1878, as promised in this advertisement in the Mercury, 17th January 1876:

Mr T. J. Nevin’s friends may depend that I will endeavour to satisfy them with any prints they may require from his negatives.
S. CLIFFORD
Samuel Clifford's offer to reprint Thomas Nevin's commercial negatives of private clientele after 1876 was due to Thomas Nevin's appointment to full-time civil service and residency at the Hobart Town Hall (1876-1880) which precluded remuneration from commercial photography. Many of the extant cdvs and prints inscribed verso with “Clifford & Nevin Hobart Town” which were reproduced from Nevin’s original negatives of private clientele, both male and female, now held in the TMAG, Hobart and QVMAG, Launceston, show signs of extensive handling - and attempts at colouring in some instances - by the families who donated them. See more examples here.



Detail of a full-length cdv of an unidentified woman in a dress with a frilled bodice, over-skirt and frilled hem, her gaze directed to the viewer's right. She is standing with left hand resting on a dining room chair. A rug covers the back of the chair and her hat rests on the seat. The capture by Nevin appears to have been premature: the woman's eyes are almost upon him, and the reprint by Clifford appears to be crooked with the floor and chair slanting down off to the left, so the second capture was composed with the woman seated on a stool, her left hand holding a thin volume, her gaze calm with eyes to the right of frame.  



Full-length cdv of an unidentified woman in a dress with a frilled bodice, over-skirt and frilled hem, her gaze directed to the viewer's right. She is standing with left hand resting on a dining room chair. A rug covers the back of the chair and her hat rests on the seat. The capture by Nevin appears to have been premature: the woman's eyes are almost upon him, and the reprint by Clifford appears to be crooked with the floor and chair slanting down off to the left, so the second capture was composed with the woman seated on a stool, her left hand holding a thin volume, her gaze calm with eyes to the right of frame. Photographed by T. Nevin before 1876, reprinted by Samuel Clifford before 1879.
Photos recto and verso copyright © KLW NFC Imprint 2014-2015
Tasmanian Museum and Art Gallery Collection
TMAG Ref: Q1990.25.401



Detail of the second cdv of the same unidentified woman in a dress with flounces on the bodice, over-skirt and hem. sitting on an invisible stool, a slender volume in her left hand, her gaze directed to the viewer's right.



This is the second photograph, taken minutes after the first capture (TMAG Ref: Q1990.25.401 above).

Full length cdv on plain mount: A young woman [unidentified] with large roll of hair atop the part, holding a slender volume in her left hand, seated on an invisible stool, wearing a dress densely textured with raised flecks, a short flounce attached to the waist, and a frilled bodice. Her gaze is directed towards the viewer’s right. A white cat seems to be disappearing into the right side of frame.

The verso carries  the handwritten inscription in Samuel Clifford’s orthography: “Clifford & Nevin Hobart Town”. The original was taken by Thomas J. Nevin before 1876 at the City Photographic Studio, 140 Elizabeth St. Hobart, and reprinted by Samuel Clifford between 1876 and 1878 at the request of Nevin's clients.

Photos recto and verso copyright © KLW NFC Imprint 2014-2015
Tasmanian Museum and Art Gallery Collection
TMAG Ref: Q1990.25.400


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Marriage breakdown: Elizabeth Amos v Alfred Threlkeld Mayson 1879-1882

SURVEYORS and ALFRED T. MAYSON
SEPARATION and DIVORCE: ELIZABETH AMOS v ALFRED T. MAYSON 
THE CITY PHOTOGRAPHIC ESTABLISHMENT Alfred Bock & Thomas Nevin



Hand-written inscription on verso:
Alfred T. Mayson, December 1865
Photographer's stamp in blue ink on verso:
Alfred Bock, City Photographic Establishment, 140 Elizabeth St. Hobart Town
Photo © KLW NFC Imprint 2016 Private Collection

Surveyors played a central role in Thomas J. Nevin's family life and early career as a commercial photographer and government contractor. On 22nd May, 1868 at the Town Hall, Hobart, he signed the the birth registration of William Nevin Tatlow Hurst, as informant for the child's father, surveyor John Hurst who was absent from Hobart on business. John Hurst's father, James Hurst was also a surveyor who held the lease for the Salt Water Coal Mines, on the Tasman Peninsula. The Nevin and Hurst families were not only neighbours in New Town Hobart; they both had historic family connections to Grey Abbey, County Down, Ireland, where Thomas Nevin's father, John Nevin snr was born in 1808.

Earlier the same year, in February 1868, with the dissolution of his partnership with Robert Smith while operating as the firm "Nevin & Smith" at Alfred Bock's former studio, the City Photographic Establishment, 140 Elizabeth St. Hobart, Thomas Nevin was issued with rolling government commissions and contracts by his family solicitor, Attorney-General W. R. Giblin for the Lands and Survey Department. He accompanied surveyors on excursions, providing Surveyor-General J. Erskine Calder with photographs mounted as stereoscopic prints of landslips, water erosion, rock and cave formations, river flooding, mining operations, etc from 1868 and from 1872 to the 1886, his contracts were extended by Attorney-General W. R. Giblin to photographing prisoners at the Hobart Gaol and Port Arthur prison; at the Supreme Court next to the Hobart Gaol; and at the Mayor's Court for the Municipal Police Office, in the Hobart Town Hall. One of those surveyors, Alfred Threlkeld Mayson, visited the studio at 140 Elizabeth St. Hobart for a portrait in 1865. What follows is a short account of the breakdown of his marriage to Elizabeth Amos.



Water flow caused by the landslip at Glenorchy, June 1872
Stereograph in arched yellow mount
Thomas J. Nevin, June 1872.
Verso stamped with Nevin's Royal Arms insignia issued by Lands Dept.
TMAG Ref: Q1994.56.2. Verso below



Verso:Water flow caused by the landslip at Glenorchy 1872
Stereograph in arched yellow mount
Thomas J. Nevin 1872.
Verso bears Nevin's Royal Arms insignia stamp issued by Lands Dept.
TMAG Ref: Q1994.56.2.

Elizabeth Amos and Alfred Threlkeld Mayson
At Great Swan Port, on the east coast of Van Diemen's Land (Tasmania), on 14th April 1845, Elizabeth Amos was born to farmer John Amos and his wife Elizabeth Amos nee Hepburn. Her future husband, Alfred T. Mayson, was born in the same district on 13th September 1839 to Joseph Mayson, Cleric in Holy Orders, and Elizabeth Mayson nee Hickson. Alfred Mayson acquired the unusual middle name "Threlkeld" perhaps as an afterthought by his father, naming him in honour of missionary Lancelot Edward Threlkeld [see bio at ADB].



Name: Amos, Elizabeth
Record Type: Births
Gender: Female
Father: Amos, John
Mother: Hepburn, Elizabeth
Date of birth: 14 Apr 1845
Registered: Great Swanport
Registration year: 1845
Record ID: NAME_INDEXES:990630
Archives Office Tasmania: https://stors.tas.gov.au/RGD33-1-27-p405j2k

Name:Mayson, Alfred [no middle name]
Record Type:Births
Gender:Male
Father:Mayson, Joseph
Mother:Hickson, Elizabeth
Date of birth:13 Sep 1839
Registered:Waterloo Point
Registration year:1839
Record ID:NAME_INDEXES:990561
Archives Office Tasmania: https://stors.tas.gov.au/RGD33-1-27-p393j2k

When Elizabeth Amos and Alfred Threlkeld Mayson married on the 25th September 1862 in the dwelling house of her father, John Amos, at Glenherriot, Glamorgan (Swansea, Tasmania), she was just 17 years old. Alfred Threlkeld Mayson, 23 yrs old, registered his occupation as Council Clerk. They were married in the rites of the United Church of England and Ireland, by Joseph Mayson, Chaplain, Alfred Mayson's father.



Name: Amos, Elizabeth
Record Type: Marriages
Gender: Female
Age: 17
Spouse: Mayson, Alfred Threlkeld
Gender: Male
Age: 23
Date of marriage: 25 Sep 1862
Registered: Glamorgan
Registration year: 1862
Record ID: NAME_INDEXES:861468
Archives Office Tasmania: https://stors.tas.gov.au/RGD37-1-21p70j2k

By 1865, when Alfred Bock took this photograph of Alfred Threlkeld Mayson at the City Photographic Establishment, 140 Elizabeth St. Hobart Town, Thomas Nevin was most likely present as well in the studio, having joined Bock while still operating his own studio at New Town. He acquired Alfred Bock's photographic stock, government contracts for the Lands and Survey Department with the Hobart City Council, Bock's glass house, studio lease with Alfred Biggs, and the business name at auction on August 2nd, 1865 shortly before Bock's permanent departure to Victoria, whereupon Robert Smith joined Thomas Nevin briefly over the next two years in the partnership Nevin & Smith at 140 Elizabeth St.



Hand-written inscription on verso:
Alfred T. Mayson, December 1865
Photographer's stamp in blue ink on verso:
Alfred Bock, City Photographic Establishment, 140 Elizabeth St. Hobart Town
Photo © KLW NFC Imprint 2016 Private Collection



Verso: Hand-written inscription:
Alfred T. Mayson, December 1865
Photographer's stamp in blue ink on verso:
Alfred Bock, City Photographic Establishment, 140 Elizabeth St. Hobart Town
Photo © KLW NFC Imprint 2016 Private Collection

Elizabeth Mayson may well have been photographed by Alfred Bock in the same session. This full-length carte-de-visite of a girl in her teens was taken at Bock's studio no later than 1866, and possibly about the same time. In December 1865 when Alfred T. Mayson visited Bock's studio, Elizabeth Mayson nee Amos (b. April 1845) would have been 20 years old. Alfred T. Mayson posed for his full-length portrait holding a carte-de-visite, no less, though gazing up rather than at it. The studio decor in both photographs also appears in the photograph taken of Thomas J. Nevin ca.1866, wearing white gloves and holding a stereoscopic viewer.



Girl (unidentified) with bare shoulders and ringlets
Photographer: Alfred Bock ca. 1865
Photographer's stamp in blue ink on verso:
Alfred Bock, City Photographic Establishment, 140 Elizabeth St. Hobart Town
Copyright © KLW NFC Imprint Private Collection 2013



Left: Verso: Girl (unidentified) with bare shoulders and ringlets
Photographer: Alfred Bock ca. 1865
Photographer's stamp in blue ink on verso:
Alfred Bock, City Photographic Establishment, 140 Elizabeth St. Hobart Town
Right: Verso bearing Nevin's stamp after Bock's design 1868-1876
Copyright © KLW NFC Imprint Private Collection 2013

Elizabeth Mayson gave birth to two children while married to Alfred T. Mayson: Vernon in 1863 and Marion in 1869.

Name: Mayson, Vernon Alfred John
Record Type: Births
Gender: Male
Father: Mayson, Alfred Threlkel [sic]
Mother: Amos, Elizabeth
Date of birth: 26 Jun 1863
Registered: Glamorgan
Registration year: 1863
Record ID: NAME_INDEXES:1015160
Archives Office Tasmania; https://stors.tas.gov.au/RGD33-1-41p669j2k

Name: Mayson, Marion May
Record Type: Births
Gender: Female
Father: Mayson, Alfred Threlkel [sic]
Mother: Amos, Elizabeth
Date of birth: 11 Dec 1869
Registered: Glamorgan
Registration year:1870
Record ID: NAME_INDEXES:927963
Archives Office Tasmania: https://stors.tas.gov.au/RGD33-1-48p080j2k

Alfred Threlkeld Mayson's occupation in 1863 was listed simply as Council Clerk when he registered his son Vernon's birth registration. On the 1869 birth record for his daughter Marion, his mother-in-law Elizabeth Amos, mother of Elizabeth Mayson and grandmother to Marion, was the registration informant. Alfred T. Mayson's occupation was listed as Assistant District Magistrate. When this photograph (below) was taken of Alfred Mayson (recumbent, on viewer's left) in the company of surveyors Davidson and Watson in the late 1860s, Mayson was leaving his mark on the landscape as a surveyor around the Glamorgan and Swansea districts of the east coast of Tasmania; for example, these two mountains were named after his own family - Mt. Mayson, and that of his wife's family - Mt. Amos.



Title:Photograph - Mts Mayson and Amos from Wineglass Bay.
ADRI: NS3195-1-1780
Source: Archives Office of Tasmania
Series: Negatives, 1930 - 1976 (NS3195)
Notes: Series Notes: Photographs taken by Jack Thwaites, largely in Tasmania.

Not much is known about surveyor Watson [T. Watson, landholder, Glamorgan?] at right of the photograph below, but James William Davidson (in centre) was possibly the husband of portraitist Letitia Davidson whose brother Henry Frith might have been the photographer, the fourth person present here.



Detail: Alfred T. Mayson on viewer's left in group photograph below with surveyors Davidson and Watson.



Surveyors (left to right) Mayson, Davidson, and Watson at Waterloo Point, Swansea
Unattributed but possibly taken by Henry Frith late 1860s.

Title: Photograph - A group of surveyors ( Davidson, Mayson, Watson ) at Waterloo Point, Swansea.
ADRI: PH30-1-480
Source: Archives Office of Tasmania
Series: Miscellaneous Collection of Photographs. 1860 - 1992 (PH30)

Alfred T. Mayson, council clerk and Stipendiary Magistrate, married Elizabeth Amos in 1862. She was 17 years old, born in 1845. They had two children who survived to adulthood -Vernon, born 26th June 1863, and Marion, born 11th December 1869. During their marriage, Alfred Threkeld Mayson held numerous official positions in the Circular Head district of north-west Tasmania. For example, Walch's Tasmanian Almanac edition of 1871 listed these:

MAGISTRACY. - ... Mayson, Alfred Threlkeld, Stipendiary Magistrate, Stanley, Oct. 13, 1866 [page 40]
POLICE. - Stipendiary Magistrate and Coroner, A. Threlkeld Mayson
JUSTICE of the PEACE for the TERRITORY.- ... and Alfred Threlkeld Mayson [page 190]
COURT of REQUESTS. - At Stanley, on the third Wednesday in every month. Commissioner A. T. Mayson.
CUSTOMS. - Landing-waiter in charge, A. T. Mayson
MARINE BOARD. - A. T. Mayson (master warden)
BOARD of WORKS. - Emu Bay West... and A. T. Mayson
GOVERNMENT SURVEYORS.- Nicholas Simmons (district surveyor), and A. T. Mayson
LOCAL SCHOOL BOARD. - Stanley and Forest - ... and A. T. Mayson
RIFLE CLUB. - President, H. J. Emmett. Secretary, A. T. Mayson. [page 191]

Source: Google books Walch's Tasmanian Almanac 1871



Title: Photograph - Alfred Mayson, surveyor.[n.s., n.d.] 1890s?
ADRI: PH30-1-478
Source: Archives Office of Tasmania: https://stors.tas.gov.au/PH30-1-478



Inscription (top left corner):
Traced from Plan lent to this Office by A. T. Mayson
Authorised Surveyor 9.9.98 ...
Map - Glamorgan Roads 15 - County of Glamorgan, plan showing position of Coal measures secured by the Morning Star Co also route of proposed railway to Shipping pl at Coles Bay, Sth Pacific Ocean, Bicheno, various landholders, surveyor Mayson
ADRI: AF398-1-549
Source: Archives Office of Tasmania
Series: County Roads Maps, 1822 - 1955 (AF398)

But by 1877 Elizabeth Mayson was petitioning for separation. She filed an application for protection of her earnings and property in 1879, citing Alfred Mayson's alcoholism, gambling and loss of his job as Stipendiary Magistrate as reasons. She separated permanently from Alfred T. Mayson in 1877 taking both children with her to the residence of her father, John Amos. Alfred T. Mayson used Dobson & Mitchell lawyers in response to the petition. They claimed Elizabeth Mayson could not be found by June 1882, so Mayson's claim to set aside his wife's application was discharged. Elizabeth Mayson married Charles Borradale (1845- 1917) sometime after gaining a divorce from Alfred T, Mayson (date ?), and resided in Victoria. She died at the Borradale family home, 33 Morah St Parkville, Melbourne in 1907, aged 62 years. Widower Charles Borradale then remarried to Margaret McGregor who survived him and continued to live at the house in Morah St. Parkville. Charles Borradale died on 22nd April 1917, aged 71 years. He was wealthy enough to erect a large tombstone for his wife Elizabeth Mayson Borradale nee Amos and himself in the Melbourne General Cemetery, Victoria. His estate was considerable, although his last occupation was simply "cabdriver".

Elizabeth Mayson Borradale nee Amos was buried with her second husband Charles Borradale in this grave (photograph below), at what is now known as the Melbourne General Cemetery. Her son Vernon married a relative of his mother's family, Margaret Winifred Amos, at Glamorgan, Tasmania, on 1st October 1888 (NAME_INDEXES :902698, Archives Office Tasmania).



Inscription:
"In Loving Memory of Elizabeth, wife of Charles Borradale, who died at Parkville on 10th August 1907 aged 62 years. Also the Above Charles Borradale beloved husband of Margaret who died at Parkville 22nd April 1917, aged 71 years."
Source: Grave of Elizabeth (nee Amos, formerly Mayson) and Charles Borradale
Melbourne General Cemetery, Parkville, Victoria



Charles Borradale, obituary
Source: The Weekly Times, May26th, 1917

TRANSCRIPT
Charles Borradale, late of 33 Morrah Street, Parkville, retired cabdriver, left estate valued at £3143.0/1 of realty £492, and personalty £2651/0/1, to his relatives.

THE MELBOURNE PHOTOGRAPH by Wm SHORT
This photograph of "Mrs Mayson" is still housed in an album originally owned by the Shaw family of Redbanks, Swansea, Tasmania, the friends and associates of her paternal Amos family. It was taken in Melbourne sometime ca. 1882 -1885 after her application for divorce from Alfred Mayson when she had quit Tasmania. She was probably about 50 yrs old here when William Short (1833-1917) photographed her in his Melbourne studio. Closer examination of the facial features of the young girl with ringlets and bare shoulders who posed for Alfred Bock ca. 1865 (see cdv above) and the sitter here identified by her closest childhood friends, shows significant similarities. Elizabeth Mayson was 62 yrs old when she died in 1907.



Mrs Elizabeth Mayson, ca. 1882-1890
Photographer: William Short (1833-1917), at 57 Collins St. East, Melbourne, Victoria
From the Shaw Family Photo Album p. 20
Source: East Coast Heritage Museum, Tasmania at Flickr

Addenda 1: 1876-1879
Elizabeth Mayson applied for a protection order three years after her initial separation from Alfred T. Mayson in 1876. Below is a rough and ready attempt at transcripts of the documents exchanged between the legal representatives of Elizabeth Mayson nee Amos and her husband Alfred Threlkeld Mayson.

APPLICATION; 18TH AUGUST 1879
Elizabeth Mayson nee Amos, petitioner



Mayson, Alfred - Respondent
Mayson, Elizabeth - Petitioner
Record Type: Divorces
Year: 1879
Divorce number: 76
Record ID:
NAME_INDEXES:448222
Archives Office of Tasmania: https://stors.tas.gov.au/SC89-1-3-76

Image 1: TRANSCRIPT
In the Supreme Court of Tasmania
Matrimonial Causes Jurisdiction
No. 76
Exparte Elizabeth Mayson the lawful wife of Alfred Threlkeld Mayson
Application for protection order
? 18.8.79
G.B.
Charge [?]
Young & Walker
Proctors for the said E Mayson



Image 2: TRANSCRIPT
In the Supreme Court of Tasmania
Matrimonial Causes Jurisdiction
To
The Honorable the Supreme Court of Tasmania
The Application of Elizabeth Mayson of Hobart Town in Tasmania the lawful wife of Alfred Threlkeld Mayson
Showeth:-
That on the twenty fifth day of September one thousand eight hundred and sixty two she was lawfully married to Alfred Threlkeld Mayson at Glen Heriot in the Municipality of Glamorgan in Tasmania aforesaid
That she lived and cohabited with the said Alfred Thelkeld Mayson for more than thirteen years at Swansea in Tasmania aforesaid and also at Circular Head in Tasmania aforesaid and hath had two children issue of the said marriage namely Vernon Alfred John and Marion May of whom the elder Vernon Alfred John aged sixteen years is now living with John Amos the father of the applicant at Glen Heriot aforesaid and is wholly maintained upon her earnings.
That in the Month of May one thousand eight hundred and seventy six the said Alfred



Image 3: TRANSCRIPT
Threlkeld Mayson was dismissed from the situation held by him as Stipendiary Magistrate at Circular Head aforesaid. In consequence of habitual drunkenness the household at Circular Head was broken up and the household furniture sold. The applicant went to the House of her father the said John Amos and there resided for some time. The said Alfred Threlkeld Mayson after staying at different places in Tasmania proceeded to the Colony of Victoria about the Month of May or June one thousand eight hundred and seventy seven.
That the said Alfred Threlkeld Mayson ever since the said month of May one thousand eight hundred and seventy [seven struck through] six has remained separate and apart from the applicant and has not contributed in any way to her support or to the support of the said children. The only letter the applicant has received from the said Alfred Threlkeld Mayson was on his departure from Tasmania about May one thousand eight hundred and seventy seven and was of a threatening nature.
That since the month of January one thousand eight hundred and seventy eight the applicant has maintained herself by her own industry working as a sepmstress for weekly wages and has thereby and otherwise acquired certain property consisting of clothes and personal effect.
Wherefore the said Elizabeth Mayson prays an order for the protection of her earnings and property acquired since the said Month of May one thousand eight hundred and seventy seven from the said Alfred Threlkeld Mayson and from all Creditors and persons claiming under him.
[signature of] Elizabeth Mayson



Image 4: TRANSCRIPT
18, Aug 79
Re Elizth Mayson & Mr Walker in support of an application for protection [ ?]
Affr of Mr Mayson
[? Question of ?]
They separated husband went to Victoria & has not supported applicant .
[?] husband can move to set aside the [?] You can [...?]



Image 5: TRANSCRIPT
In the Supreme Court of Tasmania
Matrimonial Causes Jurisdiction
Exparte Elizabeth Mayson the lawful wife of Alfred Threkeld Mayson.
Affadavit in support of application for Protection Order.
[?] 18.8.79
G.B.
Young & Walker
Proctors for the said Elizabeth Mayson



Image 6: TRANSCRIPT
In the Supreme Court
of Tasmania
Matrimonial Causes Jurisdiction
Exparte Elizabeth Mayson the lawful Wife of Alfred Threlkeld Mayson
I Elizabeth Mayson of Hobart Town in Tasmania make oath and say: -
1 That on the twenty fifth day of September one thousand eight hundred and sixty two I was lawfully married to Alfred Threlkeld Mayson at Glen Heriot in the Municipality of Glamorgan in Tasmania.
2 That I lived and cohabited with the said Alfred Threlkeld Mayson for more than thirteen years at Swansea in Tasmania and also at Circular Head in Tasmania and have had two children issue of the said marriage namely Vernon Alfred John and Marion May of who the elder Vernon Alfred John aged sixteen years is now living with my father John Amos of Glen Heriot aforesaid and is wholly maintained by him and the younger Marion May aged nine years is now living with me and wholly dependent on my earnings.
3 That in the month of May one thousand eight hundred and seventy six the said Alfred Threlkeld Mayson was dismissed from the situation held by him as Stipendiary



Image 7: TRANSCRIPT
Magistrate at Circular Head aforesaid in consequence of habitual drunkenness the household at Circular Head was broken up and the household furniture and effects were sold - I went to the house of my Father the said John Amos and there resided for some time. The said Alfred Threlkeld Mayson after staying at different places in Tasmania proceeded to the Colony of Victoria about the Month of May or June one thousand eight hundred and seventy seven.
4 That the said Alfred Threlkeld Mayson ever since the Month of May one thousand eight hundred and seventy six hath remained separate and apart from me and has not contributed in any way to my support or to the support of the said children. The only letter I have ever received from him was on his departure from Tasmania about May one thousand eight hundred and seventy seven and was of a threatening nature.
5 That since the month of January one thousand eight hundred and seventy eight I have maintained myself by my own industry working as a sempstress at weekly wages and have thereby and otherwise acquired certain property consisting of clothes and personal effects.
6 That I have no knowledge of the residence of my said husband but I have been informed that he has lately returned to Tasmania.
[signed] Elizabeth Mayson
Sworn at Hobart Town aforesaid this Eighteenth day of August one thousand eight hundred and seventy nine
Before me
[Buckland- ? - unreadable]
A Commissioner of the Supreme Court of Tasmania

Addenda 2: 1882

SUMMONS 1st June 1882
Alfred T. Mayson respondent



Name: Mayson, Alfred - Petitioner
Mayson, Elizabeth - Respondent
Record Type:Divorces
Year:1882
Divorce number:85
Record ID:NAME_INDEXES:448223
Archives Office Tasmania: https://stors.tas.gov.au/SC89-1-3-85

Image 1: TRANSCRIPT
In the Supreme Court of Tasmania
Matrimonial Causes Jurisdiction No. 85
In the matter of the Application of Alfred Threlkeld Mayson to set aside an Order protecting the earnings and property of Elizabeth Mayson his Wife.
(Copy)
Summons
to hear Application to set aside Order
1 June 1882
Dobson & Mitchell
Attroneys for the Applicant



Image 2: TRANSCRIPT
In the Supreme Court of Tasmania
Matrimonial Causes Jurisdiction
In the matter of the Application of Alfred Threkeld Mayson to set aside an Order protecting the earnings and property of Elizabeth Elizabeth Mayson the Wife of the said Alfred Threlkeld Mayson
Let the above Elizabeth Mayson or her Attorney or Agent attend me or His Honor the Chief Justice at Chambers in the Court House Macquarie Street Hobart in Tasmania on Monday the Twelfth day of June One Thousand eight hundred and eighty two at Eleven o'clock in the fore noon on the hearing of an Application on the part of the said Alfred Threlkeld Mayson That the Order protecting the earnings and property of the said Elizabeth Mayson dated the Eighteenth day of August One thousand eight hundred and seventy nine made at Chambers on the Application of the said Elizabeth Mayson may be discharged.
Dated this first day of June 1882
W L Dobson [?]



Image 3: TRANSCRIPT
RE Mayson.
It seems to me that Rule 118 requiring personal service is modified by Rule 16, and that the rules preceding it; and that the proceedings before me yesterday without [>>>?] were c.... non judice
I do not think any of the cases cited are applicable especially the rules make express provision for the state of circumstances which it is attempted to establish
[signed initials ????]
3 June 82



Image 4: TRANSCRIPT
2nd June 1882
In mtr of A. T. Mayson
to set aside protection Order
in favor of Mrs Mayson
Application under 29 Vic No. 19 Sec. 1.
Mr H Dobson
Rule 118 Rules of the Matrimonial Causes
Mrs Mayson has not been heard of for years. Affa davit by Henry Dobson thatMrs Mayson cannot be found.
Dec. 81 [?] to Dobson & Mitchell from Mr Mayson
HH [?] There is nothing to show me that there is any ppty in dispute - what is use of this ?
Mr H. Dobson I am now asking for leave to make substituted service
27 L F... Magistrate Cases p 274
29 L F Magistrates Cases p 108\2 LR QB p 410
27 LF Probate & Matrimonial page 33
29 L F Magistrates Cases p
His Honors [?] opinion



Image 5: TRANSCRIPT
In the Supreme Court of Tasmania
Matrimonial Causes Jurisdiction
In the matter of the Application of Alfred Thelkeld Mayson
Affadavit
Henry Dobson
Filed 3 June 1882
[signed ...?]
3/6/82
Dobson & Mitchell



Image 6: TRANSCRIPT
In the Supreme Court of Tasmania
Matrimonial Causes Jurisdiction
In the matter of the application of Alfred Threlkeld Mayson to set aside an order protecting the earnings and property of Elizabeth Mayson the Wife of the said Alfred Threlkeld Mayson
I Henry Dobson of Hobart in Tasmania Solicitor make oath and say as follows ;-
1. I and my Copartner Mr John Mitchell are the Solicitors for the said Alfred Threlkeld Mayson in this matter
2. I have been informed by the said Alfred Threlkeld Mayson and verily believe that about the months of September or October in the year one thousand eight hundred and seventy nine the said Elizabeth Mayson left Tasmania suddenly without leaving any information with her then Employers Messieurs J. B. Mather and Son or with the said Alfred Threlkeld Mayson or anyone on his behalf as to where she was going and that she has not since communicated with the said Alfred Threlkeld Mayson either directly or indirectly.
3. During the last two years the said Alfred Threlkeld Mayson has in conjunction with myself made every endeavour to obtain the address and



Image 7: TRANSCRIPT
ascertain the whereabouts of the said Elizabeth Mayson in order that he might be in a position to serve her with copy summons when he should make the above mentioned Application but without success.
4. In the month of October last I was informed that the said Elizabeth Mayson was living in the Wagga Wagga District in New South Wales and I thereupon wrote to the said Alfred Threlkeld Mayson who was then living in Sydney and advised him to make enquiries for her in the said Wagga Wagga District and I subsequently received from him the letter now produced and shewn to me and marked "A"
5. I have made enquiries from several of the friends of the said Elizabeth Mayson as to her present whereabouts but none of them could tell me but I was lately informed that the said Elizabeth Mayson had been heard of in New Zealand but have not been able to obtain any further information as regards her present place of abode and neither I or the said Alfred Threlkeld Mayson can ascertain the address of the said Elizabeth Mayson. Sworn at Hobart aforesaid this second day of June one thousand eight hundred and eighty two
[signed] Henry Dobson
Before me
H. [?] Buckland
A commissioner of the Supreme Court of Tasmania
These documents would have aided her divorce from Alfred T. Mayson when Elizabeth Mayson sought to marry Charles Borradale in Victoria. The documents show vengefulness on the part of Alfred T. Mayson to use lawyers for the purpose of grabbing Elizabeth Mayson’s earnings and property. When details about the nature of those earnings and the extent of the property – earnings made from sewing for clothiers J. B. Mather & Son, and property which including little more than clothes – were supplied to the bench, Mayson’s application was ridiculed and discharged. To save face with his client Alfred Mayson, and to garner a fat fee from him no doubt, solicitor Henry Dobson presented a fanciful tale about the disappearance of Elizabeth Mayson, first to Wagga Wagga, then to New Zealand. Apart from Dobson’s apparent incompetence in citing irrelevant magistrates’ cases, the bench may have discharged Mayson’s application because of a perceived monstrous greed on the part of both  Dobson and his client Alfred Mayson. As the judge proclaimed on 2nd June 1882: There is nothing to show me that there is any ppty in dispute - what is use of this ? (Image 4)

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