Thomas Nevin's stereos of sister Mary Ann at New Town rivulet

MARY ANN NEVIN (1844-1878)
Brothers Thomas James and Jack (William John) Nevin arrived in Tasmania in 1852 as children with parents Mary and John Nevin, and two sisters, Mary Ann and Rebecca Jane. The family settled at Kangaroo Valley (now Lenah Valley) near the Lady Franklin Museum. Neither sister lived to see the 20th century. For a fuller biography, see this article.

THE STEREOGRAPHS



Mary Ann Nevin (1844-1878), sister of Thomas J. Nevin,
dipping a glass at New Town rivulet, Kangaroo Valley Hobart Tasmania, ca. 1870.
Salt paper stereograph taken by Thomas J. Nevin ca. 1870
Photo © KLW NFC Imprint 2012



Stereograph of Mary Ann Nevin by her brother Thomas J. Nevin ca. 1870 taken at Kangaroo Valley near the school in the company of an adult male and children. TMAG Collection Ref: Q16826-1-2

THE LADY FRANKLIN MUSEUM IN 1871

Walch's Tasmanian Guide 1871

From Walch's Tasmanian Guide 1871
Copyright © KLW NFC Imprint 2012



Stereograph ca, 1870 by Thomas Nevin of a group visiting Lady Franklin’s Museum, Ancanthe, Kangaroo Valley, Tasmania. TMAG Ref: Q1994-56-34.

THE NEW TOWN RIVULET TODAY

Lady Franklin Museum Kangaroo (Lenah) Valley

The bridge in the foreground crosses the rivulet. The Lady Franklin Museum sits below the site where John Nevin built his cottage (now demolished), next to the house (pictured) above on the rise at 270A Lenah Valley Rd.

New Town rivulet Lenah Valley

New Town rivulet Lenah Valley

New Town rivulet Lenah Valley

New Town rivulet Lenah Valley

Photos © KLW NFC Imprint 2012 ARR

THE CARTE-DE-VISITE
Thomas J. Nevin's carte-de-visite of of his sister Mary Ann, bears slight tinting of the cheeks.



Thomas Nevin's portrait of his sister ca. 1873, Mary Ann Nevin (1844-1878)
Carte-de-visite format pasted on cardboard. Verso bears Thomas Nevin's studio stamp, "T. Nevin, City Photographic Establishment, 140, Elizabeth Street, Hobart Town".
Copyright © KLW NFC Imprint ARR 2005 -2012 ARR. Watermarked.

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Childhood photos of son George and daughter Minnie Nevin

CHILDREN of Thomas & Elizabeth NEVIN, 1872-1888
Photographer Thomas James Nevin married Elizabeth Rachel Day in July 1871 at the Wesleyan Chapel, Kangaroo Valley, Hobart. Seven children were born between 1872 and 1888, six of whom survived to adulthood.

children of Thomas Nevin 1872 to 1888

THE DREW FAMILY ALBUM
The Tasmanian Archives and Heritage Office (TAHO) received copies of photographs from the estate of Mary Ann Drew, known to the Nevin family as Minnie, donated by V. Hooper of the funeral directors firm Hooper & Burgess, on the 30th August 1974. The photographs were enlarged black and white copies from a family album, and were most likely prepared by Mr V. Hooper for Minnie Drew's funeral service which was conducted on 14 September 1974 at her residence in Mt Stuart, Hobart.

Minnie Drew nee Nevin burial srct

Southern Cemeteries burial record; Mary Ann Drew nee Nevin, known as Minnie, 14 September 1974, aged 89 yrs.
Minnie Nevin was born on 11 November 1884.

MINNIE NEVIN (1884-1974)
The photographer of the original photos was not recorded by the TAHO in 1974, and no studio stamp is evident of the recto of each copy. As the original family album from which they were copied has yet to come to light, the photographer attribution can be adduced from the date of the sittings - 1884 - when Thomas J. Nevin registered Minnie's birth signed with his profession "photographer, New Town 18th December 1884". The copies deposited at TAHO by the Drew family included two childhood photographs of Thomas and Elizabeth Nevin's daughter Minnie Nevin, and one of son George Nevin.

The earlier one is of Minnie as a 2 year old toddler, wearing a large white bib, probably taken in 1886.

Minnie Nevin ca. 1886

Minnie Nevin, aged 2yrs, ca. 1886
Photograph by her father Thomas Nevin, New Town studio
b&w copy deposited 30/8/1974
Ref: NS434/1/236 Tasmanian Archives Collection (TAHO)





1884:  dismissed from the Town Hall position three years earlier, Thomas Nevin was working from his studio in New Town when he wrote his profession, address and signature as "photographer, New Town, 18 December 1884" on the birth registration of Mary Ann Nevin (1884-1974), known as Minnie to the family and named after Thomas' sister Mary Ann Nevin who died in 1878. Thomas' mother's name was also Mary Nevin.

The later photograph of Minnie Nevin from her estate was taken ca. 1900 as a fifteen year old teenager, seated on a pillar, with a sprig of leaves, and wearing a spotted dress, stockings and boots.

Minnie Nevin ca. 1900

Minnie Nevin, aged 15yrs, ca. 1900
Unattributed, b&w copy deposited 30/8/1974
Tasmanian Archives Collection (TAHO) Ref: NS434/1/230

GEORGE NEVIN (1880-1957)
Thomas J. Nevin was employed principally as the Office Keeper of the Hobart Town Hall for the City Corporation, Mayor's Office and Municipal Police Office when his fourth son George Ernest Nevin was born there in April 1880. First son and namesake Thomas James "Sonny" Nevin was born at Nevin's photographic studio, 140 Elizabeth St Hobart, in 1874. The second son Sydney John Nevin was born at the Hobart Town Hall in October 1876 but died a few months later in January 1877. The third son William John Nevin was also born at the Hobart Town Hall in March 1878 but died in a vehicle accident in 1927.



Southern Cemeteries burial record; George Ernest Nevin , 30 July 1957, aged 77 yrs.
Born at the Hobart Town Hall on 2 April, 1880.

The childhood photograph of George Ernest Nevin, copied from the Drew Family Album and deposited at the Tasmanian Archives Office in 1974 from his sister Minnie Drew's estate, was taken ca. 1885- 6, or in the same sitting as the photograph of Minnie (above) as a 2yr old. George was photographed with short hair, wearing bloomers and jacket, and seated on a wooden horse.

George Nevin ca 1886

George Nevin, aged 6 yrs, ca. 1886
Photograph by his father Thomas Nevin, New Town studio
B&w copy deposited 30/8/1974
Tasmanian Archives Collection (TAHO) Ref: NS434/1/245

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A highly coloured portrait



Unidentified woman, seated with sewing
A highly colored carte-de-visite ca. 1872
Taken by T.Nevin late A.Bock, 140 Elizabeth St., Hobart Town
Held at the Archives Office of Tasmania TAHO Ref: PH31/439
Photo © KLW NFC Imprint 2012 ARR

This carte-de-visite is typical of Thomas J. Nevin's ever day photographic activity in his city studio as a commercial portraitist. Although undated, he may have taken it in late 1871 soon after his marriage to Elizabeth Rachel Day and up until the birth of his first child in 1872, since it may have been his wife who worked with him, printing and colouring studio portraits in the small residence, shop, and glass house at 138-140 Elizabeth St. Hobart Town (Tasmania).

Elizabeth Rachel Nevin photo by T. Nevin 1871

Cdv of Elizabeth Rachel Nevin nee Day ca. 1871 taken by her husband Thomas J. Nevin.
Her hair ribbons, earrings and brooch exhibit delicate tinting.
Photo © KLW NFC 2012 and The Nevin Family Collections.

In contrast to this portrait of Nevin's wife, the extensively coloured portrait featured of the woman with sewing, which is similar in colouring and execution to several others held in both public and private collections (NLA; TMAG; QVMAG; John McCullagh Collection; Lucy Batchelor Album; G.T. Harrisson Collection; Nevin Family Collections), may have as provenance the same northern Tasmanian family who coloured their family portraits after purchase (see below).



DECOR: the shiny low chair, the table with griffin-shaped legs, tinted flowers and hair ribbons, the draped curtain, the diamond-patterned carpet, and the backdrop of a patterned patio looking out from an Italianate terrace to a vista of a meandering river, characterise this phase or aspect of Nevin's commercial practice. However, his photographic techniques varied widely between 1868 and 1880, from salt paper stereographs of ferns and landscapes, cabinet portraiture, and of course, the police mugshots - aka the "Port Arthur convicts portraits 1874" (QVMAG; NLA; SLNSW etc) for which he is mostly renowned today.

MORE COLOURED CARTES by NEVIN from this period








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Queen's Brian May & Elena Vidal on T.R. Williams' stereography

A FORGOTTEN PIONEER of STEREOGRAPHY 1850s
T.R. Williams' stereographs taken of scenes in an English village in the 1850s ("Scenes in Our Village") have been reproduced by Brian May and Elena Vidal in a superb publication, "A Village Lost and Found" . The book comes in a slip case that includes a stereoscopic viewer invented by Brian May "which makes the magic happen".

T R Williams stereo 1850s

In these videos, Brian May and Elena Vidal explain the history and principles of stereography, and the inception of their book.

"You can find some grubby old card in an auction house ... and suddenly you can walk into another world."








cover A village Lost and Found Brian May

A Village Lost and Found, The London Stereoscopic Society 2009



brianmayvillagelot298

THOMAS NEVIN'S STEREOGRAPHS 1860s
T.J. Nevin printed his stereographs using the same card frame, and the same type of photographer's blind impress stamp evident in T.R. Williams' work, suggesting direct knowledge of Williams as a pioneer of the science and art.

More than fifty stereographs by T. Nevin held at the Tasmanian Museum and Art Gallery - many depicting scenes of Augusta, the village at Kangaroo Valley (now Lenah Valley, Hobart) where the Nevin family resided on land adjoining the Lady Franklin Museum - reflect similar thematic conventions in T.R. Williams' original "Scenes in Our Village" in which short poems were written to accompany each . Thomas Nevin's father, John Nevin, published a poem in 1868 about the cottage he built at Kangaroo Valley, and his son Thomas Nevin produced an accompanying photograph of the cottage. And like T.R. Williams who was largely forgotten until Brian May's publication, scant attention had been paid to Thomas J. Nevin (apart from his portraits of convicts) until the appearance of this weblog and its associated sites.



With Jean Porthouse Graves at Caldew, West Hobart
Group portrait of two male adults, one boy and three girls, members of the Graves, Miller and Boyes family taken by Thomas Nevin ca. 1870 at Caldew, West Hobart.
Stereograph in arched mount on yellow card
TMAG Ref: Q16826.10



Coal Mining operation, New Town Tasmania
Possibly Sim’s Excelsior coal mine at Kangaroo Valley sold to Mr Stops 1874. Thomas Nevin acted as an agent for domestic coal supplies.
TMAG Ref: Q16826.11



House with bluestone side extensions
Taken ca. 1868 by Thomas J. Nevin of a house, possibly in Kangaroo Valley (Hobart) with partner Robert Smith. This is not the house built by John Nevin at Kangaroo Valley, (see Liam Peters Collection) but one quite similar, except that this one has bluestone walls.
Verso below bears the firm label of Nevin & Smith.
TMAG Ref: Q16826.9





Stereograph by Nevin & Smith of the Terpsichoreans at Rosny ,
Queen Victoria birthday celebrations 27th May 1868
Verso label: “Tasmanian Views from Nevin & Smith Photographers”
Tasmanian Museum and Art Gallery Collection
TMAG Ref: Q1994.56.20.1



A farmer and friend surveying the crop
Stereograph by Thomas J. Nevin ca, 1870
TMAG Collection Ref: Q1994.56.22



Group including Mrs and Mrs George Case at Sir John Franklin’s Tree, Kangaroo Valley, Tasmania.
Stereograph by Thomas J. Nevin, ca.1867
TMAG Ref: Q1994.56.31



Group at the Lady Franklin Museum, Ancanthe
Stereograph by Thomas J. Nevin 1860s-1870s
TMAG Ref: Q1994-56-34



Mary Ann Nevin (1844-1878), sister of Thomas J. Nevin at the Kangaroo Valley school house ca. 1870
One of two identical stereographs held in the Tasmanian Museum and Art Gallery Collection
TMAG Ref: Q16826-1-2



Mary Ann Nevin (1844-1878), sister of Thomas J. Nevin,
dipping a glass at New Town rivulet, Kangaroo Valley Hobart Tasmania, ca. 1870.
Stereograph taken by Thomas J. Nevin ca. 1870
Photo © KLW NFC Imprint Private Collection 2012

A comprehensive collection of stereographs taken by Thomas J. Nevin 1860s-1870s held at the Tasmanian Museum art Gallery Collection was digitised for KLW NFC Imprint (2015): click here to view a selection.

"T. NEVIN PHOTO" - Thomas J. Nevin's blindstamp impress on stereographs 1860s-1870s

These stereographs taken by Thomas J. Nevin and stamped recto with his blindstamp impress - "T. NEVIN PHOTO" - over a decade in the 1860s-1870s are held in the Tasmanian Museum and Art Gallery collections.

T. J. Nevin's studio, 140 Elizabeth Street Hobart Town
This is one of two different views of Thomas Nevin's studio and shop, extreme right of frame, situated at 140 Elizabeth St. Hobart, three doors from Patrick Street, next door to the Standard Hotel at 142 Elizabeth Street on the corner.



Above: a view of Thomas Nevin's studio and shop, extreme right of frame, operating as the City Photographic Establishment, 140 Elizabeth St. Hobart, Tasmania.
Stereograph by T. J. Nevin ca. 1867-70
The dark building next door at 138 Elizabeth St., Nevin's residence, was leased from A. E. Biggs
"T. NEVIN PHOTO" blindstamp impress on lower centre of mount. Verso blank.
The Tasmanian Museum and Art Gallery Collection TMAG Ref: Q1994.56.12

The Trip to Adventure Bay 1872
Copies of this series were collected by Jean Porthouse Graves, daughter of solicitor and townsman John Woodcock Graves the younger, the organizer of this VIP trip to Adventure Bay, 31 January 1872. Thomas J Nevin was commissioned to produce a series of group photographs for the visitors which he also advertised for sale in the press the  following week.   

These copies are held at the Tasmanian Museum and Art Gallery. This group portrait of the VIPs on board the City of Hobart was especially commissioned. It not only carries Nevin's blindstamp on the mount at right, it is also stamped verso with his government contractor stamp.



Above: stereograph, group portrait of the VIPS by T. J. Nevin
Day-trippers to Adventure Bay on board the City of Hobart 31st January 1872
"T. NEVIN PHOTO" blindstamp impress recto on right hand side
Verso with T. J. Nevin’s government contractor’s stamp with Royal Arms insignia.
Tasmanian Museum and Art Gallery Collection Ref: Q1994.56.2



Above: verso of stereograph of the group portrait of VIPS by T. J. Nevin
Day-trippers to Adventure Bay on board the City of Hobart 31st January 1872
"T. NEVIN PHOTO" blindstamp impress recto on right hand side
Verso shows T. J. Nevin’s government contractor’s stamp with Royal Arms insignia.
Tasmanian Museum and Art Gallery Collection Ref: Q1994.56.2.backed.

Below: another configuration with more members of the VIP group at Adventure Bay, 31st January 1872. The man laughing, sitting between the Hon. Alfred Kennerley (lower left) and Sir John O'Shanassy, is Hugh Munro Hull, Parliamentary librarian. He seems to have appreciated comments coming from Thomas Nevin at the point of capture, while Sir John O'Shanassy (with stick), reads on, oblivious. The figure running into the scene at centre is John Woodcock Graves (the younger), organiser of the excursion.



Nevin's blindstamp impress "T. NEVIN PHOTO" is on the mount at centre.
This stereo is badly water-damaged.
It is held at the Tasmanian Museum and Art Gallery, Ref: Q1994.56.24.
Photo taken at TMAG 10th November 2014
Photo copyright © KLW NFC 2014 ARR
TMAG Ref: Q1994.56.24

This group photograph (below) of the colonists at Adventure Bay,  31st January 1872, show men of premier social status dressed in full Victorian attire from head to toe photographed in reclining and recumbent poses. These captures by Thomas Nevin of Sir John O'Shanassy and Sir James Erskine Calder lolling about in bush surroundings are quite remarkable.



Above: another group photograph of the colonists at Adventure Bay 31st January 1872
Figures on lower left, recumbent: John Woodcock Graves jnr and Sir John O'Shanassy
Between them: John Graves' teenage daughter, Jean Porthouse Graves
Above her in topper: Robert Byron Miller (whose son Francis Knowles Miller she married in 1885)
On right: sitting with stick, Hon. Alfred Kennerley, Mayor of Hobart.
Head in topper only on extreme right: Sir James Erskine Calder.

Stereograph in double oval buff mount with "T. NEVIN PHOTO"  blindstamp impress in centre
Verso is blank.
Photo taken at TMAG 10th November 2014
Photo copyright © KLW NFC 2014 ARR
Tasmanian Museum and Art Gallery Collection Ref: Q1994.56.5

Along the River Derwent
These stereographs were printed in commercial numbers by both Thomas J. Nevin and his friend and colleague, Samuel Clifford for the tourist trade.



TMAG Catalogue notes (online until 2006)
Ref: Q1994.56.21
ITEM NAME: Photograph:
MEDIUM: sepia stereoscope salt paper print
MAKER: T Nevin [Artist]
DATE: 1870s
DESCRIPTION : Scene near New Norfolk ?
INSCRIPTIONS & MARKS: Impressed on front: T Nevin/ photo
Tasmanian Museum and Art Gallery Collection Ref: Q1994.56.21



TMAG Catalogue notes (online until 2006)
Ref: Q1994.56.7
ITEM NAME: Photograph:
MEDIUM: sepia stereoscope salt paper print
MAKER: T Nevin [Artist]
DATE: 1870c
DESCRIPTION : Salmon Ponds at Plenty near New Norfolk
INSCRIPTIONS & MARKS: Impressed on front: T Nevin/ photo
Tasmanian Museum and Art Gallery Collection Ref: Q1994.56.7



Ferns, ferns and more ferns
At least five stereographs of ferns by Thomas J. Nevin are held at the Tasmanian Museum and Art Gallery, dated to ca. 1870. Prints of these stereographs were produced by the hundreds; some were imprinted recto with his blindstamp "T. NEVIN PHOTO", others of the same image were left blank. T:



FERNS: T. Nevin impress "T. NEVIN PHOTO" on left side mount
TMAG Ref: Q1994.56.13



FERNS: TMAG Ref: Q16826.34



FERNS: TMAG Ref: Q16826.30.1.backed
Verso inscription: " Ferns Kangaroo Valley"



FERNS: TMAG Ref: Q16826.30.1



FERNS. One of many stereographs by Thomas J. Nevin showing ferns in summer and winter around the foothills and valleys of kunanyi/Mt Wellington
Stereograph on arched buff mount ca. 1868
Tasmanian Museum and Art Gallery Collection TMAG Ref: Q16826-31-1



FERNS: TMAG Ref: Q16826.31.2



The blindstamp:
T. NEVIN
PHOTO
Charles Darwin on Tasmanian Ferns
In this extract from his journal, Charles Darwin expressed amazement at the Tasmanian ferns he encountered on his walk around Mount Wellington:

From Chapter XIX:
Extract from Charles Darwin's account of his visit to Hobart, February 1836 aboard the Beagle.
Journal of researches into the geology and natural history of the various countries visited by H.M.S. Beagle. (London : H. Colburn, 1839.)
"The Beagle stayed here ten days, and in this time I made several pleasant little excursions, chiefly with the object of examining the geological structure of the immediate neighbourhood.

The main points of interest consist, first in some highly fossiliferous strata, belonging to the Devonian or Carboniferous period; secondly, in proofs of a late small rise of the land; and lastly, in a solitary and superficial patch of yellowish limestone or travertin, which contains numerous impressions of leaves of trees, together with land-shells, not now existing. It is not improbable that this one small quarry includes the only remaining record of the vegetation of Van Diemen's Land during one former epoch.

The climate here is damper than in New South Wales, and hence the land is more fertile. Agriculture flourishes; the cultivated fields look well, and the gardens abound with thriving vegetables and fruit-trees. Some of the farmhouses, situated in retired spots, had a very attractive appearance. The general aspect of the vegetation is similar to that of Australia; perhaps it is a little more green and cheerful; and the pasture between the trees rather more abundant.

One day I took a long walk on the side of the bay opposite to the town: I crossed in a steamboat, two of which are constantly plying backwards and forwards. The machinery of one of these vessels was entirely manufactured in this colony, which, from its very foundation, then numbered only three and thirty years! Another day I ascended Mount Wellington; I took with me a guide, for I failed in a first attempt, from the thickness of the wood. Our guide, however, was a stupid fellow, and conducted us to the southern and damp side of the mountain, where the vegetation was very luxuriant; and where the labour of the ascent, from the number of rotten trunks, was almost as great as on a mountain in Tierra del Fuego or in Chiloe. It cost us five and a half hours of hard climbing before we reached the summit. In many parts the Eucalypti grew to a great size, and composed a noble forest.

In some of the dampest ravines, tree- ferns flourished in an extraordinary manner; I saw one which must have been at least twenty feet high to the base of the fronds, and was in girth exactly six feet. The fronds forming the most elegant parasols, produced a gloomy shade, like that of the first hour of the night.

The summit of the mountain is broad and flat, and is composed of huge angular masses of naked greenstone. Its elevation is 3100 feet above the level of the sea. The day was splendidly clear, and we enjoyed a most extensive view; to the north, the country appeared a mass of wooded mountains, of about the same height with that on which we were standing, and with an equally tame outline: to the south the broken land and water, forming many intricate bays, was mapped with clearness before us. After staying some hours on the summit, we found a better way to descend, but did not reach the Beagle till eight o'clock, after a severe day's work. (Feb. 6, 1836: pp 486-7) "
[end of extract]

Darwin's astonishment at the magnificence of these ferns was repeated by Tasmanian photographers right through to the 1900s in endless variations. Ferns laden with snow was a particularly popular image. The State Library of Tasmania holds hundreds of photos taken by Clifford, Anson, Cawston, Abbott, Allport, Haigh, Winter, Baily and every other photographer between 1860-1880.

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Public Collections
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