Thomas Nevin and H.H. Baily at the Regatta 1872

The photograph below was taken by H. H. Baily on Regatta Day, Hobart, Tasmania, and advertised on 2 February 1872 in the local press. The Mercury published a notice informing the public of its availability, describing the scene in great detail.

Baily, Regatta Day, February 1872.

Photo by H. H. Baily, Regatta Day 1872.
State Library of Tasmania
Ref: AUTAS001126252188 (n.a. online)

Praise in the Press, 2nd February 1872
The Hobart Mercury informed readers that Henry Hall Baily had forwarded a copy of this photograph to the newspaper offices in the first of two notices. The second notice informed readers that Thomas J. Nevin's photographs taken of an organised tour called "The Colonists' Trip" down the Derwent were also available, and were "very well taken."

Baily and Nevin, Regatta Day 2 Feb 1872

H.H. Baily and Thomas Nevin at the Regatta, Mercury 2 February 1872

TRANSCRIPT
PHOTO OF THE CHAMPION GIG RACE.- Mr H. H. Baily, photographer, has succeeded in obtaining an admirable picture of the start for the Champion Gig Race, of which he has forwarded us a copy. In the background are the hills beyond the Derwent. On the bosom of the river lies Clio, with every rope and her innumerable flags clearly brought out. Beside Her Majesty's ship is the Government schooner Harriet, between which and the shore are the competing gigs, with their crews well brought out. The other various craft cruising about have been well caught, and prominent by the cattle jetty is the Monarch, every inch of which is crowded with the figures on those aboard. The picture will make an acceptable souvenir of the Regatta. Why has not a photograph of the Domain, with its thousands of spectators, taken from on board some of the steamers when stationary?

THE TRIP DOWN THE RIVER.- A photograph of the "Colonists' Trip" has been very well taken by Mr. Nevin, which will be of special interest to those who took part, and will probably like to secure this remembrance of so memorable event.



Thomas Nevin's advertisement, Mercury, 2 February 1872

TRANSCRIPT
VISITORS’ PHOTOGRAPHS
MR. THOMAS NEVIN
140, ELIZABETH-STREET,
HAS NOW ON HAND GROUPS
OF THE
COLONISTS’ TRIP
TO ADVENTURE BAY.
Feb. 2nd, 1872.
Several of these group photographs taken by Thomas J. Nevin of the "Colonists' Trip" are held at the Tasmanian Museum and Art Gallery. Others printed in various formats of the same VIP group on the trip are held in a private collection, for example:



Stereograph of the VIPS by Nevin on board the City of Hobart 31st January 1872
Stereograph with T. Nevin Photo blindstamp impress recto on right hand side
Verso with T. J. Nevin's government contractor's stamp with Royal Arms insignia.
Tasmanian Museum and Art Gallery Collection Ref: Q1994.56.2



From an album compiled by the families of John Woodcock Graves jnr and R. Byron Miller
Private Collection © KLW NFC Imprint 2015
Photo by T. J. Nevin of VIP group, Adventure Bay, part of the "Colonists' Trip" series
Verso inscriptions include these identifiable figures at the "Picnic":
Father = John Woodcock Graves jnr,
Sir John O'Shanassy = former Premier of Victoria,
Self = Jean Porthouse Graves, daughter of John W. Graves,
L. Boyes = Lukin Boyes (?), son of G.T. W. Boyes

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John Nevin: "My Cottage in the Wilderness" 1868

JOHN NEVIN (1808-1887) laments
TASMANIAN POETRY 1860s-1880s
KANGAROO VALLEY 1868

The poem "My Cottage in the Wilderness" by John Nevin snr, 1868, father of photographer Thomas J. Nevin, viewed here for the first time in four generations by a great great grand daughter, is held at the State Library of NSW, in the David Scott Mitchell Collection.

Poem by John Nevin 1868 My Cottage in the Wilderness

"My Cottage in the Wilderness" poem by John Nevin, 1868.
Mitchell Library NSW
Photo copyright © KLW NFC Imprint 2009




"T.J. Nevin Photo" inscribed on verso. Exhibited at Wellington Park 1868.
From © KLW NFC & The Liam Peters Collection 2010.

Thomas J. Nevin, John Nevin's eldest son, took this photograph of the "cottage" that John Nevin had built at Kangaroo Valley by 1854 when John Nevin was registered as an elector in the district.  The gardens stretched down to the Franklin Museum, with views to the north-east across the River Derwent. The photograph of the house was exhibited at the Wellington Park Exhibition, Hobart, in July 1868 to accompany his father's poem.

By any measure, "My Cottage in the Wilderness" is an accomplished poem. John Nevin utilised the form of the trochaic octameter which would have been known to him from poems such as Edgar Allen Poe's The Raven (American, 1845). But there is no Gothic despair in Nevin's poem: he has escaped the political deceptions of the British Isles. His poem celebrates peace, solitude, contentment with his life's choices, delight in his garden, the security of his wife and children, and the fruits of his industry. He also gives biographical details hitherto not suspected: he says he left Tasmania, which would have been in the first years after his arrival in 1852, to seek his fortune in the Californian gold mines. The life there was not for him: "the rover" returned to "Tasman's sea girt Isle", to his children (Thomas, Jack, Mary Anne and Rebecca) and a "partner" (Mary Ann nee Dickson) who "reclaims" him. His return must have been ca. 1856, when his children were still "youngsters".

"My Cottage in the Wilderness" is written in seven stanzas.
Each stanza is an octet with eight lines.
Each line is an octameter, that is, there are eight syllables to each line, with every second syllable unstressed, i.e. a trochee in which the first syllable is stressed, the second unstressed etc.
In each stanza, the eight lines rhyme as follows: first with third, second with fourth, fifth with seventh, sixth with the last line: ABABCDCD.
The last word of each stanza reprises the theme of the title and key word "wilderness".

TRANSCRIPT

My Cottage in the Wilderness

Tir'd at last of Ocean dangers
I've sought and found a lone retreat,
Oft in youth deceiv'd by strangers
My home is now where friends may meet.
In a Vale by woods surrounded,
Romantic scenes I must confess, -
A rural building I have founded,
My cottage in the wilderness.

From the top of yonder mountain
Murmuring comes a rivulet,
Clear as Eden's sparkling fountain,
With crystal waves cheer beget.
How fair to view the wattle blossom,
When spring the glade does sweetly dress;
Once no doubt the wild Oppossum
Stray'd fearless through this wilderness,

Lands by labor long neglected
Too soon become a waste again,
But industry well directed
Reclaims at length the sterile plain.
Toils have not been unavailing,
My efforts crown'd with great success,
Defend'd by a row of pailing
My cottage in the wilderness.

In early life I sought for treasure
In the Californian Mines;
Tempted oft to ease and pleasure,
And the treacherous gamblers wines;
There no lov'd one strove to cheer me,
No smiling prattlers to caress,
Or friendly hand when sick, was near me,
No cottage in the wilderness.

Now those freaks of youth are over,
Return'd to Tasman's sea girt Isle,
A partner now reclaims the rover,
And youngsters cluster round the while,
In solitude and peace we slumber,
Far from the City's wild excess,
No faithless friend home shall cumber,
My cottage in the wilderness.

We can view the Derwent flowing
List to its noiseless current by,
Or at times the fleet skiff rowing
Beyond my cottage windows high;
Flowers bloom around my dwelling,
And creeping vines its wall shall dress,
Secure when tempests round are swelling
My cottage in the wilderness.

No more t'face dark Ocean's billow,
At set of sun, I'll seek repose,
Yet not on a strangers' pillow,
My eyes in gentle sleep shall close.
Here all my days, I'll spend in quiet,
While Providence my home shall bless,
Far from tumult noise and riot,
My cottage in the wilderness.

BY JOHN NEVIN.
Kangaroo Valley, April, 19, 1868.



John Nevin snr (1808-1887)
Photo taken by his son Thomas Nevin ca. 1874
Copyright © KLW NFC Imprint & Private Collection 2005-2009 Arr.
Note: Kangaroo Valley near Hobart, Tasmania, was renamed Lenah Valley in 1922.


Mitchell Library catalogue for John Nevin

The peom as catalogued at the Mitchell Library NSW (webshot 2009)

John Nevin snr published several poems and pamphlets in Tasmania from his arrival in 1852 as a former soldier of the Royal Scots First Regiment, a former journalist and a pensioner guard on the convict transport, the Fairlie (1852). He wrote a poem on the death of his comrade-in-arms at the Canadian Rebellion, James Chisholm, in 1863. His saddest poem was written on the death of his daughter Rebecca Jane Nevin at Kangaroo Valley in 1865. He published a lament in 1881 on the occasion of the death of his friend, Wesleyan preacher, William Genge. In 1879, John Nevin married William Genge's 46 year old widowed daughter, Martha Salter. His "partner" Mary Anne Nevin nee Dickson and mother of Thomas James, William John aka Jack, Mary Ann and Rebecca Jane Nevin, had died in 1875. On his second marriage to Martha, this old "rover" and totally engaging character, John Nevin, was 71 years old. He died at his cottage at Kangaroo Valley in 1887.



State Library of Tasmania, P820A NEV.

Lines written on the sudden and much lamented death of Mr William Genge who died at the Wesleyan Chapel, Melville-street, Hobart on the morning of 17th January 1881, in the 73rd year of his age” by John Nevin, Kangaroo Valley, January 31st, 1881.

This watercolour, unattributed and dated 1858, gives some idea of the view to the Derwent from John Nevin's cottage ...

view from Ancanthe 1858

State Library of Tasmania
Ref: AUTAS001124067109


And this photograph, taken ca. 1870, is the same view:



Title: Photograph - New Town - view of New Town Bay from Orphan School
Description: 1 photographic print
ADRI: PH1-1-39
Source: Archives Office of Tasmania
Series: Album of Photographs of Tasmania, 1870 (PH1)
Notes: 1870