Melville Street from the Hobart Gaol 165 years ago

NEVIN brothers at the Hobart Gaol, Campbell St. 1860s
Thomas J. NEVIN, commercial photographer, government contractor (1842-1923)
Constable John (William John, aka Jack) NEVIN (1852-1891)



Panorama of Hobart from the Domain, showing the Hobart Gaol, Penitentiary Chapel and Melville Street on viewer's left.
Archives Office Tasmanian Ref: NS052420



Hobart Gaol and Penitentiary Chapel, Hobart
Archives Office Tasmania
Link: https://stors.tas.gov.au/LPIC147-3-190

The tower of the Penitentiary Chapel, which is now a National Trust property, is the key landmark (building E on the map). Melville St is further to the left of the Chapel, on the other side of the site, and ended abruptly at the Governor's Quarters (building G).





Photo taken of map pasted to a window at the Penitentiary Chapel Historic Site, Campbell St. Hobart.
Copyright © KLW NFC Imprint 2008 ARR.

The photograph (below) was taken by Thomas J. Nevin in July 1868 on a day of heavy snowfall.





'Melville St West Hobart under snow'
TMAG Collection Ref: Q9134

The verso of this photograph carries Thomas J. Nevin's most common commercial studio stamp and the wording "This by W. J. T. Stops Esq."which suggests that the photograph was presented to Frederick Stops by Nevin in 1868, perhaps as a gift to Emily Stops on the birth of their daughter, and was then passed down to his son W. J. T. Stops, who subsequently donated it to the Tasmanian Museum and Art Gallery from the Stops estate or even  from the University archives (Royal Society Collection) where more of Nevin’s photographs are held. It was then inscribed by an archivist on accession with the note - "This by W.J.T. Stops Esq". Frederick Stops and photographer Thomas Nevin were well acquainted for several reasons, the first being the dissolution of Thomas Nevin's partnership with Robert Smith operating as the firm "Nevin & Smith" in February 1868 which was underwritten by Frederick Stops' employer and Nevin's mentor, the Hon. W R. Giblin, Attorney-General.

Thomas Nevin exhibited this photograph at the Wellington Park Exhibition, Hobart, in July 1868. It was reproduced in the publication Tasmanian Photographers 1840-1940: A Directory (Tasmanian Museum and Art Gallery, 1995:82).



Entry on two photographs by Thomas J. Nevin (TMAG collections)
TMAG publication Tasmanian Photographers 1840-1940: A Directory (1995)

Thomas Nevin's chosen position to take the photograph was from the second storey of the Governor's Quarters. His camera captured the right side of Melville Street, and a wider vista of Mount Wellington to the north west. This photograph is yet another which suggests Nevin's association with the Hobart Gaol administration in 1868 when his solicitor W.R. Giblin, later Attorney-General, acted on his behalf to dissolve his partnership with Robert Smith, of the firm Nevin & Smith.

A few years earlier, ca. 1865, Thomas Nevin's younger brother Jack Nevin (Constable John Nevin) posed for a photograph in the courtyard of the Hobart Gaol, seen in this stereograph, left hand on hip, in the company of a prison official, possibly the Superintendent T.P. Ball.



Location: W.L. Crowther Library
ADRI: AUTAS001124851627 (auto color-corrected)

For further discussion of this stereograph, see this article here.

This stereograph, and others taken at the same time and place of the Prisoners Barracks (see below) are held at the State Library of Tasmania, and although unattributed, they were most likely taken by Thomas Nevin  working with Alfred Bock between 1863-1866 at their studio, 140 Elizabeth St. Hobart. The Nevin brothers' association with the Hon. W. R. Giblin and the Hobart Gaol continued throughout the 1870s and 1880s while Nevin was contracted to the Municipal Police Office as prisons photographer, both as a commercial photographer on government contract, and as a full-time civil servant in 1876. His principal studio and business, The City Photographic Establishment, was located one block away, close to the corner of Melville and Elizabeth Streets directly to the west. During his contracted years he used the studio to display photographs of absconders and others under warrant. His younger brother Constable John Nevin was a salaried employee and resident in training as keeper of the Hobart Gaol (H. M. Prisons) from the early 1870s until his death during the typhoid epidemic of 1891. He acted as his brother's photographic assistant at the Hobart Gaol during the 1880s.

Hobart Gaol governors house facing Melville St

Source: eHeritage images, State Library of Tasmania
Title: The Gaol Governor's House which blocked Melville Street.
Photographer: J. Hutchinson
Date: 1961
Notes: Monochrome photograph laminated over a white cardboard mount. The prison walls of the Hobart Penitentiary flank either side of this two storied house. The road surface in front of the house is uneven and unsealed. The house was in use in from the 1850s until November 1960. It was demolished in 1963.
Ref: PCH_00005


It was from this building, which by 1900 was called the Superintendent's house, that Nevin took the Melville St. photograph. The public entrance to this building was from Melville St, which terminated at its front gate (photo above), rather than the Gaol's entrance in Campbell St (photo below).



Frontal side view of the Superintendent's House at the Hobart Gaol in Campbell Street [PH30-1-3691]
Locality: Campbell Street, Campbell Street, Hobart
Date: 1900
Archives Office of Tasmania
Link: https://stors.tas.gov.au/PH30-1-3691PH30/1/3691

These identification photographs of convicts were taken by the Nevin brothers at the Hobart Gaol and at the Town Hall Municipal Police Office between 1872 and 1886.



Photo © KLW NFC Imprint 2008 ARR.

This poster of Thomas Nevin's identification photos of convicts, 1870s, was printed in 1991 from the QVMAG's collection of prisoner cartes.

PAHSMA accreditation printed on lower left border reads:
Produced by Port Arthur Historic Site Management Authority, with photographs (circa 1870) from the Queen Victoria Museum and Art Gallery Beattie Collection.



These in the series of stereographs dated ca. 1865 of the Prisoner Barracks and yards of the Hobart Gaol and the one above are color adjusted here to show the yellow salt paper on which they were printed:



Courtesy State Library of Tasmania
Location: W.L. Crowther Library
ADRI: AUTAS001124851619
Location: W.L. Crowther Library
ADRI: AUTAS001125299420




Left panel of panorama
State Library of NSW
"Part of Hobart"
Ref:a8816031h

Updated 2023

Prisoner Bewley TUCK can speak for himself

NEVIN'S GLASS NEGATIVES 1870s
PRISONER BEWLEY TUCK or JOHN TUCK?



Black and white print from Thomas Nevin's glass negative taken of prisoner Bewley Tuck, No. 68
From the Tasmanian Museum and Art Gallery Collection (online until 2006)

Dark Tourism and Heritage Fictions
Carolyn Strange in this article points to the fictionalisation of the past as the dominant modality of museological practice at the Port Arthur Historic Site. Convict Bewley Tuck's fictive "voice-over" tale stands in for a new "interpretative" identity between museum and tourist. Thomas Nevin's photograph of Tuck (ca. 1870), however, is not a construct but an artefact of the convict's reality as both convict and photographer experienced it. A documentary original photograph is not the same thing at all as a contemporary "interpretation" of it. As one visitor remarked to Strange on leaving the display, "I prefer the real thing."

Article by Carolyn Strange [pdf]

"Proceeding off from the workers’ display area is a room set aside for a slide show that combines 1860s photographic images of real convicts with voice-over fictional recollections of real-life convict Bewley Tuck. Inspired by the experiences of this man, who served sentences at Port Arthur between the 1830s and 1870s, the script is a salty tale about the penal regime and the changes at the site (particularly the introduction of the separate silent prison) in the post 1840s era. Visitors can learn more about the post-convict period (the 1880s to the present) if they move beyond this bare chamber to a story board area that explains how Port Arthur was transformed from a somewhat shameful curiosity into a carefully preserved historical site vying for world heritage status."

From ‘Place of Misery’ to ‘Lottery of Life’: Interpreting Port Arthur’s Past by Carolyn Strange © Open Museum Journal Volume 2: Unsavoury histories, August 2000

Thomas J. Nevin and prints from his glass negatives
Of the three hundred and fifty (350) or so extant photographs taken by government contractor Thomas J. Nevin of Tasmanian prisoners in the 1870s which were printed unmounted and/or in an oval mount for prison records, this unmounted print of Bewley Tuck (above) is held at the Tasmanian Museum and Art Gallery (TMAG), Hobart.

At least forty more unmounted photographs of prisoners taken by T. J. Nevin in the 1870s which were collated by John Watt Beattie in three panels ca. 1915 are held in the Queen Victoria Museum and Art Gallery, Launceston, together with seventy or so cdvs in oval mounts, the remainder of part of more than three hundred in oval mounts which were originally bequeathed  from the estate of convictaria collector and government photographer John Watt Beattie to the QVMAG in the 1930s. When several dozen mounted and unmounted cdvs were removed from Beattie’s original collection at the QVMAG and taken down to the Port Arthur prison heritage site for an exhibition as part of the Port Arthur Conservation Project in 1983, they were not returned to the QVMAG. They were deposited instead at the TMAG .

Given the scratches, crossed out inscriptions and general damage, the glass negative from which this print was made would have been used extensively to reprint the prisoner's photograph for prison records as each offense and charge was recorded. The print, unmounted such as this one, would have been pasted to his rap sheet, and more would have been reprinted from the original glass plate several times over the prisoner's long criminal career. Examples of both types of prisoner mugshots - mounted and unmounted - attached to prisoners' rap sheets are held at the Archives Office of Tasmania in prison photo books.

The QVMAG holds the mounted carte-de-visite of this prisoner Bewley Tuck, printed from the one and only sitting with police photographer Thomas J. Nevin, in 1875 at the Hobart Gaol. The QVMAG list (acquired here in 2005) showed a total of 199 mugshots, but only 72 were physically held  there when the list was devised. A total of 127 mugshots were missing by 2005. Two mugshots in this sequence – numbers 198 and 200 of prisoners James Mullens and William Smith, each bearing verso Nevin’s government contractor Royal insignia studio stamp – were deposited at the State Library of NSW, Mitchell collection (SLNSW PBX 6274) ca. 1907, among a dozen more which do not bear the numbering on recto.



The Port Arthur Conservation Project 1983, Elspeth Wishart
Notes from the QVMAG catalogue Q1985: P: 0068
Cdv and uncut print of prisoner Bewley Tuck.

Elspeth Wishart (an employee perpetuating the Boyd misattribution formerly at the QVMAG and now at the TMAG)  contrived the absurd and groundless photographer attribution to the commandant A. H. Boyd during this 1983 exhibition at Port Arthur as a result of a socially aspirational comment by a descendant of Boyd. It was hearsay, and remains nothing more than vexatious misinformation.
See these articles:

One man, two names, one image



In addition to a paper copy of Nevin's photograph of Bewley Tuck (seen in this webshot, 2005), the Archives Office of Tasmania holds two relevant convict records.

71580
Tuck John
04 Aug 1831
Argyle 18 Mar 1831
Plymouth

71572
Tuck Bewley
16 May 1833
Lotus 13 Dec 1832
Portsmouth

Two versions exist of the one photograph taken of a convict who was labelled JOHN TUCK on the print from Nevin's original glass plate, and BEWLEY TUCK on the carte-de-visite mounted in an oval frame. Were they one and the same person, or two different men? The Archives Office of Tasmania holds a record for each name, with different transportation dates and physical descriptions, so they must have been two different men, so why is there just one image of the same man, identified as John Tuck on a glass negative, and Bewley Tuck on the carte printed from the negative?

The image of the man himself on the glass negative print with the name John Tuck scratched on it is the original photograph taken by Thomas Nevin at the Hobart Gaol of Bewley Tuck, photographed in the week ending 5th May, 1875, the date of Bewley Tuck's discharge. He had served 15 years for the "attempt to commit unnatural offence" and was 65 years old when he was discharged.

bewley Tuck discharged May 1875

Bewley Tuck's discharge, page 72 of the police gazette,
May 1-5, 1875


Although the item held now in a public collection is catalogued as the 1870s original, it may in fact be a later reproduction of Nevin's 1875 glass negative, developed again as a lantern slide by John Watt Beattie in the 1900s for use in his lectures on Tasmanian history.  Images of Tasmanian convicts were also used in lectures on physiognomy delivered by a phrenologist, Mr Sheridan. The Mercury reported his lecture on 30 March 1892 had focused on the criminal type, classifications within the type, and the use of composite photography in phrenology.
There were two great types of criminals-the normal criminal, as already mentioned, and the epileptic.



Mr Sheridan on the criminal type portrayed by phrenology
The Mercury 30 March 1892

If Beattie had made a new lantern slide from the negative of Nevin's original, this may account for the name "John Tuck" appearing on one side of the frame, and another name scratched out appearing on the other side. It is likely therefore to be an error by later copyists such as Beattie and Searle ca. 1915, who reproduced these convict images as "Types of Convicts - Official Prison Photographs from Port Arthur", to be sold as tourist tokens in Beattie's convictaria shop and museum. A few more of these later reproductions from the original glass negative of prisoners Rosetta, Meaghers, and Lee, attributed to Beattie & Searle ca. 1916, are held at the NLA,  and the QVMAG holds three panels totalling 40 unmounted prints devised by Beattie and Searle, together with individual cdvs in oval mounts, mostly of the same prisoner.

Thomas Nevin photographed men who were absconders, men who were arrested on suspicion and charged, men arraigned in the Supreme Court and discharged from the Mayor's Court on a regular basis at the Hobart Gaol. When he photographed this man in May 1875, Tuck was known to his gaolers only as Bewley Tuck. His name appeared only once in the weekly police gazettes, called Tasmania -Reports of Crime for Police Information, between 1871 and 1875, and that one occasion was his discharge.

Thomas Nevin photographed Bewley Tuck once, and once only, providing the prison and police authorities with at least four duplicates from his negative for future police reference, including the print pasted onto the convict's record sheet. The image mounted or unmounted, was a standard police record mugshot, small enough to fit onto the paper record with room for written details.

It's up to the reader to decide which physical description of the two men fits the image, keeping in mind that these convict records are transportation records of arrival and muster, written no later than 1853, and the photograph by T. J. Nevin was taken in 1875. That is a difference of over 40 years, and both of the written records indicate that John Tuck and Bewley Tuck were 18 years old when transported. The discharge details for Bewley Tuck in 1875 give his age at 65 yrs, and an anchor tattoo on back of left hand.

The "punctum" - the detail that grabs the eye - and informs a viewer's interpretation, may be in the image itself, or in the written description, for example, the "long scar below left cheek bone" in John Tuck's record. In the negative image, it's below the right cheek bone, or is it?



The glass negative with "John Tuck" written down the right side.



What has been scratched out on the left?



The carte on the left bears the number "3". Its mirror version on the right shows the image as it appeared on the original negative. The mirror version, straightened, shows that there was just one image of this man, captured first on glass, then printed as both an unmounted paper print, and then mounted in an oval frame as a cdv.





Above: verso and recto of same image in cdv format in the QVMAG database. Notice that it is number 3 in the series copied at the QVMAG ca. 1985 for distribution to other public institutions (AOT, NLA, TMAG): the first,  number 1 being of prisoner Nutt aka White, and number 2 being Wm Yeomans (also at NLA as a mounted cdv). None of these first three cartes copied from the QVMAG Beattie collections, from which Nevin's 1870s original negatives and vignetted duplicates were drawn, has the inscriptions on verso "Taken at Port Arthur 1874". See this article here: Aliases, Copies and Misattribution.



Records for Bewley Tuck



Tuck, Bewley
Convict No: 71572
Voyage Ship: Lotus
Voyage No: 104
Arrival Date: 16 May 1833
Departure Date: 13 Dec 1832
Departure Port: Portsmouth
Conduct Record: CON94/1/ p202, CON31/1/43, CON37/1/9 p5285
Muster Roll:
Appropriation List: CON27/1/6, CSO1/1/652 14642, MM33/6
Other Records:
Indent: MM33/2
Description List: CON18/1/13 p107


Archives Office of Tasmania – digitised record
Item: CON18-1-13 Image 57


https://search.archives.tas.gov.au/ImageViewer/image_viewer.htm?CON18-1-13,233,57,C,40



Archives Office of Tasmania – digitised record
Item: CON31-1-43 image 98
https://search.archives.tas.gov.au/ImageViewer/image_viewer.htm?CON31-1-43,176,98,F,80




Records for John Tuck



AOT: Archives Office of Tasmania – digitised record
Item: CON18-1-3
Digital image no. 50


https://search.archives.tas.gov.au/ImageViewer/image_viewer.htm?CON18-1-3,242,50,C,40

Convict Details
Tuck, John
Convict No: 71580
Voyage Ship: Argyle
Voyage No: 87
Arrival Date: 04 Aug 1831
Departure Date: 18 Mar 1831
Departure Port: Plymouth
Conduct Record: CON31/1/43
Muster Roll:
Appropriation List: CON27/1/5, MM33/6
Other Records:
Indent: CON14/1/2
Description List: CON18/1/3 p90





RELATED POSTS main weblog