Alfred Bock and the Bayles sisters

HOBART PHOTOGRAPHERS Alfred BOCK and Thomas J. NEVIN
STUDIO DECOR, furniture and carpets
THE BAYLES SISTERS 1860s

Professional photographer Alfred Bock established himself at the City Photographic Establishment, 140 Elizabeth St. Hobart Tasmania in 1858 after a series of financial difficulties, and stayed there until 1865 when he was again declared insolvent. On Bock's departure from Tasmania, commercial photographer and government contractor Thomas J. Nevin acquired the studio lease, glass house, and stock-in-trade at auction in August 1865. He continued with the business name the City Photographic Establishment until 1876 when he joined the civil service as Office and Hall Keeper to the Hobart City Council and Municipal Police Office with residency at the Hobart Town Hall, resuming commercial photography in 1880 until retirement in 1886.

The three Bayles sisters

Left: Mary Louisa Bayles
Centre: Elizabeth Bayles
Right: Ellen Bayles
Photographer: Alfred Bock ca. 1865
Copyright © KLW NFC Imprint and Private Collections 2020.

Alfred Bock's portrait of Mary Louisa Bayles
Outdoors, just back from a stroll in the fresh country air, hat in hand, was the theme chosen for Mary Louisa Bayles' session at Alfred Bock's studio ca. 1865. He stood her next to a circular metal garden table decorated with a metal stand supporting a bowl of artificial fruits and flowers. Behind her, both on her left and right, two plaster plinths were to suggest a patio balustrade leading to steps rising to a terrace just out of frame. Painted on the backsheet to the viewer's right, the large tree reaching to the top was to soften the edge of the frame in similar manner to the drape which nearly always appears in Alfred Bock and Thomas Nevin's indoor studio portraits. In the distance to the viewer's left, the smaller tree was to deepen perspective while allowing enough blank space to foreground the pose Mary Louisa chose as a complement to the outdoor decor. Only the carpet appears incongruous in a setting which has so much outdoor furniture. That same carpet with a pattern of large dark lozenges rimmed in white appears in several portraits by Thomas Nevin of private clients. He may have acquired it from H. H. Baily whose studio was located almost opposite in Elizabeth Street. It appears in Baily's portrait of Sara Crouch who was photographed by Thomas Nevin about the same time, ca. 1872.

The table top metal stand holding a bowl of fruit or flowers appears in all three of these photographs by Alfred Bock of the Bayles sisters. The floor to ceiling drape with a pattern of flowers or vine leaves appears in just about every one of these studio portraits by Alfred Bock and Thomas Nevin.

Subject: Mary Louisa Bayles
Photographer: Alfred Bock ca. 1864
Location: 140 Elizabeth St. Hobart Town, Tasmania
Details: full-length carte-de-visite
Verso bears Alfred Bock's stamp with kangaroo atop a circular belt
Copyright © KLW NFC Imprint Private Collection 2020.

Verso:
Subject: Mary Louisa Bayles
Photographer: Alfred Bock ca. 1864
Location: 140 Elizabeth St. Hobart Town, Tasmania
Details: full-length carte-de-visite
Verso bears Alfred Bock's stamp with kangaroo atop a circular belt
Copyright © KLW NFC Imprint Private Collection 2020.

Mary Louisa Bayles was under 21 yrs old when she married Thomas Littlechild at St. Andrew's church in the district of Campbell Town, Tasmania on 14th October 1868. His occupation was not registered, apart from the word "Esquire" attached to his name which was to signify a man of independent means. Witnesses to Mary Louisa Bayles' marriage were Messrs Thos Robertson, John Bilton and Joseph Bayles.

Name: Bayles, Mary Louisa
Record Type: Marriages
Gender: Female
Age: Minor
Spouse: Littlechild, Thomas
Gender: Male
Age: Adult
Date of marriage: 14 Oct 1868
Registered: Campbell Town
Registration year: 1868
Record ID: NAME_INDEXES:870428
Archive Office Tasmania Resource: RGD37/1/27 no 26

Alfred Bock's portrait of Elizabeth Bayles
For Elizabeth Bayles' session, Alfred Bock put a plinth to her right but positioned her next to the larger plinth. It is the same plinth with an inset plaster wreath decoration which appears in Thomas J. Nevin's portrait of his younger brother, 16 year old Wm John Nevin (1852-1891) taken in the same studio while operating as the firm Nevin & Smith with partner Robert Smith, ca 1867 to February 1868. Although this full-length carte-de-visite portrait of Elizabeth Bayles is somewhat broken for all the handling it has taken over the last 160 years, it still renders a lot of historically accurate information about women and studio photography in 1860s colonial Hobart.

Subject: Elizabeth Bayles
Photographer: Alfred Bock ca. 1864
Location: 140 Elizabeth St. Hobart Town, Tasmania
Details: full-length carte-de-visite
Verso bears Alfred Bock's stamp with kangaroo atop a circular belt
Copyright © KLW NFC Imprint Private Collection 2020.

Verso:
Subject: Elizabeth Bayles
Photographer: Alfred Bock ca. 1865
Location: 140 Elizabeth St. Hobart Town, Tasmania
Details: full-length carte-de-visite
Verso bears Alfred Bock's stamp with kangaroo atop a circular belt
Copyright © KLW NFC Imprint Private Collection 2020.

Alfred Bock's portrait of Ellen Bayles
When Alfred Bock set up his studio to take a photograph of Ellen Bayles (below), he included the metal table and metal stand with fruit or flowers he had arranged for his portrait of her sisters Mary Louisa and Elizabeth Bayles, but placed them on the viewer's left in front of the drape printed with a pattern of vine leaves. The same drape appears in Thomas Nevin's self-portrait ca. 1868, in sitting pose wearing white gloves and holding a stereoscopic viewer.

Source: Viewed online July 2020 at Sydney Rare Books Auctions June 2019
Vendor's note:Ellen Bayles Album. A leather worked Carte de visite album, 15 x 12 x 6cm, inscribed and signed by Ellen Bayles, with 22 family Cartes de visite including her portrait (Bock, Hobart). Photographers include Dowling, Baily and Burrows.

Ellen Bayles' Album
By way of an introduction to her photo album, Ellen Bayles included a poem in five verses on the inside left page, signed by her which may or may not indicate her own composition,

TRANSCRIPT partial

My Album
Here I see familiar faces
Ranged together side by side
Occupying Friendship's places
Treasured within Affection's pride.

Kith and Kin, and dead and living
Grave and gay and youth and age
Love selected, life reflected
Lifelike in each hallowed page...
.....
And my spirit feels a pleasure
And a pride [illegible] can tell
In possessing this one treasure
Of the friends I love so well
[Signed] Ellen Bayles

Important Notices

INDIGENOUS NOTICE:
lutruwita/Tasmania/Van Diemen's Land (loo-tru-wee-ta) always was, always will be Aboriginal land.

This weblog pays respect to the ancestors and elders past, present, and emerging of the first Australian peoples and acknowledges their continued connection to land, sea and culture as the traditional custodians of this country.

Irish-born Thomas J. Nevin would have been keenly aware that the residence and photographic studio he occupied at No's 138-140 Elizabeth St. Hobart in the 1870s was built on the traditional lands, nipaluna/Hobart, of the palawa people. It is no small irony that today, the very same property, which is renumbered as No. 198 Elizabeth St. Hobart and is occupied by the Tasmanian Aboriginal Centre, has returned to its traditional owners.

Looking east from the corner of Patrick St., the Royal Standard Hotel, 142 Elizabeth St. then T. J. Nevin’s studio and residence, 140-138 Elizabeth St. Hobart, 1870s

We also acknowledge the Gadigal people of the Eora nation as the traditional custodians of the City of Sydney, and the Ngunnawal people of the Australian Capital Territory on whose lands this site is maintained.

PLEASE NOTE: images on this weblog represent deceased people, including Aboriginal and Torres Strait Islander people. Viewing such images may cause sadness and distress.

Disclaimer:
We have not voluntarily contributed to any publication which supports the misattribution of T. J. Nevin's prisoner/convict photographs (300+ extant) to the non-photographer A. H. Boyd, nor do we condone any attempts by public institutions or private individuals to co-opt the work on these Thomas J. Nevin weblogs and associated sites to apply the misattribution.

Our 19th Anniversary 2005-2024

Click on image for full list tagged "About women"

Nineteen years ago (before 2005 actually) we started blogging about Tasmanian photographer Thomas J. Nevin (1842-1923). We look forward to another year or so as the project draws closer to completion. Contributions and donations are most welcome, and many thanks for your involvement.

SABBATICAL 2023-24: We are taking a short break from regular posting through 2024 but will be available to answer queries.

Anthony Trollope at Port Arthur

Thomas Nevin's VIP commission 1872

VISIT TO PORT ARTHUR.- Mr. Trollope and the Hon. Howard Spensly, Esq., Solicitor-General of Victoria, accompanied the Hon. the Premier, J.M. Wilson, Esq., and the Hon. the Attorney-General, W.R. Giblin, Esq., embarked in the Government schooner late last night, some time after Mr. Trollope had concluded his lecture on "Modern Fiction, as a recreation for young people," and left for Port Arthur. Their visit to the Peninsula will be a very hurried one, and will afford them only scant opportunity of inspecting the penal establishment, it being the intention of Messrs. Trollope and Spensly to leave Hobart Town for the North, en route for Victoria in a few days ...

Source: The Mercury 2 February 1872