Showing posts with label Captain Edward Goldsmith. Show all posts
Showing posts with label Captain Edward Goldsmith. Show all posts

Preview of new research 2023

John NEVIN snr's letter from Ireland (1854)
Captain James DAY first mate of the Pryde and Panama at the San Francisco fires (1851)
Elizabeth GOLDSMITH sale of Captain Edward Goldsmith's estate (1870)
Thomas and Elizabeth NEVIN's grandchildren's private collections (20th century)

New Research 2023
This year we cross the globe to visit the Great Fires of San Francisco, California, USA with Captain James Day (1851); to hear about old friends at Grey Abbey, County Down, Ireland from John Nevin snr's sisters (1855); and to follow the sale of Captain Edward Goldsmith's many freehold properties at Gad's Hill, Higham, County Kent, UK (1870), for a closer look at historical documents recently come to hand. These beautifully preserved archival ephemera deepen our knowledge of events in the lives of the preceding generation of photographer Thomas J. Nevin (1842-1923) and his wife Elizabeth Rachel (Day) Nevin (1847-1914). We also cross the threshold of the 20th century to begin a new private collection called "The Grandchildren's Albums". The following are synopses of full articles to come.

LETTER from GREY ABBEY
The first of these documents is a letter sent in 1855 from Grey Abbey, Ireland, to John Nevin snr (1808-1887), husband of Mary Ann (Dickson) Nevin (1810-1875) and father of Thomas J. Nevin and siblings, settled since 1854 at his "cottage in the wilderness", Kangaroo Valley, Hobart, Van Diemen's Land (Tasmania). Written by one of his sisters, at one point she laments the consequences of war in the Crimea and applauds her brother John, former soldier of the Royal Scots First Regiment, for having made the decision to migrate to Australia three years earlier (1852) despite the family's initial misgivings.

John Nevin, Hobart 1873

John Nevin snr (1808-1887), soldier, journalist, poet, gardener
Photographed by his son Thomas J. Nevin ca. 1872, Hobart, Tasmania
Copyright © KLW NFC Imprint Private Collections 2003-2023.

Letter to John Nevin from Grey Abbey 1855

LETTER addressed to John NEVIN (1808-1887)
File Name: Nevin, Thomas
Record Type: Tasmanian Archives research file
Record ID: NAME_INDEXES:1807228
Archives Office of Tasmania
Link: https://stors.tas.gov.au/NI/1807228

Another of John Nevin's poems has surfaced this year, a five stanza contemplation of the terror and injustice of slavery titled "HOPE" published by the Hobart Weekly Times, on 12th September 1863, just months after President Abraham Lincoln issued his Emancipation Proclamation on 1st January, 1863.

CARGO to SAN FRANCISCO
The next new area of research gathers together a collection of ships' cockets, port officers' logs, signal charts and maps, passenger and crew lists, and newspaper reports of the Great Fires of San Francisco, 1849-1851 when Elizabeth Rachel (Day) Nevin's father, Captain James Day (1808-1882), served as Navigator and First Mate on board the Pryde and the Panama from Hobart to California. On those voyages the primary cargo was pre-fab timber house frames, the lesser cargo, potatoes and onions. He was praised by Captain Robinson of the Panama for not deserting ship for the gold fields when the rest of his crew had left him high and dry.

Captain Robinson 1851

Page 61: "Mr. Day the mate got the ship in good order."
Captain Robinson : the reminiscences of a Tasmanian master mariner James William Robinson 1824-1906 /
Edited by Michael Nash.
Author/Creator: Robinson, James William, 1824-1906.
Publication Information: Sandy Bay, Tas. : Blubber Head Press, 2009.





National standards merchants flags, Hobart Town / by Edward Murphy Private 99. Regiment.
Author/Creator: Murphy, Edward, 1823-1871.
Publication Information: 1855.
Physical description: 1 painting : watercolour, pen and ink on paper ; 574 x 869 mm.
Digitised item from: Allport Library and Museum of Fine Arts, State Library of Tasmania.
Link: https://stors.tas.gov.au/ILS/SD_ILS-146834

The LADY'S TIPPETT
The third new area of research examines the bundle of legal documents with diagrams detailing the extent of freehold and lease holdings in Kent, UK of Elizabeth Nevin's uncle, merchant mariner Captain Edward Goldsmith (1804-1869) which were sold at auction after his death. Of special interest is the unusual circumstance surrounding the sale of a small piece of marshland known as "Lady's Tippett" to Robert Lake the younger in 1870. We hear for the first time from Elizabeth Goldsmith (1810-1875), Edward's wife, speaking in her own voice about the title to this parcel of land mysteriously absent from the deeds. It was named presumably because of its topographical shape resembling an item of Medieval clothing draped from the elbow to the hem worn by women, perfectly depicted in this 14th century statuette of Joan, daughter of Edward III.

Joan-de-la-tour-statuette-Westminster-abbey

Statuette of Joan on the tomb of Edward III
DIED 2nd September 1348
LOCATION St Edward’s Chapel; South Ambulatory
MATERIAL TYPE Bronze
Image © 2023 Dean and Chapter of Westminster
Joan, daughter of Edward III
A small bronze statuette (or weeper) of Joan, a daughter of Edward III and Philippa of Hainault, can be seen on the side of her father's tomb in Westminster Abbey. This can be viewed from the south ambulatory. She was born in 1335 and died on 2nd September 1348 en route to Spain to marry Pedro of Castile. She lies buried in Bayonne cathedral. The weeper figure wears a reticulated head dress, cote-hardi and long sleeves and the coat of arms depicting Castile & Leon impaling France and England quarterly is below.

Elizabeth Goldsmith auction 1870 Higham and Chalk UK

From files held at Kent History and Library Centre
"Conveyance of saltmarsh in Higham, bought by Robert Lake 1870
Description: Also Gads Hill House, Gads Hill Cottage and nine cottages in Gads Hill; twenty seven cottages, Chalk Street, Gravesend; eleven cottages in Vicarage Row, Higham (all referenced in a sale catalogue with plan, 1870). Also contains declaration of Elizabeth Goldsmith re. title to the marshland, 9 Jun 1870, and Abstract of Title for Robert Lake's ownership of the marshland, 1881"
Link: https://www.kentarchives.org.uk/collections/getrecord/GB51_U36_2_882_5

Of special interest to the nieces of Captain Edward Goldsmith - Elizabeth Rachel (Day) Nevin and her sister Mary Sophia Day as daughters of his wife Elizabeth (Day) Goldsmith's brother Captain James Day back in Hobart, Tasmania - was the sale of the eleven cottages in Vicarage Row, Higham which he had set aside as a bequest to them in his will. Photographer Thomas J. Nevin, Elizabeth Rachel Nevin's husband was named as an additional beneficiary. Those cottages were still unsold when Mary Sophia Day unsuccessfully contested the will in Chancery in 1872. They were sold to the Rev. Joseph Hindle, the former owner of the house which Charles Dickens bought at 6 Gadshill Place in 1856, but he died two years later in 1874, whereon his heir, David Burn Hindle, a farmer of WhataWhata, New Zealand, became the sole owner of these cottages, nine of which Captain Goldsmith had built in the 1850s, and which are still standing today.



Eleven Cottages, Vicarage Row, School Lane, Higham, Kent, UK
Sold in 1872 from the estate of Captain Edward Goldsmith to the Rev. Joseph Hindle
Screenshot: Google Earth 2021

The GRANDCHILDREN'S ALBUMS
The grandchildren of photographer Thomas J. Nevin and his wife Elizabeth Rachel (Day) Nevin inherited a rich trove of photographs and documents, and they in turn have left a significant collection of early to mid 20th century family photographica. Pictured below in the same pose, two decades apart, are first-born Eva Nevin (dec.) and second-born Hilda Nevin (dec.) , the two eldest daughters of Thomas and Elizabeth Nevin's youngest child, Albert Edward Nevin and his wife Emily Maud (Davis) Nevin. Both Eva and Hilda lived as adults in Melbourne and Sydney.



Eva Nevin (left) and Hilda Nevin (right), Hobart, Tasmania, 1923
Copyright © KLW NFC Imprint Private Collections 2009-2023.

Eva (Nevin) Morris and Hilda (Nevin) Warren, Sydney, NSW, 1940s

Eva (Nevin) Morris and Hilda (Nevin) Warren, Sydney, NSW, 1940s
Copyright © KLW NFC Imprint Private Collections 2009-2023.

More, please
The search for more photographic works by Thomas J. Nevin continues. Our readers from Hobart to Helsinki, from Sydney to Switzerland, from Darwin to New Dehli and New Town to New York, all visit regularly, and wish to see more. If you have in your possession, or know the existence of photographs and documents which are on point, please contact us here. We are more than happy to negotiate on original materials.



Copyright © KLW NFC Group & KLW NFC Imprint Private Collections 2023.

Captain Edward Goldsmith: imports to Tasmania, exports to everywhere, 1840s-1860s

CAPTAIN EDWARD GOLDSMITH (1804-1869) merchant mariner
IMPORTS of exotic flora and bloodlines 1850s
EXPORTS of indigenous plants, birds and animals 1860s
FRANK HAES stereogram of the thylacine London Zoo 1865



Glover, John. Hobart Town, Taken from the Garden Where I Lived, 1832 / by John Glover (1832).
Glover, John, 1767-1849
Painting oil on canvas - 76 x 152 cm, State Library of NSW
Link: https://www.sl.nsw.gov.au/collection-items/hobart-town-taken-garden-where-i-lived

The Pretty Views of Hobart 1850
From the deck of HMS Havannah approaching the port of Hobart, Van Diemen's Land (Tasmania) on 26th December, 1850, deputy adjutant Godfrey Mundy made these observations:
The extraordinary luxuriance of the common red geranium at this
season makes every spot look gay; at the distance of miles the sight is
attracted and dazzled by the wide patches of scarlet dotted over the
landscape. The hedges of sweet-brier, both in the town-gardens and
country-enclosures, covered with its delicate rose, absolutely monopolize
the air as a vehicle for its peculiar perfume: — the closely-clipped mint
borders supplying the place of box, sometimes, however, overpower the
sweet-brier, and every other scent of the gardens.

Every kind of English flower and fruit appears to benefit by
transportation to Van Diemen's Land. Well-remembered shrubs and
plants, to which the heat of Australia is fatal, thrive in the utmost
luxuriance under this more southern climate. For five years I had lost
sight of a rough but respected old friend — the holly, or at most I had
contemplated with chastened affection one wretched little specimen in
the Sydney Botanic Garden — labelled for the enlightenment of the
Cornstalks. But in a Hobart Town garden I suddenly found myself in the
presence of a full-grown holly, twenty feet high and spangled with red
berries, into whose embrace I incontinently rushed, to the astonishment
of a large party of the Brave and the Fair, as well as to that of my most
prominent feature!

The fuchsia, the old original Fuchsia gracilis, attains here an
extraordinary growth. Edging the beds of a fine garden near where I
lived, there were hundreds of yards of fuchsia in bloom; and in the
middle of the town I saw one day a young just-married military couple
smiling, in all the plenitude of honey-lunacy, through a cottage-window
wholly surrounded by this pretty plant, which not only covered the entire
front of the modest residence, but reached above its eaves. And this
incident forces on my mind a grievous consideration, however out of
place here, namely, the virulent matrimonial epidemic raging lately
among the junior branches of the army in this colony. “Deus pascit
corvos
,” the motto of a family of my acquaintance, conveys a soothing
assurance to those determined on a rash but pleasant step. But who will
feed half-a-dozen ravenous brats is a question that only occurs when too
late! At this moment the regimental mess at Hobart Town is a desert
peopled by one or two resolute old bachelors and younger ones clever at
slipping out of nooses, or possessing that desultory devotion to the sex
which is necessary to keep the soldier single and efficient. Punch's
laconic advice “to parties about to marry,” which I have previously
adverted to, ought to be inserted in the standing orders and mess rules of
every regiment in H.M.'s service.

Here, too, to get back to my botany, I renewed my acquaintance with
the walnut and the filbert, just now ripe, the Spanish and horse-chestnuts,
the lime-treewith its bee-beloved blossom, and the dear old hawthorn of
my native land. As for cherryand apple-trees, and the various
domesticated berry-bushes of the English garden, my regard for them
was expressed in a less sentimental manner. I defy schoolboy or
“midship-mite” to have outdone me in devotion to their products,
however much these more youthful votaries may have beaten me in the
digestion of them.
Source: Extract from: MUNDY, Godfrey Charles (1804-1860)
Our Antipodes or, Residence and Rambles in the Australasian Colonies, with a Glimpse of the Goldfields
(London, Richard Bentley 1852)
* Read the entire extract about Tasmania by Mundy in this post here.



Fuchsia gracilis
Source: https://www.gardenia.net/plant/Fuchsia-magellanica-var-gracilis-Hardy-Fuchsia



Geranium striatum: Bot. Mag. 2, 1788.
Source: Biocyclopedia.com
Pelargonium (Geraniaceae) 1:98. Tasmania has three native species of Pelargonium and three species that are naturalised garden escapes. The latter include species that are commonly called geraniums. However, the Tasmanian Pelargonium species have thicker leaves and more asymmetrical flowers than the true Geranium species.
Source: Key to Tasmanian Dicots
Link: https://www.utas.edu.au/dicotkey/dicotkey/GERAN/gPelargonium.htm

Imports and Exports
By 1850 and less than half a century since British occupation, Hobart (Van Diemen's Land/Tasmania/lutruwita) was a town abundant in exotic flora, in no small measure due to the importation of every kind of fruit, flower and vegetable by merchant mariner Captain Edward Goldsmith (1804-1869) of Chalk, Kent and Rotherhithe, Surrey, UK. His niece Elizabeth Rachel Day, born Rotherhithe 1847 to his wife's brother and sometime navigator, James Day and Elizabeth (Pocock) Day, married photographer Thomas J. Nevin at Hobart in 1871.

The press reported on 19 December 1850 that: -
"Captain Goldsmith ... has more than any other skipper, added to our Floral and Horticultural treasures"
The botanical "treasures" originated from the Americas, Europe and South Africa, in addition to carefully chosen specimens from the Royal Botanical Gardens in Kew (UK) and Sydney (NSW). Several were from Captain Goldsmith's own plantations and nurseries in Kent (UK). Many varieties were imported at his own expense, others were consignments such as Mammoth strawberries for nurseryman Mr. Lipscombe, hops for Mr. Sharland, and a variety of exotic species selected for the Tasmanian Royal Society's Botanical Gardens which were expected to thrive in Tasmania's temperate climate. On return voyages Captain Goldsmith exported Tasmanian varieties of potato to assist Ireland in the grip of famine, and Norfolk Island pines to inhabit the otherwise bare hills of the Falklands Islands.

From NSW he also imported animal stock such as merinos to improve Mr. Bethune's bloodlines, and from the bloodstock of the Duke of Richmond he imported three fillies to improve the racing stock of the Lord brothers. There were also quantities of blue gum (eucalyptus globulus), skins of native animals, and indigenous plants conveyed back to Europe, destined for the great exhibition halls of London and Paris (1851-1855). Captain Edward Goldsmith retired to his estate in 1856 at Gadshill House, Telegraph Hill, Higham, Kent, UK. The large marsupial thylacine known then as the "Tasmanian wolf" and in modern times as the "Tasmanian tiger" may have been among the exports of indigenous animals he carried on one of his return voyages to London up to 1855 but the only export of a live thylacine to survive long enough to be photographed in 1865 by Frank Haes arrived at the London Zoo almost a decade later, in 1863, under the auspices of Tasmanian botantist Ronald Gunn (Haes' "stereogram" - and see below).



Photographer: Frank Haes,stereogram 1863 of a Tasmanian thylacine, London Zoo
Source: https://doi.org/10.7882/AZ.2016.022

TIMELINE

February 1840: trees from Hobart for the Falklands
The suggestion that the Falklands become a penal colony similar to Van Diemen's Land (Tasmania) was put forward to the Colonial Office by Captain William Langdon R.N. as early as 1830. For merchant traders such as Captain Edward Goldsmith, the Falkland islands were of primary importance as a naval depot and resort for merchantmen needing supplies. With probate matters on his father's estates at Rotherhithe, Surrey and Chalk, Kent left in the hands of his brother John Goldsmith and sister Deborah Goldsmith, Captain Goldsmith arrived back in Hobart, VDL, once more in command of the Wave, on 26th September 1839, where he attended a dinner held at Government House by his close friend, Sir John Franklin (23 October 1839). He departed Hobart on 11th January 1840 bound for London with wool and passengers, intending to anchor at Berkeley Sound East Falkland en route, as stated in his letter. The Wave arrived at Port Louis in late February 1840, the first vessel to do so in the new Crown Colony. According to this optimistic report from Lieut. John Tyssen dated 29th February 1840 (a valid leap year), which Captain Goldsmith duly conveyed on his behalf to the Admiralty, London, one hundred different tree seeds were sourced from a Hobart gardener by Captain Goldsmith as a gift to the settlement where the only other trees " upon the Island" were one American pine and a few Silver fir.



Captain Goldsmith's gift of tree seeds to the Falklands
Source: Sessional Papers printed for the House of Lords ... 1841

TRANSCRIPT extract
Enclosure in No.6.
Settlement House, port Louis, 29th February 1840
Sir,

By the Wave Merchant Barque, Mr. Goldsmith Master, I take the opportunity of communicating direct to inform you, for the Information of the Lords Commissioners of the Admiralty, of my Proceedings since I took charge of the Falkland Islands.... Mr. Goldsmith, the master of the Wave, has just given me 100 different Sorts of Tree Seeds, which I intend to sow at a favourable Season; they are from a very good Gardener at Hobart Town.... The Wave is the first Vessel that has touched here since I arrived, but I have every Reason to believe more Vessels will frequent this Harbour.
Nothing of any Importance has occurred since I took Charge,
I have, & (Signed) JOHN TYSSEN, Lieut. R.N.
Captain Goldsmith's gift of tree seeds to the Falklands
Source: Sessional Papers printed for the House of Lords ... 1841

January 1847: export of the black Derwent potato
Even as the potato famine in Ireland was taking hold, Captain Goldsmith offered to export varieties of seed potatoes which had proved successful in experiments, in the hope that a change of seed and further experimentation in the "kingdom" amongst his friends might assist. Again, his offer to pay for the transport and experiments in England from his private account was noted. Some Tasmanian varieties exported were the "black Derwent" and the "fine ash-leaved kidney".



Captain Goldsmith's export of Tasmanian potatoes

TRANSCRIPT
SEED POTATOS FOR ENGLAND.-We noticed recently the importance that would be derived by the Home-country,could the potato disease be eradicated by a change of seed. At the same time, we did not express any sanguine opinion, founded on experiments that had been already tried, of the success of any extensive exportations from this colony. Experiments, however, are about to be tried-not, it is true, on a large scale, by merchants in the way of business, but by the philanthropic efforts of private individuals. We have heard within the last few days, of several samples of very fine and ripe seed potatos-including especially the black Derwent and the fine ash-leaved kidney-being already on their way to England in the vessels that have recently left our shores, freighted with colonial produce. Captain Goldsmith, of the Rattler, took with him, not as merchandise, but on his own private account, as presents for experiment by his agricultural friends in England, samples of several varieties. Many samples are now being packed for transmission in the Derwent and other vessels, whose departure may shortly be expected. These also are comparatively small; but as they will be dispersed as presents to friends in different parts of the kingdom, the experiment of success in eradicating the disease, by change of seed from this colony, will have, perhaps, a fairer and more satisfactory trial than if exportation had taken place on a larger scale on merchants' account.
Captain Goldsmith's export of Tasmanian potatoes
Source: The Courier p. 2. LOCAL. (1847, January 30)
Link: https://nla.gov.au/nla.news-article2972781

December 1848: arrival of new and perished varieties
The Mammoth and Elizabeth strawberries had perished on this voyage for having been placed in mould at the bottom of the case, an oversight which consignee Frederick Lipscombe turned into a tasteless political round of blame directed at Captain Goldsmith which he pursued in the press.



From The Hobart Courier, 14 December 1848:

TRANSCRIPT

IMPORTED PLANTS.- ... The flora of this country has also received a great addition by the importation of some plants for Mr. F. Lipscombe in the Rattler, Captain Goldsmith. The following are in good condition :-Lilium rubrum, schimenes picta, campanula novilis, gloxinia rubra, Rollisonii, speciosa alba, and Pressleyans ; anemone japónica, lilium puctata, torenia concolor, lobelia erinus compacta, myasola (a "forget-me not"), and another new specimen of the same; cuphan mineara, weigella roses, phlox speciosa, cuphea pletycentra, lantana Drummondii and Sellowii, phloz rubra, achimines Hendersonii ; with the following camellias - Queen Victoria,- elegans, tricolor, triumphans, speciosa, Palmer's perfection, and Reevesii. These were ail contained, with others, in one case ; they were well established in pots before packing, which has tended to their preservation. Another case contains lemon thyme, sage, and the Mammoth and Elisabeth strawberries. The same course in this instance had not been pursued; the plants were put into mould at the bottom of the case, and in almost every instance have perished. A quantity of carnations unfortunately experienced the same fate. Importers will therefore do well to impress upon their agents in England the necessity of establishing them in pots before packing. In the exportation of Van Diemen's Land shrubs to the United Kingdom, India, and Mauritius, Mr. Lipscombe always adopts this method, and it is of rare occurrence for any specimen to be lost.
Source: LOCAL. (1848, December 13). The Courier (Hobart, Tas. : 1840 - 1859), p.2.
Link: https://nla.gov.au/nla.news-article2967335

January 1849: testimonial to Captain Edward Goldsmith



Testimonial to Captain Goldsmith
Source: Colonial Times 19 January 1849 p. 2.
Link: https://nla.gov.au/nla.news-article8764279

TRANSCRIPT
TESTIMONIAL TO CAPTAIN GOLDSMITH.-A handsome twelve-ounce silver goblet was presented to Captain Goldsmith on Wednesday, last, as a testimonial in acknowledgment of the services he has rendered to floral and horticultural science in Van Diemen's Land, by importing rare and valuable plants from England. The expenses incurred were defrayed by private subscription. The testimonial was presented by W. Carter, Esq., in the name of the subscribers, who observed that he had hoped the task would have been committed to abler hands. Mr. Macdowell, who was engaged in Court, he said, had been first deputed to present the testimonial, as being a private friend of Captain Goldsmith. A token twenty times the value would no doubt have been obtained had the subscribers publicly announced their intention.
-Upon receiving the cup, Capt. Goldsmith remarked that he would retain the token until death ; and, with reference to some observations made by Mr. Carter, intimated it was not improbable he should next year, by settling in Van Diemen's Land with Mrs. Goldsmith, become a fellow-colonist
-The goblet, which was manufactured by Mr. C. Jones, of Liverpool-street, bears the following inscription:-"Presented to Captain Goldsmith, of the ship Rattler, as a slight testimonial for having introduced many rare and valuable plants into Van Diemen's Land. January, 1849." The body has a surrounding circlet of vine leaves in relief. The inscription occupies the place of quarterings in a shield supported the emu and kangaroo in bas relief, surmounting a riband scroll with the Tasmanian motto-" Sic fortis Hobartia crevit." The foot has a richly chased border of fruit and flowers. In the manufacture of this cup, for the first time in this colony, the inside has undergone the process of gilding. As heretofore silver vessels of British manufacture have taken the lead in the market through being so gilt, it is satisfactory to find that the process is practically understood in the colony, and that articles of superior workmanship can be obtained with out importation.
Source: Colonial Times 19 January 1849 p. 2.
Link: https://nla.gov.au/nla.news-article8764279



Print: Jardin botanique D’Hobart Town (Ile Van Diemen) / dessine par L. Le Breton Lithe par P. Blanchard.
Publisher: Paris : Gide, [184-?]
Source: W.L. Crowther Library, Tasmania. Ref: ADRI: AUTAS001125294538

February 1849: export of live native specimens on the "Rattler"
Exports to taste, these animals were not merely destined to be wondered at in the zoos of Britain, they were sometimes served up on the plates of their importers' dinner guests.



TRANSCRIPT
THE "RATTLER" - Captain Goldsmith has kindly taken the commissions of several residents in the colony, and is expected in his next trip to bring some very rare shrubs and plants, of a description not yet seen here. He takes home with him several live specimens of our kangaroo, emu, black swan, native cat and is is generally wished he may have a successful trip.
Source: Colonial Times (Hobart, Tas. : 1828 - 1857) Tue 20 Feb 1849 Page 2 Domestic Intelligence.
Link: https://trove.nla.gov.au/newspaper/article/8764448



John Gould visited Tasmania with his wife, celebrated ornithological illustrator Elizabeth Gould in 1838. He wrote that he liked the taste of the "delicate" flesh of baby emus, but the adult emu tasted like "coarse beef".



The Tasmanian rosella or Platycercus caledonicus, or the yellow-bellied parakeet, from volume five of Illustrations: John Gould’s The Birds of Australia 1848/ State Library of New South Wales.

Gould wrote of the Tasmanian rosella or Platycercus caledonicus:
Most of my readers are doubtless aware that Parrots are frequently eaten by man, but few of them are, perhaps, prepared to hear that many species of the family constitute at certain seasons a staple portion of the food of the settlers ....Soon after the establishment of the colonies of Van Diemen’s Land, pies made of the bird here represented were commonly eaten at every table, and even at the present time are not of unfrequent occurrence. It was not long after my arrival in the country before I tested the goodness of the flesh of this bird as a viand, and I found it so excellent that I partook of it whenever an opportunity for my doing so presented itself. It is delicate, tender, and well-flavoured.
Source: Calla Wahlquist "Pecking order: how John Gould dined out on the birds of Australia"
The Guardian Australian edition Sat 30 Dec 2017 14.16 AEDT

December 1850: flora and fillies arrive on the "Rattler"
Captain Goldsmith arrived with "seven cases of his old favourites." The reporter of this newspaper article assumed his reader would have prior knowledge as to the exact composition of those favourites, such was the affection and esteem in which Captain Goldsmith was held in matters horticultural.



Arrival of the Rattler at Hobart, December 1850
Source:The Irish Exile and Freedom's Advocate (Hobart Town, Tas. Sat 21 Dec 1850 Page 7 LOCAL.
Link: https://trove.nla.gov.au/newspaper/article/233330897

TRANSCRIPT
THE Rattler, - has conveyed to these shores, once more Mr. and Mrs. Cox, the worthy parents of Mr. Charles Cox of the Salutation Inn, Liverpool Street, to remain, we hope, permanent residents in the Colony. Captain Goldsmith is famed for useful importations, and has, more than any other skipper, added to our Floral and Horticultural treasures: on the present occasion Capt. Goldsmith has brought out seven cases of his old favourites and also, three fillies from the stock of the Duke of Richmond of Goodwood celebrity, which we understand, have arrived in most excellent condition; one was purchased for Mr. James Lord, and the other two for Mr. John Lord.

December 1851: election to the Royal Society



TRANSCRIPT
17th December, 1851.— John Lillie, D.D., a Vice-President of
the Society, in the chair.
After a ballot, the following gentlemen were declared duly elected
into the Society :— Captain Goldsmith, of Hobart Town, and
Andrew Mowbray, M.D., of Circular Head.
Source; Papers and Proceedings of the Royal Society of Van Diemen's Land
Vol.II, Part I. January 1852 Tasmania
Source: Smithsonian Institution Museum Library
https://archive.org/stream/papersproceeding2185253roya/papersproceeding2185253roya_djvu.txt

1855: export of blue gum plank
Captain Edward Goldsmith's entry of a blue gum plank (eucalyptus globulus) was shipped to France for the opening of the Paris Exposition on 15 May 1855, closing on 15 November 1855. Over five million people visited the exhibition which displayed products from 34 countries across 6 hectares (39 acres).

Exposition universelle de 1855 à Paris
Opened: 15 May 1855
Closed: 15 November 1855
Attendance:5,162,330
Site: 16 hectares(39 acres)
Participating Countries: 34



Exhibitors: Appendix p.295
Goldsmith, Captain .... Blue gum plank
Source: Captain H. Butler Stoney of the 99th Regiment, author of A residence in Tasmania: with a descriptive tour through the island, from Macquarie Harbour to Circular Head (London, Smith, Elder & co., Sept. 1856).

The plank was 70 feet long, 11 feet wide and 3 inches thick, according to the report in the Hobart Courier, 6 September 1855. Although the Exposition catalogue listed his plank, the report suggested it never left Hobart, that is, if the plank was originally cut by the Commandant of Port Arthur, James Boyd, and Captain Goldsmith was his proxy as both shipping agent and exhibitor.

TRANSCRIPT
Blue Gum of Tasmania,- Eucalyptus globulus, plank 70 + 11 +3 inches. Captain Goldsmith.
This is perhaps the most valuable and important of the timber trees of Tasmania. Its principal habitat is in the south side of the island ; but it is also met with in the valley of the Apsley and at the Douglas River, on the East Coast, and it re-appears upon Flinder's Island, in Bass's Straits: its stronghold, however, is D'Entrecasteaux's Channel and along the south side of the island, whence it has been exported in various shapes within the last three years to the value of about £800.000.
The Blue Gum attains, when-at maturity, an average elevation and size greater probably than any other tree in the world ; a plank forwarded to the London Exhibition of 1851, which from the difficulty experienced in procuring a ship to carry it, arrived in England too late forexposition, measured 145 feet in length, and was 20 inches broad by 6 inches in thickness. A plank of the same width and thickness was cut 60 feet in length by Mr. James Boyd, Civil Commandant at Port Arthur, Van Diemen's Land, in order to be forwarded to the Paris Exhibition of 1855, but it has been found impracticable to get it shipped by any vessel at this port, (Hobart Town), and it does not therefore appear in this catalogue.
This tree attains at its full growth a height of 250 to 350 feet, and a circumference varying from 30 to upwards of 100 feet, at four feet from the ground. In regular forest ground it rarely gives off its principal limb under 100 feet, and there is not unfrequently a stem clear of any branch for 200 foot and upwards. The most important purpose for which this timber is adapted, and to which it is extensively applied, is that of ship-building. The Messrs. Degraves and Messrs. Watson of this place have built and fitted out vessels with it of which several are now trading regularly to and from England. Its specific gravity is greater than that of Teak, British Oak, or even Saull; and experiments instituted to ascertain its breaking weight &;c., have established the fact, that in strength and elasticity it is superior to all other timbers. For planking and stringers, and for keels of ships, the blue gum possesses a suitability beyond all other timbers, since it affords length and dimensions which it would be impossible to obtain from any other tree.
The purposes to which the wood of the blue gum is applied are as numerous as the varieties of work which devolve on the shipwright, millwright, house carpenter, implement-maker, and engineer, for in all these departments of mechanical labour and skill it is found to be a material all but indispensable, notwithstanding the great diversity of woods available in the Colony. For instance, it is in constant use for tree-nails in ship-building, - as gunwales for boats,- for house-building. for fitting up steam engines and the heaviest machinery,- in the construction of wheels, wheelbarrows, carts. &c, and for piles on which to raise wharves ; bridges of great span are built of it, -that at Bridgewater, about II miles from Hobart Town, of which a model was sent to the London Exhibition. and which is raised upon piles measuring 65 to 90 feet each in length, stands 9 feet above the highest high watermark, and measures 96 feet from end to end, by a breadth affording a roadway of 24 feet, is constructed entirely of this timber. This tree, like most of the Eucalypti, yields a red, highly astringent gum, which has been extensively used,and found to answer, as a "kino," and the leaves by distillation yield an essential oil, having the properties of "Cajeput oil.
Source: TASMANIAN CONTRIBUTIONS TO PARIS 1855. (1855, September 6). The Courier  p. 2.
https://nla.gov.au/nla.news-article2489968

1863: export of a thylacine to London Zoo
A young male thylacine (coll. Tasmanian wolf in the 19th century) was sent in 1863 (as part of a family group) to London Zoo in Regent’s Park by the Launceston botanist and politician, Ronald Campbell Gunn (1808-1881). This specimen became the reluctant subject of Frank Haes' calotype photograph.

Another Tasmanian indigenous export which may have acompanied the thylacine in 1863 as part of a family group sent to London Zoo was a medium-sized macropod marsupial known as the red-necked wallaby or Bennett's wallaby (Notamacropus rufogriseus) which Frank Haes also photographed:




Title: The Wallaby, Hybrid. (Between H. Ruficolus, & H. Bennettii.)
Artist/Maker: Frank Haes (English, 1833 - 1916)
Date: about 1865
Medium: Albumen silver print
Culture: English
Object Number: 84.XC.873.5355
Department: Photographs
Classification: Photograph Object Type: Stereograph
Provenance - 1984, Samuel Wagstaff, Jr.American, 1921 - 1987 sold to the J. Paul Getty Museum, 1984.
Link:https://www.getty.edu/art/collection/object/10719N

The extracts and photographs (below) are cited from an article published in the Australian Zoologist 2016 (Vol. 38, 2).

"Frank Haes' thylacine"
Stephen R. Sleightholme; Cameron R. Campbell; Andrew C. Kitchener
Australian Zoologist (2016) 38 (2): 203–211
https://doi.org/10.7882/AZ.2016.022

ABSTRACT
Until recently, the earliest surviving photograph of a thylacine (albeit that of a dead trophy specimen) was from 1869. An earlier photograph, taken in 1864 by Frank Haes of a living thylacine at London Zoo, was known to have existed, but was feared lost or destroyed. This paper describes its recent rediscovery, and the identity of the thylacine it portrays. The Haes photograph is the only known image of a living thylacine from the 19th century and comprises a stereo view and lantern slide, both of which are presented together here for the first time.



Page 207: "Frank Haes' thylacine" Australian Zoologist (2016) 38 (2)



Op. cit. p.207
Source: https://meridian.allenpress.com/australian-zoologist/article/38/2/203/135313/Frank-Haes-thylacine




Op.cit: p.208
Source: https://meridian.allenpress.com/australian-zoologist/article/38/2/203/135313/Frank-Haes-thylacine


EXTRACTS pp 204-208
In the summer of 1864, Haes was commissioned by the Zoological Society of London to take a series of photographs of animals in London Zoo, which included the first photographs of a living elephant (Edwards, 1996b, p.63), the now extinct quagga (Equus quagga quagga) (Edwards, 1996b, p.132), and the thylacine.

In a paper Frank Haes presented to a meeting of the members of the Photographic Society at Kings College on the 3rd January 1865, he stated:
"Casting about for some novelty at the commencement of last spring, we thought that a series of photographs of animals from life would be very useful and instructive; and having obtained the necessary permission, we removed everything requisite for working to the Gardens. It might be entertaining to the Members to hear the troubles and difficulties I encountered this summer in producing the present series of stereograms and larger photographs of the animals in the Zoological Gardens".
The thylacine (Thylacinus cynocephalus) is the largest marsupial carnivore to have existed into modern times. The last known captive specimen was a male that died at the Beaumaris Zoo on the Queen’s Domain in Hobart on the night of the 7th September 1936 (Sleightholme, 2011). Few thylacines in the International Thylacine Specimen Database (ITSD) can be traced directly from their point of capture in Tasmania into a museum collection (Sleightholme & Ayliffe, 2013). One such specimen, a young male, was sent in 1863 (as part of a family group) to London Zoo in Regent’s Park by the Launceston botanist and politician, Ronald Campbell Gunn (1808-1881). It is this specimen that eventually became the reluctant subject of Frank Haes’ photograph.

The Photographer
The photographer Frank Haes (3/1/1833 - 7/1/1916), was born in Camberwell (London) of Jewish parents. He was an honorary life fellow of the Royal Photographic Society and an early commercial pioneer of photography. Haes visited Australia in 1857 and took photographs of buildings in Sydney, including the Royal Exchange. He delivered a lecture at the Sydney Mechanics School of Arts on the 21st July 1857, where his photographs of Sydney were received with great enthusiasm. On returning to London later that year he presented a paper on photography in Australia to the newly formed Blackheath Photographic Society. Haes revisited Australia in August 1858 and married Adele Vallentine (of Hobart) in Sydney on the 24th November 1858. He exhibited 300 photographs of the Middle East and Crimea at the Philosophical Society of NSW in 1859 and photographed the Sydney Botanical Gardens in 1861. Haes returned to London in 1862, and went into business with Thomas Miller McLean (publisher/printer) and Arthur James Melhuish (photographer). Together they ran a photographic studio at 26 Haymarket until their partnership was dissolved in 1865. From 1865 to 1872 Haes relocated his studio to St. George’s Place in Knightsbridge, London. In the summer of 1864, Haes was commissioned by the Zoological Society of London to take a series of photographs of animals in London Zoo, which included the first photographs of a living elephant (Edwards, 1996b, p.63), the now extinct quagga (Equus quagga quagga) (Edwards, 1996b, p.132), and the thylacine.

Following the delivery of Haes’ paper, Mr James Glaisher, the vice president of the Society, stated:
"It would be difficult to over-estimate the value of these photographs as means of instruction for those who had no opportunity of seeing the living specimens. He was especially struck with the fine and life-like effect of the attitude of the animals, so different to what had been common in pictures. How graceful and easy in pose they were. To artists they must possess an especial value,and to naturalists for examination and comparison. The sharpness was very remarkable, and the position, proportions, &c. of the animals were admirably rendered,and reflected great credit not only on Mr Haes’s ability, but on his patience in dealing with such intractable animals. He understood that Her Majesty had seen them, and expressed her high approval of them."
An article by the zoologist and natural historian Frank T. Buckland (1826-1880), published in the Geelong Advertiser of the 15th March 1867 (p.3), stated with reference to Haes
"Many of our countrymen, especially those who are not resident in the metropolis, have no opportunity of seeing these living gems of creation. The wonderful art of photography has however, rendered it possible for us to have upon our tables accurate life-like pictures of the animals at the Zoological Gardens. Mr Frank Haes has lately completed a series of as many as one hundred and twenty-two animals. To do this with accuracy (as the animals seem to have objection to what is called: “sitting for their portraits”) has taken Mr Haes no less than three years, and he has had the greatest difficulty in carrying out his design. The photographs are now at last completed...."
All text and photographs sourced and cited from: -
"Frank Haes' thylacine"
Stephen R. Sleightholme; Cameron R. Campbell; Andrew C. Kitchener
Australian Zoologist (2016) 38 (2): 203–211.
https://doi.org/10.7882/AZ.2016.022

Royal Botanical Gardens 2014



Ginger, Royal Botanical Gardens, Hobart, Tasmania
Photos © copyright KLW NFC 2014



Sunflowers, Royal Botanical Gardens, Hobart, Tasmania
Photos © copyright KLW NFC 2014





Palms, Royal Botanical Gardens, Hobart, Tasmania
Photos © copyright KLW NFC 2014



Quinces, Royal Botanical Gardens, Hobart, Tasmania
Photos © copyright KLW NFC 2014



Varieties of exotica and botanist Ronald Gunn
Royal Botanical Gardens, Hobart, Tasmania
Photos © copyright KLW NFC 2014

EXTERNAL LINKS

Getty Museum
Frank Haes (1833 - 1916)
20 stereographs taken by Haes of animals at the London Zoo
https://www.getty.edu/art/collection/person/104VZ2
https://www.getty.edu/art/collection/artists/9105/frank-haes-english-1833-1916/

Australian Dictionary of Biography
Ronald Campbell Gunn was a first-rate botanist whose contribution was commemorated in Sir Joseph Hooker's introduction to his Flora Tasmaniae:
'There are few Tasmanian plants that Mr. Gunn has not seen alive, noted their habits in a living state, and collected large suites of specimens with singular tact and judgment. These have all been transmitted to England … accompanied with notes that display a remarkable power of observation, and a facility for seizing important characters in their physiognomy'.
https://adb.anu.edu.au/biography/gunn-ronald-campbell-2134

TMAG
Tasmanian Herbarium project to provide a modern Flora for Tasmania.
https://flora.tmag.tas.gov.au/

YouTube
Julie Gough
kaparunina (for the dead are many), 2021
Record of Native Tiger skins presented for payment to the Minister of Land Tasmania 1888-1912
Julie Gough transcribed from a ledger the names and locations of those who sought payment for 2055 kaparunina (thylacines) murdered in Tasmania between 1888-1909 as part of her art-research project into the genocidal impulse of colonists in Lutruwita (Tasmania).
https://youtu.be/OGWY_IvOMzI

National Museum of Australia
The National Museum of Australia holds a wide range of thylacine material, encompassing a diversity of anatomical preparations, historical artefacts, images and artworks.
Conservator Jennifer Brian on caring for a rare thylacine specimen
https://youtu.be/eS48Nm0sG8s

Isaac Dove
‘SEEING STRIPES’ 2022
Presenter Isaac Dove goes on a journey around Tasmania investigating the tale of Wilfred Batty, the man who shot what is said to be the last wild Thylacine
https://youtu.be/lycOs0zxyvI

Newspapers 1874
THE MERCURY. (1874, March 12). The Mercury (Hobart, Tas. : 1860 - 1954), p. 2.
https://nla.gov.au/nla.news-article8928693
AN INTERESTING PASSENGER. - The Tasmanian tiger, caught in the New Norfolk district by Mr. William Clarke, of Dry Creek, and which has, since its arrival in town, been accommodated with quarters at the Museum, was a passenger by the steamship Southern Cross that sailed for Melbourne yesterday. It is forwarded to the Zoological and Acclimatisation Society of Victoria, who intend placing it in the Zoological Gardens, Melbourne.
NEWS OF THE DAY. (1874, March 18). The Age (Melbourne, Vic. : 1854 - 1954), p. 2.
https://nla.gov.au/nla.news-article199381255
A fine specimen of the Tasmanian marsupial wolf, or native tiger, has just been received from Mr. Morton Allport, of Hobart Town, and added to the zoological collection

RELATED POSTS main weblog

Tragedy at Dickens' honeymoon cottage, Goldsmith's Plantation, Chalk, Kent (UK)

Captain Edward GOLDSMITH, merchant mariner's will in Chancery
Charles DICKENS, immortal novelist on honeymoon at Goldsmith's plantation
Tragedy of Walter MULLENDER at CRADDOCK'S cottage, Chalk, Kent

View from Chalk Church, Kent UK

View from the tower of St Mary the Virgin Church, Chalk Kent UK, known as Chalk Church, down Church Lane to Lower Higham Road, the Salt Marshes and the Thames beyond.
Photo courtesy of and copyright © Carole Turner March 2016


1869: Captain Edward Goldsmith's Will
A weather-board house known as Craddock's cottage, Chalk, Kent (UK) was listed as one of Captain Edward Goldsmith's properties in his will. It was located in the village of Chalk on the north side of the lower road leading to the marshes, a little way from the junction of the Gravesend to Rochester main road. Generations of the Goldsmith family had leased it to the parents of cabman John Craddock who was the occupant of the cottage when it was listed for auction on Captain Goldsmith's death in 1869 under these terms:
IN THE PARISH OF CHALK
27 COTTAGES and GARDENS in the village of Chalk, held at rentals amounting to £196 15s. per annum, together with 2a. 0r. 0p. of valuable plantation, house and garden, and building land, in the occupation of Mr. John Craddock, at a rental of £30 per annum, in 8 Lots.
Particulars, conditions, and plans may be obtained at the Auction Mart, London; Bull Hotel, Rochester; G. M. Arnold, Esq., Solicitor, Gravesend; and of Messrs. Cobb, Surveyors and Land Agents, 26, Lincoln's Inn Fields, London, and Rochester, Kent.
Source: National Archives UK Ref C16/781 C546012
Read the complete transcript of Captain Goldsmith's will in Chancery here.

The cottage was sold by private contract as soon as it was offered in 1869. It was almost certainly acquired because of its association with novelist Charles Dickens. He was thought to have lodged there on his honeymoon with Catherine Hogarth in early April 1836, and although disputes arose from time to time as to the veracity of this claim, with a few other cottages in the district put forward as possible contenders, the committee of the local Dickens Fellowship hoped to put an end to speculation in 1912 with their publication they called a "little brochure " - see full transcript below - titled Dickens's honeymoon and where he spent it. In this description of the cottage's exact location and connection with the Craddock family, the authors drew upon the image of a triangle:
This weather- boarded, old-fashioned cottage is situated on the north side of the present main road. Those acquainted with the locality are aware that on the way to Rochester, and just after the village school is passed, two roads branch off — the main road, and what is called the lower road leading to the golf links and the marshes. It will also have been noticed that these two roads for a short distance form two of the sides of a triangle, Mr. Brann's dairy forming the base. At the top of this triangle is situated the house where, according to Mr. Mullender, the honeymoon was spent, the present tenants being Mr. and Mrs. Redsell. In 1836, he says, the tenants were a Mr. and Mrs. Craddock, the parents of Mr. John

20

Craddock, who was for many years a well- known cabman in Gravesend, and who was born at this house in 1832. Mr. and Mrs. Craddock lived at this cottage for some thirty or forty years, and were in the habit of letting a parlour and bedroom. Mr. Mullender says his grandmother also confirmed this statement. Beyond this fact there is at present no further evidence in support of Mr. Mullender's contention, but it must be remembered that no special notice would be taken of Mr. and Mrs. Dickens engaging apartments at the house, for Dickens had yet to make his name known.
From: Dickens's honeymoon and where he spent it (1912) pp 19-20
See the full transcript of this publication below, and at this link:
https://archive.org/details/dickensshoneymoo00philrich/page/n15/mode/2up

The triangle and therefore the exact location of Craddock's cottage is marked with a callout on this map of 1830. (NB: right click on it and open in a new window for large view.)



Callouts: Craddock's Cottage, Chalk; St Mary the Virgin Chalk Church; Gad's Hill House, Higham, Captain Goldsmith's house on Telegraph Lane; Lady's Tippett, Higham Creek Higham Saltings
Source: https://mapco.net/kent1801/kent16_01.htm

Probate of Captain Edward Goldsmith's estate was not settled until the early decades of the 20th century (1922). Contestations to his will in Chancery in 1870 involved his wife Elizabeth Goldsmith nee Day and his only surviving son Edward Goldsmith jnr. In 1871, from Tasmania on the other side of the world, his niece Mary Sophia Day also mounted a suit. Her sister Elizabeth Rachel Nevin nee Day and her husband, photographer Thomas J. Nevin were also listed as legatees but did not contest. The premises known as Craddock's cottage, in any event, was sold before these suits began in 1870 and the rent from John Craddock was therefore deemed "irrecoverable".

These are the key points from the Chancery documents of Captain Goldsmith's estate identifying the location and sale of the cottage. The land neighbouring Craddock's cottage was known as Goldsmith’s Plantation until the 1930s:
(5.) Four cottages or tenements and premises situate on the north side of the aforesaid Gravesend and Rochester turnpike road in the said parish of Chalk and situate on the east side of the cottage and garden hereinafter described and numbered 10 which said 4 cottages or tenements were at the time of the testator's death let to weekly tenants.

(6.) A piece of land situate opposite the "Lisle Castle" public-house on the south side of the aforesaid Gravesend and Rochester turnpike road in the said parish of Chalk and formerly let to John Craddock as yearly tenant which was sold by private contract in the year 1869 for the sum of £200.

Craddock's Cottage 1869

TRANSCRIPT
(pages 6-8 of Captain Edward Goldsmith's will 1869-1872)
(10.) A piece of garden ground containing by admeasurement 1r. 30p. on the north side of the Gravesend and Rochester turnpike road with the cottage or tenement thereon erected and built situate in the parish of Chalk aforesaid and also a piece of orchard ground situate on the north side of the road leading from Gravesend to the village of Lower Higham and lying in the parish of Chalk aforesaid and containing by admeasurement 1a. 3r. 32p. all which premises are now in the occupation of John Craddock as yearly tenant at the annual rent of £30.
Source: National Archives UK Ref C16/781 C546012
Read the complete transcript of Captain Goldsmith's will in Chancery here.

Craddock Cottage

Kent Photo Archive
Ref. No: MMPC-Q500002
Location: CRADDOCKS COTTAGE CHALK KENT


1930: tragedy at Craddock's Cottage
When Walter Mullender was found dead in Goldsmith's Plantation with a gunshot wound to the head on Friday 7th March 1930, the inquest was conducted by Deputy Coroner Mr. F. V. Budden, the purchaser of Charles Dickens' house for a time (Kitton, Dickensiana, 1886:492). The cottage tenanted by the unfortunate Walter Mullender at Goldsmith's Plantation in the parish of Chalk was referred to in contemporary press reports of the suicide as the Dickens Cottage and Honeymoon Cottage. Walter Mullender was buried at ST MARY THE VIRGIN CHURCH, known as Chalk Church, where Captain Edward Goldsmith was buried in July 1869.

Press Reports
Source: Walter Mullender and family, Monumental Inscriptions and press reports 83, 87, 88, 89, 90, 90B
https://www.kentarchaeology.org.uk/research/monumental-inscriptions/chalk-st-mary-virgin-church

DEATH of WALTER MULLENDER, 1930
Gravesend Reporter, 15th March 1930
"TRAGEDY AT CHALK
POLICE PENSIONER COMMITS SUICIDE
FOUND DEAD WITH GUN BESIDE HIM
LAST MESSAGE: "CAN'T STAND MY HEAD"

An inquest was held at the "White Hart", Chalk. On Monday, on Walter Mullender, of Dicken's Cottage, Chalk, who was found dead in Goldsmith's Plantation on Friday morning with a gunshot wound to the head.
 The inquiry was conducted by Mr F.V. Budden, (Deputy Coroner). Walter Mullender, son of the deceased, gave evidence of identification.
   He said that the deceased was a market gardener and retired City of London policeman. He was 53 years of age. The witness, who said he lived at home, continued, " I last saw my father alive just before nine on Friday morning. He was just in front of the stables, but I cannot remember whether he was coming out or going in". He said, "I have just got the greens ready". I was just going to take them home to weigh them, then he got the gun and said he was just going round to see if there were any pigeons there. The gun had been his father's and had been in the house for some time. It is an ordinary sporting gun".

SHOOTING PIGEONS
"A few minutes after I heard the report of the gun, but I did not pay much attention because he had shot a pigeon a day or so previously, and he did not like being interrupted when he had shot one pigeon as the other comes over and he can get the pair. At about 9.30, as father had not come back, I went to the Plantation. I saw him there. He was kind of lolling against a tree, with the gun across his knees. His face was all shot away".
   Witness added that there was a man digging nearby whom he asked to call a doctor. He, himself, went for the police, leaving the body as it was. On his return the doctor found a note in the deceased's hat, it was in his handwriting.
   The Coroner produced the note and had began to read it when witness interrupted that he did not want it made public. The Coroner: "We have to try to discover the state of the man's mind. I have no power over the press".
The Coroner read the following extract from the note:-"I have got everything ready, I can't stand my head".
"What had he been worried with his head?" asked the Coroner.
Witness: "He had been suffering from pain in the head, but he did not take it seriously",
The Coroner: " How long had he been suffering with these pains?", "For some time now, a few years".
Witness added that he had not heard his father mention the pains during the past few months. When he had had the pains previously they had not lasted for long, and he did not have them often.
The Coroner: "Had he had pains that morning?"

WOKE UP WITH PAIN
Witness:" He woke up at four in the morning with pains in the head and thought he had a cold coming".
"Had he any financial worries ?"---- "He had an assured income from his police pension and I know of no such worries".
"He had never said he was fed up or threatened to take his own life ?" ----- "No, sir".
"You realise your father must have taken his own life ?" --- "Yes, sir".
"Can you suggest any reason why he should take his own life ?" -----"Only that he might have had an abscess in his head and could not stand the pain any longer, he would never admit that he was ill."
   Margaret Mullender, the widow, said that the deceased had pains in the head but refused to see a doctor. "He always had such good health, he would not give in", she said. Continuing she stated that at about eight the deceased told her that he had woken up in the night with a headache and thought he had a cold coming.
   The Coroner: "Do you know if he had any other worries?" Witness replied that she knew of none. They had a bright outlook. It was the ninth year that he had left the police. "He had been handling guns all his life", she added, "and was never happy unless he had one in his hands". She did not think he went out with the intention of taking his life.

FINGER ON THE TRIGGER
   PC H.D. O' Keefe, K.C.C., Denton, said, that about 9.40 on Friday, he was called to Goldsmith's Plantation, where he saw the deceased in a sitting position with his back resting against a yew tree. A cross his knees was a 12 bore double-barrelled sporting gun. Both hands were resting on the gun. The fore-finger of the right hand was still on the trigger. The gun was loaded in both barrels and the right hand cartridge had been fired. Deceased's hat was lying three yards away and had apparently been placed there. Stuck in the hat band was a note. In answer to the Coroner: He knew deceased well. He would say he was a normally balanced man. He was of a very cheerful disposition.
   The Coroner questioned the relatives with regards to the paper the note was written on and remarked that it had struck him as strange that the note was dated March 13th 1929 [The fatality occurred on March 7th 1930].
He returned a verdict that the deceased took his own life by shooting whilst of unsound mind. [end of press report].
NB: Walter and Oscar were the sons of OSCAR MULLENDER snr. Walter's son was also called Walter Mullender.

DEATH of OSCAR MULLENDER, 1912, father of Walter Mullender.
The Gravesend Reporter, 1912
Source: https://www.kentarchaeology.org.uk/research/monumental-inscriptions/chalk-st-mary-virgin-church
"THE LATE MR. OSCAR MULLENDER AN INTERESTING CAREER
The funeral of the late Mr Oscar Mullender, of Chalk, took place on Monday last, visible signs of deep regret being manifest amongst his numerous friends, who attended the service. The village seems deeply sensible to the loss they have sustained and Mr Mullender's many qualities will be indelibly engraved upon their memories. Practically his whole life has been associated with the district he loved so dearly.

He was born at Scadbury, Southfleet on October 21st 1840. His father subsequently removed to Rettonden, Essex, and during his residence there the deceased gentleman began his education at Wickford. In 1854 they came to Chalk where his father took over the proprietorship of the "White Hart Inn", and in 1858 Mr Mullender started in business at the forge, which had already been in the hands of the family for many years. He moved to Lower Stoke ( ? ) years after but returned to Honeymoon Cottage in 1879 and restored business at the forge. It was during his association with this interesting old relic of bygone days that he made the acquaintance of the immortal Dickens. It has been generally stated that the late Mr Mullender was characterised by Charles Dickens in his famous work, Great Expectations , under the name of "Joe Gargary", but although the novelist might have utilised some of the deceased gentleman's characteristics, for undoubtedly he was on very intimate terms with him, he could not be the inspiration of the master of the forge, for Mr Mullender did not take over the proprietorship until some years after the novel was written [1861]. Before the Kent County Constabulary came into existence. Mr Mullender held the office of parish constable, and the family still possess the truncheon and handcuffs which he then used. He had taken a very keen interest in village sport and other ...... ? and during his time he has been the secretary of the Chalk Cricket Club, overseer and Churchwarden for several years, secretary of the L.U.O.A.S. For 21 years and was one of the oldest members of the A.O.F., in Gravesend. On the occasion of one particular sports event on December 28th 1866 Mr Mullender was presented with a ribbon by Charles Dickens. This is highly treasured by the family, forming as it does one of the many links they can claim with the life of the great author. The deceased was a great authority on Dickensian matters, and it is a curious coincidence that he died on the very day celebrated as Dicken's centenary. The funeral service was held at Chalk Church and was conducted by the Rev. L. White, vicar of the parish. The edifice was, despite the unpropitious weather almost filled and at the graveside numbers of people gathered. The coffin which was of plain oak and inscribed thus: Oscar Mullender who passed away February 7th 1912 in his 72nd year was carried by his workmen, at their special request, and the arrangements were carried out by Mr Goldfinch, for whose father, the deceased had at one time, worked. The chief mourners were: Charles, Oscar, Walter and Arthur (sons); Mrs G. Burton; Miss Mullender and Miss May Mullender, (daughters); Miss R. Mullender, (sister); Mr Herbert Mullender, (nephew); Mr George Richen, Senr., (brother in law);George Richen, Junr., ( nephew); Mr George Barnes, (brother in law); Mr George Burton, (son in law) and Mr Herbert Hicks.

The "Lord Nelson", the "Ship", and the blacksmith's forge
Captain Edward Goldsmith's father Richard Goldsmith snr (1769-1839) held indentures over historically significant estates in the parish of Chalk, Kent, apart from his public houses, the "China Hall" and the "Princess Victoria" in Rotherhithe, Surrey, when he died in 1839:

The first property was the cottage leased to the Craddock family and believed to be the cottage where Charles Dickens lodged for a week on his honeymoon in April 1836. It was offered at auction from Captain Goldsmith's estate in 1869.

The second was the public-house, the "Lord Nelson" owned conjointly with Richard's brother Joseph Goldsmith (1761-1827). It sat directly opposite Craddock's cottage, on the south side of the Gravesend to Rochester turnpike. On Joseph's death in 1827, the license passed to his widow Mrs Sarah Goldsmith nee Cook (1775-1856) who retired in 1848 after forty years. Joseph Goldsmith died on 14th October 1827 aged 66. Sarah his wife died on 8th January 1856 aged 81. (Source: https://www.kentarchaeology.org.uk/research/monumental-inscriptions/chalk). Sarah Goldsmith made the press in 1809 when she assisted in the capture of a robber who "exposed" her to his pistols:
Last Sunday, a Man of Colour, who had eloped from one of his Majesty's ships lying in the River, came to the "Lord Nelson" public house at Chalk, and at an early part of the evening requested a lodging, and begged permission to lay down, as he had travelled until weary. Mrs. Goldsmith the landlady, not liking his appearance, he having exposed to her view a brace of pistols, and her husband being from home, she would not permit him to go up stairs, but suffered him to lay down in an outhouse. Some persons from the ship being in pursuit of him, he was taken the same evening, when it appeared he was a Captain's Steward, and had robbed his master of cash to the amount of £20, some plate, and a gold watch, with which he was making off.
Source: Kentish Gazette 23 June 1809.

The "Lord Nelson" closed in 1923, re-opened in 1947 as a youth centre, and was demolished in 1950. (Source: https://pubwiki.co.uk/KentPubs/Chalk/LordNelson.shtml)

The third property listed in Richard Goldsmith's will was another public-house, the "Ship and Lobster", known as the "Ship", located on the Thames in Ordnance Road, Denton and renowned as a centre for smuggling. It was visible from Chalk, according to Philip (1912, p.46 - see below):
From the centre of the village one can almost see the "Ship and Lobster" in the neighbouring parish of Denton, the original of the " Ship" in "Great Expectations," standing gaunt and bleak on the river wall.
The Ship Inn, screenshots from "Great Expectations" 1946 (dir. David Lean)





In this famous passage from Great Expectations, (1860-61: Chapter LIV, Gutenberg transcription), Pip says goodbye to the convict Magwitch at the "Ship":
At length we descried a light and a roof, and presently afterwards ran alongside a little causeway made of stones that had been picked up hard by. Leaving the rest in the boat, I stepped ashore, and found the light to be in a window of a public-house. It was a dirty place enough, and I dare say not unknown to smuggling adventurers; but there was a good fire in the kitchen, and there were eggs and bacon to eat, and various liquors to drink. Also, there were two double-bedded rooms,—“such as they were,” the landlord said. No other company was in the house than the landlord, his wife, and a grizzled male creature, the “Jack” of the little causeway, who was as slimy and smeary as if he had been low-water mark too. ....
I lay down with the greater part of my clothes on, and slept well for a few hours. When I awoke, the wind had risen, and the sign of the house (the "Ship") was creaking and banging about, with noises that startled me....
The Jack at the "Ship" was instructed where the drowned man had gone down, and undertook to search for the body in the places where it was likeliest to come ashore. His interest in its recovery seemed to me to be much heightened when he heard that it had stockings on. Probably, it took about a dozen drowned men to fit him out completely; and that may have been the reason why the different articles of his dress were in various stages of decay.
We remained at the public-house until the tide turned, and then Magwitch was carried down to the galley and put on board. Herbert and Startop were to get to London by land, as soon as they could. We had a doleful parting, and when I took my place by Magwitch’s side, I felt that that was my place henceforth while he lived.
For now, my repugnance to him had all melted away; and in the hunted, wounded, shackled creature who held my hand in his, I only saw a man who had meant to be my benefactor, and who had felt affectionately, gratefully, and generously, towards me with great constancy through a series of years. I only saw in him a much better man than I had been to Joe.



"Great Expectations", 1946, British film based on the 1861 novel by Charles Dickens and starring John Mills and Valerie Hobson.
The supporting cast included Bernard Miles, Francis L. Sullivan, Anthony Wager, Jean Simmons, Finlay Currie, Martita Hunt and Alec Guinness.
Link: https://archive.org/details/GreatExpectations1946

The fourth property held by Richard Goldsmith in Chalk which has also passed into local legend because of its depiction in Charles Dickens' novel Great Expectations (1860-61), is the blacksmith's forge where Pip lived with his guardian, the blacksmith Joe Gargery. According to local legend, Thomas Mullender was the blacksmith on whom Dickens based his character Joe Gargery. His wife Sarah Mullender, a widow by 1861, became the licensee victualler of another public-house in Chalk, "The White Hart". Their son, Oscar Mullender, a carpenter, 20 yrs old in 1861, and the subject of the 1912 obituary above, was the father of the unfortunate Walter Mullender, who was the resident of Craddock's cottage when he was found dead in Goldsmith's Plantation in 1930. The weatherboard cottage attached to the forge is still standing. It is remarkably similar in construction to Craddock's cottage.

The forge, Chalk, Kent

Early 20th century postcard of the cottage and forge, Chalk, Kent
Source: https://victorianweb.org/authors/dickens/gallery/112.html

A Bill of Complaint was lodged in Chancery in 1856 against the will and beneficiaries of the estate of Richard Goldsmith by solicitor George Matthews Arnold less than six months after Captain Edward Goldsmith retired permanently to his estate and residence, Gad's Hill House, Telegraph Hill, Higham, Kent. George Matthews Arnold's Bill of Complaint listed the public house the "Ship" and the "blacksmith's shop" by name, and Craddock's cottage by measurement and location, among a dozen other properties he was seeking to redeem:
2. By indentures of lease and release date respectively the Nineteenth and Twentieth days of June One thousand eight hundred and seventeen the release being duly made and executed by and between the said Richard Goldsmith of the first part Joseph Goldsmith of the second part Thomas Smith of the third part and George Henry Malme of the fourth part for the considerations therein mentioned All that messuage or dwellinghouse with the garden and orchard belonging to or occupied with the same situate at or near Chalk in the county of Kent and in the occupation of Charles Louch his undertenants or assigns. And also all those Eleven cottages or tenements with the yards and gardens to the same and also a blacksmith's shop situate at or near Chalk aforesaid And all those Four cottages or tenements situate at or near Chalk aforesaid  [Craddock's cottage - 1a.3r.33p] And all that barn and an orchard or piece of and containing One acre three roods and thirty-three perches were the same more or less respectively situate at or near Chalk aforesaid and in the occupation of Mr Louch his undertenants or assigns And also all that messuage or tenement uses as a butcher's shop situate at or near Chalk aforesaid and in the occupation of Thomas Brown his undertenants or assigns which heretofore formed the east end of the messuage And all that stable erected by the said Richard Goldsmith on part of the yard or ground formerly belonging to or occupied with the public-house formerly known by the sign of the "Ship" were conveyed unto and to the use of the said George Henry Malme his heirs and assigns subject nevertheless to a proviso or agreement therein contained for redemption of the same premises upon payment by the said Richard Goldsmith his heirs executors administrators or assigns unto the said George Henry Malme his executors administrators or assigns the sum of Five hundred pounds and interest thereon on or at the day or time therein mentioned and appointed for payment thereof. [page 3 of transcript]



Detail of Ordnance map, 1865, showing the "Ship", the "Lord Nelson", the "White Hart", Goldsmith's Plantation and Craddock's cottage, the "Lisle Castle", and Chalk Church, St. Mary's Church.



View map: Kent X (includes: Gravesend; Northfleet.) - Ordnance Survey Six-inch England and Wales, 1842-1952 (nls.uk)
Surveyed: 1863 to 1865, Published: 1869
Size: map 61 x 92 cm (ca. 24 x 36 inches), on sheet ca. 70 x 100 cm (28 x 40 inches)

The Quarrel over Craddock's Cottage
These are some of the publications concerned with the identification of the actual location and house where Dickens lodged while honeymooning with Catherine Hogarth in April 1836. Other premises put forward were Mrs Nash's cottage, 18 Higham Road; "The Manor House" in Chalk Road (Frederic Kitton); and the now demolished "Malt House Farm" on the corner of West Court Lane and Lower Higham Road, (notes from Gravesend Library).

1904:The real Dickens land with an outline of Dickens's life
The prospectus of Pickwick was issued at the end of February, 1836, and on March 31st, the first number was published at one shilling. On April 2nd, Dickens was married, in St. Luke’s Church, Chelsea, to Catherine Hogarth, eldest daughter of George Hogarth, of The Chronicle, and the honeymoon was spent at Chalk, in a house on the highway between Gravesend and Rochester: on that Dover Road which he introduces so touchingly and tellingly into Copperfield, only a few miles from that Gadshill Place which he coveted as a boy and owned as a man, overlooking the estuary of the Thames and those “ meshes ” or marshes in which such striking scenes were laid in Great Expectations.
The expense of the honeymoon was met by an advance payment for two parts of Pickwick, thus showing that Dickens was far from wealthy ; but during the year appreciation began to be manifested, he found some extra occupation in writing a farce, The Strange Gentleman, and the book of an opera, The Village Coquettes, both of which were successfully staged, and by the end of the Parliamentary session he felt his feet sufficiently to justify resigning journalism for literature....

p.60

At the beginning of January, 1837, the first issue of Bentley's Miscellany was published, an contained the opening scenes of Oliver Twist, to which reference will be made in another chapter. On the 6th of January, Dickens’s first son (Charles) was born, and about the middle of February Dickens and his wife were again at Chalk, staying in the little house where they had spent their honeymoon. In March, they removed from the small rooms in Furnival’s Inn to 48, Doughty Street, a house which still remains, and which is now marked “Dickens House” on the door.

p.66
From: The real Dickens land with an outline of Dickens's life
by Ward, H. Snowden (Henry Snowden), 1865-1911
Publication date 1904
Topics Dickens, Charles, 1812-1870
Publisher London, Chapman & Hall, limited
Collection oliverwendellholmeslibrary; phillipsacademy; americana
Digitizing sponsor Kahle/Austin Foundation
Contributor Phillips Academy, Oliver Wendell Holmes Library
Language English
240 p. incl. illus., plans. 26 cm
https://archive.org/details/realdickenslandw0000ward




THE REAL DICKENS LAND; and an Outline of Dickens' Life [Dickens, Charles]
Ward, H. Snowden & Catharine Weed Barnes Ward London
Chapman & Hall, 1904. Photographs. p.59

1911: Dickens-land



Haslehust watercolour Dickens cottage

Above: Chalk House, "Where Dickens spent his honeymoon" by E. W. Haslehust (1866-1949).
Watercolour on paper.
Source: Haslehust and Nicklin, Dickens-land, frontispiece.

Dickens-land by Nicklin, John Arnold
Publication date [1911?]
Topics Dickens, Charles, 1812-1870, Literary landmarks -- Great Britain
Publisher London, [etc.] : Blackie
Collection robarts; toronto
Digitizing sponsor MSN
Contributor Robarts - University of Toronto
Language English
https://archive.org/details/dickensland00nickuoft/page/26/mode/2up?q=Chalk


Notes from The Victorian Web
Although Charles Dickens was born at Portsmouth in 1812, Haslehust begins his sequence of "Dickens-land" watercolours with a cottage in the Kentish village of Chalk, not far from Rochester; here, Charles and Catherine Dickens (formerly, Hogarth) spent their week-long honeymoon immediately after their wedding on 2 April 1836 at St. Luke's, Chelsea. From the age of five, Dickens lived at Chatham, where his father, John, worked as a clerk in the Naval Pay Office at the city's dockyard. In 1822, he went up to to London to join his family after his father's transfer, but his happiest days of childhood were spent in Chatham, Rochester, and the Medway. Even as he married Catherine in London he was writing the picaresque novel The Posthumous Papers of the Pickwick Club, which shifts to the Kentish countryside after beginning in London.

Once he had acquired Gadshill Place near Rochester in March 1856, Dickens would often walk to Chalk to admire the eleventh-century Saxon church. The village on the marshes in Great Expectations is an amalgam of Cooling and Chalk, the forge on the old Dover Road outside Chalk seems to have been Dickens's model for Joe Gargery's.

Bibliography
Lynch, Tony. Dickens England: An A to Z Tour of the Real and Imagined Locations. A Traveller 's Companion. London: Batsford, 2012.
Nicklin, J. A. Dickens-land. Illust. E. W. Haslehust. Beautiful England series. Glasgow & London: Blackie & Son, 1911.
Source: http://www.victorianweb.org/painting/haslehust/14.html

1905 & 1911: The Dickens Country



THE DICKENS COUNTRY BY FREDERIC G. KITTON
AUTHOR OF “CHARLES DICKENS BY PEN AND PENCIL,” “DICKENS AND HIS ILLUSTRATORS,” “CHARLES DICKENS: HIS LIFE, WRITINGS, AND PERSONALITY,” “DICKENSIANA,” ETC.L
WITH FORTY-EIGHT FULL-PAGE ILLUSTRATIONS MOSTLY FROM PHOTOGRAPHS BY T. W. TYRRELL
LONDON. ADAM AND CHARLES BLACK 1911
First published February, 1905. Reprinted September, 1911



This is Manor House, proposed by F. Kitton in 1905, disputed by A. Philip in 1912.
Dickens’s affection for Kent is indicated by the fact that he selected that county in which to spend his honeymoon, and in the village of Chalk (near Gravesend, on the main road to Dover) may still be seen the cottage where that happy period was spent, and in which he wrote some of the earlier pages of “Pickwick.”[102] It is a corner house on the southern side of the road, advantageously situated for commanding views of the river Thames and the far-stretching landscape beyond. In after-years, whenever his walks led him to this spot, he invariably slackened his pace on arriving at the house, and meditatively glanced at it for a few moments, mentally reviving the time when he and his bride found a pleasant home within its hospitable walls. Shortly after the birth of their eldest son, Dickens and his wife stayed at the honeymoon cottage, which, with its red-tiled roof and dormer windows, is a picturesque object on this famous coaching road. The walk to Chalk Church was much favoured by the novelist, where a quaint carved figure over the entrance porch interested him. This curious piece of sculpture, which he always greeted with a friendly nod, is supposed to represent an old priest grasping by the neck a large urn-like vessel, concerning which there is probably a legend. Another grotesque is seen above, and between the two is a niche, in which formerly stood an image of the virgin saint (St. Mary) to whom this thirteenth-century church is dedicated. About a mile distant, and a little south of the main road, is Shorne, another typical Kentish village, which, with its church and burial-ground, constituted for Dickens another source of attraction, and the latter was probably in his mind when he referred (in “Pickwick”) to “one of the most peaceful and secluded churchyards in Kent, where wild-flowers mingle with the grass, and the soft landscape around forms the fairest spot in the garden of England.”
Source: THE DICKENS COUNTRY 1911 (Kitton F.)
CHAPTER IX., IN DICKENS LAND.
Link: https://www.gutenberg.org/files/56105/56105-h/56105-h.htm#Page_211

1912: Dickens's Honeymoon and Where He Spent It








Dickens's honeymoon and where he spent it
by Philip, Alexander J. (Alexander John), b. 1879
Publication date 1912
Topics Dickens, Charles, 1812-1870
Publisher London : Chapman & Hall ; Gravesend : Bryant & Rackstraw
FLIP BOOK: https://archive.org/details/dickensshoneymoo00philrich/page/n15/mode/2up


"Dickens's Honeymoon and Where he Spent it"

FULL TRANSCRIPT

CHAPTER I

Dickens's marriage
Forster gives few details of Dickens's wooing and his marriage : in fact one finds indubitably more, and  material much more pleasantly presented, in the works. Of course, details of his life at this period are available but it is not certain that they are essential here. I shall, however, refer to whatever I find necessary at this or any other period of his life to elucidate or elaborate anything in this account of his honeymoon cottage. Kitton's account of the wedding is more picturesque though still somewhat short : " The lady of his-

1

choice was Miss Catherine Thomson Hogarth, eldest daughter of George Hogarth, his fellow worker on The Morning Chronicle, the marriage ceremony (a very- unpretentious affair) taking place in the church of St. Luke, Chelsea, of which parish the Rev. Charles Kingsley (father of the author of ' Westward Ho') then officiated as rector. The bridegroom's old friend, Thomas Beard, acted as ' best man and concerning this auspicious event the late Mr. Henry Burnett . . . has placed on record the following . . . ' the breakfast was the quietest possible. The Dickens family, the Hogarth family, and Mr. Beard . . . comprised the whole of the company. A few common pleasant things were said, healths drank, with a few words said by either party — yet all things passed off very pleasantly, and all seemed happy, not the least so Dickens and his young girlish wife. She was a bright, pleasant bride, dressed in the simplest and neatest manner, and looked better perhaps than if she had been enabled to aim at something more. ' "
I stop at this point in Kitton's narrative, as it is here that he becomes unreliable in regard to the house at which the honey-moon was spent. Kitton's statement on this subject is simply a slightly altered account of Blanchard's remark : as however no one had then seen any cause for questioning this, Kitton is not to be blamed for accepting the statement without inquiry, as it emanated from so worthy a source.

The wedding took place on 2nd April, 1836 ; and the young couple immediately repaired to Chalk, the centre of that district for which Dickens always had the warmest feelings.

The first number of " Pickwick" had appeared a week earlier. Reporting and journalism, from which he had received a good salary for some time past, were relinquished, and the " Sketches " and " Pickwick " were to be looked to to make the seven pounds or thereabouts each week that had been sacrificed. At that time Dickens was living at Furnivall's Inn accumulating impressions and experiences for use at a later period.
  
3

It is somewhat important to remember that the first part of " Pickwick " had appeared, and that the following must have been, at least, maturing in the mind of the young writer ; because he deliberately chose the locality of Chalk as the venue of the succeeding chapters, and it appears probable that, as Chalk was not then what seaside ladies now designate " a letting neighbourhood," Dickens had quite recently been visiting Gravesend and the neighbourhood, not only with the object of finding rooms or apartments, but also to gather fresh material, and to refresh the material already in his mind, for the second and succeeding parts of " Pickwick."

4

CHAPTER II

CHALK

The village of Chalk that straggles indeterminately along the main road — the Chatham Road passing Gad's Hill, and the Dover Road of David Copperfield as well as of Mr. F's Aunt — has been variously described as one mile and two miles, and anything between both, from Gravesend. Really it is a good deal less than a mile from the confines of the ancient borough, but as the boundary is at some considerable distance from the town proper, it is easily understood that the distance from Gravesend to Chalk appears greater than it is. And in 1836, when Dickens brought his newly wedded wife there, the
distance must have appeared much greater on account of the long stretches of fields

5

then lying between the two places, but now broken by houses and villas and blocks of small cottages. Even the view across the river was a different one, not only physically but also on account of the boats lying at anchor or sailing up and down therein ; with a few of the early steam-boats to be seen apparently in the air, as a result of the somewhat amusing feature of low marshland and a river at high water kept within bounds by the sea-wall. Chalk then might be regarded as being quite a journey from Gravesend. This is much more the case when we recollect that the Victoria Tea Gardens, as the present cemetery then was, failed because they were so far out of the town.

From the accompanying plan of the village and its surroundings at that time, a clear idea may be obtained of the aspect of the locality. This is necessary, as will be seen from what follows shortly. So much depends upon the state of the village about this period that special care has been necessary in gleaning information regarding it. Most of the detailed maps of Gravesend

6

and its immediate surroundings about 1830 fade away into indeterminate colourless space about Denton, naively suggesting that this road goes " To Rochester" without showing any direction as to how it went there. This is not the case with every map however.

The roads are much as they were eighty years ago or thereabouts, although their surroundings have changed very much. The south road from Gravesend — the Old Road, that is — ran through field land from Northfleet to Chalk, except for two or three houses at long intervals.

The north road — the main road of the present time, known as King Street, Milton Place and Milton Road — was more strikingly different even than the Old Road. Milton Place then marked the end of the town, if town is taken to mean the aggregation of buildings ; and from Harmer Street to Chalk was a pleasant country road. The present " dip " at Albion Place was then a roadway merging again into the main road at Milton Church, divided only by a hedge from this road for the

7

short distance it parted company. The railway was not then laid down. Beyond Milton Church, at the tramway terminus, were a few houses on the left at the corner of a road then terminating, so far as so aimless a road can be said to terminate, in the marshy fields. There were also two or three houses nearer the church on the opposite side of the way. From this point onwards the road regained its rural character. The forge — Joe Gargery's forge it has been identified as — was the first building. Three or four houses of the smaller kind, parts of them still standing at the present day, clustered round these three corners facing the forge. The green fields and hedges then intervened until we arrive at our corner, the Honeymoon Cottage corner. Curiously enough, from our old map, we see that this corner is the centre of the village. It was the first and the principal object to strike the eye of the " outsiders " on the coach, and from 1830 to the time of which I am writing there were many coaches to Chatham, Rochester, Maidstone, and to Canterbury, where travellers to the

8

Kent Coast usually changed. But there is the significant fact that all the travellers on the thirty or so coaches that passed it daily saw the cottage as a landmark for some distance ahead. The plot of land upon which the cottage stood was the centre of a " square." In the light of Mr. Henry Fielding Dickens's letter on p. 26 it is of the utmost significance that the houses of the " square" are, except for the (now called) Manor House and one other, all on the higher or north side and the east side. This shows conclusively, I think, that the north road, fringing the marshes on its way past Lower Shorn, was here, at least, of more importance than what is now the main road ; and would most certainly have appeared so to anyone, some years ago, when the general aspect of the village was much more rural than it is at the present day, and the houses were much fewer in number. This lower road — then a coach road too, by the way — still rejoins the present main road at Strood after meandering through some of Kent's very pleasant scenery, serving on the way some of the villages which delighted Dickens so much that he introduced them into the various works.

Getting to Chalk about this time, from 1830 to 1840, was quite romantic. One could take the coach, travelling down from London behind four spanking horses in about two hours, at any hour of the day, and for that matter, of the night too, as there were in the 1830's about thirty coaches each day; or one could take boat from Billingsgate, a roomy, beamy sort of sailing barge that carried forty or more passengers ; or (you see what a lot of " or's " there are) one could patronise the new " Star " and "Diamond " lines of packet steamers that were cutting each others' throats while they cut the fares ; or, if one were wealthy and retired like Mr. Pickwick, a saddle-horse or a post-chaise might be indulged in, although there was not much " indulgence " when Mr. Pickwick's party availed themselves of these facilities. Of course one could walk from London in a day, but that was neither dignified nor expeditious.

So far then I have tried to bring the
  
10

little village of Chalk, with its small square and village alehouse, overlooked by the church in the distance and overawed by the house of the gentry — not in the distance, before you. If I have not succeeded, well !

11

CHAPTER III

THE HONEYMOON COTTAGE AND HOW IT CAME TO BE DISCOVERED

Laman Blanchard, a friend of Dickens, and one whose memory is still green, has given us the following passage which I give as found in " The Dickens Country," by the late M. Kitton :

" In the village of Chalk (near Gravesend, on the main road to Dover) may still be seen the cottage where that happy period was spent, and in which he wrote some of the earlier pages of ' Pickwick'. It is a corner house on the southern side of the road, advantageously situated for commanding views of the river Thames and the far-stretching landscape beyond. In after-years, whenever his walks led him to this spot, he invariably slackened his

12

pace on arriving at the house, and meditatively glanced at it for a few minutes, mentally reviving the time when he and his bride found a pleasant home within its hospitable walls. Shortly after the birth of their eldest son, Dickens and his wife stayed at the honeymoon cottage, which, with its red-tiled roof and dormer windows, is a picturesque object on this famous coaching road."

This was accepted by all the writers who followed him, without question : and if one might paraphrase the old text — all they like sheep did go astray. So much so that when the Gravesend Dickens Fellowship proposed to place a modest tablet on the cottage, known variously as " Dickens Cottage " or " The Honeymoon Cottage " they received the following letter which backed up the objection of the Dickens Fellowship Headquarters to the local selection :

November 25th, 1910.
Dear Madam, — Replying to your letter of the 23rd, re the Honeymoon Cottage,
  
13

at Chalk, we take as our authority for the identification of the house in question, the Dickens family, E. L. Blanchard, Kitton and Snowden Ward.

Yours very truly,
W. Dexter.

The letter was written on behalf of the Headquarters Committee and weighted with all the authority of the expert opinion available, so that some courage was required — moral courage of course — to resist it.

But this is perhaps too abrupt a method of taking the reader into the thick of a controversy that has passed and that the past may be expected to bury. We will return to an account of how the cottage came to be discovered.

In 1906 soon after the Dickens Fellowship was first established in Gravesend, Mr. Mullender, whose father — a hale and hearty man at the time of writing — enjoyed the pleasure of personal knowledge of Charles Dickens and is very proud of a scarf or sash bestowed upon him by the famous novelist on the occasion of one of
  
14

those " sports " which Dickens delighted to promote at Higham and elsewhere in the vicinity, quite calmly propounded the theory that " Dickens Cottage " was the house in which the honeymoon was passed, and not in the manor house a short distance farther on the road to Chatham.

This was quite opposed to accepted orthodox theory. But Mr. Mullender was so assured, and still further added to the importance of his statement by saying that the fact was well known in the village, that the proposition was at least worth inquiry.

This was undertaken by Mr. Beagley, now editor of The Erith Times, and the result appeared in The Gravesend and Dartford Reporter of March 10th, 1906.

This evidence is of so much interest that it is reprinted here in full :

" This week one of our staff was commissioned to make some inquiries on the spot with regard to the subject. On coming into contact with some of the residents of Chalk, he discovered that the argument

15

contained in our last issue had become one of the principal items for discussion in the village during the week-end. To his surprise, he learned that the point raised by Mr. Mullender had been talked about among the villagers for many years, and that, while literary authorities bore out Mr. Waldegrave's statement, Mr. Mullender had many old inhabitants on his side. Mr. Kitton in his work states ' The villages of Shorne and Chalk, with their ancient churches and peaceful churchyards, he (Dickens) frequently visited with " a strange recurring fondness." ' Mr. E. Laman Blanchard has recorded that he often met, and exchanged salutations with Dickens during his pedestrian excursions on the high road leading from Rochester to Gravesend, and generally they passed each other at about the same spot — at the out-skirts of the village of Chalk, where a picturesque lane branched off towards Shorne and Cobham. ' Here' says Mr. Blanchard, ( the brisk walk of Charles Dickens was always slackened, and he never failed to glance meditatively for a

16



THE MARBLE PLATE AND BRONZE PLAQUE.
Executed by Mr. Percy Fitzgerald, and presented to the Gravesend and District
Branch of the Dickens Fellowship.

17

few moments at the window of a corner house on the southern side of the road, advantageously situated for commanding views of the river and the far-stretching landscape beyond. It was in that house he lived immediately after his marriage, and there many of the earlier chapters of " Pickwick" were written. '

" There is no doubt as to the house which Mr. Kitton referred to, for his book contains a portrait of it, and under the illustration he placed the words, ' The house at Chalk in which Dickens spent his honeymoon, April, 1836'.  It is clear that Mr. Kitton referred to the house at the corner of Thong Lane, which residence is now generally known as Manor House, though the title deeds — the property being on the Earl of Darnley's estate — describes it as the Old Parsonage, while some of the older residents call it the Old Rectory. Although we are publishing these facts, ex parte, we would point out that the only authority Mr. Kitton gave for his assertion was the statement of Mr. Blanchard. It is also a fact worthy of notice that Mr. Percy Fitzgerald in his ' Life of Charles Dickens' makes no mention of the incident, while Mr. Forster in his ' Life of Charles Dickens' merely mentions the fact that the honey-moon was spent at Chalk, without any statement as to the house.

"Mr. Charles Mullender accompanied our representative to Manor House, and Mr. Boorman, the present occupier of the residence, ceased for a while from work on his poultry farm in order to talk with them on the subject in which he naturally takes a close interest. He stated that he had read the report which appeared in our last issue, but could give no opinion upon it. He was without any evidence that this was the house where Dickens spent his honey-moon, beyond the fact that it was so ' by general repute'.

" A visit was next paid to Mr. Benjamin Hills, who, in spite of his 89 years, is possessed of a remarkably strong memory, being able to give minute particulars with regard to the parish in the earlier part of the last century. His testimony is valuable by reason of the fact that he was a gardener

18

at Manor House at the time that Dickens was married in 1836. He informed us at that date the house was occupied by a M. Leroux, a wealthy French surgeon, who came to reside there with his family. It was in 1835 that Mr. Hills was employed by M. Leroux as a gardener and the engagement extended without interruption until 1837. Thus he was at work at Manor House at the date when, according to Mr. Kitton, Dickens came there with his bride in April 1836. But Mr. Hills stoutly denies that Dickens came there. M. Leroux did not receive any visitors, he said, and certainly did not entertain any honeymoon couple. The doctor occupied the house himself during the whole of the time that Mr. Hills was gardener, and the fact that there were several daughters living with the father would not make the house a very congenial abode for a young couple on their honeymoon.

" This evidence by Mr. Hills, stated Mr. Mullender, was confirmed by his (Mr. Mullender's) grandmother who was born at Chalk, and was a young woman when

19

M. Leroux occupied Manor House, and could also recall the former and subsequent tenants of the house.

" ' Where do you say, Mr. Mullender, is the house where the honeymoon was
spent ? ' asked our representative.

" ' I will take you to it'  he said.

" They proceeded to a house of much less pretentious appearance. This weather- boarded, old-fashioned cottage is situated on the north side of the present main road. Those acquainted with the locality are aware that on the way to Rochester, and just after the village school is passed, two roads branch off — the main road, and what is called the lower road leading to the golf links and the marshes. It will also have been noticed that these two roads for a short distance form two of the sides of a triangle, Mr. Brann's dairy forming the base. At the top of this triangle is situated the house where, according to Mr. Mullender, the honeymoon was spent, the present tenants being Mr. and Mrs. Redsell. In 1836, he says, the tenants were a Mr. and Mrs. Craddock, the parents of Mr. John
  
20

Craddock, who was for many years a well- known cabman in Gravesend, and who was born at this house in 1832. Mr. and Mrs. Craddock lived at this cottage for some thirty or forty years, and were in the habit of letting a parlour and bedroom. Mr. Mullender says his grandmother also confirmed this statement. Beyond this fact there is at present no further evidence in support of Mr. Mullender's contention, but it must be remembered that no special notice would be taken of Mr. and Mrs. Dickens engaging apartments at the house, for Dickens had yet to make his name known.

" There is, however, this fact, that Dickens when describing the visit of Pickwick to Bath after the breach of promise case, tells of Pickwick becoming a lodger at the house of a Mrs. Craddock.

" Another interesting feature is that in the earlier part of the last century the main road to Dover from London did not proceed in its present straight course but, at the point of the triangle referred to, went down the present lower road and then took a sharp turn to the south again. The
  
21

houses opposite Mr. Brann's dairy at one time formed an hostelry, as the front part of the houses even now indicate, and it was customary for the stage-coaches to make a call there.

"While they were perambulating the parish, Mr. Mullender mentioned to our representative what he described as another mistaken idea with regard to the description of this neighbourhood. In ' Great Expectations' was a description of an old forge which could be entered by a door from the kitchen of the adjoining house.

" In the work referred to above, Mr. Kitton stated that "within a short distance from the (Cooling) churchyard, we may identify, in a short row of cottages the original of Joe's (Gargery's) forge."

"Mr. Mullender states that inquiries among the oldest inhabitants of Cooling give no evidence of a forge existing at Cooling. That being so, what forge had Dickens in his mind when he wrote about a blacksmith's shop where there was a doorway leading from the forge into the kitchen of the house ? Such an arrange-
  
22

ment is exceptional. Mr. Mullender took our representative into the forge at Chalk and there showed him the old doorway which at one time gave entrance from the forge into the kitchen."

Some discrepancies in Hills' statements have been found, but these do not invalidate his evidence in the main, and, in spite of what has been said at different times, are easily explained by lapse of memory in an old man of nearly ninety years of age after a lapse of seventy years. It would appear that he was either gardener to Mr. Dorehill before Dr. Leroux took up his residence in the house or that Dr. Leroux took part of Mr. Dorehill's term of two years. Which, is not quite certain, and is not of much importance.

A few articles appeared on the subject from time to time, mostly from my own pen, but as the Gravesend and District Branch of the Dickens Fellowship came to an untimely end shortly after, the matter may be said to have lain in abeyance, until a year or two back when the Branch of the Fellowship was resuscitated. One

23

of the earliest acts undertaken by the re-formed local Fellowship was to place a tablet on the cottage. And it was this that brought down the thunder and lightning of various opponents, and culminated in the letter given in the opening of this chapter.

With that fairness which one looks for without disappointment, the headquarters of the Fellowship, having gained time for the further consideration of the subject, set themselves to work to obtain verification of the opinion they had previously expressed.

The " cottage theory" as the one side of this truly Pickwickian controversy had come by this time to be called, was still further strengthened by the receipt of the following letter from the late Mr. Newman, who was a considerable writer on local matters, addressed to the Honorary Secretary of the Gravesend and District Branch of the Dickens Fellowship.

1, Hilton Villas,
Whitehill Koad,
November 13th, 1910.
Miss Chambers, — When the Fellowship
  
24

was started I was living in North London, and was one of the first batch of members, and through remembering Dickens so well, was able to interest them somewhat. But I am an old man now (75) and spending my evening with my son here, and have quite given up taking an active part in any thing, though, thank God, I am able to get about and enjoy the scenery in and around the old town in which I spent the greater part of my life.

I should like to mention that I am glad to know there is to be a tablet attached to the cottage in which Dickens spent his honeymoon, and wrote great part of the " Pickwick Papers"  if not all, but I hope they will put it on the right one, and not on the Manor House at the bottom of Thong Lane.

Mr. Arnold's Memorial Tablet in memory of Pocock in High Street seems to have been the only one in Gravesend.

I remain, dear madam,
Yours respectfully,
(Signed) George Newman.

25

A direct inquiry by the local branch of the Fellowship elicited the following from Mr. Henry Fielding Dickens, K.C. :

2, Egerton Place, S.W.
November 26th, 1910.

Dear Madam, — The house at Chalk where my father lived for a short time is on the high road from Gravesend to Rochester at the corner of a by-road on the right hand side going to Rochester.
I can give no more definite information than this.

Yours truly,
(Signed) Henry F. Dickens.

This letter has given rise to a good deal of discussion, and further inquiry has not been able to add anything to the information it contains.

Indubitably the Manor House is on the right-hand side of the road going to Rochester and it is situated at the corner of a by-road. But there are two roads going to Rochester. Years ago the lower, or north road was probably of greater importance, and so the Honeymoon Cottage

26

also " fills the bill," if I may use the expression, instead of saying that the small cottage also satisfies the requirements of these conditions as laid down.

A few days later I received a letter from Mr. B. W. Matz, one of the best known of Dickensians, describing the method he had used in obtaining further information from other members of the family :

December 3rd, 1910.
Dear Mr. Philip, — After writing to you the other day I wrote to Mrs. Perugini myself, enclosing the cutting you sent and also the copy of the Dickensian containing the picture of the smaller house with the facts concerning Mr. Mullender's discovery. I made no comment on either claimant, but just asked her if she would say which she thought was the house in question. She sends me a letter to-day and I hasten to forward you a copy of it, which justifies my suggestion that your meeting's decision to appeal to the family was a wise one.

Yours very truly,
B. W. Matz.

27

The first letter from Mrs. Perugini, the daughter of Charles Dickens, was altogether in support of the claims of the " Dickens Cottage " or small house, as that in which the honeymoon had been spent.

Dear Mr. Matz, — From what I remember having been told, I should say it was the smaller house that deserves the tablet. When we lived at Gad's Hill it had, I think, a small garden and orchard, the garden running round it. This may have been altered in later days — but to make assurance doubly sure I wrote to Miss Hogarth to hear what she thought about it, and she writes me : " It is certainly the smaller of the two houses" and she adds that, it is on the high road from Chalk to Gravesend. We neither of us remember the name Thong Lane. It is on the road opposite the church, I believe.

Yours very sincerely,
Kate Perugini.
November 30th, 1910.

The description contained in this short letter does not apply in any way to the

28

Manor House, which, although it has an orchard and land attached to it, has no " garden running round it." The cottage, on the other hand, still has a garden all round, although the land to the east of the building has been built over.

However, so that there might be no doubt whatever regarding the matter so far as Mrs. Perugini could add to the sum total of knowledge concerning it, or verifying anything already known, Mr. Matz obtained a further letter from her as follows : —

Dear Mr. Matz, — I think you may rest satisfied as to the small cottage at Chalk being really the " honeymoon house." My aunt, Miss Hogarth, has a wonderfully good memory, while my own is not a bad one, and we agree in feeling certain that the Craddock cottage should claim the tablet. It certainly looks a poor little dwelling-place, now, but in 1836 was probably pretty enough to tempt my father into taking it for a few weeks. I was never told he rented it for any length of time, but I heard my mother speak very often

29

of " the little cottage at Chalk " where she passed her honeymoon, and I always supposed the very small house to be that identical cottage.

But if any doubt remains in your mind or in the minds of those other admirers of my father who wish to honour his memory, would it not be better to abstain from marking either of these houses with a tablet than run the risk of placing it on the wrong one ? We all know my father did pass his honeymoon at Chalk and that he returned to it after his first child was born, therefore we may imagine he was constantly walking about the lanes and roads, liking the place and pleased to find himself there. Is not this sufficient — or if a tablet must be placed somewhere in commemoration of his visits — why not put it on a wall at the entrance to village and leave the two houses alone ?

I return you the cutting from local paper, and with kind regards remain,

Yours very sincerely,
Kate Perugini.
December 2nd, 1910.

30

At a later date Miss Hogarth penned a further letter to the Honorary Secretary of the local branch of the Fellowship in which she says :

August 16th, 1911.

I am very sorry I cannot give you any information as to the name of the person who kept the house at Chalk where Mr. and Mrs. Dickens spent their honeymoon. It was quite an ordinary small house, and I have no doubt has changed hands many times since that date. I was a very small child in those days — and I was not even present at my sister's wedding. I do remember spending a day at the Chalk house when they were staying there the year after their marriage — but I don't recollect much about it.

Some little time before his death, on the occasion of the unveiling of the tablet and bust, Mr. Newman sent what he evidently regarded as a final confirmatory letter, a benediction on the ceremony he had witnessed.

 31

1, Hilton Villas,
Whitehill Road,
Gravesend,

June 14th, 1911.
. . . Please excuse a few lines to tell you how pleased I was to see the Dickens Memorial placed over the door of the right cottage. I have been quite sure of it all along, because when I was in business in Gravesend the occupant of the cottage was a customer of mine (Mrs. Craddock) as long as fifty years ago ! and I have heard her talk about Dickens having had apartments there — at that time too I often met Dickens himself in my walks on Sunday afternoons with the late Alderman E. C. Paine. We were both young men then and had not long commenced business — but those meetings with Dickens on the road and hearing him talk to his boys are fresh in memory still.

The following lines were penned by him at the same time. The " best friend " referred to is, of course, Mr. Percy Fitzgerald who executed the bust now over the doorway.

32



CHARLES DICKENS.
From a little-known Photograph.

How does the touching scene to-day-
Remind us of the fleeting wings
Of Time, which ever bears away
Both men and all terrestrial things !
It seems a little while since he
Whom now we honour, lived and moved
Among us, ever cheerful, free —
Surrounded by the friends he loved.
His countenance we knew so well,
His voice and form remembered too ;
But only as a memory dwell
Now with the ever-dwindling few.
In the great seething world to-day,
His works in myriad breasts inspire
New life and courage by the way,
And Sympathy's soul-kindling fire.
And many a one will linger here
To gaze upon this simple shrine,
Which his best friend is spared to rear —
Memento of a love benign.

I will deal with some of the objections
that have been raised to the selection of

33

the Gravesend and District Branch of the Fellowship and to their decision to place a tablet on the " small house " before I proceed to describe the successive steps that were taken to give effect to this decision.

It must be explained first that there were four claimant houses in the village. As a matter of fact, while the discussion was at the height of its Pickwickian acrimoniousness, I think this number was largely exceeded ; the difficulty being rather to find a house in the village in which Dickens did not stop. Two of these, however, were quickly put out of court. The testimony in favour of one was very cousin-german to the truth, and did not even rest on hearsay ; the other was too nearly related to the " So-and-so said so " order to be seriously considered, particularly in face of the fact that this particular so-and-so was not producible. The two remaining were the Manor House, which was originally the Parsonage, and the Dickens Cottage.

One of the objections raised I have already dealt with, viz., that Hills was not

34

gardener to Leroux in April 1836. The re-naming of the Parsonage as the Manor House, has been held to be evidence against the Cottage, although the train of reasoning by which this conclusion was arrived at still remains a mystery to me. For many years past it has been the practice to call houses of all kinds by names having no significance, or an outrageous one. " The Priory," "The Grange," "The Castle", "The Moat House," "The Hall," "The Court," are a few of the house-names which the fancy of the owners has bestowed upon buildings without even the most remote connection with those they are supposed to represent. With an avidity the antiquarian must deplore, some house-proud owners and tenants have combined two or more names, such as " Grange Court." So that I do not think any odium can be said to rest upon the memory of the tenant who changed the name of the old Parsonage to that of the Manor House.

It has been urged that Dickens with £30 in his pocket — paid him for the first two numbers of " Pickwick " — was in a

35

position to demand the best the little village could lay before him — in fact, more than the best available, as this magnificent sum is supposed to have given both him and his bride the entree into the largest and best house within a radius of a mile or more. After all, what was this sum ? Dickens had been receiving seven guineas a week. This he had relinquished : and thirty pounds — the equivalent of four weeks' salary — is supposed to have been so large a sum in his eyes that he threw it about lavishly and without thought, and that he lived like a prince on it for the whole of his honeymoon !

" It couldn't be done, Samuel ! Not at the price ! "

Thirty pounds and Dickens would, I feel sure, soon have parted company, without his taking over the old Parsonage.

I have now in one way or another given the evidence of the family, of probability, of those who lived in the village of Chalk, and of those who living there then gave their message to their friends and their relatives. Everything points so conclusively

36

to the Honeymoon Cottage that the only factor that could be admitted as of sufficient importance to reopen consideration of the subject would be a letter or some other documentary evidence of a contemporary nature. Blanchard's letter is the only fault in the chain : and that was written many years after, and even after Dickens's death, by one who did not know him in the early years of his literary struggles.

This was the ground on which the Gravesend and District Branch of the Dickens Fellowship took their stand when they decided to place a memorial tablet on the cottage on June 14th, 1911. After the delay incidental to obtaining sufficient data to satisfy the doubts of headquarters the matter was pushed ahead. The incised gunmetal tablet had to be made, and at one time it almost appeared as though it would never see the sunshine glinting on it from the corner of Cobham Woods : and as a matter of fact such turned out to be the case as, when we invited Mr. Percy Fitzgerald to be present at the ceremony

37

of unveiling our unimposing tablet, he presented us with a large marble plate, gilt lettered, with a bronze plaque of the famous novelist's familiar features. I suppose there is now no one living better able to recall Dickens as he was, outside the intimate relations of his family circle, than Mr. Fitzgerald. Most Dickensians are, and all should be, acquainted with his charming books on Dickens and his works. But it is when one hears Mr. Fitzgerald on his favourite theme that one is able to realize how much his memories mean to him. The plate and plaque presented to the Gravesend and District Branch of the Dickens Fellowship for the Honeymoon Cottage was most distinctly a labour of love. They were fixed over the doorway — the front doorway, that is — of the cottage, and the original gun metal tablet was placed on the north wall at the corner.

Chalk was en fete the day the unveiling took place. The Mayor of Gravesend performed the ceremony, and the Rochester Branch of the Fellowship was strongly represented by some forty members. But perhaps I had better let eyewitnesses give their impressions as they appeared in the local papers of the time :

" The Mayor of Gravesend, Alderman H. E. Davis, J.P., C.C., on Wednesday (June 14th, 1911), unveiled a handsome black marble plaque and head of the late Charles Dickens over the doorway of the little boarded cottage at Chalk, in which the novelist spent his honeymoon, and in which some of the earlier chapters of 'Pickwick Papers' were written. The occasion was rendered particularly interesting by reason of the presence of Mr. Percy Fitzgerald, who was a great personal friend of Dickens, and who executed the bust and presented it to the Gravesend, Northfleet and District Branch of the Dickens Fellowship, with whom the idea of marking the cottage in this way first originated. Accompanying the Mayor was the Mayoress, and amongst those also present were the Rev. G. W. Mennie (president of the Branch), who presided over the ear her portion of the proceedings, Lieut. Col. and Mrs. Lawrence Gadd, Mr. and Mrs. A. J.

39

Philip, Miss M. Chambers (hon. sec. of the Gravesend branch of the Fellowship), Messrs. H. Smetham and A. W. Ratcliffe (president and hon. sec. of the Rochester branch), Mrs. E. C. Paine, Mrs. and Miss Barlow, the Town Clerk (Mr. H. H. Brown, B.A.), Mr. George Sharland, the Rev. E. A. and Mrs. Davies, Mrs. Brooker, Messrs. Gilbert, Councillor and Mrs. F. Goldsmith, Councillor Howard Burton, Councillor J. Huartson, Councillor W. J. Harrington, Mr. and Mrs. Cruse, Mrs. De Frame, Mr. and Mrs. Harding, Mr. and Mrs. S. Blandford, Mr. and Mrs. D. Martin, Miss Weaver, and others, besides Mr. Marriott (hon. treasurer of the London Fellowship), and many others. At a later stage in the proceedings the Rector (the Rev. Canon Gedge), and the Rev. S. J. Poole attended.

"In opening the proceedings, the President introduced Mr. Percy Fitzgerald, stating that no living man was better qualified to speak to them about Dickens and the memories of that great and immortal man than the gentleman who then honoured them with his presence (applause).

 40

"Mr. Percy Fitzgerald said he might call himself the last surviving literary friend of Charles Dickens, and it was a great pleasure for him to be present on that occasion. He would have travelled a good many miles to be present, much further than he had come that day. At the same time, there was a sort of melancholy feeling in it, because his mind travelled back over a very long stretch of years, about forty years, to the day when he was walking with Dickens, and he was showing him (the speaker) all the beauties of that enchanting part of Kent, and they actually passed over that very ground. That, as he had said, was a long time ago, and he could imagine now if some unseen spirit were to have whispered in the ear of Dickens that the young man who was walking with him then on that very spot would forty years later be looking at a picture of him done by himself, who would have credited such a thing ? He had another memory of Dickens connected with Kent and Gravesend, and in his mind he saw Dickens and himself, and the novelist's charming daughters

41

and sister-in-law at Gravesend at the strange hour of nearly midnight. They had been spending a whole day in Hertfordshire, at Lord Lytton's place, where there had been a function of some sort. On that occasion Dickens excelled himself. Lord Lytton and he spoke of each other and of their old friendships, and it was a really delightful day. After it was all over they found themselves at Gravesend somewhere about ten or eleven o'clock at night, and there was an Irish jaunting car which Dickens often drove on, and they were driven home through the night by Dickens himself. He supposed there was no one else existing who could claim to have been driven by Dickens. With regard to the character of Dickens, the speaker said the late novelist was one of the most extraordinarily amiable men that ever existed. He (the speaker) had met all sorts and conditions of men, some agreeable and some disagreeable, but Dickens was of a uniform temper, always kind and gentle. He was never anxious to take the first place, but was always content to take
  
42

second place. He liked to hear others speak, but never wanted to hear himself speak. In short, he was a sort of model man, and he could assure them that to those who knew him in his house at Gad's Hill and contrasted him with the ordinary host or the ordinary head of a family, it was a revelation, as it was to see Dickens dance about, brilliant and gleaming with life like the youngest man in the room, and his two daughters circling their arms around his neck just as if he were their brother. He used to keep on acting small plays, and everything he did he did in a most delightful way.

" The Mayor then unveiled the tablet in the following speech : —

" I need hardly tell you how much I value the privilege you have conferred upon me by inviting me to unveil this medallion and tablet this afternoon. We are at a later stage to have the pleasure of hearing several gentlemen discourse upon Charles Dickens and his works, so I do not propose to detain you by any observations of my own upon the subject of the great novelist.

43

All I wish to say is that, living as we do in Gravesend, practically in the heart of Dickens' land, it is eminently fitting that we should have a branch of that useful society, the Dickens Fellowship. I am glad to say that our branch is strong in numbers and active in its good work. I think that is testified to by the numbers who have made this little pilgrimage to Chalk (applause).

" I have very great pleasure in unveiling this medallion and tablet to commemorate the indubitable honeymoon cottage of Charles Dickens.

" The Mayor then pulled the cord which held the curtains, and the tablet, a beautiful piece of work, was unveiled. Surrounding a splendidly executed head of the novelist was the date of his birth and death, and a record of the fact that in that cottage he spent his honeymoon and wrote the earlier chapters of "Pickwick"

"Proceeding, the Mayor said he had a further pleasant task, and that was on behalf of the society to thank Mr. Percy Fitzgerald for so generously coming to

44

their aid and presenting us with the memorials. Mr. Fitzgerald was too well known among students and lovers of Dickens to need any words of recommendation. Wherever admirers of Dickens congregated together, his name was known as a serious and devoted student of the great author, not only of his works, but of his personal history, and indeed of everything with which the name of Charles Dickens is associated (applause). He had given them a further proof of his enthusiasm by so kindly giving them those memorials and by making the long journey from London down to that little wayside village of Chalk (applause). He could only say that they as a society gave Mr. Fitzgerald a most cordial welcome to Gravesend, and thanked him very sincerely for his kindness.

" Replying to the hearty vote of thanks accorded him, Mr. Fitzgerald referred to the bust of Dickens, and said he knew the image of Dickens by heart, and nobody was better able than he, through personal associations with him, to reproduce his features more faithfully.
  
45

" Col. Gadd proposed a vote of thanks to the Mayor. They all knew of the Mayor's public spiritedness and his unfailing readiness to respond to any call affecting Gravesend, its dignity, its well-being or its social amenities (applause). The Gravesend Branch of the Dickens Fellowship was particularly indebted to His Worship and to the Mayoress for their valuable and sympathetic support from the first moment of the resuscitated branch.

" Mr. G. Sharland seconded the motion, which was carried with acclamation, and the Mayor having briefly responded, this part of the ceremony ended.

" The cottage which has been marked by this tablet is held on a lease by Mr. 0. Mullender, and is tenanted by Mr. E. Eedsell. 

This does not pretend to be an exhaustive treatise. The history of the Honeymoon Cottage and its tenants has not been traced during the nearly eighty years that have passed since Dickens was there : this could scarcely be of much interest and of less utility, but the son and daughter of the Mr. and Mrs. Craddock who were

46

Dickens's landlord and landlady are still living in Gravesend at the time of writing. Hills is dead and there is now no one living, so far as I have been able to discover, who can impart first-hand knowledge of England's great novelist at that period.

Chalk's interest for the ardent Dickensian is not confined to the Honeymoon Cottage. On the opposite side of the way the forge, identified as the original of Joe Gargery's on account of the door leading from the forge to the kitchen, may be seen. And here, within the memories of those still living, were a man and woman who were prototypes of Orlick and Pip's sister, although this Orlick resembled the character only in appearance, being in reality a gentle-hearted man.

From the centre of the village one can almost see the Ship and Lobster in the neighbouring parish of Denton, the original of the " Ship " in " Great Expectations," standing gaunt and bleak on the river wall.

Chalk Church with its curious carving over the door, a relic, probably of a long series of church-ales, stands on a little knoll a short distance farther on.
  
47

Shorne, with the " prettiest churchyard in Kent," is a little to the south, hidden by trees, but with its position strongly marked by the remains of a windmill. Here it was that Heyling's wife was buried (in " Pickwick ") and where Dickens himself wished to be laid to rest.

It would be possible to write at greater length about Dickens and Gravesend and the surrounding district — Gravesend as Muggleton alone opens up a wide field ! — but I must leave that for another occasion when at a later date I can deal with the larger subject as a whole. This little brochure is intended only to put on record the grounds on which the Committee of the local branch of the Dickens Fellowship decided upon the cottage ; so that, if at any future date, some unforeseen event, such as the discovery of documentary evidence of any kind, should take place, it will be possible to allocate it to its proper sphere, and to admit it only after the most careful scrutiny.

PRINTED BY HUNT, BARNARD AND CO., LTD., LONDON AND AYLESBURY

1957: Nash's Cottage, Gravesend Library notes
At the junction of Lower Higham Road and Chalk Road in the village of Chalk is Craddock’s Cottage that, for a long time, was thought to be the cottage where Charles Dickens spent his honeymoon. Indeed, the cottage has a bust of Dickens, by Percy Fitzgerald (a personal friend of Charles Dickens), with a tablet stating that it is here that Dickens spent his honeymoon. Craddock's cottage was identified as Dickens Honeymoon abode by research carried out by Gravesend Borough librarian Alex J. Philip (librarian 1903-1946). However, an authenticated handwritten letter by Dickens at the time was sent from Mrs Nash’s, which was 18 Lower Higham Road. This cottage was demolished in 1957 and a picture is shown here.



Mrs Nash's cottage, 18 Higham Road, also possibly the cottage where Dickens spent his honeymoon. There are also two other places that claim to be Dickens honeymoon cottage, and these are "The Manor House" in Chalk Road and the now demolished "Malt House Farm" on the corner of West Court Lane and Lower Higham Road.

More information can be found in A. J. Philip, Dickens Honeymoon and Where He Spent It. 1911. Available for reference at Gravesend Library.

References and further information:
"An A to Z History of Chalk" by Christoph Bull. First edition published 1984, second edition published - 1992. Available at Gravesend Library for consultation.
"Chalk Church an Illustrated Guide", updated and re-written by Christoph Bull 1997. Available at Chalk Church to purchase for £1.50.
"The Great Expectations Country" by W. Laurence Gadd 1929. Available for reference at Gravesend Library.
"A Historical Walk Through Gravesend And Northfleet" published by Gravesend Historical Society.

Craddock's Cottage today





Craddock's Cottage, Chalk, Kent, with plaque of Charles Dickens
Photos copyright and courtesy of © Carole Turner March 2016

Craddocks Cottage Chalk Kent 2021

Screenshot: Craddock's Cottage, 24 Chalk Road, Chalk, Kent. Google Maps 2021.

RELATED POSTS main weblog