Three significant prisoner photographs by T. J. Nevin, 1870s

MUGSHOTS ATTACHED and REMOVED, Hobart Gaol Records
T. J. NEVIN, colonial warrant Royal Insignia studio stamp

The corpus
More than 320 mugshots of Tasmanian prisoners from a much larger original corpus have survived from the 1870s and 1880s in Australian public collections. The work of government contractor and professional photographer Thomas J. Nevin, the majority of those currently extant were taken primarily at the Hobart Gaol, Campbell Street, and on occasions with the assistance of Thomas' younger brother Constable John Nevin. There is evidence to suggest that a handful of prisoners were photographed on Thomas Nevin's visits to the Port Arthur prison on the Tasman Pensinsula in 1873, 1874 and 1875. However, the bulk were taken at Supreme Court Oyer and Gaol Delivery sessions for the central registry at the Municipal Police Office, Hobart Town Hall. Thomas Nevin's photographic work was considered invaluable to police from his first commission in 1872, and a distinct advantage when he was appointed to the full-time position of Office-keeper and Hall-keeper to the Hobart City Corporation at the Town Hall in January 1876. He returned to professional photography and commission work with the New Town Territorial Police at his New Town studio in 1880, retiring in 1888.

Prisoner photographs by Thomas Nevin SLNSW

T. J. Nevin, 9 convicts photographs
Mitchell Library State Library NSW (PXB 274)
https://search.sl.nsw.gov.au/permalink/f/1cvjue2/ADLIB110337921
Photo copyright © KLW NFC Imprint 2009


State Library of NSW Catalogue notes
Title Photographs of convicts, 1877-1878 / T.J. Nevin
Author / Creator Nevin, T. J.
Call Number PXB 274
9 photographs - carte-de-visite - each 9.4 x 5.6 cm, on card 10.4 x 6.4 cm
Keyword subjects:
Butter, William Henry
Cowen, Hugh
Lamb, Patrick
Parker, Michael
Mullins, James
Sheeran, Francis
Smith, William
Wallace, Edward
Signatures / Inscriptions
Two of the photographs (nos. 1 and 2) are stamped on the back 'T.J. Nevin ... Hobart Town', and are numbered '198' and '200' on the front in ink. The remainder of the photographs do not have a photographer's name. Four (nos. 3-6) are dated '1877', '23.7.78', '17.12.78' and '4.4.78'. Each photograph is inscribed on the back with the convicts name and ship; four writings are discernible. The convicts are: (1) William Smith, (2) James Mullins, (3 & 4) Francis Sheeran [Shearan], (5) Edward Wallace, (6) Hugh Cowen, (7) William Henry Butter, (8) Michael Parker, (9) Patrick Lamb
The larger corpus of prisoner identification photographs taken by the Nevin brothers in the 1870s-1800s perhaps number to a thousand if the four duplicates Nevin produced from each sitting are counted, but most are deemed missing, possibly destroyed. The extant 320 photographs or so of prisoners in public collections are held in these institutions: the Tasmanian Museum and Art Gallery, Hobart, Tasmania; the Queen Victoria Museum and Art Gallery, Launceston, Tasmania; the State Library of NSW, Sydney; the Archives Office of Tasmania, Hobart; the Port Arthur Historic Site, Tasman Peninsula; the Penitentiary Chapel, Hobart, Tasmania, and the National Library of Australia, Canberra.

Mugshot attached to the criminal record
This rare example of a criminal record on parchment bearing prisoner Allan Williamson's photograph gives some idea of the original context of the 1870s photographs and the purposes for which  T. J. Nevin was contracted. It is typical of Thomas J. Nevin's commercial portraiture of the 1870s.



This document, prisoner Allan Williamson's criminal record on parchment, is catalogued at the State Library of Tasmania's e-Heritage database with these notes:

Creator(s): Convict Department
Date: 1850 -
Description: Convict record form on parchment paper for Allan Matthew Williamson. The form is handwritten over a number of years beginning with the arrival in Van Diemans Land on 9th August 1850. The latest entry records the discharged convicts death on 16th October 1893. The form includes a photograph of the convict. It includes a full description of him at the time of his arrival in Van Diemens Land aged 28 and includes a full record of his offences and sentences of which there are many. The form is rare and a copy is on display at the site in the Museum room at the Penitentiary Chapel Historic Site.
Format: Documents and books
Object: government records
Material: parchment
Titles: Williamson Allan Matthew No 22396
Subjects: convicts
People/Orgs: Williamson, Allan Matthew
Places: Campbell Street Gaol, Hobart (Tas.)
Institution: Penitentiary Chapel Historic Site Management Committee
Object number: PCH_00033
Disclaimer - The content of this record is provided by Penitentiary Chapel Historic Site Management Committee. For any questions about the content please contact them.
The Queen Victoria Museum and Art Gallery, Launceston, holds a number of similar criminal record sheets with mugshots attached, though the QVMAG has yet to digitise them online. The Tasmanian Archives and Heritage office (State Library of Tasmania) holds registers of prisoner photographs attached to the criminal record sheet with later dates of 1890 and 1892. This document, however, is held on display at the Penitentiary Chapel Historic Site, Hobart. It is a complete prison record on parchment of Allan Matthew Williamson, per the ship Maria Somes (2), from his arrival in Van Diemen's Land in 1850 up to his death in 1893. Williamson's photograph was pasted onto the parchment at the centre of the document, which was folded back on each side, rotated, and used for documenting Williamson's criminal career for more than forty years. The photograph above was taken by Thomas Nevin on Williamson's discharge from the Hobart Gaol on 8th December 1877 or even earlier. The parchment itself, however, may date to 1867 or earlier, and the photograph pasted to it a decade later.

Although this document is rare because it is made of parchment, it bears the standard commercial carte-de-visite studio portrait format used by Thomas J. Nevin and other Australian prison photographers in the 1870s. Police records from the weekly police gazettes show that Allan Williamson was discharged in January 1867, assigned and discharged in December 1877, arraigned in July 1878 for another 4 yrs, and died in custody in 1893.

POLICE RECORDS (selected) for Allan Williamson



Allan Williamson discharged on 26 January 1867
Source: Tasmania Reports of Crime Information for Police, J. Barnard, Gov't printer



Allan Williamson was discharged on 8 December 1877
Source: Tasmania Reports of Crime Information for Police, J. Barnard, Gov't printer



Allan Matthew Williamson and Francis Sheeran arraigned 23 July 1878
Source: Tasmania Reports of Crime Information for Police, J. Barnard, Gov't printer


Thomas Nevin photographed Alan Williamson again on 23 July 1878 at the Supreme Court, Hobart; his photograph of Sheeran who was arraigned in the same session is held at the Mitchell Library State Library of NSW (PXB 274).

Mugshots removed from Hobart Gaol records
The photograph above of Allan Williamson was taken by Thomas Nevin at the Hobart Gaol on 3rd January, 1874, prior to Williamson's relocation to the Port Arthur prison. The second extant Hobart Gaol record dated 14th April, 1888 shows the space where his mugshot was removed.



Prisoner Allan Williamson's mugshot removed: TAHO Hobart Gaol Records: Ref: GD6719, page 194.

This missing photograph may have been removed for display by archivists from the early 1900s onwards. It may have been a duplicate of the earlier one taken in 1877 and 1878, which would explain the note on this record: "53 years in 1878".

The third Hobart Gaol record for Allan Williamson (below) indicates with a note at the top of the middle column on the page where the missing mugshot from the record above might be found: "For Photo see Photo Book No. 2 p.194". The photograph attached this sheet was removed from the page dated 1888, or even reprinted, and pasted to the record above, dated to 1893, the year Williamson died.



Prisoner Allan Williamson's rap sheet and mugshot 1850-1893
TAHO Ref: TH-1961-46919-1384-3
Just one photograph is extant of Allan Williamson, reprinted at least twice
Photographed by Thomas Nevin at the Hobart Gaol, 3rd January 1874

Thomas Nevin's busiest years were 1873-1880 at the Municipal Police Office and Hobart Gaol, during the transfer of prisoners from the Port Arthur penitentiary on  the Tasman Peninsula to Hobart as the site there readied for closure (1873-74). The 60 or so prisoners still at Port Arthur in 1873 were speedily transferred to the Hobart Gaol, Campbell St. as both Members of Parliament and the public alike demanded the closure of the site with allegations of corruption directed at its principal officer, A. H. Boyd.

The majority of prisoner photographs produced in carte-de-visite format which now survive are not photographs of Port Arthur convicts who were photographed because they were transportees per se, nor were they photographed at Port Arthur; they were photographed in Hobart for a central registry because they were either released with a ticket-of-leave (Town Hall), or they were recidivists and re-offenders photographed on arrest, sentencing and arraignment (Supreme Court and Hobart Gaol). The weekly police gazettes of the day show a record for every single man in every single mugshot for these events. These photographs were therefore produced to accompany the central prison and police registers, and this is the most likely original source from which the loose cdvs have been divorced. The prison administrator at Port Arthur on the isolated Tasman Peninsula until December 1873, A.H. Boyd, played no role in the taking of prisoner photographs for the colonial government in Hobart.

Photographer Thomas J. Nevin was assisted by his younger brother Constable John Nevin who was salaried in the civil service at the Hobart Gaol (H.M. Prison) during the years 1874-1891. The contract was issued by W.R. Giblin, variously Attorney-General and Premier, who sat for a photographic portrait by Thomas Nevin ca. 1874. The Giblin portrait by Nevin is held at the Archives Office of Tasmania. Other key officials involved in Nevin's commission were the Superintendent of Police, Richard Propsting at the Town Hall Office; the Keeper of the Hobart Gaol, Ringrose Atkins; and the Inspector of Police at the Hobart Gaol, John Swan.

The mugshot of Alan Williamson might have T. J. Nevin's stamp on verso, but then again it may not, and for this reason: at least one duplicate of the carte was intended to be pasted to the prisoner's record. More duplicates - usually six in Tasmania - were made to be circulated to the police in the event of a warrant after the prisoner's assignment or discharge. The photographer would not have wasted ink and time printing every cdv on verso when the verso would never be visible. Just one cdv with the photographer's official stamp verso per batch of 100 was required by the the Customs and Patents Act for grant of copyright and commission. Primarily these prisoner mugshots were legal instruments which were stamped with T. J. Nevin's colonial warrant incorporating the Royal Arms insignia similar to the seal of the Hobart Supreme Court where many were taken. For private clients, Thomas Nevin's studio portraits and landscape stereographs bear his commercial impress, at least six different types. No photographer's stamp other than T. J. Nevin's appears on these 1870s mugshots of Tasmanian prisoners - or "convicts" - as they are called in tourism discourse.

T. J. Nevin's colonial warrant stamp
The photograph below of the convict "William Smith per Gilmore 3 was taken in September 1873. The original carte of Smith with the verso (below) is held at the Queen Victoria Museum and Art Gallery, Launceston. A copy is held at the Archives Office of Tasmania, Ref: PH30/1/3244.



Recto and verso
Wm Smith per Gilmore 3 carte with T. J. Nevin's government contractor stamp
T. J. Nevin's contractor stamp printed with the Royal Arms government insignia.
QVMAG & AOT Ref: 30-3244

Why does this cdv of prisoner William Smith bear T. J. Nevin’s studio stamp? The question has been asked by photo historians with little consideration to the realities of government tender. It was one of several chosen by Nevin to access his commission, register copyright with the Customs, and renew his contract under the terms of the tender. Only one was required per batch of 100 photographs, the verso stamp being used to identify the photographer’s copyright.

POLICE RECORDS for William Smith per Gilmore 3



William Smith discharge week ending 10 Sept 1873
Source: Tasmania Reports of Crime Information for Police, J. Barnard, Gov't printer

William Smith per Gilmore 3 was discharged with a ticket-of-leave in the week ending 10 September 1873, and received from Port Arthur at the Municipal Police Office, Hobart. Note that his age and physical measurements were not recorded in this police gazette notice since no photograph existed prior to his release. He was not photographed at Port Arthur, he was photographed by Nevin when Smith reoffended again in April 1874, sentenced to 12 months for larceny, and discharged in the week ending 21 April 1875.



Wm Smith discharged 1st April, 1875. Photographed again on release by T. J. Nevin
Source: Tasmania Reports of Crime Information for Police, J. Barnard, Gov't printer



Suspicion attaches to William Smith per Gilmore 3, 23rd April, 1875
Source: Tasmania Reports of Crime Information for Police, J. Barnard, Gov't printer



Wm Smith per Gilmore 3 Warrant for arrest 23 April 1875.
Source: Tasmania Reports of Crime Information for Police, Gov't printer J. Barnard

William Smith's description, now complete with his photograph, was issued by police when coming under suspicion for theft just three weeks after his release on 1st April, 1875. Smith was arrested 3 months later in July 1875.



William Smith arrested, notice of 9th July, 1875.
Source: Tasmania Reports of Crime Information for Police, Gov't printer J. Barnard

Thomas Nevin photographed William Smith again wearing the prison issue leather cap on incarceration in 1875.The earlier photograph was numbered "199". This, the second photograph by T. J. Nevin of William Smith per Gilmore 3 was numbered "200". The numbers were applied when these two photographs among several dozen more were salvaged by John Watt Beattie from the Hobart Gaol's Sheriff Office ca. 1900 and displayed in his "Port Arthur Museum" located in Murray Street, Hobart. Some were sent to an exhibition at the Royal Hotel in Sydney in 1916 in conjunction with a display of convictaria associated with the fake hulk Success.



William Smith per Gilmore 3.
Photo by Thomas Nevin, July 1875
Stamped verso with Nevin's government contractor stamp
Mitchell Library State Library NSW (PXB 274 No.1)
Photo copyright © KLW NFC Imprint 2009

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Two histories, one execution: prisoners Job SMITH & Emanuel BLORE

EXECUTION at the HOBART GAOL
Thomas J. NEVIN at PORT ARTHUR
ALIASES, COPIES & MISATTRIBUTION



Prisoner CAMPBELL, William as SMITH, Job
Vignetted copy (cloudy background)
TMAG Ref: Q15578 see also TMAG Ref: Q15572
Photographer: Thomas J. Nevin 1874



Prisoner BLORE, Samuel
TMAG Ref: Q15596
Photographer: Thomas J. Nevin



From the Tasmanian Museum and Art Gallery Collection
Reproduced from page 36 of
Tasmanian Photographers 1840-1940: A Directory (TMAG 1995)
Photo © KLW NFC 2008 ARR


On the left, the verso of convict Job Smith's carte bears the simple inscription -:
Job Smith Alias Campbell Alias Boodle
- and in a very different hand, the verso of Samuel [Emanuel] Blore's carte bears the familiar inscription which appears uniformly across dozens of these "Port Arthur convict" cartes:
Samuel Blore per Ld Petre Taken at Port Arthur 1874
Both convicts' early transportation details (prior to 1853) are listed in the Archives Office of Tasmania Convicts Records data base.

Archives Office of Tasmania: Convict Transportation Records
65694 Smith Job 26 Dec 1844 Sir Robert Peel 09 Sep 1844 London
5559 Blore Emanuel 15 Oct 1843 Lord Petre 07 Jul 1843 London

Job Smith and his aliases
These two copies/duplicates from Thomas J. Nevin's glass negative taken at a single sitting with the prisoner Job Smith aka Campbell, are held at the Tasmanian Museum and Art Gallery.



Vignetted copy (cloudy background)
Prisoner CAMPBELL, William as SMITH, Job
TMAG Ref: Q15578 see also TMAG Ref: Q15572
Photographer: Thomas J. Nevin 1874



Prisoner SMITH, Job alias CAMPBELL alias BRODIE
TMAG Ref: Q15572
Photographer: Thomas J. Nevin 1874

The National Library of Australia holds a third copy/duplicate of the same photograph of Job Smith, catalogued with the alias William Campbell. It is one of three convict cartes (found to date) by Thomas J. Nevin which had been hand-tinted, probably at the time of the original capture, by Nevin's studio assistants.



Prisoner Job Smith alias CAMPBELL alias BRODIE
Photographed by T. J. Nevin, Hobart, February 1874
Vignetted copy (cloudy background) and hand-coloured
Photo taken at the National Library of Australia, 16 December 2016
Photos copyright © KLW NFC 2016 ARR



Verso:Prisoner Job Smith alias CAMPBELL alias BRODIE
Photographed by T. J. Nevin, Hobart, February 1874
Photo taken at the National Library of Australia, 16 December 2016
Photos copyright © KLW NFC 2016 ARR



NLA Catalogue
nla.pic-vn4270353 PIC P1029/53 LOC Album 935 William Campbell, per S. [Sir] R. [Robert] Peel, taken at Port Arthur, 1874 [picture] 1874. 1 photograph on carte-de-visite mount : albumen, hand col. ; 9.4 x 5.6 cm., on mount 10.4 x 6.4 cm.

The inscription on verso, "Taken at Port Arthur, 1874" was written by John Watt Beattie in 1915 when hundreds of these prisoner cdvs were copied from Nevin's original glass plate negatives and offered for sale at his convictaria museum in Hobart decades before the NLA's acquisition of their collection between 1964 (from Neil Gunson) and 1982 (from John McPhee). The two duplicates of the same photograph held at the TMAG (see first two above) are not hand-coloured.

Whatever the circumstances of each copy's deposit in public collections, it is the same single image of this convict with several aliases, taken by government contractor Thomas J. Nevin once and once only. All three items in these collections are evidence of use and re-use by police, and there were probably many more in existence at the time of Job Smith's - aka William Campbell's - hanging, given the notoriety of the case. Thomas Nevin's reputation for hand-tinted photography was reported in The Mercury, December 4th, 1880. See this entry for more information on Nevin's coloured convict portraits at the NLA.

POLICE RECORDS for Wm Campbell, hanged as Job Smith



Discharged as Job Smith and received at Hobart from Port Arthur, published 2nd December 1868.



Convicted again as Job Smith 4th September 1869 for larceny, three months at the Hobart Gaol.


Job Smith was a suspect for theft, published on 13th May 1870, at which point he changed his name to William Campbell.



William Campbell alias Robert Boodle (or Brodie) alias Job Smith was convicted on 19th March 1872 for uttering a forged cheque and sentenced to 8 years.



William Campbell was arraigned for rape on 11th May 1875, and hanged as Job Smith on 31st May 1875. Source: Tasmania Reports of Crime Information for Police 1871-1875 Gov't Printer

William Campbell alias Boodle or Brodie was executed as Job Smith on 31st May, 1875. The Penitentiary Chapel Historic Site website gives this summary of the background to the case (after Ian Brand):

JOB SMITH - 31st May 1875
Job Smith was a prisoner at Port Arthur, who had served most of his sentence by 1875 and had conducted himself well while there.
Margaret Ayres was a housemaid and in the service of Rev. Mr. Hayward the Church of England clergyman there. Shortly before 5 p.m. on 27th February, 1875, she went into the bush to search for Hayward’s cow.
On the way she met Smith and asked him if he had seen the cow and he pointed out the direction in which it had gone. She noticed that Smith was following her so she began to go back telling him she was afraid of snakes. She then claimed Smith made improper advances to her and when she fell trying to get away, he raped her.
Smith was charged with rape in the Supreme Court on 12th May, 1875.
The defence claimed there was no evidence of rape, that any of six prisoners were free to commit the offence and that Ayres had not noticed her assailant had lost the use of one arm as Smith had.
The jury rejected these claims and found Smith guilty and he was sentenced to death.
Smith went to the gallows on 31st May, 1875 declaring his innocence, but this contradicted a written statement he left with Father Beechinor.
A letter in the Mercury the following day questioned whether rape should be a capital offence or whether Tasmania should not follow England’s example and find another punishment for that crime. Smith was the last person to hang for rape in Tasmania.

Job Smith aka Wm Campbell was photographed by Thomas Nevin either when Smith was one of sixty prisoners who had transferred back to the Hobart Gaol from Port Arthur before July 1873 (see W.R. Giblin's and the Inspector of Police's report of convicts tabled in the Parliament on July 17th, 1873), or just before Smith as William Campbell was returned to Port Arthur on May 8th, 1874 to complete his 8 year sentence, accompanied by Thomas Nevin in his role as police agent and photographer. Both were listed as passengers on the schooner Harriet's way bill:



Above: William Campbell accompanied by Thomas Nevin to Port Arthur
Passengers aboard the government schooner
Harriet, May 8th, 1874.
Source: Tasmanian Papers Ref: 320, Mitchell SLNSW. Photo &copy KLW NFC 2009 ARR


Thomas Nevin would have carried at least two copies on his person of the prisoner's photograph, one loose and one pasted to the prisoner's record sheet, in the event of attempted escape in transit. Other copies remained at the Office of Inspector of Police, Town Hall, Hobart. Dr Coverdale, the Surgeon-Commandant at Port Arthur who had replaced A.H. Boyd by January 1874 deemed this procedure sufficient for security as a dozen or so prisoners were evacuated every week back to Hobart by schooner as soon as he assumed office. Clearly, Dr Coverdale's predecessor A. H. Boyd had nothing to do with this photograph of Job Smith, nor indeed with any other of these 1870s prisoner mugshots for the simple and very obvious facts that (a) Boyd was not a photographer and no photographs in any genre supposedly taken by him have been found extant nor ever will be found unless they have been faked, as for example, the image of the Port Arthur prison printed by the Anson Bros in 1889 (Kerr, Stilwell 1992); and (b) the commission awarded to Thomas Nevin to photograph prisoners was given in 1872 by the Attorney-General W. R. Giblin after the visit by senior prison official and politicians from Victoria to the Port Arthur prison. Just one image, reprinted many times, of Job Smith aka William Campbell is extant. Thomas Nevin photographed him once and once only, although at least three duplicates and copies are currently extant in State and National collections.

When Smith was returned once more to the Hobart Gaol to be arraigned in the Supreme Court, Hobart, his case was a cause celebre. The Mercury ran editorial commentary and letters from the public throughout May and early June 1875 concerning his innocence or guilt, questioning the mess of evidence, and Tasmania's continued application of capital punishment laws.

The last hours of Job Smith were reported in the press, and not without a note of pathos:

EXECUTION AT THE HOBART TOWN GAOL
The condemned criminal, Job Smith, recently tried, found guilty, and sentenced to death for a criminal assault, under brutal circumstances, on the girl Margaret Ayres, at Port Arthur,forfeited his life inside the Hobart Town Gaol yesterday morning.

At 8 o'clock , Smith, accompanied by Father D. F. X. Beechinor (the clergyman who attended him since his condemnation) and Mr Rothwell (Under-Sheriff) left the condemned cell, and proceeded to the place of execution, Father Beechinor being engaged in prayer along the way. Besides Mr. Atkins (the governor of the gaol), representatives of the Press, and a body of police, there were only two other individuals present.

From the cell to the gallows, Smith betrayed no physical emotion, his step being steady, and his demeanour apparently composed. On arriving at the drop, the Under-Sheriff asked the unfortunate man if he had anything to say. Smith replied, " I am not guilty ; I am an innocent man."The Under-Sheriff then read the following written statement:
" I was born at Bristol on the 23rd of November, 1819, and was a Protestant all my life. Became a Roman Catholic upon receiving sentence of death. I have left with my [spiritual] director a statement, which, in his discretion, I request him to publish wholly or in part."
The usual preliminaries having been arranged, the executioner, at a given signal from the Under-Sheriff, performed his duty, and the malefactor died without any apparent physical pain.It may be mentioned that Smith left a written document with Father Beechinor, which contains a statement in direct contradiction to his dying words.

During portions of Sunday night, Smith manifested much mental uneasiness, but as night wore on he became calmer. At an early hour of the morning, Smith requested to be served with some bread, cheese, and beer. The request was complied with, but at the time he left his cell for execution his refreshment remained untouched.
[Source: extract from  Launceston Examiner (Tas. : 1842 - 1899)  Thu 3 Jun 1875  Page 3  JOB SMITH.]

Thomas Nevin's original capture would have been reprinted and offered on sale as an image of infamy to remind the population of the swift course of justice. Given that photographs were not printed in newspapers in 1875, the Press in attendance may have used this photograph of Job Smith as an adjunct to sales.

The handwriting on the verso of Smith's carte is similar to the handwriting on dozens of Nevin's photographs held at the TMAG - for example, the landscape of Melville Street under snow, inscribed "W. Hobart, July 1868" .

Emanuel Blore



Prisoner Samuel BLORE
TMAG Ref: Q15596
Photographer: Thomas J. Nevin 1874

Emanuel (or Samuel) Blore's police record:



Source:Tasmania Reports of Crime Information for Police1871-1875 Gov't Printer

Emanuel Blore received a ticket-of-leave, 16th November, 1874. He was photographed on discharge from the Mayor's Court and Municipal Police Office, Hobart Town Hall by Thomas Nevin per police regulations. This cdv of Samuel or Emanuel Blore was duplicated at least four times by Nevin at the time of the one and only sitting with the prisoner for future police reference, and inscribed verso with the number "119" when displayed by Beattie and Searle for sale in 1915 at Beattie's convictaria museum in Hobart. The number on the front "134" was inscribed in 1983 when the cdv was removed from the QVMAG for exhibition as part of the Port Arthur Conservation project.

Like so many of these cdvs of Tasmanian prisoners taken in the 1870s which bear numbers from one to more than 300 either on verso or mount, some with the inscription "Taken at Port Arthur 1874" on verso, the provenance of all these prints is from the QVMAG's Beattie collection of government estrays acquired from his estate there in 1930, from which the exhibition held in 1977 at the QVMAG was sourced and correctly exhibited as the work of Thomas Nevin's photographic portraits of 1870s "Port Arthur convicts".

Despite the attribution to T. J. Nevin in 1977, by the time about 120 cdvs had been removed from the QVMAG in order to be displayed at an exhibition at Port Arthur in 1983, at least 50 were subsequently returned instead to the TMAG (E. Wishart et al), where they were wrongly attributed to A.H. Boyd, apparently based on a whimsical rumour spread by a Boyd descendant and certain gullible Port Arthur employees. The photographs of prisoners Job Smith and Emanuel Blore were two of six cdvs of Tasmanian convicts displayed online at the TMAG until November 2006 and taken offline by 2007. The TMAG fortunately reserved the attribution to Thomas J. Nevin of all of their holdings of Tasmanian photographs of convicts and cast this Boyd misattribution as a misjudgment which was paraded as a "belief" rather than as a substantiated fact by the writer of their publication, Chris Long, in Tasmanian Photographers 1840-1940: A Directory (Gillian Winter, ed: TMAG 1995).

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