Showing posts with label Trademarks and stamps. Show all posts
Showing posts with label Trademarks and stamps. Show all posts

Elwick House and Elwick Bay

WILKINSON FAMILY
ALRED BOCK, THOMAS NEVIN, ALFRED WINTER
GLENORCHY ART and SCULPTURE PARK




Photo copyright © KLW NFC Imprint 2015
Formerly tribal country of the mou.he.neen.ner people, developed by John Wilkinson from the 1840s, now part of GASP, the Glenorchy Art and Sculpture Park, Hobart, Tasmania.

The photograph below is a long view of Elwick house, ca. 1867 taken by Thomas Nevin around the time of his acquisition of Bock's studio and stock. The land today is part of the GASP project, the Glenorchy Art and Sculpture Park, once the tribal country of the mou.he.neen.ner people.



Title: Photograph "Elwick"-Glenorchy-home of John Wilkinson (panorama)
ADRI:NS1543-1-5 [T. Nevin after A. Bock?]
Source: Archives Office of Tasmania



Sarah Ann Wilkinson [?] ca. 1860
Source: Archives Office of Tasmania
ADRI: NS1543-1-11
Series: Miscellaneous Papers and Photographs of the Wilkinson Family, 1840 - 1942 (NS1543)

Possibly the work of Alfred Bock, this unattributed daguerreotype (or ambrotype) of Sarah Wilkinson was retouched in gold on her ring, belt buckle, buttons and necklace. Papers of the Wilkinson family held at the Archives Office of Tasmania include her travel writings:
NS1543/1/1
S.A. Wilkinson-Short Account of our Travels, by Sarah Ann Wilkinson, daughter of John Wilkinson, born 14 January 1834; journey from Melbourne to Liverpool - detailed description available from paper copy of lists Start Date:14 Mar 1862 End Date:07 Mar 1863.
NG1543
JOHN WILKINSON AND FAMILY
Start Date:01 Jan 1831
John Wilkinson established Wilkinson's Dispensing, Manufacturing and Pharmaceutical Chemists in 1831 at 90 Elizabeth Street, Hobart. He was granted land at O'Briens Bridge, ( now Glenorchy) and called his farm Elwick - now the site of the Elwick Racecourse
Alfred Bock used a rarely seen blind stamp impress on this stereograph of two women and three children, members of the Wilkinson family, ca. 1860, standing outside Elwick House, Glenorchy, Tasmania. The Elwick Race Track was established on land owned by pharmacist John Wilkinson in 1875.



Title: Photograph "Elwick"-Glenorchy close view of side elevation ca. 1860
ADRI:NS1543-1-6
Source: Archives Office of Tasmania



The impress on the left panel incorporates his name and the name of the studio, The City Photographic Establishment, 140 Elizabeth Street Hobart, which Thomas J. Nevin acquired on Bock's departure from Tasmania in 1867. Nevin devised seven different studio stamps, one closely modelled on Bock's later verso stamp, but his blind stamp was one similar to Alfred Winter's plain capital lettering.





Alfred Winter's blindstamp centre inside frame
Glenorchy - Elwick Race Course 1878?
ADRI:PH5-1-12
Source: Archives Office of Tasmania
Series: Album of Photographs, 1870 (PH5)



View of Otago from  GASP, the Glenorchy Art and Sculpture Park, Hobart, Tasmania.
Photo copyright © KLW NFC Imprint 2015

This stereograph by Thomas J. Nevin of a man wearing a top hat, looking towards the photographer and with the curve of Elwick Bay behind him, was taken from a spot close to where the MONA Museum now stands.



Man in top hat with view of Elwick Bay behind
Photo by T. J. Nevin ca. 1870
Tasmanian Museum and Art Gallery
Ref: Q16826.12. Verso below.





This is a long distance view across to the bar at Elwick Bay and to the property of John Wilkinson, Glenorchy before the Elwick Racecourse and grandstand were constructed. The view was taken from the Hull property at Tolosa, Glenorchy. One of John Wilkinson's daughters Mary Jane married Henry Hull in December 1861.

Photo by T. J. Nevin ca. 1870
Tasmanian Museum and Art Gallery
Ref: Q1994.56.27. Verso below.



View across to the bar at Elwick Bay  to the  property of John Wilkinson, Glenorchy 
Photo by T. J. Nevin ca. 1870
Tasmanian Museum and Art Gallery
Ref: Q1994.56.27

Hobart Gaol camera and mugshot books 1891-1901







Marion's Excelsior Camera, 22 & 23 Soho Sq., London W,
The firm operated from this address between c.1866 - 1913.
Held at the Penitentiary Chapel Historic Site, Campbell St. Hobart, Tasmania, site of the former Hobart Gaol and Supreme Court.
Photos copyright © KLW NFC 2015 ARR

This camera was used by the (as yet) unidentified photographer at the Hobart Gaol from the 1890s. Prior to the 1890s, prisoners were photographed by Constable John Nevin who was resident at the Gaol until his death from typhoid fever in 1891, working with his brother, commercial photographer and civil servant Thomas J. Nevin who attended the gaol and Supreme Court Oyer and Terminer sessions on a weekly roster. They used two rooms above the women's laundry as a studio. The cameras they used were wet plate, multi-lens cameras such as the 1860s American Scovill (possibly Peck) style wet-plate camera with four Darlot No.4 lenses, a Simon Wing 'Repeating' camera, or a stereoscopic, sliding box type, wet plate (wood, brass & glass), by Ottewill & Co, lenses manufactured by A Ross, London, England, 1860 - 1870.



Advertisement for the Marion Excelsior Studio Camera 1898, available in 9½, 12 and 15 square formats. with repeating single dark slide, extra front and all carriers with double extension, priced from  £5.5 to £13.10.

Sources: https://archive.org/stream/1898britishjourn00londuoft#page/10/mode/2up
https://archive.org/details/1898britishjourn00londuoft

Photographing prisoners was a laughing matter in 1895
During the famous Conlan case of 1895, in which a scam and fraud was attempted on the estate of an old ex-convict John Conlan who had lived life as a pauper but died apparently having hoarded a small fortune, the attention of Parliament was drawn to the irregular presence of newspaper photographers from the Tasmanian Mail taking photographs of the four accused inside the court room.  The Attorney-General's response was that he had given the press permission, although his recall about the details was hazy, and asserted in any case, that the taking of photographs of persons arrested both before conviction and after it was customary. The objection to being photographed before he was found guilty had been raised by one of the accused, John Marchant Frazer of California, arrested on suspicion, found guilty in the course of events, and sentenced to six years' imprisonment at the Hobart Gaol.  The concerns voiced in Parliament regarding the impropriety of photographing persons both innocent and under suspicion, as well as the disregard of personal privacy and the potential harm to personal reputation, was punctuated with a some very witty comments and loud outbursts of laughter.  This transcript of the session gives a very clear idea of how commonplace the photographic image had become for the police and judiciary by 1895.

FOR ADJOURNMENT.
"THE TASMANIAN" IN PARLIAMENT.
TAKING PHOTOGRAPHS IN THE POLICE COURT.
Mr. W. T. H. BROWN, having been granted leave to ask a question without notice, said he had noticed in the evening paper that when the Conlan will case was called on at the Police Court that morning, "Mr. Winch remarked, that there was a gentleman in the court with a camera, for the purpose of taking photographs of the accused and he objected to it." (Laughter.)
The Police Magistrate said it was by the order of the Attorney-General. (Loud laughter.) It might be a laughing matter to some, but it was not so to those concerned. The prisoner Frazer said he "objected to having his photograph taken before he was found guilty. " The Police Magistrate subsequently said that to have a camera in the court was most unseemly, and if the Attorney General was there he thought he would not allow it. Mr. Winch asked that if the photograph had been taken it should be de- tained in court. Now he would like an answer from the Attorney-General as to whether any gentleman, especially if he was connected with the press, had the right to go to the Police Court to take a photograph of anyone charged on suspicion as a guilty person.
The ATTORNEY-GENERAL: Permission was asked for, and granted by me. It is the custom to photograph persons arrested both before conviction and after it.
Mr. URQUHART : It's a piece of cheekiness.
Mr. BROWN : I think it time such a practice was put an end to.
Mr. URQUHART moved the adjournment of the House in order that the matter might be discussed. He thought such a practice might result in innocent persons being ruined. He was not aware there was any law by which photographs could be taken in this way. When a man was found guilty he was in the hands of the gaol officials but not before. Many a man was arrested on an unfounded suspicion, and he would like to know why there should remain in the hands of the gaol officials an imprint of that man's features. It was highly derogatory to the administration of justice that photographers should be allowed into the Police Court to take photographs.
Mr. MULCAHY: It does not hurt them. (Laughter.)
The PREMIER could not say what harm could arise from an innocent man having his photograph taken. They all had their photographs taken all their lives, and sometimes without permission. (Laughter). He would second the motion for the sake of discussion, because he was sure the Hon. member would withdraw it when he was told that this was a practice not peculiar to Tasmania -( laughter)-but common throughout a considerable portion of the world. The practice was, after all, a very harmless one, and the use of a camera did not make a man guilty.
Mr. BROWN: Sometimes it does. (Laughter.)
The PREMIER said that because a man's photograph was taken it did not pronounce that he had done anything wrong. In England judges on the bench were photographed.,
Mr. BROWN : Surreptitiously.
The PREMIER : Witnesses giving their evidence, the defendant, the prosecutor, jurors, barristers, and even the crier of the court, were photographed, and appeared in the illustrated papers, and no one ventured to say that any aspersion was cast on them because their photographs were published. Lots of persons spent large sums of money in being photographed, and some of them were innocent persons. (Laughter.)
Mr. BROWN said that was a very different thing from holding innocent persons up to public condemnation. No man's likeness should be taken as a prisoner until he was found guilty. So long as he was an innocent man let him remain so. He hoped steps would be taken to prevent anything of the kind in the future.
Mr. MULCAHY said that he agreed with the police magistrate, that it was unseemly to take the photograph of a prisoner in court, otherwise he could not say that there was any great grievance.
Mr. W. T. H. BROWN : I hope you won't be brought up on suspicion. (Laughter.)
Mr. MULCAHY: I should not regard being photographed as a grievance at all.
The ATTORNEY-GENERAL: I gave permission to take photographs of the four accused. I did not know when or where, and I did not think it would matter much. I do not want to create any unseemly scenes in the Police Court, and I do not apprehend that there was one. I am sorry to hear that in the opinion of the Police Magistrate an unseemly incident occurred.
Mr. MACKENZIE thought it was in the interests of justice that the men should be photographed, because if they were on bail they might bolt, and the colony might lose their pictures altogether. (Loud laughter.)
The motion for adjournment was put and negatived.
Source: FOR ADJOURNMENT. (1895, July 13). The Mercury (Hobart, Tas. : 1860 - 1954), p. 1 Supplement: The Mercury Supplement. Retrieved June 8, 2015, from http://nla.gov.au/nla.news-article9305012



Source: nla.pic-vn4269861 PIC P1029/5 LOC Album 935 James Conlaw, per Hydrabad 3

Prisoner John Conlan, also known as James Conlan (mispelt as Conlaw at the NLA where this mugshot is held) was photographed by T. J. Nevin on 16th December 1874 at the Hobart Gaol when Conlan was discharged from a four year sentence for larceny. He lived as a pauper but was believed to have hoarded a fortune on his death. One of two fraudulent claimants who forged the will, James Marchant Frazer, received a sentence of six years for forgery on 26th July 1895.





Prisoner James Marchant Frazer 1895 objected to being photographed
Mugshots attached to his criminal record sheet
TAHO Ref: GD6312 Page1308

Michael Wm or Maurice Walch 1893-1935
The Marion Excelsior camera was used by the visiting photographer to the Hobart Gaol to photograph this Huon resident and recidivist, Michael William Walch in 1909 for his front and profile pair of mugshots, pasted at lower centre of page, and if still in use in 1935 at the Gaol, for the trio of a full-length photograph, a full frontal photograph, and the small profile photograph of Michael Walch who by that date had changed his middle name from William to Maurice (lower left of rap sheet.). In 1906 and 1935 he was arrested for the same offence of exposing himself. The earliest mugshots at right were taken in 1893 when he was 23 years old on being sentenced at the Supreme Court Hobart for common assault. By 1935 he would have been 65 years old when he was photographed at the Police Office Hobart in his three piece suit, shirt and tie, and hat. He served six months for indecent exposure. The full length photograph was introduced in the 1920s. For the most engaging police photographs in this genre, visit the NSW Justice and Police Museum mugshots page, especially the selection published by Peter Doyle. Crooks Like Us (2009),



Source: Archives Office State Library of Tasmania
Mugshots 1891 GD67-1-10, 1895 GD128-1-2, 1901 GD128-1-1

Thomas Clark 1897
A first offender, prisoner Thomas Clark and his co-arsonist George Campbell (see below), were sentenced to 4 years in 1896 but discharged in October 1897. The photographer applied the mugshot methods of Bertillon required by prison regulations by the 1890s in providing a pair of photographs, one full frontal and one in profile, but still printed both photographs in oval mounts typical of earlier commercial carte-de-visite production. Thomas Clark was photographed wearing the prison-issue houndstooth patterned tie with a shirt in the fortnight prior to discharge, but not the full prison uniform. The third photograph pasted to the bottom of his criminal sheet was taken on arrest, wearing the same collarless shirt and coat as his partner in crime, George Campbell, who was an inmate of the Boy's Training school when captured.



Source: Archives Office State Library of Tasmania
Mugshots 1891 GD67-1-10, 1895 GD128-1-2, 1901 GD128-1-1



George Campbell 1888 and 1897
These two photographs (Reg: 776) of prisoner George Campbell, one full frontal printed into an oval mount, the other in profile and unmounted, were taken a fortnight before he was discharged from the Hobart Gaol on 6th October 1897. Although appearing to wear civilian clothes, he was wearing the prison-issue houndstooth patterned tie on discharge. In 1888 he was sentenced to 4 years for larceny, and another 4 years for arson in 1896. He was sentenced for the same crime and on the same date as the prisoner Thomas Clark (see above), 24th March 1896. The third unmounted full frontal photograph pasted to the bottom of his rap sheet shows George Campbell as younger, thinner, and wearing his own shirt. It was probably taken on arrest while he was still at the Training School (Boys' Orphanage).



Source: Archives Office State Library of Tasmania
Mugshots 1891 GD67-1-10, 1895 GD128-1-2, 1901 GD128-1-1



Joshua Anson 1877 and 1897
Joshua Anson was indicted for feloniously stealing a quantity of photographic goods from his employer, H. H. Baily, photographer, of Hobart Town on May 31st, 1877. The charge was larceny as a servant. The prisoner pleaded not guilty. Despite the depositions of good character from photographer Samuel Clifford, Charles Walch the stationer, and W.R. Giblin, lawyer and Attorney-General, Joshua Anson (b. 1854, Hobart), was found guilty of stealing goods valued at £88, though the real value of the goods, which included camera equipment, negatives, paper, mounts, chemicals, tripods etc exceeded £140. He was sentenced to two years' imprisonment, with parole. On July 12, 1877, the Mercury reported that Joshua Anson's appeal was " to seek to retrieve his character by an honest career in another colony; and asked that during his incarceration he might be kept from the company of other prisoners as much as possible, though not, he said, on account of feeling himself above them, as the verdict of the jury removed that possibility." The seriousness of the crime warranted a 14 year sentence, but the jury strongly recommended him to mercy "on account of his youth".

Joshua Anson did not take the two photographs of himself that were pasted to his criminal sheet, the first (on left) in 1877 when he was 23 yrs old, and the second (on right) in 1897 when he was 43 yrs old, nor did he photograph any of the other prisoners for gaol records while serving time at the Hobart Gaol. His abhorrence of the company of convicts was extreme, as his statement testifies. His 1877 prisoner mugshot was taken by Constable John Nevin in situ, and unmounted. Thomas Nevin may have printed another for the Municipal Police Office Registry at the Town Hall, Macquaries St. Hobart where he was the Hall and Office Keeper, but it is yet to be identified among the Tasmanian prisoner cdvs held in public collections. Joshua Anson was certainly the beneficiary of Thomas Nevin's stock and commercial negatives when Samuel Clifford acquired them in 1876 and then sold them on to Joshua Anson and his brother Henry Anson in 1878. The Anson brothers reprinted Clifford & Nevin's Port Arthur stereoscopes for their highly commercial album, published in 1890 as Port Arthur Past and Present without due acknowledgement to either Nevin or Clifford.

The Launceston Examiner reported another theft by Joshua Anson on 30 May, 1896. The arrest, he was reported to have said, had brought on two epileptic fits. He was imprisoned again at the Hobart Gaol, served 12 months and discharged on 1st July 1897.



Source: Archives Office State Library of Tasmania
Mugshots 1891 GD67-1-10, 1895 GD128-1-2, 1901 GD128-1-1



TRANSCRIPT
HOBART, Friday
At the City Court to-day Joshua Anson, photographer, was charged with having robbed Charles Perkins of £32 12s5d. Accused, who was not represented by counsel, stated he had had two epileptic fits since he was arrested, and his head was not now clear. He asked for a remand. After the evidence of the prosecution had been taken, the accused was remanded till Tuesday.
Beautiful spring-like weather is prevailing.
Source; Launceston Examiner, 30 May, 1896

John Jones 1896
Both photographs taken of prisoner John Jones at the beginning and end of his sentence, June and December 1896, were vignetted (cloudy background) and posed in full frontal gaze. He was photographed as clean shaven with closely cropped hair in the first, taken on incarceration for being idle etc, and again  six months later, in the fortnight before being discharged, with full beard, more hair, and still wearing the prison-issue tie. The discharge photo was registered No. 685.



Source: Archives Office State Library of Tasmania
Mugshots 1891 GD67-1-10, 1895 GD128-1-2, 1901 GD128-1-1

George Davis 1895
A single photograph in semi profile, with the registration number 560 was taken at the Police Office, Hobart where prisoner George Davis was repeatedly detained for short sentences from 14 days to three months. For some reason, the Hobart Gaol header on this form has been taped over. The prison scarf or tie worn during these last years of the 19th century featured a large lozenge pattern.



Source: Archives Office State Library of Tasmania
Mugshots 1891 GD67-1-10, 1895 GD128-1-2, 1901 GD128-1-1

James Connolly 1876, 1883 and 1895
Thomas Nevin photographed this prisoner James Connolly (or Conly) at the Hobart Gaol on being transferred from Port Arthur on 29th November 1876, per this record, the Conduct PA Register Con 94-1-2 1873-76 (State Library Tasmania)



Transfer of prisoner James Connolly from Port Arthur to the Hobart Gaol, photographed there by T. J. Nevin on being received, 29th November 1876. Source: Conduct PA Register Con 94-1-2 1873-76 Archives Office Tasmania





Prisoner James Connolly was photographed in November 1876 by Thomas Nevin at the Hobart Gaol (QVMAG Collection: Ref. No.Q1985_p_0086).





Photocopy of the QVMAG cdv held at the Archives Office Tasmania, Hobart, of prisoner James Connolly, photographed in November 1876 by Thomas Nevin at the Hobart Gaol (P30/1/3231). 

This rap sheet (below), held at the Hobart Gaol and Municipal Police Office, Town Hall, shows a summary of James Connolly's criminal history from transportation in 1852 for stealing a watch to his last offense - being idle - in 1899 when he was transferred to the Invalids Depot at Launceston where he died in 1900. The photograph pasted to this rap sheet was taken by Thomas Nevin in 1883 on James Connolly's sentence at the Supreme Court Hobart for the axe murder of Constable William Thompson. His sentence - to be hanged - was commuted to life in prison.



Inquest for the axe murder of Constable William Thompson 17 Feb 1883
James Connolly committed for trial. Source: Tasmanian Reports of Crime



Prisoner James Connolly 1883: photo by T. J. Nevin, detail of rap sheet below

Note the pencilled reference to the earlier photograph of prisoner James Connolly taken by Thomas Nevin in 1876 - For Photo see Photo Book No. 1 p. 54 - next to the boxed word "Sentence". Duplicates from Nevin's glass negatives of these sittings with prisoners dating from the early 1870s onwards were kept at the Municipal Police Office, Town Hall and Hobart Gaol where they were collated into separate mugshot albums, designated and sequenced as "PHOTO BOOK No. 1..." etc.



Archives Office Tasmania
Connolly, James
Record Type:Prisoners
Year:1883
Record ID:NAME_INDEXES:1486139
Resource GD63/2/1 Page 7

This last photograph, a single full frontal image, registered as No. 503, was taken at the Hobart Gaol on James Connolly's transfer to the New Town Invalid Depot in July 1895. A short hand-written record of his criminal history was pasted over a duplicate of the first sheet.





Source: Archives Office State Library of Tasmania
Mugshots 1891 GD67-1-10, 1895 GD128-1-2, 1901 GD128-1-1

Michael Charlton 1901
This record gives a registration number for the photograph - "B1". Prisoner Michael Charlton was convicted at the Police Office Hobart on 21st December 1900 and discharged on 5th January 1901, serving a sentence of three weeks at the Hobart Gaol for "obtaining passage by sea" which presumably meant he was caught as a stowaway. The two photographs, one full frontal, and one profile, were taken according to the Bertillon method in the same sitting on conviction at the Police Office, and printed with the date of the sitting "21-12-00" across the bottom of the photograph in profile. Extensively torn from use, and rotted from poor storage, the book was salvaged  from the Hobart Gaol, transferred to the Archives Office Tasmania in the 1950s. This buff coloured page was pasted onto the blue criminal record form used by the gaol, visible at the torn edges.



Source: Archives Office State Library of Tasmania
Mugshots 1891 GD67-1-10, 1895 GD128-1-2, 1901 GD128-1-1

ARCHIVES OFFICE TASMANIA
These mugshot books are held at the State Library and Archives Office of Tasmania.

Series Number: GD67
Title: PHYSICAL DESCRIPTION OF PRISONERS RECEIVED.
Start Date: 01 Jan 1860
End Date: 31 Dec 1936
Date Range of Holdings:
01 Jan 1860 to 31 Dec 1901
01 Jan 1934 to 31 Dec 1936
Access: Open
Creating Agency:
• TA31 GAOL (BRANCH) 01 Jan 1823 31 Dec 1936
• TA32 GAOL DEPARTMENT 01 Jan 1936 31 Dec 1959
Description (Content/Function):
Name, ship, trade, height, age, complexion, head, hair, whiskers, visage, forehead, eyebrows, eyes, nose, mouth, chin, native place; remarks: sometimes include - civil condition, clothing, family, offence, sentence, photograph.
System of Arrangement:
The relationship of these volumes to each other is somewhat obscure. There is considerable date overlap and some people are included in more than one volume. Each volume is arranged roughly chronologically. The situation is further confused by the fact that some volumes have been indexed at a later date and marked 'A', 'B', 'C' etc,. not all of these indexed volumes have survived. There is no indication as to why some were indexed and others not, as what differences there are between volumes which have been indexed are also apparent between some of those which have not been indexed. Indexed volumes are: c.1860-74 'A' GD67/1, 1862-66 'B' GD67/2, 1866-70 'C' GD67/4, 1870-77 'D' GD 67/5, c1874-86 'E' GD 67/7, c1884-91 'G' GD67/8, c1892-97 'H' GD 67/11, c1897-1901 'I' GD 67/12, c1934-36 'L' GD67/13 contained in (the back) GD67/7. Generally the same format as CON18.
Information Sources:
Controlling Series:
• GD68 INDEX TO PRISONERS DESCRIPTION RECORDS. 01 Jan 1860 31 Dec 1952
Related Series:
• GD128 PHOTOGRAPHIC RECORD AND DESCRIPTION OF PRISONERS. 01 Jul 1895 30 Nov 1902
Items in Series:
• GD67/1/1 Physical descrption of prisoners received 01 Jan 1860 31 Dec 1936
• GD67/1/2 Physical descrption of prisoners received 01 Jan 1860 31 Dec 1936
• GD67/1/3 Physical descrption of prisoners received 01 Jan 1860 31 Dec 1936
• GD67/1/4 Physical descrption of prisoners received 01 Jan 1860 31 Dec 1936
• GD67/1/5 Physical descrption of prisoners received 01 Jan 1860 31 Dec 1936
• GD67/1/6 Physical descrption of prisoners received 01 Jan 1860 31 Dec 1936
• GD67/1/7 Physical descrption of prisoners received 01 Jan 1860 31 Dec 1936
• GD67/1/8 Physical descrption of prisoners received 01 Jan 1860 31 Dec 1936
• GD67/1/9 Physical description of prisoners received 01 Jan 1860 31 Dec 1936
• GD67/1/10 Physical descrption of prisoners received 01 Jan 1860 31 Dec 1936
• GD67/1/11 Physical descrption of prisoners received 01 Jan 1860 31 Dec 1936
• GD67/1/12 Physical descrption of prisoners received 01 Jan 1860 31 Dec 1936
• GD67/1/13 Physical descrption of prisoners received 01 Jan 1860 31 Dec 1936
© State of Tasmania, Archives Office of Tasmania 2006



Photos copyright © KLW NFC 2015 ARR

Thomas Nevin's VIP commission 1872



To Adventure Bay, 31st January 1872
Between 31st January and 2nd February 1872, Hobart photographer Thomas J. Nevin accompanied two parties of VIPs on boat trips down the Derwent River: to Adventure Bay at Bruny Island, and to Port Arthur on the Tasman Peninsula. On the 31st January he took a series of photographs of a party of "colonists" which included Sir John O'Shanassy, former Premier of Victoria, on their day trip to Adventure Bay on the eastern side of Bruny Island. They travelled on board The City of Hobart, commanded by Captain John Clinch.





Title: The Tasmanian Steam Navigation Company's Screw Steam Ship 'City of Hobart' 618 tons (Captain John Thom)
Passing Gravesend on her trial trip Feb. 23rd 1854 / J.W. Deering Del et Lith. ; Day & Son Lithrs to the Queen
Creator: Deering, John W., 1838-1923
Publisher: [S.l. : s.n.], 1854
Description: 1 print : lithograph ; sheet 44 x 61 cm. within frame
Format: Print
ADRI: AUTAS001124068164
Source: Allport Library and Museum of Fine Arts

It was a busy week for Thomas J. Nevin and his camera. The colonists' trip to Adventure Bay took place on Wednesday 31st January 1872. It was initiated by townsman John Woodcock Graves (the younger) who chartered the steamer the City of Hobart with costs defrayed by subscription, and who requested Thomas Nevin's services as photographer of the official party among the 400 subscribers to the event. The VIP's on the trip included the Hon. Mr. James Wilson (Premier of Tasmania), Alfred Kennerley, (Mayor of Hobart and Police Magistrate), the manager of the Van Diemen's Land Bank (?), the Hon. John O'Shanassy (former Premier of Victoria), Mr John Miller (Cape of Good Hope), Father Sheehy, Mr. Tobin (Victoria), John Woodcock Graves jnr (barrister Tasmania), Captain Clinch (commander of the City of Hobart), the Hon. James Erskine Calder (Surveyor-General), Robert Byron Miller (barrister Tasmania), the band of the Workingmen's Club, not to mention the many women and children, notably teenager Jean Porthouse Graves, daughter of John Woodcock Graves jnr, who collected Nevin's photographs of the excursion in a family album.

On board the "City of Hobart"
Thomas Nevin photographed this group of dignitaries on board the City of Hobart early in the trip and took another on board when they returned (TMAG Collection). He printed this earlier stereograph on an arched buff mount which now bears the inscription recto in ink "My Father" referring to John Woodcock Graves jnr, added by his teenage daughter, Jean Porthouse Graves who joined him on the trip.


The Colonists' Trip to Adventure Bay
VIPs on board The City of Hobart, 31st January 1872
Stereograph in buff arched mount by Thomas J. Nevin
Private Collection KLW NFC Group copyright © KLW NFC Imprint 2015

From left to right:
Sir John O'Shanassy (seated), John Woodcock Graves jnr, Captain John Clinch, the Hon. Alfred Kennerley and the Hon. James Erskine Calder (seated). Standing behind Captain Clinch and Alfred Kennerley is R. Byron Miller.



VERSO WITH RARE NEVIN LABEL
The square royal blue label with T. Nevin's modified design of Alfred Bock's stamp from the mid-1860s and the wording in gold lettering, framed on a cartouche within gold curlicues, is unique to this item, not (yet) seen on the verso of any of his other photographs. Similar wording appeared on Nevin's most common commercial stamp from 1867 with and without Bock's name but always with the addition of a kangaroo sitting atop the Latin motto "Ad Altiora". Here, Bock's name is still included within the design although Nevin acquired Bock's studio five years earlier, in 1867: "T. Nevin late A.Bock" encircled by a buckled belt stating the firm's name within the strap, "City Photographic Establishment". The address "140 Elizabeth Street Hobarton" appears below the belt buckle and inside the badge motif.

The name "Graves" with a half-scroll underneath in black ink was most likely written by Thomas Nevin himself as a reminder of the client's name for the order. The handwriting is similar to his signatures on the birth registrations of his children in the 1870s.

The pencilled inscription "On board City of Hobart, Cap Clinch, Visitors Trip Jay 1872" and the deduction of the years "1947-1872=75 ago" was written by a descendant of the Graves and Miller families, probably by daughter Jean Porthouse Graves who wrote "My Father" above the right hand frame on the front of the stereograph and a partial arrow pointing to John Woodcock Graves (jnr), She had pasted this photograph, and others taken by Thomas J. Nevin of the same group, into a family album (KLW NFC Private Collections 2015).





Another stereograph of the VIPS by Nevin on board the City of Hobart 31st January 1872
Stereograph with T. Nevin Photo blindstamp impress recto on right hand side
Verso with T. J. Nevin's government contractor's stamp with Royal Arms insignia.
Tasmanian Museum and Art Gallery Collection Ref: Q1994.56.2



State Library of Victoria
The Hon[oura]ble J. O'Shanassy Chief Secretary [ca. 1858]
Attributed to Antoine Fauchery.
Photoprints at LTA 355.
https://handle.slv.vic.gov.au/10381/294397

At Adventure Bay
Men of premier social status dressed in full Victorian attire from head to toe rarely allowed themselves to be photographed in reclining and recumbent poses, so these captures by Nevin of Sir John O'Shanassy and Sir James Erskine Calder lolling about in bush surroundings are quite remarkable. Their ease and familiarity with Thomas Nevin was in no small part due to his work already performed for surveyors James Calder and James and John Hurst on commission with the Lands and Survey Dept., for which he was issued with the Colonial Government's Royal Arms warrant by authority. The men in the foreground of this series taken on the Adventure Bay trip in January 1872 were the lawyers and the legislators who were Nevin's patrons and employers throughout his engagement as photographer in Hobart's prisons and courts from 1872 into the 1880s.





Group photograph of the colonists at Adventure Bay 31st January 1872
Figures on lower left, recumbent: John Woodcock Graves jnr and Sir John O'Shanassy
Between them: John Graves' teenage daughter, Jean Porthouse Graves
Above her in topper: Robert Byron Miller
On right: sitting with stick, Hon. Alfred Kennerley, Mayor of Hobart
Head in topper only on extreme right: Sir James Erskine Calder.

Stereograph in double oval buff mount with T. Nevin blindstamp impress in centre
Verso is blank. Photo copyright © KLW NFC 2014 ARR
Taken at the TMAG November 2014 (TMAG Collection Ref:Q1994.56.5

This is the same image, printed by Nevin from his negative as a carte-de-viste, stamped verso with his most common commercial studio stamp. More of the figure of the Hon. James Erskine Calder leaning into the frame on lower right is visible. Jean Porthouse Graves is indicated by an ink mark, and so is the man in the white summer hat who is leaning on top of a man-made stone structure, perhaps Lukin Boyes, son of artist and administrator G.T.W. Boyes. Surname and initial appearing to be "L Boyes" is written on verso.




Verso inscriptions include these identifiable figures at the "Picnic":
Father = John Woodcock Graves jnr,
Sir John O'Shanassy = former Premier of Victoria,
Self = Jean Porthouse Graves, daughter of John W. Graves,
L. Boyes = Lukin Boyes (?), son of G.T. W. Boyes

From an album compiled by the families of John Woodcock Graves jnr and R. Byron Miller
Private Collection © KLW NFC Imprint 2015



Another configuration with more members of the VIP group at Adventure Bay, 31st January 1872. The man laughing, sitting between the Hon. Alfred Kennerley (lower left) and Sir John O'Shanassy, is Hugh Munro Hull, Parliamentary librarian. He seems to have appreciated comments coming from Nevin at the point of capture, while Sir John O'Shanassy (with stick), reads on, oblivious. The figure running into the scene at centre is John Woodcock Graves (the younger), organiser of the excursion.

Nevin's blindstamp impress is on the mount at centre. This stereo is badly water-damaged.
It is held at the Tasmanian Museum and Art Gallery, Ref: Q1994.56.24.
Photo taken at TMAG 10th November 2014
Photo copyright © KLW NFC 2014 ARR



Thomas Nevin took this photograph of the group as they emerged from the bush onto the sand at Adventure Bay, 31st January 1872. He printed the image as a stereograph on yellow card, with his blindstamp impress "T. NEVIN PHOTO" on the right, which was applied somewhat hurriedly. The inscription and arrows in ink on the left - "Father" and "Me" and "?" point to John Woodcock Graves jnr and his daughter Jean Porthouse Graves.



Verso inscription: "Pleasure Trip to Adventure Bay when I was a girl."
From an album compiled by the families of John Woodcock Graves jnr and R. Byron Miller
Copyright © KLW NFC Imprint Private Collection 2015

A letter to the Mercury by "One of the Party" praised the trip as "the happiest marine pleasure excursion that has ever happened in Tasmania":
All went to bed, I guess, in good time, and slept and dreamt about nothing worse than
"Silvery fish for the foam-hunting falcon,
Sea-weed and pearls for my darling and me."
And thus ended the happiest marine pleasure excursion that has ever happened in Tasmania, and one that will leave a pleasant mark in the history of the colony....
ONE OF THE PARTY.
Source: WHAT STRANGERS THINK OF OUR RESOURCES. (1872, February 2). The Mercury (Hobart, Tas. : 1860 - 1954), p. 3. Retrieved March 28, 2015, from https://nla.gov.au/nla.news-article8921623

Very well taken
Thomas Nevin advised readers of the Mercury, 2nd February 1872, that those group photographs taken on the trip to Adventure Bay were ready and for sale. The Mercury also reported that Nevin's photographs of the event were "very well taken" in the same edition. The day previously, Nevin's close friend Henry Hall Baily advised that prints of his "instantaneous photographs" taken of the Champion Gig Race at the Regatta on 30th January were ready.



Visitors' photographs on hand ready for sale
The Colonists' Trip to Adventure Bay
Thomas Nevin's advertisement, Mercury 2nd February 1872
Henry Hall Baily's "Instantaneous Photographs", 1st Feb 1872





Mercury, 2nd February 1872
THE TRIP DOWN THE RIVER.- A photograph of the "Colonists' Trip" has been very well taken by Mr. Nevin, which will be of special interest to those who took part, and will probably like to secure this remembrance of so memorable event.

Both Baily and Nevin had forwarded copies of their photographs to the Mercury to merit these notices. Those copies would have been displayed in the newspaper window because printing them - as real photographs and not just as lithographs - was still beyond the technological means of newsprint reproduction.

To Port Arthur, 1st February 1872



TRANSCRIPT
VISIT TO PORT ARTHUR.- Mr. Trollope and the Hon. Howard Spensly, Esq., Solicitor-General of Victoria, accompanied the Hon. the Premier, J.M. Wilson, Esq., and the Hon. the Attorney-General, W.R. Giblin, Esq., embarked in the Government schooner late last night, some time after Mr. Trollope had concluded his lecture on “Modern Fiction, as a recreation for young people,” and left for Port Arthur. Their visit to the Peninsula will be a very hurried one, and will afford them only scant opportunity of inspecting the penal establishment, it being the intention of Messrs. Trollope and Spensly to leave Hobart Town for the North, en route for Victoria in a few days …
Source: Mercury 2 February 1872

Thomas Nevin printed the Adventure Bay trip photographs in different formats, some as plain single-image cartes-de-visite, others as stereographs in oval, arched or square mounts on buff or yellow card. He must have worked in situ and later all evening of the 31st January (1872) on returning to Hobart to have prepared prints from the Adventure Bay trip for sale by 2nd February, because one day later, on 1st February (1872), he attended British author Anthony Trollope's lecture on modern fiction at the Odd Fellows Hall before joining Trollope's party heading to Port Arthur with the Tasmanian Premier, the Hon. J. M. Wilson, Esq. Thomas Nevin was the official photographer of the Loyal United Brothers Lodge. A. & I.O.O.F. at the inauguration and grande soiree of the new Odd Fellows' Hall on July 6, 1871, attended by the Premier. His VIP commission was extended once again to join the Premier, members of the legal profession, and Anthony Trollope at Port Arthur.



Anthony Trollope, Melbourne 1871
Hibling & Fields Photographers
State Library of Victoria Ref: H96.160/1669

Anthony Trollope's party left late in the evening of 1st February (1872) on board the government schooner for the Port Arthur prison on the Tasman Peninsula. Accompanying Anthony Trollope and Premier J. M. Wilson were lawyers Howard Spensley, Solicitor-General of Victoria, and the Tasmanian Attorney-General W.R. Giblin, Nevin's family solicitor since 1868, who had requested Nevin join them to organise facilities on site and procedures for photographing prisoners in accordance with recent legislative provisions in Victoria and NSW (see newspaper report below). They stayed a few days while Trollope gathered information from interviewing prisoners, including Denis Dogherty, whom Nevin photographed among other recent absconders. He took photographs as well of the derelict state of the buildings, of costly but unfinished engineering works, and general vistas across the site.



Attorney-General W. R. Giblin ca. 1874
Photo by T. Nevin, stamp verso
TAHO Ref: NS1013-1-1971



Trollope's Port Arthur interviewee prisoner Denis Dogherty
Photo by T. Nevin, stamp and verso inscription "Calder".
Private collection KLW NFC Imprint.



Thomas J. Nevin’s mugshot of prisoner Denis Dogherty, 1870s, reprint held at the NLA
Surname is spelled Dougherty by Edwin Barnard in Exiled: The Port Arthur Convict Photographs NLA (2010).
Photos copyright © KLW NFC 2011 ARR. Watermarked.


More Newspaper Reports
The colony of New South Wales had already introduced the practice of photographing prisoners twice, firstly on entry to prison and secondly near the end of their term of incarceration by January 1872 when this report was published in the Sydney Morning Herald. The purpose of the visit to the Port Arthur prison by the former Premier and Solicitor-general from the colony of Victoria with photographer, Thomas Nevin and the Tasmanian Attorney-General the Hon. W. R. Giblin in the company of Anthony Trollope, was to establish a similar system for the relocation and processing prisoners through the central Municipal Police Office, Hobart Town Hall from the Port Arthur prison to the Hobart Gaol in Campbell St.


Photography and Prisons
The Sydney Morning Herald 10 January 1872

TRANSCRIPT
PHOTOGRAPHY AND PRISONS.-We understand that, at the instance of Inspector-General McLerie, Mr. Harold McLean, the Sheriff, has recently introduced into Darlinghurst gaol the English practice of photographing all criminals in that establishment whose antecedents or whose prospective power of doing mischief make them, in the judgment of the police authorities, eligible for that distinction. It is an honour, however, which has to be " thrust " upon some men, for they shrink before the lens of the photographer more than they would quail before the eye of a living detective. The reluctance of such worthies in many cases can only be conquered by the deprivation of the ordinary gaol indulgencies; and even then they submit with so bad a grace that their acquiescence is feigned rather than real. The facial contortions to which the more knowing ones resort are said to be truly ingenious. One scoundrel will assume a smug and sanctimonious aspect, while another will chastise his features into an expression of injured innocence or blank stupidity which would almost defy recognition. They are pursued, however, through all disguises, and when a satisfactory portrait is obtained copies are transferred to the black books of the Inspector-General. The prisoners are first " taken" in their own clothes on entering the gaol, and the second portrait is produced near the expiration of their sentence. When mounted in the police album, the cartes-de-visite, if we may so style them, are placed between two columns, one containing a personal description of the offender, and the other a record of his criminal history. Briefer or more comprehensive biographies have probably never been framed. Copies of these photographs are sent to the superintendents of police in the country districts, and also to the adjoining colonies. To a certain extent photography has proved in England an effective check upon crime, and it is obviously calculated to render most valuable aid in the detection of notorious criminals. New South Wales is, we understand, the only Australian colony which has yet adopted this system ; but the practice is likely soon to become general.
Source: The Sydney Morning Herald. (1872, January 10). The Sydney Morning Herald (NSW : 1842 - 1954), p. 4. Retrieved from http://nla.gov.au/nla.news-article13250452



Anthony Trollope at Port Arthur
Mercury, 2 February 1872

TRANSCRIPT
VISIT TO PORT ARTHUR.- Mr. Trollope and the Hon. Howard Spensley, Esq., Solicitor-General of Victoria, accompaniedby the Hon. the Premier , J. M. Wilson Esq., and the Hon. the Attoney-General, W. R. Giblin Esq., embarked in the Government schooner late last night, some time after Mr. Trollope had concluded his lecture on "Modern Fiction as a recreation for young people," and left for Port Arthur. Their visit to the Peninsula will be a very hurried one, and will afford them only scant opportunity of inspecting the penal establishment, it being the intention of Messrs. Trollope and Spensley to leave Hobart Town for the North, en route for Victoria, in a few days.
THE MERCURY. (1872, February 2). The Mercury (Hobart, Tas. : 1860 - 1954), p. 2. Retrieved April 3, 2015, from http://nla.gov.au/nla.news-article8921624

JAMES ERSKINE CALDER wrote a lengthy piece on the history of Adventure Bay in the days preceding the actual trip to acquaint those with subscriptions to the trip of its significance.
OUR VISITORS' TRIP.
TO THE EDITOR OF THE MERCURY.
Sir,-It was s good idea, whoever originated it, to have pitched on Adventure Bay for the scene of the pleasure trip and picnic, which the inhabitants of Hobart Town have got up as a fitting and kindly compliment to the many visitors now amongst them from Continental Australia, who have chosen this place for their summer residence.
I know quite enough of Adventure Bay to be able to assure you that the selection is a happy one ; and though a long list of pleasant places offer themselves to choose from, none could be better for a day's enjoyment in the land of the beautiful, than this retired inlet of Storm Bay .....
It was in this very Adventure Bay to which our citizens are about to escort their friends, that the quarrel between the rudely imperious Bligh and his lieutenant, grew into irreconcilable hatred of each other. According to a most unwilling participator in the meeting that followed, and who became its historian, " the seeds of eternal discord were sown between Lieutenant Bligh and some of his officers, while in Adventure Bay, Van Diemen's Land." etc etc
OUR VISITORS' TRIP. (1872, January 26). The Mercury (Hobart, Tas. : 1860 - 1954), p. 3. Retrieved March 28, 2015, from http://nla.gov.au/nla.news-article8923452



HOBART TOWN. (1872, February 8). Launceston Examiner (Tas. : 1842 - 1899), p. 3. Retrieved March 28, 2015, from https://nla.gov.au/nla.news-article39686009

TRANSCRIPT
Mr Anthony Trollope's lecture at 'the Odd-Fellows' Hall, last week, was attractive, and the object in aid of which it was given, the Cathedral Building Fund, did not render it less so. If the question were asked whether Mr Trollope be a better lecturer than novelist, it would not be difficult to answer in the negative, and probably some of the delighted readers of "Dr. Thorne," "The 'MacDermotts," "Barchester Towers," etc experienced a shade of disappointment at the lecture. However, Mr Trollope was greeted with a hearty welcome, and his lecture was "vociferously" (that's the word, I think) applauded from beginning to end. The subject " Works of Fiction as a means of recreation for young people," was appropriately chosen, and ably treated ; and I presume the northerners will have an opportunity of testing for themselves the respectable lecturing powers of the "great novelist."
Mr Graves's design of a pleasure excursion to Adventure Bay, last Wednesday, succeeded admirably. About 400 visitors from the other colonies and citizens well freighted the good steam-ship City of Hobart, and a most agreeable trip was enjoyed. There was abundant fishing in the bay and adjacent waters, and black perch, white perch, and bream were caught by the lady and gentlemen anglers. Bags and baskets were filled with the finny treasures, and it was quite curious to see the excursionists landing and trudging homewards with their burdens. It is, of course, understood that it was a subscription affair, the charge for chartering the vessel having been more than met by the contributions of the citizens, who cheerfully supported the project. I should not be surprised if the visitors proposed to return the compliment by giving a trip to the citizens. People are beginning, though late, to devise means for the amusement of visitors, for we have a great many visitors left in Hobart Town, notwithstanding the numbers who have gone to take part in the Launceston Carnival. There is to be an afternoon steam excursion tomorrow, got up by the Foresters; a quiet excursion on Thursday, to and from New Norfolk; an organ recital at the Town Hall to-morrow evening, when professionals from the different colonies are expected to perform on the grand organ. This evening, the sixteenth concert of the Orchestral Union is to come off, when Bellini's Sonambula is to be a performed, Mr Tapfield conductor. Then there is the Japanese troupe at the Theatre Royal, which is being well patronised; and several other entertainments are on the tapis; so that by hook or by crook, a tidy programme of amusements has been arranged for a week to come, at least.





State Library of Tasmania
Stereographs of Port Arthur, T. Nevin 1872
Ref:AUTAS001124851726
Ref:AUTAS001124851759

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