Fourth son George Ernest Nevin (1880-1957)

CHILDREN born to Thomas and Elizabeth NEVIN 1872-1888
GEORGE Ernest NEVIN (1880-1957)
PROPERTY 23-29 NEWDEGATE St. North Hobart, Tasmania



Above: George Nevin, extreme right, ca 1890
Copyright © KLW NFC Imprint Private Collection 2009 ARR.

Elizabeth Rachel Nevin nee Day (1847-1914) and professional photographer Thomas James Nevin (1842-1923) had seven children, six surviving to adulthood. Their first child and daughter Mary Florence Elizabeth (May) Nevin was born at her father's photographic studio, The City Photograhic Establishment, 140 Elizabeth St. Hobart, in 1872. Their second child and first son, his father's namesake Thomas James (Sonny) Nevin was also born at the photographic studio, 140 Elizabeth St Hobart in 1874. Their third child and second son Sydney John Nevin was born at the Hobart Town Hall in October 1876 where they resided during Nevin's appointment as Office and Hall keeper to the Hobart City Council, but died a few months later in January 1877. Their fourth child and third son William John Nevin was also born at the Hobart Town Hall in March 1878; he died in a vehicle accident in 1927. Fifth child and fourth son George Ernest Nevin was the third child born at the Hobart Town Hall, in 1880. Their sixth child and second daughter daughter Mary Ann (Minnie) Nevin was born at her grandfather John Nevin's house, Kangaroo Valley, New Town in 1884, and their seventh child, fifth son and youngest, Albert Edward Nevin, was born at the family residence and business, 236 Elizabeth St. Hobart in 1888.

The names by which they were commonly known are indicated in heavy type.

1. Mary Florence Elizabeth (May) Nevin (1872-1955)
2. Thomas James (Sonny) Nevin (1874-1948) m. Gertrude Tennyson Bates (1883-1958)
3. Sydney John Nevin (1876-1877)
4. William John Nevin (1878-1927)
5. George Ernest Nevin (1880-1957)
6. Mary Ann (Minnie) Nevin (1884-1974) m. James Henry Alfred Drew (1878-1963)
7. Albert Edward Nevin (1888-1955) m. Emily Maud Davis (1891-1971)

Thomas Nevin signed the birth registration of his fourth son George Ernest Nevin with his occupation as Town Hall Keeper and address as Town Hall:





Nevin, George
Record Type:Births
Gender: Male
Father: Nevin, Thomas
Mother: Day, Elizabeth Rachael
Date of birth: 02 Apr 1880
Registered: Hobart
Registration year: 1880
Record ID: NAME_INDEXES:1095155
Archives Office of Tasmania

From the Drew Album
Fifth child and fourth son George Ernest Nevin (2 April 1880-30 July 1957) was the third child born to Elizabeth Rachel and Thomas James Nevin snr during their residency at the Hobart Town Hall. This childhood photograph (below) was taken at his father's studio at New Town (Hobart) ca, 1885. It was reproduced as a black and white copy from the original held in the family album of his younger sister Minnie Drew nee Nevin who died in 1974. The album was donated from her estate to the Archives Office of Tasmania by V. Hooper of the funeral directors firm Hooper & Burgess, on the 30th August 1974.

For this sitting, George was photographed wearing a soft silk jacket buttoned to the neck over a white shirt with frilled collar and cuffs, a short kilt, white bloomers and socks with black buttoned shoes decorated with a rosette. His hair was cut short, and he was seated side saddle on a wooden horse, his stare quite intense as he watched and listened to directions from the photographer, who was in all probability his father.



George Ernest Nevin, aged 5 yrs, ca. 1885
Photographed by his father Thomas Nevin, New Town studio (Tas)
Black and white copy deposited TAHO 30/8/1974
Ref: NS434/1/245 Tasmanian Archives Collection
Photo copyright © KLW NFC Imprint Private Collection 2012

George Nevin's scrapbook
Thanks to George's prescience in keeping photographs taken by his father of the previous generation, images have survived in a scrapbook as reproductions of the 1870s originals of his grandparents, parents, uncles, and their friends, but they are in poor condition. He cut and pasted the original photographs to the ledger's pages, adding captions, some so fragile they appear to have been reprinted on thin paper.

The scrapbook itself, now in the possession of the family of the late Denis Shelverton whose direct lineage was great grandson of Thomas and Elizabeth Nevin, grandson of their youngest daughter Minnie Drew nee Nevin, and son of Minnie's daughter Jean Shelverton nee Drew and husband Arthur Shelverton. The scrapbook was originally a ledger book used by George Nevin at the Henry Jones IXL fruit export factory in the 1920s. George also collected and pasted photographs of in-laws, and pink pages from the Trotting Globe detailing the racing results of his younger brother Albert Nevin with pacers on the Tasmanian race tracks.

This "collage" is one of George's scrapbook items. Beneath the photograph of his mother Elizabeth Rachel Nevin he has written the word "MAR" and beneath the full length portrait of his father Thomas J. Nevin is written the word "PAR", a phonetic reflection of an Irish brogue which might have characterised his Irish-born grandfather John Nevin's speech. Centre is a cut-out of one half of a stereograph showing the path leading to the (Lady) Franklin Museum, Ancanthe, Kangaroo Valley, Hobart where the Nevin family settled in the 1850s. Although in poor condition, these images are valuable for researchers as well as family members



Scrapbook collage by George Nevin of his father's photographs ca, 1872-1878
Left and right: portraits of George's parents Elizabeth "MAR" and Thomas "PAR".
Centre is a cut-out of one half of a stereograph showing the path leading to the (Lady) Franklin Museum, Ancanthe, Kangaroo Valley, Hobart where the family settled in the 1850s.
Copyright © Family of the late Denis Shelverton Private Collection & KLW NFC Imprint 2006-2009 ARR.

Rabbiteering
George Nevin worked on whaling ships, in factories, and shared a carrier business with his older brothers William and Thomas "Sonny" Nevin. One source of income during the depression times of the 1890s was rabbit shooting. The photograph below of a group of rabbiteers with hunting dogs, a bounty of rabbits, and draught horse and cart, shows George in his early twenties on viewer's extreme right, with a small dog, taken in the Tasmanian countryside near a church or community hall. His father Thomas might have been the photographer, since it was taken by someone with photographic equipment travelling with them.



Above: George Nevin, extreme right, ca 1890
Below: the photograph in its original tattered cardboard frame.
The verso is signed "George Nevn" [sic].
Copyright © KLW NFC Imprint Private Collection 2009 ARR.




Verso of photograph of rabbit hunters, George Nevin on extreme right
Inscription is "George Nevn" [sic].
Copyright © KLW NFC Imprint Private Collection 2009 ARR.

Young Edwardian Gentleman
Though manual labour and gardening appeared to be his main source of income, George Nevin liked to dress as a young Edwardian man about town on special occasions. He swapped his dirty work clothes for these two full-length studio portraits taken in his best suit ca. 1901-10. The first, the earlier photograph, might have been taken on his 21st birthday. He posed with right arm resting on the family's wicker whatnot, his left arm bent, hand positioned with two fingers on his hip, and gaze directed fully at the photographer, possibly his father Thomas J. Nevin. The wicker whatnot which was still used as a pot plant stand in the home of Thomas and Elizabeth Nevin's youngest son Albert in the 1950s, appears in several family photographs taken in this era. Thomas Nevin was still taking family photographs up to his death in 1923.



Above: George Ernest Nevin ca. 1901 in best suit
Full length portrait with wicker whatnot
Family photograph taken at home by his father Thomas Nevin snr
Copyright © KLW NFC Imprint Private Collection 2020 ARR.



Above: George Ernest Nevin ca. 1910 in best suit and fob chain
Full length portrait, right arm resting on internal stone staircase plinth
Copyright © KLW NFC Imprint Private Collection 2020 ARR.


The Vegetable Gardens
In later years, between the 1920s and the 1950s, when four of Thomas and Elizabeth Nevin's adult children lived at the property 23-29 Newdegate St. North Hobart, George maintained vegetable gardens between the stables. He also maintained acreage at Penna near Richmond, Tasmania where he grew that delicious Tasmanian variety called "New Potatoes".



George Nevin's New Potatoes, the address "63 Newdegate" might be a typo, i.e. 23 Newdegate
The Mercury 10 December 1940

The black and white photograph (below) was taken at 23 Newdegate Street with Jack Davis, on left, pointing at George, ca. 1938. Jack Davis (John William Davis) and Frances Florence Davis nee Stewart, were parents of Emily Maud Davis who married George's younger brother Albert Nevin in 1917 at Launceston. Emily and Albert Nevin lived in the small house on the Newdegate St. property. Albert kept his work horses and pacers in the stables there, George grew vegetables there, and May earned income from dress-making as a business from the big house.

Jack Davis George Nevin 1938

Jack (John William) Davis, father-in-law of George Nevin's brother Albert (father of Emily Maud Nevin nee Davis), pointing at George Nevin on viewer's right. Taken in front of the latticed verandah at the back of the big house at Newdegate St. ca. 1935. George is holding glasses in left hand. The tattered and dirty clothes of these men were probably donned for working in the stables and vegetable garden on the property at 23-29 Elizabeth St. North Hobart.
Copyright © KLW NFC Imprint Private Collection 2005 ARR.

Jack Davis George Nevin verso 1938

Verso of  George Ernest Nevin (1880-1957), pictured right, with Jack Davis, father-in-law of Albert, George's younger brother. Inscribed by his niece Eva Morris nee Nevin: "Grandfather & Uncle George in Newdegate St."
Kodak print(verso). Taken by a family member ca 1938, 23 Newdegate St North Hobart.
Copyright © KLW NFC 2009. ARR.


Soon after Thomas J. Nevin's death in 1923, four of his six adult children - May, George, William, and Albert - were resident at the property, 23-29 Newdegate St. North Hobart. The eldest, Tom Nevin, known as Sonny, had married in 1907 and was living in California by 1920. The youngest daughter Minnie was also married in 1907 to van proprietor James Drew and was living in Cedric Street (later renamed Wignall St.) William's furniture carrier business was advertised on a sign at the front gate, visible on left in this photograph.



The property at 23-29 Newdegate St , North Hobart, ca. 1930 with three of Thomas and Elizabeth Nevin's grandchildren
William Nevin's carrier business advertised on board attached to front fence.
Copyright © KLW NFC 2006-2009 Private Collection ARR.



Metropolitan Drainage Board Map. No. 58 ca. 1908
The property 23-29 Newdegate St. formerly Queen St. where Thomas and Elizabeth Nevin's adult children settled from 1923 to the late 1950s.
Queen St. North Hobart was renamed Newdegate St. after Governor of Tasmania Francis Newegate (1917-1920).
Source: Archives Office of Tasmania Ref: 628270

The 1950s
George Ernest Nevin lived with his eldest sister May Nevin in the big house at 23 Newdegate St. North Hobart until her death in 1955. Neither May nor George appear to have married.



George Nevin on right, with brother-in-law Bert Morris, husband of Eva Morris nee Nevin, daughter of George's brother Albert Edward and Emily Maud Nevin. Taken ca 1953. Copyright © KLW NFC 2009. ARR.



On left, George Nevin ca. 1953, in his early 70s, with unknown friend in light suit, taken at a sporting event.
Copyright © KLW NFC Imprint Private Collection 2020



George Ernest Nevin's cemetery record and obituary, the Mercury July 27, 1957.
Millingtons Southern Cemeteries, Cornelian Bay, Hobart Tasmania

RELATED POSTS main weblog

Photographer Thomas J. Nevin "self -portraits" 1860s-1870s

The "selfie" of the 1860s-1870s
Photographer Thomas J. Nevin's facial hair fashions

There are not many extant "self portraits" of Tasmanian colonial photographers of the 1850s-1880. The watercolour attributed to Alfred Bock of a young gentleman is held at the State Library of Tasmania; the stereograph of a supine Thomas J. Nevin and friend is held at the Tasmanian Museum and Art Gallery; and the rest are held in descendants' private collections. These portraits all exhibit interesting variations in male facial hair fashions.

1850s:
Watercolour of Thomas J. Nevin as a fresh-faced teenager:

Watercolour attributed to Alfred Bock

[Portrait of a young gentleman]
Attributed to Alfred Bock.
Unsigned and undated.
1 drawing : pencil, pastel & watercolour on paper ; 25 x 19 cm within matt.
Source: https://stors.tas.gov.au/AUTAS001127111433w800
Allport Library and Museum of Fine Arts

This watercolour, unsigned though attributed to Alfred Bock, is included in the selection because it may well represent the young Thomas J. Nevin while apprenticed to Alfred Bock in the early 1860s. If dated to ca. 1859, it shows a 17 year- old youth's wispy set of mutton chops, a clean shaven chin, no moustache, and wavy hair parted slightly off-centre. These are the same facial fashions which characterised Thomas J. Nevin's style in his wedding photograph, aged 28 yrs, in 1871.

The violet bowtie with white spots in this painted portrait, which is expertly executed, is similar to the hand-tinting of neck wear in several photographic portraits of private clients and prisoners by taken by Thomas Nevin in the 1870s. See also this entry on the red and violet in Brewster's stereoscopy.

1860s:
This photographic portrait of Thomas J. Nevin, 23 years old, taken at an early stage of his career as a young stereographer, is pictured here wearing white gloves and holding a small stereoscopic viewer. The studio decor suggests it was taken in Alfred Bock's studio ca. 1865-8.



Thomas J. Nevin, seated, facing camera, holding a stereoscopic viewer in white gloves
Carte-de-visite on buff mount. Verso is blank.
Copyright © KLW NFC Imprint 2009 Private Collection

The studio decor differs in every respect from Thomas Nevin's portraits of his parents and private clientele taken at his studio, formerly Alfred Bock's,  the City Photographic Establishment in the 1870s. The drape is intensely floral with large motifs; the table has a single support and a beaded bevelled edge (it's not his table with the griffin-shaped legs); the carpet features a plain diamond pattern; his upright chair is from a dining set and behind his chair is a three-footed (head)-stand; and the painted backdrop is awash with a flowering bush and sketchy version of a balustrade. It is not the Italianate balcony with disappearing river vista of his later commercial portraits of private clientele. This suggests it was taken at Alfred Bock's studio ca. 1867 before Bock's departure to Victoria. By 1864, and prior to Bock's departure, Thomas Nevin had established a studio at New Town near his parents' family farm at Kangaroo Valley and advertised his stereographs for sale at the nearby New Town Post Office. He maintained the New Town studio concurrently until 1888.

Thomas J. Nevin's facial features are very clear. The mutton chops have thickened, he's grown a moustache and a beard possibly because this capture was taken during winter. He appears to be wearing a double layer of clothing underneath the belted waistcoat. At this close range, another facial feature becomes evident. His eyes do not align. One is turned, or one is not. He may have been in an accident, perhaps involving photochemicals, or developed a problem from excessive viewing of stereographs (which required crossing the eyes). Or it may be an effect from pinpricking of the eyes after printing, a common technique in early portraiture for light, or simply an effect of refraction from the camera lens as it caught his pose.

This stereograph (below) of a supine Thomas Nevin and friend on the Queen's Domain, Hobart was probably taken ca. 1868. By 1870, Thomas Nevin was producing commercial stereographs in large numbers, often travelling in the company of colleague and prolific stereographer Samuel Clifford.



The small bowler hat and patterned waistcoat are unmistakeable, so is the beard. Is this a supine "selfie" or was Thomas J. Nevin and his friend photographed with his own camera at the Queen's Domain (Hobart) by his brother Jack Nevin?





Stereograph by Thomas J. Nevin, ca. 1868-70
Self portrait (in hat) and male friend reclining on the Queen's Domain, Government House in distance.
Verso blank, inscription "Domain Hobart per G. T. Stilwell, Librarian, SLT."
Photos recto and verso copyright © KLW NFC Imprint 2014-2015
Taken at the Tasmanian Museum and Art Gallery, 10 November 2014
TMAG Ref: Q16826.3



Full-length standing portrait of Thomas J. Nevin with hat and table-top box stereoscopic viewer
Copyright © KLW NFC Imprint & Shelverton family private collection 2007 -2009 ARR

Thomas J. Nevin's impressive equipment is on show here. This full-length portrait was taken in his studio at the City Photographic Establishment, 140 Elizabeth St. Hobart Town, probably by his younger brother Jack (John) Nevin. Visible in this portrait is the familiar table with the griffin-shaped legs. On the table is a large box stereoscopic viewer with the stereograph holder open.

The variations of facial hair continue, this time Thomas has grown a denser set of mutton chops, shaved off the beard and kept the moustache. By 1868 he was contracted to the Lands and Survey Dept. His contractual agreement, which lasted 14 years, continued with the Office of Inspector of Police within the Municipal Police Office at the Hobart Town Hall when he was appointed Hall and Office keeper in 1876. This image was scanned from a copy pasted into his son George Nevin's scrapbook. .

"Self-portrait" shutters were not introduced until the early 1900s so this photograph, or indeed many taken in the 1860s-70s, cannot strictly be termed a "selfie". The supine pose in these outdoor photographs of the period, of men in particular, was due partly to the size, the focal length, width and aperture of stereo lens types available and partly because a standing rather than reclining figure in the foreground deflects the eye from a distant focal point, which in this example (above) of a supine Nevin was one carrying a salient message about Empire and Colonial stability, the new Government House (completed 1857). The invisible photographer was present in at least five extant photographs of Thomas J. Nevin in various poses and formats, held in family collections, and there may be several more in public collections waiting to be identified, such as this one first viewed at the Tasmanian Museum and Art Gallery, November 2014.

1871:
The full-length portrait of Thomas James Nevin with Elizabeth Rachel Day taken on July 12, 1871, has survived doodling and photochemical damage in descendants' collections. Now a married man and professional photographer, he managed two studios, one near the Nevin family farm at Kangaroo Valley, New Town, and one in the city at 140 Elizabeth St., Hobart:

Thomas and Elizabeth Nevin 1871

Thomas Nevin and Elizabeth Rachel Day, July 12, 1871.
Wedding photograph, full-length carte-de-visite. Verso is blank.
Copyright © KLW NFC 2005-2009 ARR.

Thomas James Nevin married Elizabeth Rachel Day on July 12, 1871, at the Wesleyan Chapel, Kangaroo Valley, Hobart Tasmania, in his finest suit and top hat. This photograph shows his mutton chops are wispy again, suggesting he periodically shaved them off. He has kept the moustache, but reverted to the clean-shaven chin, and brushed the wavy hair straight back. The couple was photographed in his studio, The City Photographic Establishment, 140 Elizabeth Street, Hobart Town, possibly by his younger brother Jack Nevin (1852-1891). The verso is blank.



Thomas Nevin wedding group portrait 1871
Unmounted paper print
Copyright © KLW NFC Imprint Private Collection 2009

A clean-shaven chin, mutton chops and moustache were favoured by all the adults males in this group portrait of Elizabeth Rachel Day and Thomas J. Nevin, also taken at their wedding in 1871. The clean-shaven young man at extreme right, was Jack Nevin (by 1875, known as Constable John Nevin), Thomas' younger, barely 19 yrs old. This unmounted print was for private family viewing, and has survived, albeit badly damaged, in descendants' collections.

1873-1876:
This formal portrait printed in an oval buff mount was Thomas J. Nevin's business card. Now a young father and government contractor, this cdv accompanied his renewal of government contracts, and commercial circulars advertising his services and prices to private clients and patrons.



Photographer T. J. Nevin ca. 1873
Self-portrait in oval buff mount
Copyright © KLW NFC Imprint Private Collection 2005

This self-portrait of Thomas J. Nevin was printed and mounted as a standard commercial carte-de-visite. The same format was used by professional photographers commissioned to work for police and prisons in Victoria, South Australia and NSW from the late 1860s (eg. Frazer Crawford and Charles Nettleton). Thomas Nevin used the same oval mount format from 1872 to the 1880s for printing the final identification photos of Tasmanian prisoners to be pasted to the prisoner's record or rap sheet, a format which persisted into the 1890s at the Hobart Mayor's Court and Municipal Police Office when the prisoner was photographed on arraignment and discharge. Thomas J. Nevin was the government contractor for this work from 1872 at the Port Arthur prison, Tasman Peninsula and Hobart Gaol, Campbell Street, Hobart. His other contractual work with the Lands and Survey Department and the Hobart City Council was photographing damage from floods, mining operations, HCC personnel, and the Royal Mail coach operated by Samuel Page whose service included the carriage of prisoners into custody at the Hobart Gaol.

This portrait of Thomas J. Nevin was lightly tinted with rose on the cheeks. The mutton chops are gone, and the beard (which was red) is longer. The off-centre part and wavy hair recall the style of the early watercolour image ca 1859.

T Nevin late A Bock stamp

The verso carries the "T. Nevin late A. Bock" stamp with kangaroo design.


RELATED POSTS main weblog

Carte de visite of Thomas Nevin mid 1860s

Thomas J. Nevin, seated, facing camera, holding a stereoscopic viewer in white gloves
Carte-de-visite on buff mount. Verso is blank.
Copyright © KLW NFC Imprint 2009 Private Collection