Showing posts with label The Port Arthur Convicts Commission. Show all posts
Showing posts with label The Port Arthur Convicts Commission. Show all posts

Donation of Nevin graphica from private collector to the NLA



We are delighted to announce that a private collector and American resident has generously donated to the National Library of Australia, Canberra, a total of 45 photographs of Port Arthur convicts taken by Thomas J. Nevin, including the photograph of John Gregson, 1874 (pictured), together with original records, prison logs, prison ephemera and realia, and letters written to Thomas J. Nevin from the adiministration regarding his government commissions at both the Port Arthur penitentiary and Hobart Gaol, Tasmania during the 1870s-1880s. The donation was bequeathed from a large collection of 19th and early 20th century Pacifica, the bulk of which will remain in the United States.

The National Library of Australia donation includes these carte-de-visite photographs:
- prison photograph of John Gregson, Nevin stamp verso
- prison photograph of Francis Gregson, Nevin stamp verso
- prison photograph of George Leathley, Nevin stamp verso, handwritten inscriptions "Port Arthur 1872"
- prison photograph of George Fisher, Nevin stamp verso
- prison photograph of Henry Clabby, Nevin stamp verso
- prison photograph of Richard Copping, Nevin stamp verso
- prison photograph of William Curtis, Nevin stamp verso
- prison photograph of Job Smith, Nevin stamp verso
- prison photograph of Stephen Kelly, Nevin stamp verso
- prison photograph of John Nestor, Nevin stamp verso
- prison photograph of William Sewell, Nevin stamp verso
- prison photograph of Charles Baker, Nevin stamp verso
- prison photograph of James Martin, verso inscribed with "T.J. Nevin Photo"
- prison photograph of Daniel Murphy, verso inscribed with "T.J. Nevin Photo"
- prison photograph of Dennis Dogherty, Nevin stamp verso, handwritten inscriptions "Port Arthur 1872"
- and thirty more of prisoners taken in the same decade, some as uncut paper prints bundled together with handwritten logs numbering each image on each sheet of photographs, plus dates of printing, and cost calculations in pencil at the foot of each log (4 pages). Some bear the wording  "To J. Barnard" and "for Tuesday" and various other days. Two separate notes attached give details of paper size, mount colours, and ink orders from suppliers, including one stained with blue and pink watercolour.

The collection also consists of these documents:
- letter to T. Nevin, New Town from W. Giblin, 1872 (govt)
- letter to T. Nevin, from J. Woodcock Graves, 1871 (lawyer)
- letter to T. Nevin, from J. Barnard, 1869 (govt printer)
- letter to T. Nevin, from Detective J. Connor 1879 (govt)
- letter from Ad. H. Boyd to Thomas Nevin, 1871 (govt)
- letter from Chief Justice F. Smith to R. Byron Miller re Nevin (Supreme Court 1873)
- letters (x3) to Thomas Nevin from J. W. Beattie 1898
- Christmas card from E.R. Nevin to J. W. Beattie 1898

There are also six photographs of unidentified landscapes printed as stereographs with "T. Nevin Photo" embossed on the mounts, one in a green mount, and four mounted cdv studio portraits of Eliza Hurst (dated 1878), William Giblin, James Erskine Calder, and James Hurst, names written on reverse, all with Nevin's stamp.

This donation is a welcome addition to the public holdings of Thomas J. Nevin's photographic work and biographical documentation. The items have not yet been individually catalogued, and access is restricted to those nominated by the Nevin family descendant who signed the release from the collector's estate in May 2014 at Oakland, California. NB: check the date of this post.

Thomas Nevin's VIP commission 1872



To Adventure Bay, 31st January 1872
Between 31st January and 2nd February 1872, Hobart photographer Thomas J. Nevin accompanied two parties of VIPs on boat trips down the Derwent River: to Adventure Bay at Bruny Island, and to Port Arthur on the Tasman Peninsula. On the 31st January he took a series of photographs of a party of "colonists" which included Sir John O'Shanassy, former Premier of Victoria, on their day trip to Adventure Bay on the eastern side of Bruny Island. They travelled on board The City of Hobart, commanded by Captain John Clinch.





Title: The Tasmanian Steam Navigation Company's Screw Steam Ship 'City of Hobart' 618 tons (Captain John Thom)
Passing Gravesend on her trial trip Feb. 23rd 1854 / J.W. Deering Del et Lith. ; Day & Son Lithrs to the Queen
Creator: Deering, John W., 1838-1923
Publisher: [S.l. : s.n.], 1854
Description: 1 print : lithograph ; sheet 44 x 61 cm. within frame
Format: Print
ADRI: AUTAS001124068164
Source: Allport Library and Museum of Fine Arts

It was a busy week for Thomas J. Nevin and his camera. The colonists' trip to Adventure Bay took place on Wednesday 31st January 1872. It was initiated by townsman John Woodcock Graves (the younger) who chartered the steamer the City of Hobart with costs defrayed by subscription, and who requested Thomas Nevin's services as photographer of the official party among the 400 subscribers to the event. The VIP's on the trip included the Hon. Mr. James Wilson (Premier of Tasmania), Alfred Kennerley, (Mayor of Hobart and Police Magistrate), the manager of the Van Diemen's Land Bank (?), the Hon. John O'Shanassy (former Premier of Victoria), Mr John Miller (Cape of Good Hope), Father Sheehy, Mr. Tobin (Victoria), John Woodcock Graves jnr (barrister Tasmania), Captain Clinch (commander of the City of Hobart), the Hon. James Erskine Calder (Surveyor-General), Robert Byron Miller (barrister Tasmania), the band of the Workingmen's Club, not to mention the many women and children, notably teenager Jean Porthouse Graves, daughter of John Woodcock Graves jnr, who collected Nevin's photographs of the excursion in a family album.

On board the "City of Hobart"
Thomas Nevin photographed this group of dignitaries on board the City of Hobart early in the trip and took another on board when they returned (TMAG Collection). He printed this earlier stereograph on an arched buff mount which now bears the inscription recto in ink "My Father" referring to John Woodcock Graves jnr, added by his teenage daughter, Jean Porthouse Graves who joined him on the trip.


The Colonists' Trip to Adventure Bay
VIPs on board The City of Hobart, 31st January 1872
Stereograph in buff arched mount by Thomas J. Nevin
Private Collection KLW NFC Group copyright © KLW NFC Imprint 2015

From left to right:
Sir John O'Shanassy (seated), John Woodcock Graves jnr, Captain John Clinch, the Hon. Alfred Kennerley and the Hon. James Erskine Calder (seated). Standing behind Captain Clinch and Alfred Kennerley is R. Byron Miller.



VERSO WITH RARE NEVIN LABEL
The square royal blue label with T. Nevin's modified design of Alfred Bock's stamp from the mid-1860s and the wording in gold lettering, framed on a cartouche within gold curlicues, is unique to this item, not (yet) seen on the verso of any of his other photographs. Similar wording appeared on Nevin's most common commercial stamp from 1867 with and without Bock's name but always with the addition of a kangaroo sitting atop the Latin motto "Ad Altiora". Here, Bock's name is still included within the design although Nevin acquired Bock's studio five years earlier, in 1867: "T. Nevin late A.Bock" encircled by a buckled belt stating the firm's name within the strap, "City Photographic Establishment". The address "140 Elizabeth Street Hobarton" appears below the belt buckle and inside the badge motif.

The name "Graves" with a half-scroll underneath in black ink was most likely written by Thomas Nevin himself as a reminder of the client's name for the order. The handwriting is similar to his signatures on the birth registrations of his children in the 1870s.

The pencilled inscription "On board City of Hobart, Cap Clinch, Visitors Trip Jay 1872" and the deduction of the years "1947-1872=75 ago" was written by a descendant of the Graves and Miller families, probably by daughter Jean Porthouse Graves who wrote "My Father" above the right hand frame on the front of the stereograph and a partial arrow pointing to John Woodcock Graves (jnr), She had pasted this photograph, and others taken by Thomas J. Nevin of the same group, into a family album (KLW NFC Private Collections 2015).





Another stereograph of the VIPS by Nevin on board the City of Hobart 31st January 1872
Stereograph with T. Nevin Photo blindstamp impress recto on right hand side
Verso with T. J. Nevin's government contractor's stamp with Royal Arms insignia.
Tasmanian Museum and Art Gallery Collection Ref: Q1994.56.2



State Library of Victoria
The Hon[oura]ble J. O'Shanassy Chief Secretary [ca. 1858]
Attributed to Antoine Fauchery.
Photoprints at LTA 355.
https://handle.slv.vic.gov.au/10381/294397

At Adventure Bay
Men of premier social status dressed in full Victorian attire from head to toe rarely allowed themselves to be photographed in reclining and recumbent poses, so these captures by Nevin of Sir John O'Shanassy and Sir James Erskine Calder lolling about in bush surroundings are quite remarkable. Their ease and familiarity with Thomas Nevin was in no small part due to his work already performed for surveyors James Calder and James and John Hurst on commission with the Lands and Survey Dept., for which he was issued with the Colonial Government's Royal Arms warrant by authority. The men in the foreground of this series taken on the Adventure Bay trip in January 1872 were the lawyers and the legislators who were Nevin's patrons and employers throughout his engagement as photographer in Hobart's prisons and courts from 1872 into the 1880s.





Group photograph of the colonists at Adventure Bay 31st January 1872
Figures on lower left, recumbent: John Woodcock Graves jnr and Sir John O'Shanassy
Between them: John Graves' teenage daughter, Jean Porthouse Graves
Above her in topper: Robert Byron Miller
On right: sitting with stick, Hon. Alfred Kennerley, Mayor of Hobart
Head in topper only on extreme right: Sir James Erskine Calder.

Stereograph in double oval buff mount with T. Nevin blindstamp impress in centre
Verso is blank. Photo copyright © KLW NFC 2014 ARR
Taken at the TMAG November 2014 (TMAG Collection Ref:Q1994.56.5

This is the same image, printed by Nevin from his negative as a carte-de-viste, stamped verso with his most common commercial studio stamp. More of the figure of the Hon. James Erskine Calder leaning into the frame on lower right is visible. Jean Porthouse Graves is indicated by an ink mark, and so is the man in the white summer hat who is leaning on top of a man-made stone structure, perhaps Lukin Boyes, son of artist and administrator G.T.W. Boyes. Surname and initial appearing to be "L Boyes" is written on verso.




Verso inscriptions include these identifiable figures at the "Picnic":
Father = John Woodcock Graves jnr,
Sir John O'Shanassy = former Premier of Victoria,
Self = Jean Porthouse Graves, daughter of John W. Graves,
L. Boyes = Lukin Boyes (?), son of G.T. W. Boyes

From an album compiled by the families of John Woodcock Graves jnr and R. Byron Miller
Private Collection © KLW NFC Imprint 2015



Another configuration with more members of the VIP group at Adventure Bay, 31st January 1872. The man laughing, sitting between the Hon. Alfred Kennerley (lower left) and Sir John O'Shanassy, is Hugh Munro Hull, Parliamentary librarian. He seems to have appreciated comments coming from Nevin at the point of capture, while Sir John O'Shanassy (with stick), reads on, oblivious. The figure running into the scene at centre is John Woodcock Graves (the younger), organiser of the excursion.

Nevin's blindstamp impress is on the mount at centre. This stereo is badly water-damaged.
It is held at the Tasmanian Museum and Art Gallery, Ref: Q1994.56.24.
Photo taken at TMAG 10th November 2014
Photo copyright © KLW NFC 2014 ARR



Thomas Nevin took this photograph of the group as they emerged from the bush onto the sand at Adventure Bay, 31st January 1872. He printed the image as a stereograph on yellow card, with his blindstamp impress "T. NEVIN PHOTO" on the right, which was applied somewhat hurriedly. The inscription and arrows in ink on the left - "Father" and "Me" and "?" point to John Woodcock Graves jnr and his daughter Jean Porthouse Graves.



Verso inscription: "Pleasure Trip to Adventure Bay when I was a girl."
From an album compiled by the families of John Woodcock Graves jnr and R. Byron Miller
Copyright © KLW NFC Imprint Private Collection 2015

A letter to the Mercury by "One of the Party" praised the trip as "the happiest marine pleasure excursion that has ever happened in Tasmania":
All went to bed, I guess, in good time, and slept and dreamt about nothing worse than
"Silvery fish for the foam-hunting falcon,
Sea-weed and pearls for my darling and me."
And thus ended the happiest marine pleasure excursion that has ever happened in Tasmania, and one that will leave a pleasant mark in the history of the colony....
ONE OF THE PARTY.
Source: WHAT STRANGERS THINK OF OUR RESOURCES. (1872, February 2). The Mercury (Hobart, Tas. : 1860 - 1954), p. 3. Retrieved March 28, 2015, from https://nla.gov.au/nla.news-article8921623

Very well taken
Thomas Nevin advised readers of the Mercury, 2nd February 1872, that those group photographs taken on the trip to Adventure Bay were ready and for sale. The Mercury also reported that Nevin's photographs of the event were "very well taken" in the same edition. The day previously, Nevin's close friend Henry Hall Baily advised that prints of his "instantaneous photographs" taken of the Champion Gig Race at the Regatta on 30th January were ready.



Visitors' photographs on hand ready for sale
The Colonists' Trip to Adventure Bay
Thomas Nevin's advertisement, Mercury 2nd February 1872
Henry Hall Baily's "Instantaneous Photographs", 1st Feb 1872





Mercury, 2nd February 1872
THE TRIP DOWN THE RIVER.- A photograph of the "Colonists' Trip" has been very well taken by Mr. Nevin, which will be of special interest to those who took part, and will probably like to secure this remembrance of so memorable event.

Both Baily and Nevin had forwarded copies of their photographs to the Mercury to merit these notices. Those copies would have been displayed in the newspaper window because printing them - as real photographs and not just as lithographs - was still beyond the technological means of newsprint reproduction.

To Port Arthur, 1st February 1872



TRANSCRIPT
VISIT TO PORT ARTHUR.- Mr. Trollope and the Hon. Howard Spensly, Esq., Solicitor-General of Victoria, accompanied the Hon. the Premier, J.M. Wilson, Esq., and the Hon. the Attorney-General, W.R. Giblin, Esq., embarked in the Government schooner late last night, some time after Mr. Trollope had concluded his lecture on “Modern Fiction, as a recreation for young people,” and left for Port Arthur. Their visit to the Peninsula will be a very hurried one, and will afford them only scant opportunity of inspecting the penal establishment, it being the intention of Messrs. Trollope and Spensly to leave Hobart Town for the North, en route for Victoria in a few days …
Source: Mercury 2 February 1872

Thomas Nevin printed the Adventure Bay trip photographs in different formats, some as plain single-image cartes-de-visite, others as stereographs in oval, arched or square mounts on buff or yellow card. He must have worked in situ and later all evening of the 31st January (1872) on returning to Hobart to have prepared prints from the Adventure Bay trip for sale by 2nd February, because one day later, on 1st February (1872), he attended British author Anthony Trollope's lecture on modern fiction at the Odd Fellows Hall before joining Trollope's party heading to Port Arthur with the Tasmanian Premier, the Hon. J. M. Wilson, Esq. Thomas Nevin was the official photographer of the Loyal United Brothers Lodge. A. & I.O.O.F. at the inauguration and grande soiree of the new Odd Fellows' Hall on July 6, 1871, attended by the Premier. His VIP commission was extended once again to join the Premier, members of the legal profession, and Anthony Trollope at Port Arthur.



Anthony Trollope, Melbourne 1871
Hibling & Fields Photographers
State Library of Victoria Ref: H96.160/1669

Anthony Trollope's party left late in the evening of 1st February (1872) on board the government schooner for the Port Arthur prison on the Tasman Peninsula. Accompanying Anthony Trollope and Premier J. M. Wilson were lawyers Howard Spensley, Solicitor-General of Victoria, and the Tasmanian Attorney-General W.R. Giblin, Nevin's family solicitor since 1868, who had requested Nevin join them to organise facilities on site and procedures for photographing prisoners in accordance with recent legislative provisions in Victoria and NSW (see newspaper report below). They stayed a few days while Trollope gathered information from interviewing prisoners, including Denis Dogherty, whom Nevin photographed among other recent absconders. He took photographs as well of the derelict state of the buildings, of costly but unfinished engineering works, and general vistas across the site.



Attorney-General W. R. Giblin ca. 1874
Photo by T. Nevin, stamp verso
TAHO Ref: NS1013-1-1971



Trollope's Port Arthur interviewee prisoner Denis Dogherty
Photo by T. Nevin, stamp and verso inscription "Calder".
Private collection KLW NFC Imprint.



Thomas J. Nevin’s mugshot of prisoner Denis Dogherty, 1870s, reprint held at the NLA
Surname is spelled Dougherty by Edwin Barnard in Exiled: The Port Arthur Convict Photographs NLA (2010).
Photos copyright © KLW NFC 2011 ARR. Watermarked.


More Newspaper Reports
The colony of New South Wales had already introduced the practice of photographing prisoners twice, firstly on entry to prison and secondly near the end of their term of incarceration by January 1872 when this report was published in the Sydney Morning Herald. The purpose of the visit to the Port Arthur prison by the former Premier and Solicitor-general from the colony of Victoria with photographer, Thomas Nevin and the Tasmanian Attorney-General the Hon. W. R. Giblin in the company of Anthony Trollope, was to establish a similar system for the relocation and processing prisoners through the central Municipal Police Office, Hobart Town Hall from the Port Arthur prison to the Hobart Gaol in Campbell St.


Photography and Prisons
The Sydney Morning Herald 10 January 1872

TRANSCRIPT
PHOTOGRAPHY AND PRISONS.-We understand that, at the instance of Inspector-General McLerie, Mr. Harold McLean, the Sheriff, has recently introduced into Darlinghurst gaol the English practice of photographing all criminals in that establishment whose antecedents or whose prospective power of doing mischief make them, in the judgment of the police authorities, eligible for that distinction. It is an honour, however, which has to be " thrust " upon some men, for they shrink before the lens of the photographer more than they would quail before the eye of a living detective. The reluctance of such worthies in many cases can only be conquered by the deprivation of the ordinary gaol indulgencies; and even then they submit with so bad a grace that their acquiescence is feigned rather than real. The facial contortions to which the more knowing ones resort are said to be truly ingenious. One scoundrel will assume a smug and sanctimonious aspect, while another will chastise his features into an expression of injured innocence or blank stupidity which would almost defy recognition. They are pursued, however, through all disguises, and when a satisfactory portrait is obtained copies are transferred to the black books of the Inspector-General. The prisoners are first " taken" in their own clothes on entering the gaol, and the second portrait is produced near the expiration of their sentence. When mounted in the police album, the cartes-de-visite, if we may so style them, are placed between two columns, one containing a personal description of the offender, and the other a record of his criminal history. Briefer or more comprehensive biographies have probably never been framed. Copies of these photographs are sent to the superintendents of police in the country districts, and also to the adjoining colonies. To a certain extent photography has proved in England an effective check upon crime, and it is obviously calculated to render most valuable aid in the detection of notorious criminals. New South Wales is, we understand, the only Australian colony which has yet adopted this system ; but the practice is likely soon to become general.
Source: The Sydney Morning Herald. (1872, January 10). The Sydney Morning Herald (NSW : 1842 - 1954), p. 4. Retrieved from http://nla.gov.au/nla.news-article13250452



Anthony Trollope at Port Arthur
Mercury, 2 February 1872

TRANSCRIPT
VISIT TO PORT ARTHUR.- Mr. Trollope and the Hon. Howard Spensley, Esq., Solicitor-General of Victoria, accompaniedby the Hon. the Premier , J. M. Wilson Esq., and the Hon. the Attoney-General, W. R. Giblin Esq., embarked in the Government schooner late last night, some time after Mr. Trollope had concluded his lecture on "Modern Fiction as a recreation for young people," and left for Port Arthur. Their visit to the Peninsula will be a very hurried one, and will afford them only scant opportunity of inspecting the penal establishment, it being the intention of Messrs. Trollope and Spensley to leave Hobart Town for the North, en route for Victoria, in a few days.
THE MERCURY. (1872, February 2). The Mercury (Hobart, Tas. : 1860 - 1954), p. 2. Retrieved April 3, 2015, from http://nla.gov.au/nla.news-article8921624

JAMES ERSKINE CALDER wrote a lengthy piece on the history of Adventure Bay in the days preceding the actual trip to acquaint those with subscriptions to the trip of its significance.
OUR VISITORS' TRIP.
TO THE EDITOR OF THE MERCURY.
Sir,-It was s good idea, whoever originated it, to have pitched on Adventure Bay for the scene of the pleasure trip and picnic, which the inhabitants of Hobart Town have got up as a fitting and kindly compliment to the many visitors now amongst them from Continental Australia, who have chosen this place for their summer residence.
I know quite enough of Adventure Bay to be able to assure you that the selection is a happy one ; and though a long list of pleasant places offer themselves to choose from, none could be better for a day's enjoyment in the land of the beautiful, than this retired inlet of Storm Bay .....
It was in this very Adventure Bay to which our citizens are about to escort their friends, that the quarrel between the rudely imperious Bligh and his lieutenant, grew into irreconcilable hatred of each other. According to a most unwilling participator in the meeting that followed, and who became its historian, " the seeds of eternal discord were sown between Lieutenant Bligh and some of his officers, while in Adventure Bay, Van Diemen's Land." etc etc
OUR VISITORS' TRIP. (1872, January 26). The Mercury (Hobart, Tas. : 1860 - 1954), p. 3. Retrieved March 28, 2015, from http://nla.gov.au/nla.news-article8923452



HOBART TOWN. (1872, February 8). Launceston Examiner (Tas. : 1842 - 1899), p. 3. Retrieved March 28, 2015, from https://nla.gov.au/nla.news-article39686009

TRANSCRIPT
Mr Anthony Trollope's lecture at 'the Odd-Fellows' Hall, last week, was attractive, and the object in aid of which it was given, the Cathedral Building Fund, did not render it less so. If the question were asked whether Mr Trollope be a better lecturer than novelist, it would not be difficult to answer in the negative, and probably some of the delighted readers of "Dr. Thorne," "The 'MacDermotts," "Barchester Towers," etc experienced a shade of disappointment at the lecture. However, Mr Trollope was greeted with a hearty welcome, and his lecture was "vociferously" (that's the word, I think) applauded from beginning to end. The subject " Works of Fiction as a means of recreation for young people," was appropriately chosen, and ably treated ; and I presume the northerners will have an opportunity of testing for themselves the respectable lecturing powers of the "great novelist."
Mr Graves's design of a pleasure excursion to Adventure Bay, last Wednesday, succeeded admirably. About 400 visitors from the other colonies and citizens well freighted the good steam-ship City of Hobart, and a most agreeable trip was enjoyed. There was abundant fishing in the bay and adjacent waters, and black perch, white perch, and bream were caught by the lady and gentlemen anglers. Bags and baskets were filled with the finny treasures, and it was quite curious to see the excursionists landing and trudging homewards with their burdens. It is, of course, understood that it was a subscription affair, the charge for chartering the vessel having been more than met by the contributions of the citizens, who cheerfully supported the project. I should not be surprised if the visitors proposed to return the compliment by giving a trip to the citizens. People are beginning, though late, to devise means for the amusement of visitors, for we have a great many visitors left in Hobart Town, notwithstanding the numbers who have gone to take part in the Launceston Carnival. There is to be an afternoon steam excursion tomorrow, got up by the Foresters; a quiet excursion on Thursday, to and from New Norfolk; an organ recital at the Town Hall to-morrow evening, when professionals from the different colonies are expected to perform on the grand organ. This evening, the sixteenth concert of the Orchestral Union is to come off, when Bellini's Sonambula is to be a performed, Mr Tapfield conductor. Then there is the Japanese troupe at the Theatre Royal, which is being well patronised; and several other entertainments are on the tapis; so that by hook or by crook, a tidy programme of amusements has been arranged for a week to come, at least.





State Library of Tasmania
Stereographs of Port Arthur, T. Nevin 1872
Ref:AUTAS001124851726
Ref:AUTAS001124851759

RELATED POSTS main weblog



Photographers A. Bock, S. Clifford and T. Nevin at Port Arthur

Tasmanian photographers Alfred BOCK, Samuel CLIFFORD and Thomas J. NEVIN
VIP visitors to the Port Arthur prison 1860s-1870s
Convict clothing Tasmania 1870s



Title: Officers at Port Arthur Cricket Team
Creator(s):Bock, Alfred, 1835-1920
Date: Between 1858 and 1867
Description: 1 photograph mounted on board : sepia toned ; 7 x 10 cm.
Notes: Exact measurements of image: 58 x 95 mm., Title derived from note inscribed in pencil on verso by unknown hand., Alfred Bock's trademark for his studio at 140 Elizabeth St. Hobart on verso.
Location: Allport Library and Museum of Fine Arts
ADRI: AUTAS001126187517

Alfred BOCK at Port Arthur 1866
In late April, 1866, photographer Alfred Bock was at the Port Arthur prison site on the Tasman Peninsula, 60 kms south of Hobart at the request of its Commandant, James Boyd. Alfred Bock's studio - The City Photographic Establishment - at 140 Elizabeth Street, Hobart, was manned by his junior partner Thomas Nevin and his apprentice, younger brother William Bock, in his absence. Bock's mission at Port Arthur was to provide a series of landscapes and portraits of officials. However, it was photographer Samuel Clifford, Nevin's friend and mentor, of Liverpool Street, Hobart, who was the source and supplier of photographic materials to the Port Arthur prison administration, in this instance for Alfred Bock in April 1866, and again in August 1873, when Clifford himself visited the prison site.

Alfred Bock sent Samuel Clifford an urgent telegram from Port Arthur on 27th April 1866 requesting 24 dry plates - panoramic. The details of the telegram were recorded as -

March -May 1866 Account of Private Telegrams
Date 27th April, No. 269, Alfred Bock to Mr Clifford Liverpool St. H. Town,
"Send down 24 dry Plates Panoramic. by the Shannon, at once. - Reply."



Source: Tasmanian Papers 316 (microfilm)
Records of Telegrams sent and received between Hobart and Port Arthur 1863-1871
Mitchell Library, State Library NSW
Photos © KLW NFC Imprint 2013





Signal stations Port Arthur and Mt Nelson (courtesy of TAHO). The electric telegraph was introduced to Tasmania in 1857. The Electric Telegraph Office was situated in Macquarie Street Hobart opposite Franklin Square, also known as the old guard house (since demolished). This photograph taken ca. 1869 shows its arches:



The Electric Telegraph Office ca. 1869 (small building on corner).
Image courtesy Mitchell Library SLNSW


Alfred Bock's portraits of Commandant James Boyd were reported in the Hobart Mercury on 10th October 1866:



From Bock's telegram, it is very clear that dry plate photography was practiced by both Alfred Bock and his assistants, and by Samuel Clifford, as early as 1866. At left is an example of Alfred Bock's solar-enlarged photography which he may have devised from technical instructions published in The Photographic News, 1863. Both photographs are held at the State Library of Tasmania:

Notes for painted photograph of James Boyd on left:
Title: Mr. James Boyd
Creator(s): Bock, Alfred, 1835-1920
Date: 1866
Description: 1 photograph : sepia ; 15 x 10 cm.
Notes: Exact measurements : 144 x 100 mm, Title inscribed in ink on card mount centred below image., "Mercury 10/8/66, Portrait by Mr. Alfred Bock, presented to Jas. Boyd, 2/8/66" inscribed in pencil on verso., Original created by Alfred Bock., Photograph of an oil painting, painted over solar-enlarged photograph, head and shoulders inclined to left.
Subjects: Boyd, James - fl. 1866
Location: Allport Library and Museum of Fine Arts
ADRI: AUTAS001125882142

Notes for photograph of James Boyd and his horse:
Title: James Boyd, Commandant P. Arthur
Creator(s): Bock, Alfred, 1835-1920
Date: 186-?
Description: 1 photograph : sepia ; 10 x 6 cm.
Notes: Exact measurements : 93 x 58 mm, Title inscribed in pencil on verso in unknown hand., Full length photograph of James Boyd standing beside his horse.
Location: Allport Library and Museum of Fine Arts
ADRI: AUTAS001125882134



Title: Port Arthur, Guards c.1866
Publisher: Hobart : Alfred Bock, ca. 1866
Description: 1 photographic print on card : sepia toning ; 62 X 100 mm
Source: Allport Library and Museum of Fine Arts
Notes: Title inscribed in pencil on verso

See also these articles (main weblog):



James Boyd, Port Arthur Commandant ca. 1860s.
Source: Australia: Image of a Nation 1850-1950 by David Moore and Rodney Hall (Collins 1983).

Samuel CLIFFORD at Port Arthur 1873
The way bill for the government schooner Harriet of July 24th, 1873, recorded that a cargo of 2 gross (288) photographic glass plates were intended for Port Arthur. Photographer Samuel Clifford had supplied the plates in anticipation of photographing the Colonial Governor Du Cane and his party of vice-regal visitors from South Australia. Because of a major dispute between the incumbent Port Arthur commandant A. H. Boyd with the Lands and Survey Department's photographer and painter William Piguenit, who subsequently resigned in protest at Boyd's bullying, the commission to photograph the ruinous state of the Port Arthur prison site at the request of opponents within the Colonial government was assigned to Samuel Clifford and Thomas Nevin. Opponents to the continuation of extravagant expenditure urged Parliament in July 1873 to close down the prison, transfer the prisoners to the gaol in Hobart, and dismiss the much despised Port Arthur commandant, Adolarious Humphrey Boyd, on grounds of corruption. As a result, from July 1873, those sixty or so prisoners still at Port Arthur were relocated to the gaol in Hobart (Campbell St) where they were photographed by Thomas Nevin on arrival, and A. H. Boyd was effectively removed from Port Arthur to a position in charge of paupers at the Cascades Prison for Males in Hobart by February 1874, per this notice in the Mercury, 19 January 1874:



TRANSCRIPT
PORT ARTHUR.-The breaking up of Port Arthur is proceeding more rapidly than the public have any idea of. The transference of prisoners to Hobart Town has been completed so far as is considered advisable till further accommodation can be provided in Hobart Town, and sufficiently far to allow of Mr. Boyd's early transference from Port Arthur. Dr. Coverdale proceeds to Port Arthur at once, and takes medical charge, vice Dr. McCarthy resigned. He will be initiated into the duties of Superintendent by Mr. Boyd till 31st March, when he will assume duties as the head of the establishment, and when Mr. Boyd will be transferred to the Cascades, which, we learn, can be fitted up at a very moderate expense to be a place of safe-keeping for criminals. (Mercury, 19 January 1874).
Boyd was neither a photographer, nor an engineer, and the row ensuing over Piguenit resonated throughout the dying days of his tenure at Port Arthur, both within Government and in the press.



Way bill for the Harriet, 20 July 1873:
288 photographic glasses as cargo to Port Arthur
Source: Tasmanian Papers 320 (microfilm)
Mitchell Library, State Library NSW
Photos © KLW NFC Imprint 2013


Samuel Clifford arrived at Port Arthur on board the Harriet on August 12th, 1873, together with a case of photographic materials. He fulfilled the commission, and departed Port Arthur on board the Harriet on 28 August 1873.



Way bill
Samuel Clifford (passenger list, top of second page) arrives at Port Arthur with photographic materials on August 12, 1873.




Way bill
Samuel Clifford (passenger list) departs Port Arthur on 22 August 1873.
Source: Tasmanian Papers 320 (microfilm)
Mitchell Library, State Library NSW
Photos © KLW NFC Imprint 2013

Several photos taken by Samuel Clifford at Port Arthur were forwarded to the monthly magazine The Australasian Sketcher, which were published as engravings in August 1873, and mentioned again in the October 1873 issue:



"The photographs from which our views are engraved, as also those of Port Arthur, given in our last issue, were taken by Mr Clifford of Hobart Town. "The Australasian Sketcher 4 October 1873.



The Australasian Sketcher with Pen and Pencil was a monthly magazine published by the proprietors of The Argus between 1873 and 1889 and contained many illustrations, engravings, and articles which captured "the picturesque phases of our public and social life of notable objects and events in Australia and New Zealand". It provides an important pictorial account of life in the colonies before the wide spread use of photography.(Notes from NLA Trove).



State Library of Tasmania
Stereo by Samuel Clifford and T. Nevin
Ref:AUTAS001124851726



State Library of Tasmania
Stereo print of Port Arthur by Thomas Nevin
Ref: 17AUTAS001124851759 (color corrected for display here)



Samuel Clifford's series 1873
The Government Cottage, Port Arthur,
Photo dated 1873
State Library of Tasmania



Samuel Clifford, Port Arthur panoramic No, 2
State Library Tasmania
Ref:17AUTAS001124075847

See also these articles:

Thomas NEVIN at Port Arthur 1872-1874
Between January 31st and 2nd February 1872, Thomas Nevin was commissioned to photograph parties of VIPS visiting Hobart on trips to Adventure Bay and Port Arthur. The trip to Adventure Bay resulted in a series of group portraits which included the Hon. Mr. James Wilson (Premier of Tasmania), Alfred Kennerley, (Mayor of Hobart and Police Magistrate), the manager of the Van Diemen’s Land Bank (?), the Hon. John O’Shanassy (former Premier of Victoria), Mr John Miller (Cape of Good Hope), Father Sheehy, Mr. Tobin (Victoria), John Woodcock Graves jnr (barrister Tasmania), Captain Clinch (commander of the City of Hobart), the Hon. James Erskine Calder (Surveyor-General), and Robert Byron Miller (barrister Tasmania).

The trip to Port Arthur included British author Anthony Trollope, Premier J. M. Wilson, lawyers Howard Spensley, Solicitor-General of Victoria, and the Tasmanian Attorney-General W.R. Giblin, Nevin’s family solicitor since 1868, who had requested Nevin join them to organise facilities on site and procedures for photographing prisoners in accordance with recent legislative provisions in Victoria and NSW. The colony of New South Wales had already introduced the practice of photographing prisoners twice, firstly on entry to prison and secondly near the end of their term of incarceration by January 1872 when this report was published in the Sydney Morning Herald. The purpose of the visit to the Port Arthur prison by the former Premier and Solicitor-general from the colony of Victoria with photographer, Thomas Nevin and the Tasmanian Attorney-General the Hon. W. R. Giblin on 1st February 1872 in the company of visiting British author Anthony Trollope, was to establish a similar system for processing prisoners through the central Municipal Police Office, Hobart Town Hall on their relocation from the dilapidated and dysfunctional Port Arthur prison to the Hobart Gaol in Campbell St. The few remaining prisoners at Port Arthur were returned to Hobart from mid-1873 to early 1874. Some were photographed by Nevin at Port Arthur, but the majority were photographed by Nevin on arrival in Hobart.



Photography and Prisons, Sydney Morning Herald 10 January 1872

TRANSCRIPT
PHOTOGRAPHY AND PRISONS.-We understand that, at the instance of Inspector-General McLerie, Mr. Harold McLean, the Sheriff, has recently introduced into Darlinghurst gaol the English practice of photographing all criminals in that establishment whose antecedents or whose prospective power of doing mischief make them, in the judgment of the police authorities, eligible for that distinction. It is an honour, however, which has to be " thrust " upon some men, for they shrink before the lens of the photographer more than they would quail before the eye of a living detective. The reluctance of such worthies in many cases can only be conquered by the deprivation of the ordinary gaol indulgencies; and even then they submit with so bad a grace that their acquiescence is feigned rather than real. The facial contortions to which the more knowing ones resort are said to be truly ingenious. One scoundrel will assume a smug and sanctimonious aspect, while another will chastise his features into an expression of injured innocence or blank stupidity which would almost defy recognition. They are pursued, however, through all disguises, and when a satisfactory portrait is obtained copies are transferred to the black books of the Inspector-General. The prisoners are first " taken" in their own clothes on entering the gaol, and the second portrait is produced near the expiration of their sentence. When mounted in the police album, the cartes-de-visite, if we may so style them, are placed between two columns, one containing a personal description of the offender, and the other a record of his criminal history. Briefer or more comprehensive biographies have probably never been framed. Copies of these photographs are sent to the superintendents of police in the country districts, and also to the adjoining colonies. To a certain extent photography has proved in England an effective check upon crime, and it is obviously calculated to render most valuable aid in the detection of notorious criminals. New South Wales is, we understand, the only Australian colony which has yet adopted this system ; but the practice is likely soon to become general.
Source: The Sydney Morning Herald. (1872, January 10). The Sydney Morning Herald (NSW : 1842 - 1954), p. 4. Retrieved from https://nla.gov.au/nla.news-article13250452



[Left]: Tasmanian Attorney-General W. R. Giblin
Photographer: Thomas J. Nevin 1873 studio stamp verso
TAHO Ref: NS1013-1-1971
[Right]: Trollope’s Port Arthur interviewee prisoner Denis Dogherty
Photo by T. Nevin, stamp and verso inscription “Calder”.
Private collection KLW NFC Imprint.

The visitors to Port Arthur stayed a few days while Trollope gathered information from interviewing prisoners, including Denis Dogherty, whom Thomas Nevin photographed among other recent absconders. He took photographs as well of the derelict state of the buildings, of costly but unfinished engineering works, and general vistas across the site. The men in the foreground of this series taken on the trip in January 1872 were the lawyers and the legislators who were Nevin’s patrons and employers throughout his engagement as photographer in Hobart’s prisons and courts from 1872 into the 1880s.



The Colonists' Trip to Adventure Bay
VIPs on board The City of Hobart, 31st January 1872
Stereograph in buff arched mount by Thomas J. Nevin
Private Collection KLW NFC Group copyright © KLW NFC Imprint 2015

Thomas Nevin had worked closely with Alfred Bock and Samuel Clifford from the mid 1860s to the late 1870s. From Bock he learnt portraiture until Bock's departure from Tasmania in 1867, and from Clifford he learnt stereography. Although some of Nevin's townscapes survive in public collections (TMAG, TAHO, QVMAG), it is his portraiture of both private clients and prisoners which is his enduring legacy. Of the hundreds of extant prisoner mugshots in public collections taken by Nevin, two photographs of prisoners, taken in 1875 rate a mention here because the prisoners are wearing prison hats made at Port Arthur. The way bill for the government schooner Harriet for the 4th July 1873 listed a cargo of 2000 leather caps sent to Hobart.



Way bill for the Harriet 4th July 1873 from Port Arthur to Hobart
2000 leather caps, 1800 woollen ditto.

Source:Tasmanian Papers 320 (microfilm)
Mitchell Library, State Library NSW
Photos © KLW NFC Imprint 2013



These photographs are the only two in public collections of Tasmanian convicts wearing the leather caps in the mid 1870s. Nevin's photographs give an accurate idea of the styling of the leather caps, what were made of, when they were worn, who wore them, and how they were worn. A falsified and misleading description by Julia Clark of these two photographs by Nevin, which we originally photographed at the Mitchell Library for this weblog in 2009, has appeared in an article titled More than Magpies: Tasmanian Convict Clothing in Public Collections, Linda Clark, Julia Clark, Elspeth Wishart, Kim Simpson and Ian Terry, Historic Environment Volume 24 Number 3 2012, without acknowledgement to either Nevin or the source of their information, namely these weblogs. They falsify the dates - 1880s instead of 1875 - and in the footnote give a date of 1800 (!) for the photographs, minus the attribution to Nevin. These museum workers are reprehensible propogandists for Kim Simpson's ancestor, A. H. Boyd, who wishes Boyd might have taken the NLA's collection of photos of Tasmanian prisoners or "Port Arthur convicts 1874", though Julia Clark et al have known all along only too well that it never happened, and never could have possibly happened. In addition to the plagiarisation of our material about these caps, the same authors have used information only found on these Nevin weblogs about the painted scarf on Bramall's mugshot by Nevin, revealed only through our photographs taken at the NLA (see below).





The two photographs of prisoners, James Mullins on left and William Smith on right, were taken in 1875 at the Hobart Gaol. Both wearing leather caps. Each verso bears Thomas J. Nevin's colonial warrant contractor stamp with the Hobart Supreme Court Royal Arms insignia.

Photos © KLW NFC Imprint 2013
Mitchell Library SLNSW (PXB 274)

Neither carte bears a date, but the photographs can be dated from the same week of 9th July 1875 when both men were booked and sentenced at the Hobart Supreme Court . Mullins' carte (on left) is numbered recto "198" and Smith's (on right) is numbered recto "200". Nevin took an earlier and different photograph of an unshaven Smith, which is numbered "199" and stamped verso as well. It is held at the Queen Victoria Museum and Art Gallery. See this article here on this site. A journalist visiting the Hobart Gaol in 1882 noted this uniform with the cap in his report to the The Mercury on 8th July 1882:
In their dark-grey uniform and black leathern caps, with their criminal visages, shaven of the covering Nature had given to aid them in the concealment of their vicious propensities and villainous characters, they were, in truth, a forbidding, repulsive lot. Yet very far from unintelligent, at least, in some marked instances. A villainous shrewdness and a perverse cleverness writ in many a cunning, gleamy eye and heavy brow ; and a dogged determination to be read in the set of the jaw, and the style of the gait, were as the translated speech of artfully calculated, daring crime.



William Smith per Gilmore 3.
Photo by Thomas Nevin, July 1875; copyright KLW NFC 2009 ARR
Stamped verso with Nevin's government stamp
Mitchell Library NSW PXB 274 No.1

On May 8th, 1874, Thomas Nevin journeyed to Port Arthur on board the Harriet, in the company of a prisoner whom he had earlier photographed as William Campbell, but who was subsequently hanged as Job Smith. The new Surgeon-Commandant of the prison site, Dr Coverdale, by that date was implementing a speedy evacuation of all prisoners to the Hobart Gaol. Nevin photographed some of these serious offenders in situ at Port Arthur, but the majority he photographed when they were received in Hobart.



Mr Nevin arrives at Port Arthur aboard the Harriet, May 8th, 1874
accompanying the prisoner whom he had photographed as William Campbell
but who was hanged as Job Smith at the Hobart Gaol, May 1875.
Source: Mitchell Library SLNSW, Tasmanian Papers Ref: 320.



William Campbell returned to the Hobart Gaol four days later in the company of Constable Mooney on board the Harriet , 12 May 1874. He carried no luggage. Nevin remained at Port Arthur for another week, returning to Hobart with his father-in-law, master mariner Captain James Day, on board the Star.



Detail of the tinted photograph (below on right) of prisoner Walter Johnstone aka Henry Bramall
NLA Catalogue nla.pic-vn4270027.
Photo copyright © KLW NFC 2015 ARR. Watermarked.



Johnstone aka Bramall or Taylor absconded, reported February 6, 1874
Source: Tasmania Reports on Crime for Police Information





Walter Johnstone aka Henry Bramall aka Taylor
NLA Collection nla.pic-vn4270027
Vignette on left, not tinted but mounted, and hand-tinted mounted cdv
Original prisoner mugshots by T. J. Nevin 1874
Photos recto and verso taken at the National Library of Australia, 7th Feb 2015
Photos copyright © KLW NFC 2015 ARR. Watermarked.



William Campbell, hanged as Job Smith 1875
NLA Collection nla.pic-vn4270353
Hand-tinted vignetted and mounted prisoner portrait by T.J. Nevin 1874
Photos taken at the National Library of Australia, 7th Feb 2015
Photos copyright © KLW NFC 2015 ARR. Watermarked.

The original cdvs of Job Smith and Bramall online at the National Library of Australia barely show the hand-tinting, and in one cdv of Bramall, none at all, yet Clark et al have referenced both cdvs with comments about the colouring without acknowledgement of their source, namely our weblogs or Nevin as the photographer. We took this photograph of Bramall (above) to reveal that the prison scarf was painted at the neck of this prisoner, detailed in this weblog post of December 2009.

In the carte of Walter Johnson aka Bramall aka Taylor (sic, below), however, there IS no neckerchief. He is not wearing one at all underneath his collar, so the blueish colouring we can see is actually just paint patterned in squares to look like the standard issue neckerchief. This is a telling detail, and would have been added by Nevin to the print he made of an earlier photograph he took of Bramall to underscore the fact that the man was in effect a prisoner who had absconded in prison clothing. The eyes of this man have intense blue colouring as well. The reason for the colour was not to render a pretty picture; it was to aid the public's recognition of him. The carte would have been displayed at the Town Hall Police Office, and most likely exhibited in Nevin's studio window at 140 Elizabeth St, Hobart Town. It would have been available to the public, on sale, since Johnstone alias Bramall alias Taylor absconded from the Cascades area of Hobart on June 6th, 1874, and appears to have succeeded in remaining at large, as his recapture was not recorded during 1875.



MICROFILM IMAGES SLNSW



Sources:
Tasmanian Papers 316, 317, 320 (microfilm)
Mitchell Library, State Library NSW
ALL photos © KLW NFC Imprint 2013

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