Showing posts with label KLW NFC photography. Show all posts
Showing posts with label KLW NFC photography. Show all posts

Prisoner John APPLEBY 1873

PRISONER JOHN APPLEBY Tasmanian mugshots 1870s
PETITIONS DECLINED
FAKE HISTORY EXHIBITIONS 1900s



Prisoner John Appleby, Hobart Gaol, Tasmania
Photographed by Thomas J. Nevin, September 1873
NB: The catalogue entry title was devised by the NLA from the verso inscription.
NB: The number "84" is missing from this catalogue entry.

National Library of Australia catalogue
"John Appleby, per Candahar, taken at Port Arthur, 1874"
Call Number PIC Album 935 #P1029/51
Created/Published 1874
Extent 1 photograph on carte-de-visite mount : albumen ; 9.4 x 5.6 cm., on mount 10.4 x 6.4 cm.

The verso (below) of this carte-de-visite of John Appleby held at the NLA is numbered "84" which was the number assigned to the copy made in the 1900s by John Watt Beattie from the glass negative of Thomas Nevin's original capture taken at the Hobart Gaol in 1873 where Appleby was transferred from the Port Arthur prison after his petition to the Governor was declined.

The inscription 'Taken at Port Arthur 1874" is Beattie's confabulation of facts in the name of tourism. Beattie prepared copies of these prisoner cdv's for display in his collection of Tasmanian convictaria at his "Port Arthur Museum" located at 51 Murray St. Hobart (and not at Port Arthur) to coincide with the first of two early 20th century film adaptations (1908-9, 22 minutes - see theatre poster below; the second was filmed at Port Arthur in 1927) of Marcus Clarke's popular fiction For The Term of His Natural Life which appeared as a serial in 1870 and in novel form in 1874. Hence the date "1874" and the place "Taken at Port Arthur" written on the verso of this cdv when the actual date and the actual place of photographic capture were respectively 1873 and the Hobart Gaol in Campbell Street. Beattie fabricated this fake history for several dozen original mugshots taken in the 1870s by government contractor T. J. Nevin because he was required under the terms of his own commission as government contractor (from ca. 1900) to market photographic imagery of Tasmania's penal heritage to the intercolonial tourist. The loose cdv's such as this one of prisoner John Appleby were prepared for sale and exhibition at Sydney's Royal Hotel in 1915 to be displayed as Port Arthur relics, alongside relics and documents associated with the fake convict hulk Success which visited Hobart, Melbourne, Sydney and Adelaide. The collection of "convict portraits" held at the National Library of Australia Canberra and at the State Library of NSW in the Mitchell Collection are the estrays from these exhibitions. The NLA photographs inscribed verso with "Taken at Port Arthur 1874" were NOT taken at Port Arthur, despite the title devised by the cataloguist at the NLA from the cdv's verso inscription, nor were they taken by the reviled commandant A. H. Boyd. These ahistoric furphies continue to be promulgated by "interpretationists" at the Port Arthur Historic Site theme park who would wish to inveigle their visitors in the same way that Beattie et al deceived visitors to his museum in the 1900s in the name of tourism.



Verso the cdv of John Appleby held at the NLA
Inscription includes the number "84" and the wording "Taken at port Arthur 1874"
Fake history prepared in the 1900s for exhibitions associated with the fake hulk Success
Photo copyright © KLW NFC 2016 ARR

TRANSPORTATION & POLICE RECORDS
John Appleby alias Young was transported to Tasmania on board the Candahar in 1842, sentenced to 15 years for burglary. This record details his age, appearance, marital status, conduct etc on arrival. His occupation was painter and glazier. He was given a conditional pardon in September 1850 (CP), but by 1871 he was incarcerated again, sentenced to six years at the Supreme Court Hobart.



John Appleby per Candahar 1842 record: TAHO REF: CON33-1-23_00004_L



Detail of above: John Appleby per Candahar 1842 record: TAHO REF: CON33-1-23_00004_L

John Appleby, free in service (FS), was tried in the Supreme Court Hobart on 4th July 1871 and sentenced to 6 years for receiving stolen plate. His petition lodged twelve months later, on the 11th June 1872 was declined by the Attorney-General, and on the 20th September 1873 he was transferred to the Hobart Gaol, Campbell St. from the Port Arthur prison where Thomas J. Nevin photographed him on being received. Two years later, on the 13th August 1875, the residue of Appleby's sentence was remitted- see detail of record above, column extreme right - viz:.
The Governor's inf has declined to interfere 11/6/72
Hobart Gaol 20/9/73
Gov. inf. 13/8/75
Residue remitted



From February 1872, when the Attorney-General the Hon. W. R. Giblin commissioned Thomas J. Nevin to undertake the systematic photographing of prisoners, those prisoners whose petitions to the Governor were declined were among the first to be photographed. With the assistance of Frederick Stops, clerk and "right-hand man" to the A-G, Thomas Nevin collaborated on collating information on prisoner records, both visual and written through the 1870s into the mid-1880s.



Source: Tasmania Reports of Crime Information for Police 1871-1875, James Barnard Gov't Printer

John Appleby was photographed again in the fortnight prior to discharge on March 4th, 1875, per regulations laid down in the Victoria and NSW Police Acts 1871-1872, adopted in Tasmania after the visit by Victoria's Solicitor-General in January 1872.



MacMahon and Carroll's ... For the term of his natural life
by Academy of Music (Launceston, Tas.) Date 1909]
Archives Office Tasmania. Link: https://stors.tas.gov.au/AUTAS001128189875j2k

RELATED POSTS at main weblog

Convict photographs by T. J. Nevin at the Art Gallery NSW Centenary Exhibition 1976

AGNSW 1976 Centenary Exhibition
T. J. NEVIN 1870s photographs of Tasmanian prisoners
G. T. STILWELL State Library of Tasmania





Art Gallery of NSW, Sydney
Photos copyright © KLW NFC 2013

Photographs of Tasmanian "convicts" - i.e. prisoner mugshots - taken by T. J. Nevin in the 1870s were exhibited at the Centenary of the Art Gallery of New South Wales, Sydney and at the National Gallery of Victoria, Melbourne in 1976. The Exhibition Catalogue was written by Daniel Thomas,  Senior Curator and Curator of Australian Art, Art Gallery of NSW. The Tasmanian contributor was antiquarian Geoffrey Stilwell, a Trustee of the Centenary Celebrations of the Art Gallery of NSW and Special Collections curator of the Allport Library and Museum of Fine Arts, State Library of Tasmania.



Ian North, artist, Archibald finalist 2005
Title: Daniel Thomas at home, Northern Tasmania
Art Gallery NSW: https://www.artgallery.nsw.gov.au/prizes/archibald/2005/28102/

Daniel Thomas AM, Emeritus Director Art Gallery of South Australia, Adelaide, retired in 1990 and now lives in Tasmania. From 1958 he was the curator in charge of Australian art, and later chief curator, at the Art Gallery of New South Wales, Sydney. From 1978 to 1984 he was the inaugural head of Australian art at the National Gallery of Australia, Canberra.
From: ART MUSEUMS IN AUSTRALIA: A PERSONAL RETROSPECT by Daniel Thomas 2011

The Centenary Exhibition Catalogue 1976
These photos were taken at the National Library of Australia, 8th June 2017. The Exhibition Catalogue Australian art in the 1870's / by Daniel Thomas - N 709.94 T455  is available through Trove.  Photos copyright © KLW NFC Imprint 2017



Cover: Australian Art in the 1870s



Title page: "Australian art in the 1870s by Daniel Thomas. An exhibition to mark the centenary of the Art Gallery of New South Wales, Sydney. Art Gallery of New South Wales, Sydney: 25 June-2 August 1976; National Gallery of Victoria, Melbourne: 28 October-21 November 1976"



Page 27: list of three photography exhibits by T. J. Nevin Nos. 116-118

TRANSCRIPT
T. J. Nevin active 1870s
Tasmanian convicts (1874)
116. William Turner, Transported Lord Goderich (Boy's ship), 1811-1841.
117. Nathan Hunt, Transported Elphinstone (Boys), 28.7.1842, Larceny
118. Thomas Harrison, Idle and disorderly.
Three photographs, carte-de-visite size 10.5 x 6.5 cm, 4½ x 2½ in, each inscribed (on back) as above, and printed T. J. Nevin, 140 Elizabeth Street, Hobart Town. From a set of over 40 convict portraits made in 1874.
Queen Victoria Museum and Art Gallery, Launceston, Tasmania



Page 41: Entry for T. J. NEVIN,



Paragraph on T. J. Nevin and his photographs of "still-living transported convicts", p. 41 of the Exhibition Catalogue for Australian art in the 1870s : an exhibition to mark the centenary of the Art Gallery of New South Wales, Sydney by Daniel Thomas 1976.

TRANSCRIPT
T. J. NEVIN
A Hobart photographer who in 1874 made a set of over 40 photographs of still-living transported convicts. They are included as an example of the strong interest in Australian history which is characteristic of the 1870s. These small photographs are also examples of the standard "Carte-de-visite" size used for almost all portraits in the 1850s and 1860s, but going out of favour after 1870 for the larger "Cabinet" size , 4½ x 6½ inches. After 1875 "Panels". 8½ x 6½  inches also became common for family groups. Carte-de-visite and Cabinets of royalty, actresses, bishops, convicts and other celebrities were widely available and were collected in albums as well as portraits of one's own family.
The Mugshots
Working on government contract and as full-time civil servant, Thomas J. Nevin photographed many hundreds of Tasmanian prisoners - or "convicts" as they are termed in art history and heritage tourism discourse - between 1872 and 1886, and not just the set of forty (40) indicated in this brief Exhibition Catalogue note dated 1976. The author(s) were referring to the set of 40 prints from Nevin's glass negatives of prisoners arranged in three panels held at the Queen Victoria Museum and Art Gallery, Launceston. See this article - Thomas J. Nevin's glass plates of prisoners 1870s.







Forty prints of 1870s Tasmania prisoners in three panels
Original prints of negatives by T. J. Nevin 1870s
Reprints by J. W. Beattie ca. 1915
QVMAG Collection: Ref : 1983_p_0163-0176

The originals of these forty (40) individual prints of Tasmanian prisoners, photographed at the Hobart Gaol by the commissioned photographer Thomas J. Nevin in the 1870s, were intended to be pasted to the criminal record sheet of each prisoner. It was customary to photograph a person before conviction and after it, and again on discharge, by order of the Tasmanian Attorney-General from 1872 onwards, and since the men whom Nevin photographed were repeat and habitual offenders, the same glass negative was used again and again. The plates were handled repeatedly to produce duplicates for distribution to regional prisons and police stations, and for the many administrative copies required by the central Municipal Police Office at the Town Hall, the Supreme Court and the Hobart Gaol.

The forty individuals whose police photographs from the 1870s were lined up in this manner and pasted to dark green cardboard were all chosen by convictaria collector John Watt Beattie in 1915 because they were repeat offenders convicted of serious crimes who had been arraigned in Supreme Court sessions in the 1870s and incarcerated at the Hobart Gaol, Campbell St. Beattie chose them because he wanted to sell their images to tourists at his convictaria museum located in Murray St. Hobart, and to include them in intercolonial exhibitions associated with the fake convict ship the Success. He falsely touted these men as representative of the pre-1853 convict transportation era, hence the labelling on each of these panels, “Types of Imperial Convicts” and "Photographed at Port Arthur", when the reality was far less fascinating. By the 1870s, these men were common criminals and “prisoners”, not "convicts" and they were photographed on sentencing at the Supreme Court Hobart and Hobart Gaol, a judicial process funded and administered by the Colonial government, not the British government.

Although the Exhibition Catalogue assumes it was Thomas Nevin in the 1874 who "made a set of over 40 photographs of still-living transported convicts", it was Beattie & Searle who collated the original prints which they removed from the prisoner rap sheets  in the early 1900s and created these panels from Nevin's original first-captures on glass negatives of the 1870s. None of the forty prisoners featured in each of these three panels, however, was exhibited. Just three photographs from the QVMAG collections were selected for the Centenary Exhibition of the Art Gallery of NSW in 1976.

These three black and white copies (below) were made at the QVMAG in 1985 from Nevin's original sepia prints, and placed online in the early 2000s. The original 1870s prints of these black and white copies were exhibited at the AGNSW in 1976 (listed on page 27 in the Exhibition Catalogue). The curator chose these three photographs possibly because the full frontal pose and the frank stare captured more of the prisoner's "personality" than the conventional pose where the sitter's sightlines were deflected either left or right, the pose typical of Nevin's commercial studio practice and evident in the more than 200 (two hundred) prisoner cdvs held in the Beattie collection at the QVMAG. Not that the frontal frontal pose was uncommon in Nevin's practice: these two cartes-visite of young women, for example, are equally compelling for their full frontal stare at the camera and photographer.






On left and verso below left: 
Plain oval mount, head and shoulders to below waist cdv: A teenage girl [unidentified] with ringlets, wearing a dark dress with wide stripes banded in white and white cuffs, holding a hand coloured posy of flowers tinted yellow. Her gaze is direct to camera. The verso of this cdv bears Nevin's most common commercial studio stamp "T. Nevin late A. Bock" etc and dates to ca. 1871-1874. Courtesy of © The Liam Peters Collection 2010. All rights reserved.

On right and verso below right: 
Head and shoulders cdv on plain oval mount : A young woman [unidentified] with a chin dimple, wearing an elaborately frilled bodice, brooch on a ribbon wound round her neck and chain to the waist, hair curled in layers across the top of head, her stare dramatic, solemn and strongly directed at the photographer/camera. Studio portrait by Thomas J. Nevin ca, 1870-1875. Verso with the handwritten inscription in Samuel Clifford's orthography: "Clifford & Nevin Hobart Town". The original was taken by Thomas Nevin before 1876, and reprinted by Samuel Clifford until 1878, per his advertisement in The Mercury, 17th January 1876:
Mr T. J. Nevin's friends may depend that I will endeavour to satisfy them with any prints they may require from his negatives.
S. CLIFFORD
Photos recto and verso copyright © KLW NFC Imprint 2014-2015
TMAG Ref: Q1984.294

In addition, the three prints of prisoners exhibited at the Centenary of the AGNSW in 1976 were possibly chosen because they had escaped the rebranding on the versos with the inscription "Taken at Port Arthur 1874" for Beattie's tourism trade of the 1900s and for the 1938 QVMAG exhibition which commemorated his death and bequest to the people of Launceston. A year after the 1976 AGNSW Centenary Exhibition, in 1977, many more of these "convict portraits" by T. J. Nevin from the Beattie collection were exhibited at the QVMAG, curated by John McPhee.

Prisoner William TURNER



Prisoner William TURNER
QVMAG Ref: QVM 1985: P: 90 or 1985_p_0090
Catalogue No. 116. William Turner, Transported Lord Goderich (Boy's ship), 18/11/1841.



Verso: Prisoner William TURNER
QVMAG Ref: QVM 1985: P: 90 or 1985_p_0090
Catalogue No. 116William Turner, Transported Lord Goderich (Boy's ship), (18/11/1841).
See more here of this collection held at the QVMAG
Read more about prisoner William Turner in this post here

Prisoner Nathan HUNT



Prisoner Nathan HUNT
QVMAG Ref: QVM 1985_p_0073
Catalogue No. 117. Nathan Hunt, Transported Elphinstone (Boys), 28.7.1842, Larceny 9-1-79



Verso: Prisoner Nathan HUNT
QVMAG Ref: QVM 1985_p_0073
Catalogue No. 117. Nathan Hunt, Transported Elphinstone (Boys), 28.7.1842, Larceny 9 -1-79
Read more about this prisoner Nathan Hunt here in this article.

Prisoner Thomas HARRISON



Prisoner Thomas Harrison
QVMAG:1985_P_0113
Catalogue No. 118. Thomas Harrison, Idle and disorderly. P.O. Sorell 3 months Jany 1875



Verso: Prisoner Thomas Harrison
QVMAG:1985_P_0113
Catalogue No. 118Thomas Harrison, Idle and disorderly. P.O. Sorell Jany 1875
Read more about prisoner Thomas Harrison here in this article

Collector and Trustee G. T. Stilwell



G.T. Stilwell (1931-2000)
Special Collections librarian and Allport Museum curator
State Library of Tasmania
Mercury photo 1990 (?)

The National Library of Australia's online catalogue notes for Daniel Thomas' AGNSW Centenary Exhibition Catalogue do not include the names of the individual artists whose works were shown in 1976. The State Library of Tasmania, however, lists T. J. Nevin's name along with other Tasmanian artists in their catalogue notes for the publication Australian art in the 1870s - available via  Linc. The State Library of Tasmania's online entry also mentions which items came from G. T. Stilwell's private collection, viz:
Title: Australian art in the 1870s : an exhibition to mark the centenary of the Art Gallery of New South Wales, Sydney / by Daniel Thomas.
Author/Creator: Thomas, Daniel, 1931- author.
Publication: Sydney : Trustees of the Art Gallery of New South Wales, [1976]
Physical description: 60 pages : illustrations ; 19 x 18cm.
Provenance: From the collection of Geoffrey Thomas Stilwell. Item IDs 146035183 & 146035233
Notes: "Art Gallery of New South Wales, Sydney: 25 June-2 August 1976; National Gallery of Victoria, Melbourne: 28 October-21 November 1976" --Title page.
Contains 12 illustrations out of the 143 listed in the exhibition catalogue.
Includes bibliography, index and short artist biographies.
Partial contents: Includes Tasmanian artists or works on Tasmania: Robert Beauchamp -- Robert Dowling -- J. Haughton Forrest -- Henry Grant Lloyd -- Louisa Meredith -- T. J. Nevin -- W. C. Piguenit -- John Skinner Prout -- James Scurry -- Eugen von Guérard -- Frederick Woodhouse.
ISBN: 0724010564 (paperback)
Subjects:
Art, Australian -- Exhibitions.
Art, Modern -- 18th century -- Exhibitions
Art, Modern -- 19th century -- Exhibitions.
Art, Australian -- 18th century -- Exhibitions
Art, Australian -- 19th century -- Exhibitions.
Artists -- Australia -- Exhibitions.
Artists -- Tasmania -- Exhibitions.
Tasmania -- Pictorial works.
Exhibition catalogs -- Tasmania.
Exhibition catalogs.
Other Authors/Creators: Stilwell, Geoffrey Thomas, 1931-2000, former owner.
Contains : Dowling, Robert Hawker, 1827-1886. Unequally yoked.
Contains : Piguenit, W. C. (William Charles), 1836-1914. Mount Wellington from New Town Bay.
National Gallery of Victoria.
Art Gallery of New South Wales.
Record ID: SD_ILS:1216315
 Researchers are indebted to the late G.T. Stilwell for his creation of the Stilwell Index during his service at the State Library of Tasmania. G.T. Stilwell also published a short biography of Thomas Nevin with J. S. Kerr outlining the Town Hall dismissal and the misattribution by Chris Long of Nevin's convict portraiture to A.H. Boyd in The Dictionary of Australian Artists: painters, sketchers, photographers and engravers to 1870, edited by Joan Kerr. (Melbourne: Oxford University Press 1992).



Photo copyright © KLW NFC 2010

Entry for Thomas J. Nevin, pp 568-9
The Dictionary of Australian artists : painters, sketchers, photographers and engravers to 1870, edited by Joan Kerr.
Publisher: Melbourne : Oxford University Press, 1992.
Description: xxii, 889 p. : ill., facsims., ports. ; 27 cm.

Joan Kerr and Geoffrey Stilwell's entry on page 568 of The Dictionary of Australian Artists: painters, sketchers, photographers and engravers to 1870 dismisses the claim made by Chris Long in the mid 1980s, published in 1995, that A.H. Boyd was the photographer of the cdvs known as the Port Arthur convict cartes, 1874, or that he was a photographer at all. They state:

Some of the seventy cartes-de-visite identification photographs of Port Arthur convicts taken in the 1870s (QVMAG) at about the time the settlement was closed (1876) have been attributed to Nevin because they carry his studio stamp. He possibly held the government contract for this sort of criminal recording work, although Long believes that he was merely a printer or copyist and suggests that the most probable photographer was the commandant A.H. Boyd. However, professional photographers were employed to take identification photographs in Australian prisons from the beginning of the 1870s (see Charles Nettleton) and while a collection of standard portrait photographs and hand-coloured cartes-de-visite undoubtedly by Nevin is in the Archives Office of Tasmania no photographs by Boyd are known.
Information: J.S. Kerr, G.T. Stilwell
Read more in these posts:

The G. T. Stilwell Private Collection Auction 2015
This oil on canvas of a native bird with mountain berries and native flora with  Mount Wellington in the background was painted by Florence Williams ca. 1873. It was estimated to sell for $6,000 - $10,000. The price realized, including buyer's premium, was $93,000.



Description: Florence Williams. (British / Australia 1833 – 1915)
A native bird with mountain berries and native flora, backed by Mount Wellington oil on canvas
Signed with initials FW
Original gilt frame, the image 59.8 x 45.2cm.
Florence Williams was born in the UK and exhibited at the Royal Academy. Williams moved to Australia in 1863 and lived in New Town, Tasmania from 1873 – 1875, during which this work would have been painted.
Provenance: W.N. Hurst Hobart,
The Sale of Michael Sharland. 1987. Michael Sharland (Tasmanian. 1899 – 1987) wrote as “Peregrine” for the Sydney Morning Herald and Hobart Mercury. Sharland was a passionate environmentalist for the built and natural environment, author and ornithologist. He was the author of nine volumes concerning Tasmanian bird and wildlife, as well as the definitive “A Guide to the Birds of Tasmania” and the architectural classic “Stones of a Century”. He was Superintendent of Scenic Reserves from 1947 and The Scenery Preservation Board (later formed as Parks and Wildlife Service).
Lot closed - Price Realized incl. BP:$93,000
ESTIMATE:  $6,000 - $10,000

Auction notes sources;
  • Moss Green Auctions:  http://www.mossgreen.com.au/m/lot-details/index/catalog/177/lot/74181/Florence-Williams-British-Australia-1833-ndash-1915
  • ABC News: http://www.abc.net.au/news/2015-11-13/tasmanian-art-curators-private-collection-open-for-viewing/6939272

RELATED POSTS main weblog

Captain Edward Goldsmith at Secheron Bay 1839

GEORGE FRANKLAND surveyor and cartographer
SECHERON estate and patent slip
CAPTAIN EDWARD GOLDSMITH master mariner

1825
Artist Joseph Lycett chose Mt Nelson near Hobart as the perspectival point of this aquatint he executed from Mulgrave Battery ca. 1825. The deep inlet just beyond the couple in the foreground is Secheron Bay, devoid as yet of foreshore activity or development.



National Library of Australia
Creator Lycett, Joseph, approximately 1775-1828
Title Mount Nelson, near Hobart Town from near Mulgrave Battery, Van Diemens Land [picture] / J. Lycett delt. et execut
Call Number PIC Volume 1103 #S446
Created/Published London (73 St. Paul's Church Yard) : Published by J. Souter, Feb.1, 1825
Extent1 print : aquatint, hand col. ; plate mark 23 x 33 cm.

1832
Surveyor-General, George Frankland acquired seven acres of land at Secheron Bay on the south side of Hobart's harbour from Robert Kermode in 1831, part of an original grant of 90 acres passed to Robert Kermode in 1824 from land held by Lieutenant-Governor Sorell. George Frankland built a large residence on the estate, Secheron House, which is still standing today, and offered parcels along his river frontage for sale to merchants and ship builders wanting direct access to private warehouses and wharves. He was accused of using the government resources of his office to personal advantage through these sorts of land deals (Colonial Times,  29 November 1836),



Detail of map (below) by George Frankland dated 9th July 1832, amended 12th July 1841, showing, from extreme left, his property of Secheron (in the present suburb of Battery Point), bordering a large strip of private land which in turn bordered on Crown Land where the Mulgrave Battery on the point and the Port Officer's house were located. The strip of private land was offered for sale in 1836 with allotments for warehouse, wharf and patent slip development.



Map of Hobart by Surveyor-General George Frankland dated 9th July 1832, amended 12th July 1841
Archives Office of Tasmania
Ref: AF394_1_112

1836
Despite the large number of ships docking at the port of Hobart Town, Van Diemen’s Land (Tasmania) from the beginning of the 1800s to the 1850s, whether bringing convicted criminals under sentence of transportation, or merchandise for the settler population, there was no patent slip at Hobart where ships via South America and South Africa could be repaired safely after voyages of four months or longer. George Frankland clearly opined that the river frontage directly beneath his estate would suit the purpose. He drew up a map of his estate and marked the spot where the proposed patent slip could be laid down. The site is at the end of what is now Finlay St. Battery Point, adjacent to the A. J. White Park.



Detail of Secheron, estate of the late George Frankland, Surveyor-General, showing the suggested site for a patent slip.



Map of Secheron, estate of the late George Frankland, Sureveyor-General, showing the site of a proposed patent slip at right, and inset of allotments for warehouse and wharf development.
Archives Office of Tasmania, Estate and Allotments Plans, 1846-1851 Ref: NS596_1

George Frankland advertised the Public Auction of the wharf allotments to take place opposite his residence at Secheron, stressing their "peculiar advantages" to private mercantile interests.



Colonial Times (Hobart, Tas. : 1828 - 1857) Tue 12 Jan 1836 Page 2 Advertising

TRANSCRIPT
IMPORTANT
Sale of very valuable Wharf Allotments
MR. W. T. MACMICHAEL
Has the pleasure to announce, that on Friday the 29th instant, he will offer for sale by Public Auction on the premises, opposite the residence of G. Frankland, Esq.
FOUR Allotments of Ground, fronting on the "Derwent", near Mulgrave Battery. These parcels of ground have been apportioned with a view to the construction of private Wharfs, and Warehouses on the edge of the water, and being the first allotments possessing such advantages that have ever been offered to the public, in any part of the Harbour, their value far exceeds that of any heretofore sold.
By the peculiar advantages of the situation, merchants building warehouses on this ground, will be enabled to lay vessels of large burthen alongside their Jetties to load and discharge, and will be secured from the great inconvenience and risk attendant on Public Wharfs.
Adjoining lot 1, of these allotments, is the only place in the Harbour calculated for laying down a Patent Slip.
TERMS. - A deposit of ten percent on the amount of the purchase money, to be paid at the time of Sale, and for the remainder a credit of ten years, bearing interest at ten percent, per annum, with the usual security on the property.
A ground plan of the lots, together with vertical sections of the soundings along the anchorage, may be seen at the Auctioneers.
N.B. - The title to the property is a grant from the Crown, free of Quit Rent.

1837
The allotments at Secheron Bay were advertised again, this time for lease, as suitable for patent slips, ship-building, and careening (tidal) wharfs. In this advertisement the importance of the warehouse, also on offer, was stressed as shelter for oil casks during the "hot season".



Source: The Hobart Town Courier (Tas. : 1827 - 1839) Fri 29 Sep 1837 Page 1 Classified Advertising

TRANSCRIPT
Valuable Wharf Allotments
Fronting on the Harbour
To be Let, for a term of years, several Wharf Allotments, in the Bay of Secheron, calculated either for ship-building, oil wharfs. warehouses, careening wharfs, or patent slips.
Also, -
A Warehouse, measuring 80 feet by 25, adapted for oil or other colonial produce.
The great loss annually sustained by the exposure of oil casks on the public wharfs, during the hot season, renders this opportunity of securing commodious shelter and safety for that valuable staple, peculiarly deserving of the attention of merchants engaged in the oil trade.
For the purposes of ship-building, these grounds present a combination of facilities not to be found in any other part of the Derwent, as they have the united advantages of deep water frontage. shelter, gradual slope of bank, and centrical situation. Apply at the Courier office.
Aug. 15.

1838
Surveyor-general George Frankland (1800-1838) wanted to leave the colony of Van Diemen's Land (Tasmania) by September 1838, feeling he had done his duty as map maker to settlers and administrators alike, somewhat tired of accusations that he was using the resources of his office for private gain. He advertised his house Secheron at Battery Point for sale in January 1838 but it did not sell, so in September he tendered it to the government for five years. He died within months, on 30 December 1838 from illness.
Frankland never seems to have thought of himself as a colonist, and soon after his appointment referred to it only as one 'likely to detain me many years in this Colony'. He took a maximum land grant, but at the end of 1835 sought two years leave to visit Europe. It was postponed until 1838, when he appeared intent on leaving for good: in January he was advertising for sale his beloved house, Secheron, designed by himself on Battery Point. It did not sell and in September he tendered it to the government for five years. Read more at ADB here...
By 1840, the point at Secheron was offered to the local government for a new battery (Colonial Times, 6 October 1840), and by July 1845, the whole seven acres of the property known as Secheron, including the house and Mulgrave Signal Station were for sale (Courier 30 July 1845).



Secheron House, Battery Point, Hobart 1920s
Photographer: Frank Heyward (1876-1942)
Early Tasmanian Architecture [album 1]
Source: Archives Office Tasmania

1839
Captain Edward Goldsmith arrived back at Gravesend, London in command of the barque Wave, 345 tons, on 12th February 1839, completing the round trip to and from Hobart, Van Diemen's Land (Tasmania) just in time to see his dying father, Richard Goldsmith snr, and sign the codicils to his father's last will and testament. Richard Goldsmith snr died on the 19th March 1839 and was buried in the graveyard of St Mary Rotherithe, known as the Mayflower Church. The following week, Captain Edward Goldsmith submitted a report to the Association for the Colonisation of the Falkland Islands which was formed by his friend Lt. Capt. Wm Langdon in VDL and others who were urging the British government to establish a naval base and penal colony on the islands. His letter confirming the views of Association was published in the Colonial Gazette of the 6th April, stating from his point of view the obvious need of a supply depot midway en route to the Australian colonies:
... I cannot imagine how our Government could, for so long a time, have overlooked so valuable and important a place not only as a naval depot, but as a Colony and resort for our numberless merchantmen requiring supplies in that quarter....
On 2nd June 1839, he sailed again from London for Van Diemen's Land in command of the Wave, arriving at Hobart on 25th September 1839 with ten passengers and a general cargo.



Port Officer's Log, the barque Wave,
Sailed on 2nd June 1839, Arrived at Hobart 25th September 1839, State of Health, Good, Master, Edward Goldsmith, Owners, Phillips & Co., Tons, 345, Guns, 2, Port of Registry, London, Build, British, Crew, 16, Cargo, General Pilot, Mr. Aldridge, Record Type: Arrivals, Record ID: NAME_INDEXES:433018, Resource MB2/39/1/4 P351, Archives Office Tasmania
Passengers:



TRANSCRIPT
SEPT. 26. - Arrived the barque Wave, 345 tons, Goldsmith, master, from London, with a general cargo. - Passengers, Messrs. Barnard, Roop, Herring, Walker, W. M. Cook, Davis, Bennett, Leftwick, Roworzing, and Mrs. Bennett
Source: Colonial Times (Hobart, Tas. : 1828 - 1857) Tue 1 Oct 1839 Page 4 Shipping Intelligence.

Within weeks of arriving at Hobart, Captain Goldsmith formed a ship building company with Messrs Bilton, Haig, Meaburn and Williamson and purchased the land on offer at Secheron Bay with intentions of constructing a patent slip. Messrs Bilton and Meaburn were shipping agents; Captain Haig had completed a warehouse on his river frontage in 1834, with plans for extension, and shipwright William Williamson had tendered for the construction of a dry dock. They purchased the private strip of land adjoining the stone wall boundary of the Secheron estate which included a house and premises, originally in the ownership of Henry W. Mortimer, butcher and gunsmith. William Williamson's tender was successful. He went ahead with the building of three wooden cargo schooners there between 1837-1839.



Source: Southern Australian (Adelaide, SA : 1838 - 1844) Wed 6 Nov 1839 Page 3 V. D. LAND EXTRACTS.

TRANSCRIPT
LAND.-The property of Mr H. W. Mortimer,sold on Wednesday last by Mr W.T. Macmichael, realized the following prices, viz.-an allotment fronting the Derwent, 115 feet,£5 5s per foot,£903 12s do do. 115 feet, £9 10s, £1092 10s; and the dwelling house and premises, £625.-Messrs Bilton & Meaburn, and Captain Goldsmith of the Wave were purchasers, and we have been informed it is their intention to lay down a patent slip, which Captain Goldsmith will bring with him next voyage.-
Source: Southern Australian (Adelaide, SA : 1838 - 1844) Wed 6 Nov 1839 Page 3 V. D. LAND EXTRACTS.



Source: Colonial Times, Tues 29 October 1839, page 7, Domestic Intelligence

TRANSCRIPT
SHIP BUILDING. - A Ship Building Company, composed of Messrs. Bilton, Goldsmith, Haig, Meaburn, and Williamson, are just about to commence, on the ground lately purchased from Mr. Mortimer, where an extensive and well sheltered building yard, and patent slip, are to be erected; an enterprise very much required, and deserving of encouragement. The parties are all gentlemen of practical knowledge, a qualification very much calculated to give general satisfaction, and to ensure success, for the attainment of which they have our best wishes.

The ship building company was disbanded in 1841, as the Courier reported in this notice:
NOTICE.- The Copartnership hitherto carried on by the undersigned, under the style or firm of "The Derwent Ship Building Company", has been dissolved as on this date.
George Bilton
  for John James Meaburn
Andrew Haig
E. Goldsmith
Wm. Williamson
Witness- Robert Pitcairn
Hobart Town, March 3. [1841]
Source: Classified Advertising. (1841, March 5). The Courier (Hobart, Tas. : 1840 - 1859), p. 3. Retrieved April 21, 2014, from https://nla.gov.au/nla.news-article2956876

1848
Ship-building on Battery Point's slipyards gained considerable momentum during the peak whaling years of the 1830s, Attention turned to producing larger vessels in the 1840s. Enthusiasm for the fine barque, the Rattler, a 552 tons A1 vessel which Captain Goldsmith first sailed to Hobart on its maiden voyage in 1846, was expressed in this report on the progress of local ship-builders using the colony's own timbers, notably the blue gum (eucalyptus globulus) and Huon Pine.



Source: Hobart Courier, 23 August 1848

TRANSCRIPT
ENCOURAGEMENT FOR COLONIAL SHIP-BUILDERS.
- The Harpley, built by Mr. Raven, in Launceston, has been classed by the surveyors for Lloyd's A1 for ten years, the same as the Rattler and Windermere, being one year longer than the Jane Frances, Aden and Colonist. This is a gratifying fact, and will offer increased inducement to ship-building in Van Diemen's Land. The surveyors at Lloyd's are good judges of the durability and qualities of the material used; the classification of the Harpley may therefore be regarded as incontestable evidence of the applicability of the timber of this colony to purposes of shipping.



Risby Bros. timber yard showing Secheron House in background late 1800s
Archives Office Tasmania



The barque Eucalyptus on slip ca, 1862 [unattributed]
Williamson's Dockyard with Secheron House in background
Ref: AUTAS001126070440w800
Archives Office Tasmania

1849 -1855
The construction of a dry dock at Secheron Bay by William Williamson proved inadequate to the repair needs of large vessels. Captain Edward Goldsmith used the patent slip at Sydney Cove NSW on return voyages from Hobart to London via Sydney for the repair of his ships during the 1840s. While on an extended stay with the Parrock Hall from London to Sydney in November 1844, departing January 1845, he drew up a proposal for a new patent slip at Hobart to be presented to the colony’s governor Sir William Denison who reviewed it in 1849, and suggested it would best be situated on the other side of the harbour (Sullivan Cove), at the Old Wharf behind the Commissariat Stores, the site now part of the Tasmanian Museum and Art Gallery Historic Precinct. However, by 1851, with difficulties associated with modifications to the Old Wharf, the patent slip was relocated to the Queen’s Domain, on the foreshore of the Royal Botanical Gardens.

Captain Goldsmith arrived at Hobart with the patent slip on board the Rattler in December 1851, and issued a notice to contractors to tender for its construction.
The New Patent Slip has been brought out by Captain Goldsmith of the Rattler. It is capable of heaving a steamer of 1000 tons burthen, or vessel of 800 tons. Hobart Town Courier
Source; Sydney Morning Herald 13 December 1849
PATENT SLIP
NOTICE TO CONTRACTORS
Tenders will be received at the counting house of the undersigned, until 12 o’clock on Friday, 1st August, for the works necessary in laying down a Patent Slip in the Government Domain.
Plans, specifications, and all necessary particulars, may be learnt on application to
EDWARD GOLDSMITH
Davey-street, July 4, 1851
Source: Colonial Times 29 July 1851

However, construction of the patent slip at the Queen's Domain did not proceed as planned. Sir William Denison, the Colony’s governor in 1849 was most enthusiastic about Captain Goldsmith’s plans for a patent slip, but the government’s refusal to recompense him fully for expenses in building the twin steamer the Kangaroo in 1854, had already led to major disappointment. The final insult came with the government not meeting their own terms of agreement in promising assistance to build the patent slip. Sir John Franklin’s nephew, William Porden Kay, was the Director of Public Works in 1855 when he wrote the Report on Captain Goldsmith’s Patent Slip. The Report covers the years 1849 to 1855 (read the full transcript here) from the first date of Captain Goldsmith’s proposal of a patent slip, to Captain Goldsmith’s receipt of timber in November 1854 on condition work started on the slip within six months. The report details the frustrations, delays, obstacles, objections and unreasonable conditions placed on Captain Goldsmith prior to his sale of his interest and lease to the McGregor brothers. Personal tragedy also beset him: his eldest son Richard Sydney Goldsmith, a clerk at the Union Bank, died of fever in August 1854, Hobart, aged 24 yrs. By November 1855, Captain and Mrs Elizabeth Goldsmith, and their only surviving son Edward Goldsmith jnr were preparing to depart permanently from Tasmania. They had auctioned the contents of their house at 19 Davey St. in mid 1855, and advertised the stock of Goldsmith's yard on the Government Domain for sale. They sailed from Tasmania as passengers on board the Indian Queen in February 1856:
TO SHIPBUILDERS, CONTRACTORS, AND OTHERS
Unreserved Clearing Sale of the well selected and thoroughly seasoned Gum, Planking, Knees, Treenails, English Pine Spars, Yards, Cut Deals, Huon Pine in Logs; also Pitch, New Ten-ton Launch, Punts, &c, &c,, at the Yard of Captain Goldsmith, Government Domain.
Source: Hobart Courier, 12th November 1855.

The original slipyard site on the Domain on the foreshore of the Royal Botanical Gardens commenced by Captain Edward Goldsmith in 1851 is still in operation, now owned by TasPorts.





The Domain slipyard and slip Hobart Tasmania 2014
Photos © KLW NFC 2014

The Secheron Bay Site Today



Detail: map of Hobart by R. Jarman - Battery Point ca. 1858:
Top circle = Goldsmith's patent slip and Williamson's Dry Dock on the river frontage at Secheron Bay.
Lower circle= where Ross relocated the patent slip at the end of Sloane St. in 1866.
At peak capacity, the technologically-advanced, steam-powered winch of the Ross Patent Slip had the power to manage vessels of up to 1,250 tonnes deadweight. But few ships of that size were built here - most of the slip's work was in maintenance and repair, hauling the vessels from the water in a cloud of hissing steam and billowing smoke.Ross's Patent Slip operated here from 1866 before being dismantled in 1903. Later slipways and shipyards took over the lower part of the site and are still working today.
For an overview of the function, history and preservation of the slip yards, see this Report on Battery Point Slipyards Conservation Plan 2008.

The proposed site for the patent slip in 1836, suggested by George Frankland and purchased by Captain Goldsmith and partners (see Google map below marked with a red cross), is now an empty space on the riverfront at the end of Finlay Street, Battery Point. After William Williamson sold the slip to John Ross in 1866, it was relocated to a site known as the Ross Patent Slip, now an empty stone shell located at the end of Sloane Street, Battery Point. The large cost of relocation caused foreclosure on Ross' loan in 1870, and John Lucas was next to acquire the site until its eventual sale to the Marine Board in the early 1900s. Today, the remnant of the Ross slipyard is visible from the foreshore below Sloane St. Battery Point, the last address of master mariner Captain James Day, who died there in 1882, and who must have spent many hours at the Domain and Secheron Bay slips first established by his brother-in-law, Captain Edward Goldsmith, uncle of Thomas Nevin's wife, Elizabeth Rachel Day.



A brick shell: site of the slip below Sloane St. Battery Point, Hobart Tasmania
Photo © KLW NFC 2014



The site of the original proposed slip and shipbuilding yard at Secheron Bay in 1839, situated at the end of Finlay Street, Battery Point  - marked X with a red cross.
Google maps 2016.

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